ESSEX COUNTY have pleaded guilty to two charges of bringing cricket into disrepute over an alleged racist comment at a board meeting five years ago, a media report said.
Former chairman of the county John Faragher allegedly used a racial slur during a 2017 board meeting that the county failed to investigate, reported the MailOnline.
Essex have accepted 'beyond reasonable doubt' that Faragher made the comment that was then not properly investigated by the club, the report added.
According to the report, Faragher, still honorary vice-president, wishes to attend Essex's season opener. However, the county believes that will be a bad look and is trying to persuade him to stay away.
Faragher resigned last year when the allegation was made public but strongly denies making racist comments that led to those two charges from the ECB.
According to a Sportsmail report in March, the club had been found guilty for not reporting the incident in which Faragher was alleged to have used the phrase 'n***** in the woodpile' during a board meeting in 2017.
Now he wants to attend the opening County Championship match at Chelmsford against Kent on Thursday (7).
The report revealed that Faragher had insisted to watch the game from the committee room at Chelmsford because he is still an honorary vice-president of the club.
Recently, former Essex cricketers Maurice Chambers, Zoheb Sharif and Jahid Ahmed have also alleged they experienced racism during their time at the club.
Sharif was widely known as 'Bomber' at Essex and the nickname was included in his profile in The Cricketers Who's Who in 2002 just months after the 9/11 terrorist attacks on New York.
Sharif, whose parents were born in Pakistan, played for Essex between 2001 and 2004.
"It was a day after the September 11 attacks. People started calling me 'bomber'. It was normal to be called 'curry muncher. I didn't say anything at the time. I was a teenager in a dressing room with big characters," he said in last November.
"To them it was banter. To me, it wasn't, but you don't want to do anything to block your chance of getting into the first team."
Ahmed, who bowled for Essex from 2005 to 2009, said that he was bullied by a senior coach and that his accent was mocked by players and some members of the coaching staff.
The club became the second county after Yorkshire to set up an independent inquiry into allegations of racism and in November appointed Katharine Newton QC to oversee it.
And they could face further charges once Newton's investigation and that of the ECB into the allegations of the players are complete.
The issue of racism in English cricket was blown wide open by claims of racism faced by another former county player, Azeem Rafiq, while playing for Yorkshire, which led to an exodus of sponsors and several top executives resigning.
Since April 2024, British citizens and settled residents have needed to earn at least £29,000 to apply for a partner visa. (Representational image: iStock)
THE UK’s independent Migration Advisory Committee (MAC) has said the government could lower the minimum income requirement for family visas but warned that doing so would likely increase net migration by around 1 to 3 per cent.
Since April 2024, British citizens and settled residents have needed to earn at least £29,000 to apply for a partner visa.
The MAC has proposed a new threshold of between £23,000 and £25,000, which it said would still allow families to support themselves without needing to earn above minimum wage.
It also suggested that setting the threshold between £24,000 and £28,000 could prioritise economic wellbeing over family life.
The panel opposed the previously announced plan to raise the threshold to £38,700, calling it incompatible with human rights obligations, including Article 8 of the European Convention on Human Rights.
MAC chair Prof Brian Bell said the final decision was political but urged ministers to consider the impact of financial requirements on families.
The report recommended keeping the income threshold the same across all UK regions and not raising it for families with children.
Campaigners criticised the lack of a recommendation to scrap the threshold entirely.
The Home Office said it would consider the MAC’s findings and respond in due course.
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Gifts are not just gestures of politeness or ways to mark an occasion. They reflect the structure of society, its values, customs, and even economic models. Gifting can teach us what a particular culture considers appropriate, meaningful, touching, or symbolic.
Who gives gifts, when, what is given, and how — each of these details carries implicit social messages. In some cultures, price matters; in others, it's the packaging or the practicality. How a society structures gift-giving reveals its internal ethics, priorities, and even levels of trust.
It’s no coincidence that in fast-paced urban cultures, new formats emerge—such as bento cake London—small, personalized treats that reflect a desire for restrained, thoughtful gestures in socially dynamic environments.
