Fatima Sana Shaikh: 'I wasn’t quite sure about playing Indira Gandhi in ‘Sam Bahadur’
Beyond her portrayal of Indira Gandhi, Shaikh has carved a niche for herself in the film industry with her ability to seamlessly embody diverse roles, each characterized by depth and authenticity.
Fatima Sana Shaikh, who began her acting career as a child artist, gained widespread acclaim for her portrayal of Geeta Phogat in Aamir Khan’s 2016 film Dangal. She recently played India’s former Prime Minister Indira Gandhi in filmmaker Meghna Gulzar's highly acclaimed film Sam Bahadur. Through her compelling performance, she brought to life the essence of one of India's most influential leaders, capturing the nuances and complexities of the character with remarkable finesse.
Beyond her portrayal of Indira Gandhi, Shaikh has carved a niche for herself in the film industry with her ability to seamlessly embody diverse roles, each characterized by depth and authenticity. Eastern Eye recently spoke to the talented actress about her experiences in bringing historical figures like Indira Gandhi to life on screen, her experience of working with co-star Vicky Kaushal, the nuances of her craft, and much more.
After a great theatrical run, your film Sam Bahadur is now streaming on ZEE5 Global. How do you feel about it?
I am happy because it will now receive maximum reach and more audience will have access to it. I am more than happy. As an artist, you want to make sure that more and more audiences watch your work and that your work resonates with them.
When director Meghna Gulzar approached you for the role of Indira Gandhi, what was your first thought?
I was not quite sure about doing the role and I had mentioned that to Meghana Gulzar, but she was like, ‘Just trust me’. For me, that was enough. For me, my director to ask me to trust her was assuring. And that’s how we set the ball rolling. We started working on it, prepping on it and we went on set. I tried to be as honest as I could be and give Meghana what she wanted from me as an actor. That’s it.
You were tasked to play an iconic Indian woman on screen. Were you intimidated?
Yes, I was scared and that’s the reason I wasn’t sure about it initially. To be honest, the process was quite smooth because Meghana as a director is quite clear about what she wants from her character. When it’s about her script and the characters, she is crystal clear about it. The kind of behavioural pattern I should follow or I shouldn’t, the pitch of my voice, it’s all her. So actually this is Meghana’s Indira Gandhi. I have tried to give her whatever she needed from me and as an actor that is also an interesting process where you just have to sit back, relax, and listen to your director. So that’s quite an interesting process as well and that was really comforting for me.
How much time did your makeup occupy?
Oh, just don’t ask me about that. It used to take them 1 to 3 hours. That was quite interesting.
You had some terrific scenes with Vicky Kaushal also. So how was the give and take between the two artists?
Vicky Kaushal is undoubtedly a phenomenal actor of all. I feel that he is one of the best actors of the younger generations. That is what I truly believe and when I used to observe him on sets, in his character, also he was extremely sincere and always arrived on time. He is extremely professional and he also gives you some cues. So you know, he is a good co-actor, whatever you need from a co-actor, he is giving. And he was so patient and he was so nice and that you can see on screen. That hard work, the dedication, and the talent, it’s so seamless. So I had a good time with him.
You started as a child actor in the industry. How did you bag your first project?
I was very young at that time so I don’t remember much about it. So somebody told me about the audition and I went there, auditioned for it and I bagged the project. They used to ask the kids to recite a line and they repeat it. That’s how kids bag a film. Honestly, I was too young to remember anything.
Did you want to become an actress because of that experience?
So after working as a child actor, I decided not to act anymore. When I was a teenager, I wanted to pursue fine arts. But we weren’t able to afford that and after that, I realized that acting was fun. And I was like I was not good at any other things and nor was I good at studies, so I could not think of a better career option than acting. When I wasn’t getting any work as an actor, I started learning about cinematography as I genuinely considered it as a career option and was genuinely pursuing it. So I was assisting a cinematographer and by then Dangal happened. But I always wanted to be a part of this world.
How did Dangal happen?
They just called us for an audition and we just got selected. I mean it wasn’t that easy but this is how it is. You just need to keep on giving auditions and you never know when you will land in a film.
Your co-star of Dangal, Suhani Bhatnagar, is no more. Did you talk to family?
It’s not happy news, it’s sad and it’s very disturbing. She was just 14 and she was just a kid when we did Dangal. I can’t even imagine what her parents might be going through. To lose a child, at the age of 19, when you have seen and you have spent so much time with that kid of yours. And you cannot even see through it. So I can’t even imagine and I have spent some time with her, 7 years ago but those memories are very fond and I can never forget the smile. It was heartbreaking. I can’t even express how any of us has felt. And it took a while, to even process, to even understand, it took me a few days, to be honest.
