The most awaited trailer of Tu Jhoothi Main Makkaar was released yesterday and everything about the film, from the colorful aesthetics to the new refreshing pairing of Ranbir & Shraddha has been loved and appreciated.
One thing about the film which took the internet frenzy was the combination of Pritam, Arijit Singh, and Ranbir Kapoor in the movie. The trailer gave a sneak peek of this combination which showcased the song and the fans are demanding for the song to launch at the earliest.
The music of Pritam, and the voice of Arijit Singh and Ranbir Kapoor in the frame is one of the prominent combinations in the industry that has been seen and enjoyed. Now it will be exciting to see what else makers have in store for trio fans and music lovers.
Currently, several fan pages are uploading snips and shots from the songs from the film, trending it as #RanbirArijitBlockbuster on social media. Check out :
Meanwhile, the trailer that was launched yesterday has left the audience wanting more of Ranbir and Shraddha’s chemistry. While some are anticipating seeing more of Bassi, some are eagerly waiting to listen to the promising playlist, which as fans say is going to be the album of the year. Currently, fans are demanding for the Arijit song from the movie to be out at the earliest, as it's one of the key points that took over the internet and started the trend.
Tu Jhoothi Main Makkaar is directed by Luv Ranjan, produced by Luv Films’ Luv Ranjan and Ankur Garg, and presented by T- Series’ Gulshan Kumar and Bhushan Kumar. It is all set to have a festive release worldwide in cinemas on Holi, 8th March 2023.
Forum brings UK and Chinese film professionals together to explore collaborations.
Emerging British-Asian talent gain mentorship and international exposure.
Small-scale dramas, kids’ shows, and adapting popular formats were the projects everyone was talking about.
Telling stories that feel real to their culture, yet can connect with anyone, is what makes them work worldwide.
Meeting three times a year keeps the UK and China talking, creating opportunities that last beyond one event.
The theatre was packed for the Third Shanghai–London Screen Industry Forum. Between panels and workshops, filmmakers, producers and executives discussed ideas and business cards and it felt more than just a summit. British-Asian filmmakers were meeting and greeting the Chinese industry in an attempt to explore genuine possibilities of working in China’s film market.
UK China film collaborations take off as Third Shanghai London Forum connects British Asian filmmakers with Chinese studios Instagram/ukchinafilm
What makes the forum important for British-Asian filmmakers?
For filmmakers whose films explore identity and belonging, this is a chance to show their work on an international stage, meet Chinese directors, talk co-productions and break cultural walls that normally feel unscalable. “It’s invaluable,” Abid Khan said after a panel, “because you can’t create globally if you don’t talk globally.”
And it’s not just established names. Young filmmakers were all around, pitching ideas and learning on the go. The forum gave them a chance to get noticed with mentoring, workshops, and live pitch sessions.
Which projects are catching international attention?
Micro-dramas are trending. Roy Lu of Linmon International says vertical content for apps is “where it’s at.” They’ve done US, Canada, Australia and next stop, Europe. YouTube is back in focus too, thanks to Rosemary Reed of POW TV Studios. Short attention spans and three-minute hits, she’s ready.
Children’s and sports shows are another hotspot. Jiella Esmat of 8Lions is developing Touch Grass, a football-themed children’s show. The logic is simple: sports and kids content unite families, like global glue.
Then there’s format adaptation. Lu also talked about Nothing But 30, a Chinese series with 7 billion streams. The plan is for an english version in London. Not a straight translation, but a cultural transformation. “‘30’ in London isn’t just words,” Lu says. “It’s a new story.”
Jason Zhang of Stellar Pictures says international audiences respond when culture isn’t just a background prop. Lanterns, flowers, rituals, they’re part of the plot. Cedric Behrel from Trinity CineAsia adds: you need context. Western audiences don’t know Journey to the West, so co-production helps them understand without diluting the story.
Economic sense matters too. Roy Lu stresses: pick your market, make it financially viable. Esmat likens ideal co-productions to a marriage: “Multicultural teams naturally think about what works globally and what doesn’t.”
The UK-China Film Collab’s Future Talent Programme is taking on eight students or recent grads this year. They’re getting the backstage access to international filmmaking that few ever see, including mentorship, festival organising and hands-on experience. Alumni are landing real jobs: accredited festival journalists, Beijing producers, curators at The National Gallery.
Adrian Wootton OBE reminded everyone: “We exist through partnerships, networks, and collaboration.” Yin Xin from Shanghai Media Group noted that tri-annual gathering: London, Shanghai, Hong Kong create an “intensive concentration” of ideas.
Actor-director Zhang Luyi said it best: cultural exchange isn’t telling your story to someone, it’s creating stories together.
The Shanghai-London Screen Industry Forum is no longer just a talking shop. It’s a launchpad, a bridge. And for British-Asian filmmakers and emerging talent, it’s a chance to turn ideas into reality.
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