East and West: Different Approaches
Japan: The Art of Etiquette
In Japan, gifting is a refined practice governed by precise rules. The presentation and context of a gift often matter more than the item itself. A gift that’s too expensive can cause discomfort. Balance and modesty are essential, and symbolism and aesthetics — including wrapping, texture, and color — are deeply significant.
The US and Europe: Spontaneity and Individuality
In Western cultures, uniqueness and personal meaning are valued. A gift is a way to express emotions, humor, or personality. Creativity is encouraged, and formal rules are minimal. However, corporate or institutional gifting may follow specific regulations, including value limits.
The Middle East and Asia: Hospitality and Generosity
In many Arab and Asian cultures, gifts are woven into hospitality rituals. Generosity is seen as a social virtue. Lavish gifts are often used to demonstrate respect and honor. But symbolic meanings also matter—certain colors or items can carry specific messages and must be chosen carefully.
Gifts as Reflections of the Times
Gifts also reveal how society evolves in response to technology, economic trends, and globalization. A few notable shifts include:
Digitalization: Digital gift cards, subscriptions, and online services are replacing physical items
Minimalism: Conscious consumption encourages small but meaningful gestures
Personalization: The focus is shifting from universal items to tailored experiences
Cross-cultural exchange: Cities now blend dozens of gifting traditions in one space
New formats — themed boxes, eco-friendly gifts, or edible mini-compositions — reflect a search for balance between individuality and social awareness.
Symbols and Meanings: What’s Behind the Gift
Every gift has both material and symbolic value. For example:
Books — a sign of trust or intellectual connection
Flowers — short but meaningful emotional messages
Food — warmth, care, shared experience
Crafts — respect for culture and uniqueness
Small details, such as the origin, wrapping, or an attached note, form part of the gift's “language.”
Gifting in an Era of Social Change
Today, gifts are increasingly becoming acts of communication rather than consumption. We are not simply giving “objects” — we’re sending messages: “I’m thinking of you,” “I understand you,” “You matter to me.”
In an age of abundance and constant motion, light, unpretentious, and intentional gestures are valued more than ever. A mini cake, a single flower, a handmade card, a spontaneous note—these gifts speak of attention and emotional awareness.
Conclusion
Gifts are cultural markers. Through them, we learn how a society constructs relationships, what it values, and how it expresses respect or affection. Observing how gifting traditions change allows us to track broader transformations — from ethics to economics.
Modern gifts are becoming quieter, lighter, and more mindful. This shift signals that it’s not what we give that matters most, but how—and why—we deliver it.
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At the heart of this redesign is a newly developed material called Liquid Glass
Apple has introduced a new software design across its platforms, aimed at making apps and system interactions more expressive, seamless, and engaging. The update brings a cohesive visual experience that spans across iOS 26 beta, iPadOS 26, macOS Tahoe 26, watchOS 26, and tvOS 261, providing users with a more fluid and immersive digital environment.
At the heart of this redesign is a newly developed material called Liquid Glass, which enhances the visual dynamism of apps, system elements, and user interfaces. This translucent material intelligently reflects and refracts surrounding content, creating a more vivid and intuitive experience while ensuring focus on essential elements.
Introducing Liquid Glass
Liquid Glass is inspired by Apple’s work on visionOS and incorporates advancements in hardware, silicon, and graphics technologies. The material is designed to mimic real-world glass, dynamically adapting to surrounding colours and transitioning seamlessly between light and dark environments.
Developed through collaboration between Apple’s design and engineering teams, Liquid Glass utilises real-time rendering, adjusting to movement with specular highlights that enhance visual depth. This results in a more immersive and responsive experience, whether using an iPhone, iPad, Mac, Apple Watch, or Apple TV.
Apple introduces a delightful and elegant new software design
Apple previewed a new software design, crafted with Liquid Glass, that makes apps and system experiences more expressive and delightful.
- YouTubeYouTube/ Apple
The Liquid Glass aesthetic extends to small interactive elements, including buttons, sliders, switches, and text fields, as well as larger UI components, such as tab bars and sidebars. Users will notice these refinements in system experiences like the Lock Screen, Home Screen, notifications, and Control Centre.
Refinements to app design
Apple’s design update also brings a modernised approach to app layouts, ensuring greater harmony between hardware and software. The redesign eliminates rigid rectangular formatting in favour of soft, rounded edges, aligning app elements with the curved contours of modern Apple devices.