The interesting thing about Sam Bahadur is that you and your Dangal co-star Sanya Malhotra are together in the film, but there are no scenes between the two of you.
This is the second time that it has happened, it has happened in Ludo too. I miss working with her, like doing scenes with her because she is a great actress and a dancer and she is a good-natured woman. And I am fortunate that I have her in my life as a friend also because to stay in touch with people is very tough and we have managed to find that, you know, rhythm in each other’s lives. I hope we do something together but already the work that she is doing is so impressive. I am so proud of her.
What are you doing when you are not working?
For the time being, I am working and I cannot even dare to breathe. I just meet my friends and chill with them like everyone. I sleep, then I eat and then I take rest.
When did you realize that you have become famous?
I never feel that I have arrived because the struggle is lifelong and that never escapes your mind. Because when you achieve something, then you start to chase another thing and then another. So we are never happy, so I never feel that I have arrived because every day you are fighting to get something else. So it’s a struggle with yourself.
Is there any character or role that you want to portray?
More than characters, I feel I want to be a part of films that bring a change in society or any character that moves people or inspires them. I want to do projects that make me happy and the audiences happy, something that challenges people, society, and people. So yeah, that’s all that I want.
Scarlett Johansson says early roles focused on “desirability” and male-centred narratives
Notes positive shift in how women are portrayed in Hollywood today
Recalls being hypersexualised and typecast as a young actress
Currently stars in The Phoenician Scheme, with Jurassic World Rebirth out on 2 July
Scarlett Johansson has reflected on how Hollywood roles for women have evolved, admitting that early in her career, most of her characters were written to serve male-driven storylines. Speaking in an interview, the actress said the landscape has changed, with more nuanced opportunities for women on screen.
The Black Widow star, who began acting at nine, noted a shift in the kinds of roles she’s being offered now. “When I was younger, a lot of the roles I was offered had their ambitions or arcs revolving around their desirability or the male gaze,” she said. “That is less frequent now; something has shifted.”
Scarlett Johansson opens up about breaking free from early typecastingGetty Images
Johansson says more complex roles are finally being written for women
The 39-year-old actress acknowledged that the film industry is slowly embracing more layered portrayals of women. “The messaging is different now; there are more role models, women in visible and powerful positions, and roles that aren’t just one-note,” she said.
Scarlett has long been vocal about the way she was sexualised early on in her career. In a 2022 interview, she admitted that being objectified in Hollywood made her fear she’d be stuck playing the same type of roles. “I kind of became pigeonholed… I remember thinking, ‘I think people think I’m 40 years old,’” she said.
Johansson reflects on her childhood stardom and evolving careerGetty Images
From child star to filmmaker, Johansson now takes control of the narrative
Having debuted in North (1994), Scarlett went on to star in Lost in Translation, The Horse Whisperer, Ghost World, and the Avengers franchise. Now, she’s not just acting; she’s also directing. Her first feature, Eleanor the Great, premiered at Cannes in May.
From Avengers to auteur Scarlett Johansson embraces creative control Getty Images
Alongside her current role in Wes Anderson’s The Phoenician Scheme, she has Jurassic World Rebirth, which hit theatres on 2 July. After decades in the business, Johansson seems to finally be stepping into a space where she can define her own story, both on and off the screen.
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Flying car mishap forces Beyoncé to pause Houston performance mid-song
Beyoncé stopped her Houston Cowboy Carter show after her suspended Cadillac prop tilted dangerously.
The singer was performing 16 Carriages mid-air when she yelled, “Stop! Stop!” to halt the show.
She was safely lowered to the stage and told fans, “If ever I fall, I know y’all will catch me.”
Parkwood Entertainment confirmed a technical mishap but said the show resumed without injuries.
Beyoncé stopped her Cowboy Carter tour performance in Houston after a mid-air prop began to tilt precariously during the penultimate song. The singer, perched in a suspended red Cadillac high above the crowd, abruptly cut the song 16 Carriages short when the vehicle began to slant.
The dramatic moment unfolded on Saturday night at NRG Stadium, where Beyoncé was performing a sold-out hometown show. The car, typically used as a soaring stage prop, began to tip sideways as she sang, prompting her to clutch a pole for stability and shout, “Stop! Stop, stop, stop!”
Fans gasped as the vehicle leaned further mid-song. Video clips posted online show Beyoncé remaining composed before being slowly lowered to the ground. Once safely back on stage, she smiled at the crowd and said, “If ever I fall, I know y’all will catch me.”