Navigation components, including toolbars, tab bars, and sidebars, have been refreshed using Liquid Glass, offering a layered visual effect that enhances interaction. When scrolling in iOS 26 beta, for example, tab bars seamlessly shrink to emphasise content, only expanding when users scroll back up.
In iPadOS 26 and macOS Tahoe 26, sidebars now reflect and refract surrounding content, ensuring users maintain a sense of context while navigating apps. These refinements extend to core apps such as Camera, Photos, Safari, FaceTime, Apple Music, Apple News, and Apple Podcasts, making interactions more intuitive and visually appealing.
System-wide enhancements
The new software design is integrated into core system elements across iOS 26 beta and Apple’s wider ecosystem. Updates to the Lock Screen, Home Screen, Dock, and widgets improve personalisation and accessibility, with Liquid Glass introducing specular highlights and dynamic colour adaptation.
On iPhones and iPads, the Lock Screen’s time display is now crafted from Liquid Glass, allowing it to fluidly adapt and fit elegantly behind wallpaper subjects.
On Macs, macOS Tahoe 26 enhances personalisation with widgets and app icons that adjust to light and dark appearances, custom tints, and a clear, refined look. The menu bar is now completely transparent, increasing the sense of screen space and visual depth.
A new opportunity for developers
For developers working with SwiftUI, UIKit, and AppKit, Apple has introduced updated APIs to facilitate the integration of Liquid Glass into third-party apps.
These tools allow developers to leverage the new design elements, making interactions more fluid and engaging while preserving familiarity for users. With this update, Apple is encouraging developers to refresh their app designs, ensuring consistency with the next-generation interface introduced in iOS 26 beta.
The latest
Apple’s latest design update represents a significant leap forward in user interface aesthetics and functionality. With Liquid Glass at the core of iOS 26 beta and its companion platforms, the visual experience is more immersive, adaptive, and dynamic than ever before.
By combining seamless transitions, refined navigation, and optimised system elements, Apple has crafted a modern and visually engaging software design, reinforcing its commitment to delivering elegant and intuitive digital experiences.
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Forsyth’s reporting took him to politically volatile regions
Frederick Forsyth, the internationally renowned author of The Day of the Jackal, has passed away at the age of 86. His agent, Jonathan Lloyd, confirmed the news, describing Forsyth as one of the world’s greatest thriller writers.
With a career spanning more than five decades, Forsyth penned over 25 books, selling 75 million copies worldwide. His work, including The Odessa File and The Dogs of War, set the standard for espionage and political thrillers. Bill Scott-Kerr, his publisher, praised Forsyth’s influence, stating that his novels continue to define the genre and inspire modern writers.
From fighter pilot to novelist
Born in Kent in 1938, Forsyth lived a life as thrilling as his novels. He joined the Royal Air Force (RAF) at 18, becoming one of the youngest pilots in the service. However, his passion for writing led him into journalism, where he worked as a foreign correspondent for Reuters and the BBC.
Forsyth’s reporting took him to politically volatile regions, including Biafra during the Nigerian Civil War. His experiences there deeply affected him, shaping the narratives of many of his future works. In 2015, he revealed that he had worked with British intelligence agency MI6 for over 20 years, drawing on his real-life encounters with espionage for his novels.
The birth of The Day of the Jackal
Forsyth’s literary breakthrough came in 1971 when he published The Day of the Jackal. At the time, he was struggling financially and decided to write a novel as a way out of his difficulties.
“I was skint, in debt, no flat, no car, no nothing, and I just thought, ‘How do I get myself out of this hole?’” Forsyth later recalled. “And I came up with probably the zaniest solution – write a novel.”
Set in 1963, the book tells the gripping story of an English assassin hired to kill French President Charles de Gaulle. It quickly became a bestseller and was adapted into a film in 1973, starring Edward Fox. The novel’s impact continued decades later, with a TV adaptation starring Eddie Redmayne released in 2024.
An enduring literary legacy
Forsyth’s ability to blend real-world political intrigue with compelling fiction cemented his reputation. His follow-up novel, The Odessa File (1972), explored Nazi war criminals and was later adapted into a film starring Jon Voight.