Beyoncé halts Cowboy Carter show after flying car nearly tips over crowd in HoustonGetty Images
Beyoncé’s production company, Parkwood Entertainment, later confirmed the incident was due to a “technical mishap” with the cables holding the Cadillac. “She was quickly lowered, and no one was injured,” the statement read. “The show continued without incident.”
This isn’t the first time Beyoncé has experienced prop malfunctions during a live show. Earlier this year, a robot bartender missed pouring her drink on cue, and during her 2018 On The Run II tour, a broken platform forced her to climb down a ladder while wearing heels.
Beyoncé fans react as ‘Queen B’ keeps cool mid-crisis
Fans quickly took to social media with reactions ranging from concern to humour, many quoting her old on-stage catchphrase: “Somebody’s getting fired.” Others expressed admiration for how calmly she handled the situation, finishing the concert without missing a beat.
The Houston show marked the 23rd stop on Beyoncé’s Cowboy Carter tour, which ends in Las Vegas next month. The three-hour spectacle, featuring country-infused ballads, fan favourites, and her daughters Blue Ivy and Rumi, continues to smash venue records worldwide.
With sharp wit, emotional honesty and a knack for turning personal crises into punchlines, Indian comedian Prashasti Singh is set to make her Edinburgh Fringe debut this August with her acclaimed stand-up show, Divine Feminine. Before taking on the world’s biggest arts festival, she will offer London audiences a sneak peek with previews at Soho Theatre from 23 to 26 July.
Prashasti, known globally for her appearances on Netflix’s Ladies Up, Comedy Premium League and Amazon Prime’s Comicstaan, uses this deeply personal new show to unpack the consequences of chasing a dream that might not have been hers to begin with. Raised in a patriarchal family, she once aspired to become a patriarch herself. Now, inching towards 40 and pretending to be 30, she wonders – was it all worth it?
A blend of silliness, angst, cultural insight and raw emotional truth, Divine Feminine is the Indian funny girl’s boldest, most introspective work yet. As she prepares for Edinburgh, she opens up about the journey, nerves and joy of revealing just a little too much on stage.
How do you reflect on your action-packed comedy journey so far?
Oh, it has been great! A lot of luck and of course some challenges. I stumbled upon stand-up at the verge of 30 while still at my marketing job. The stars aligned in a way that it became my profession before it truly became my passion. The initial years were mostly about getting on stage as much as possible and delivering what was expected of me. I think in the last couple of years, I have finally understood myself as an artist and performer, and with this show, I am at last finding my voice.
How much does the success of Divine Feminine mean to you? I have travelled with this show across India, Europe and Australia and have been overwhelmed by the love it has received. The Hindi version is 1.5 hours long and performing it has given me immense confidence and security as an artist. That is also why I wanted to break out of my comfort zone and write a version of the show in English to reach a more global audience. The process has been very enriching, and I am very curious to see how a more diverse audience will respond.
How much are you looking forward to taking the show to this year’s Edinburgh Fringe? Very, very excited. I have visited the festival a couple of times before and have always wondered how it would feel to be a performer at such a big and vibrant festival. This year I will get to experience that.
What can audiences expect from your show? Some very silly, some very angsty jokes, some cultural, some human insights and a lot of emotional truth.
Do you ever feel like you are revealing too much about yourself on stage? I do feel that I reveal a lot about myself, but I do not think it is a problem. I feel whatever inside me is finding expression in humour is no longer raw or volatile. It has been processed enough internally that I am able to laugh at it, and hence feel safe putting it out in front of people.
How do you feel when you are on stage in front of a live audience? It is always the best part of my day. I feel very good.
Does being at a festival like Edinburgh, with thousands of acts, put pressure on you or motivate you? I think it does both. I have seen some mind-blowing shows at the Fringe in past years, so I want my show to be a respectful offering in this amazing buffet. At the same time, the Fringe is a place where artists and audiences are most open to experiments. So I feel motivated to try new things and take some risks that I would otherwise shy away from.
What is the comedy master plan going forward? There is no master plan. I am working on a very simple philosophy – do work that I enjoy and people enjoy, and then find ways to grow that work and the number of people who enjoy it.
What inspires you creatively? Great work by other artists. The drive for excellence. People who are brave enough to put out their original, twisted thoughts in front of others. That is why being at the Fringe is so exciting.
Who is your comedy hero? Oh, this is a long list. So many people have done such great work before me. It is really very difficult to name just one.
Who is the funniest person you know in real life? One aunt of mine who has had a fairly tough life. She reminds me that humour is a great life skill beyond the stage.
Has being funny ever got you out of trouble? Absolutely never.
Why should we all come and watch Divine Feminine at the Edinburgh Fringe? See, if you have come this far, you are already hooked. Also, if you have ever thought that you could be losing your sanity or femininity, if you have ever felt old or joyless or lonely or not perfect in any way – the show is for you. It is funny, insightful and fairly honest. I am looking forward to seeing you all at the Fringe.
Charli XCX criticised certain fans for attacking her autotuned vocals at Glastonbury 2025.
Called the backlash “the most boring take ever” in a series of posts on X.
Defended her artistic choices, saying divisive art is often the most impactful.
Her Brat set clashed with Neil Young’s headline act, drawing polarising reactions.
Charli XCX has addressed criticism over her use of autotune during her Glastonbury 2025 performance, calling out the ageist tone of comments that questioned her authenticity as a performer. The singer clapped back on X, brushing off the noise as outdated and out of touch.
Charli XCX defends her Glastonbury set, calling autotune criticism outdated and dull BBC
Charli XCX defends Glastonbury set from autotune critics
During her Brat set on the Other Stage, Charli delivered fan favourites like “365” and “Von Dutch” to a roaring crowd. But online, some viewers slammed her use of autotune and lack of a live band. In a sharp response the next day, she posted: “The idea that singing with deliberate autotune makes you a fraud… is like, the most boring take ever. Yawn.”
— (@)
Charli has long been open about using autotune deliberately as an artistic tool. In earlier interviews, she said she intentionally includes “pitchy” moments in her vocals to add texture and imperfection. Responding to the online backlash, she added: “I enjoy the discourse… the best art is divisive and confrontational and often evolves into truly interesting culture.”
— (@)
Brat performance draws strong reactions, both love and hate
Charli’s set, held opposite Neil Young’s headline slot, split Glastonbury attendees and online viewers alike. Despite the criticism, her show was widely praised by critics.
— (@)
Highlights included a cameo from fellow performer Gracie Abrams during the viral “Apple” dance segment. Charli ended her performance drenched in stage rain, sipping white wine, with giant signs declaring “Brat is forever.”
— (@)
After her set, Charli joined her fiancé George Daniel, drummer of The 1975, for an intimate DJ session, keeping the Brat Summer spirit alive.
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Kareena Kapoor gets emotional discussing Saif’s stabbing incident in an interview with Barkha Dutt
Kareena Kapoor has spoken out for the first time about Saif Ali Khan’s stabbing.
Saif was attacked at home in January 2025 during a burglary attempt.
Their sons, Taimur and Jeh, witnessed the violent episode.
Kareena says the family is still coping but trying to move forward together.
Actor Kareena Kapoor has opened up for the first time about the terrifying night her husband, Saif Ali Khan, was stabbed by an intruder at their Mumbai home. In a deeply personal interview with journalist Barkha Dutt, Kareena admitted that the incident left her shaken and sleepless for months, especially with their children, Taimur and Jeh, present during the attack.
The January 2025 break-in at their Bandra residence ended with Saif being stabbed six times. The attacker, later identified as Mohd Shariful Islam Shehzad, entered the flat during a failed burglary attempt and assaulted Saif in four-year-old Jeh’s room. The actor underwent emergency surgery to remove part of the knife lodged near his spine.
Kareena Kapoor says the incident left their children Taimur and Jeh shakenGetty Images
‘I still haven’t come to terms with it,’ says Kareena Kapoor
Kareena described the emotional aftermath of the attack as “something I haven’t fully processed.” She spoke about the trauma of watching a violent act unfold inside their own home, saying, “Seeing someone in your child’s room, that doesn’t leave you. For weeks, I couldn’t sleep.”
She said that such incidents felt “unthinkable in Mumbai,” where celebrity homes are considered secure. “It felt like something that happens elsewhere, not here. But it happened to us,” she said.
‘We’re stronger as a family, but my sons saw too much too soon’
Both of their sons witnessed the stabbing, something Kareena says forced her to balance her own trauma with parenting. “They’ve always lived a very protected life. Then this happened, and suddenly they saw blood, violence… I hope it teaches them resilience, but no child should have to go through that.”
Kareena and Saif are now focusing on healing as a family after the traumatic episodeGetty Images
Jeh, the younger of the two, has found his own way to cope. “He calls his father Batman and Iron Man. That’s how he sees him, like a superhero,” Kareena said, adding that the family has leaned on each other for strength and grown stronger as a unit.