Other major works include The Fourth Protocol (1984), which became a successful film starring Michael Caine and Pierce Brosnan, and The Dogs of War (1974), inspired by mercenary conflicts in Africa.
His latest novel, Revenge of Odessa, co-written with Tony Kent, is set to be published this August.
Tributes from colleagues and admirers
Following Forsyth’s death, tributes poured in from fellow authors, entertainers, and public figures.
Jonathan Lloyd reflected on Forsyth’s extraordinary life, recalling how they had recently watched a documentary on his career, In My Own Words, set to air later this year on BBC One.
Bill Scott-Kerr described working with Forsyth as one of the highlights of his career, praising his professionalism and meticulous approach to storytelling. Forsyth’s background in journalism, he noted, gave his novels a sharp sense of realism and ensured they remained contemporary and engaging.
Forsyth was awarded a CBE for services to literature in 1997Getty Images
Singer Elaine Paige, a personal friend, expressed her sadness, calling Forsyth’s knowledge of world affairs unparalleled. Andrew Lloyd Webber, who collaborated with Forsyth on Love Never Dies, the sequel to Phantom of the Opera, thanked him for his ability to craft stories that will endure for generations.
Conservative MP Sir David Davis, who considered Forsyth a close friend, described him as a man of honour, patriotism, and courage, as well as an outspoken defender of the armed forces.
Recognition and personal life
Forsyth was awarded a CBE for services to literature in 1997, honouring his immense contribution to British storytelling.
He was married twice and had two sons with his first wife, Carole Cunningham. His second wife, Sandy Molloy, passed away in October 2024, just months before his death.
Passing marks
Frederick Forsyth’s influence on thriller writing is undeniable. From his groundbreaking debut with The Day of the Jackal to his final works, he leaves behind a literary legacy that will continue to captivate readers for years to come. His ability to merge real-world intrigue with gripping narratives made his books essential reading for fans of espionage fiction.
Forsyth’s passing marks the end of an era, but his stories will live on, shaping the genre and inspiring new generations of thriller writers.
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Charli XCX celebrates a year of Brat’s cultural takeover
It’s been a full year since Charli XCX dropped Brat, and the album’s neon-green grip on pop culture has not loosened. Forget fading summer anthems; Brat feels permanently wired into the now. How did an artist long celebrated for being ahead of the curve finally make the whole world tune in? Well, she did it entirely her own way.
Charli was no newcomer. She smashed charts a decade ago with “Fancy” and penned hits for others. Yet mainstream stardom on her own terms felt elusive until Brat. The rollout was masterful, starting with the divisive “Von Dutch”, then the It Girl-packed “360” video featuring faces like Julia Fox and Chloë Sevigny, who soon became unavoidable.
Charli XCX arrives for the 2025 Met GalaGetty Images
Crucially, she nurtured her core fans (“Angels”) with intimate pop-up shows, birthing the iconic Brat Wall, where teasers about collaborations and the deluxe album kept excitement boiling. When Brat landed, hitting No. 3 in the US and No. 2 in the UK, it was a moment of absolute cultural takeover.
Beyond the music: building a movement
Brat’s fire spread far beyond the songs. A simple tweet : “Kamala IS brat”, saw the US Vice President’s campaign adopt the album’s aesthetic overnight, sparking global chatter. Charli directly addressed fan speculation, confirming “Girl, So Confusing” was about Lorde, then brilliantly working it out with her on a remix weeks later. She refused to let the moment die, dropping a full remix album (Brat and It’s the Same but There’s Three More Songs so It’s Not), featuring everyone from Billie Eilish to underground stars, which pushed Brat to UK No. 1.
Charli XCX performing on stage Getty Images
The Sweat and Brat tours became must-see events, packed with surprise guests. Grammy wins followed, plus SNL, Coachella and film cameos. Even her older song “Party 4 U” surged up the charts years later. Charli questioned at Coachella: “Does this mean brat summer is finally over?” The answer seems clear. Brat wasn’t just a seasonal hit. It was almost like Charli XCX meticulously crafting a phenomenon, proving that staying fiercely true to her vision was the ultimate key to connect with a wide audience.