Seasoned actor Aman Verma has been an active television star for two and a half-decade now. He took to television when there used to be shows with a powerful storyline and a high level of conflict amongst each and every character. The multi-faceted actor has had his fair share of film roles too.
After a career of mostly high-profile shows such as Shanti (1994-1998), Ghar Ek Mandir (2000-2002), and Kyunki Saas Bhi Kabhi Bahu Thi (2000-2008) to name a few, Verma is shifting his focus to streaming media platforms. He plays a successful tycoon in a new web-show Geisha, which is in the making for an upcoming streaming media platform called Digiflix.
Recently, Eastern Eye caught up with the distinguished actor on the sets of Geisha and talked to him about the show, what led him to sign it, the threat that digital media platforms pose to television and films, censorship on digital content, and much more. Excerpts…
Tell us something about your upcoming streaming show Geisha?
It is a story of a businessman who is wealthy and well-known and completely in command of each and every situation in his life. He is doing extremely well for himself. Then, he falls in love with a girl who is about 20-25 years younger than him. In a certain way, he helps her make her career. Eventually, she becomes a superstar. Later on, she realises that this is true love. She realises that this man gave her everything but decided not to use her. She, in turn, proposes and wants to get married to him. But as ill-luck would have it, she gets murdered. So that is where the real story starts from as to why she was murdered and who is the culprit. I cannot reveal more than that at this moment. If I do, you will not watch the show when it starts premiering on Digiflix (laughs).
What attracted you to the show and your role?
I think what is happening with streaming shows today is that you get to play your age and, at the same time, show what exactly happens in real-life. You cannot imagine this kind of a story on television. It is steeped in reality. So that was what pulled me towards this story.
We see actors gravitate towards leading streaming media platforms when it comes to making their digital debut, but you chose a platform that is yet to be launched.
You know, I have never picked up stuff just because it was from a great banner or on a popular channel. I have always picked up stuff where the content was powerful and I felt that I would be able to perform to the best of my ability. That is what has helped me throughout my career.
See, if somebody is new does not mean that they are not good. Even I went through this proverbial phase at the onset of my career where people would say, “You are new, you don’t know anything, you cannot do it,” and stuff like that. But you need to stay, you need to work hard and make a place for yourself.
You have had a storied career in television with several successful shows on your resume, but today TV is often accused of being regressive. How television has changed, according to you, over the years?
What happens on television is that the whole circle changes every 6 or 7 years. It does not even take a decade. Everything changes within a short span of 6-7 years. Earlier, there were shows like Tara (1993-1997) and Shanti (1994-1998), which were women-dominated shows. Then came a time when Kahaani Ghar Ghar Kii (2000-2008), Kyunki Saas Bhi Kabhi Bahu Thi (2000-2008), and Kasautii Zindagii Kay (2001-2008) ruled the roost and TV became regressive. Time changed again. Then with Colors coming in, TV got a lot more into fantasy. Colors has so many such shows you cannot even imagine. With time, you need to learn to change. If you are ready to do that, you will survive. If not, you are just a piece of stone; people will step all over you.
Where are we going to see you more: television or web-shows?
I am happy with streaming media platforms. I am happy with whatever I am doing right now. I am happy with what kind of content I am getting. If I get something good on television, I’ll do it. I am not saying no to anything. I am saying yes to good work anywhere.
With the presence and popularity of streaming media platforms growing by leaps and bounds with every passing year, do you think television is going to be redundant in a few years from now?
It already is redundant and in a span of another 4-5 years, I don’t see that television box in anybody’s house. It’s just a matter of time. The faster you understand that, the better for you. Everything is going to be there on your mobile.
What about theatres?
See, films have their own glamour. A film will always remain a film no matter what. Having said that, the whole process and technique of filmmaking have also gone through a sea change. Earlier, it was more like a personal thing. Nowadays, corporates decide what kind of films they want to make. According to me, be it any creative medium, one’s personal belief just has to be there in everything that he creates. If that’s not there, it’s like a piece of machinery. It has no emotions. It will never work.
Is there anything new you learned over the entire lockdown period?
Yes, I learned how to be patient. I cannot sit in a place, so lockdown taught me how to have a little more patience than I normally do. It was a difficult time not just for me but for everyone. But lockdown taught me a lot. I am happy that I went through it.
There are reports that the government is planning to bring streaming media platforms under the purview of censorship. What are your thoughts on the same?
Censorship should not be there anywhere. I cannot understand the fact that why should ten people decide what the entire nation should watch. In other parts of the world, no government decides what should people watch. They have a very clear definition of what type of content is meant for which age group. You decide what you want to watch. It’s my fundamental right that if I want to watch porn or an adult film, I will. If I want to watch cartoons, I will. Interestingly, the ten people who decide what should we watch are above 70. I wonder if they know the pulse of the audience.
Why should people tune in to your show Geisha?
We are trying to put a good show together. It has a great storyline and some incredible performances. We are trying it make it look as real as possible. It’s filled with intense scenes and hardcore reality. We just hope that when the whole project comes together, it should connect with people and I hope for season two, three, four, and five.
Priyanka Chopra and Nick Jonas attended day 3 of Wimbledon 2025 on 2 July, joining a host of celebrities at the iconic London event.
The couple were spotted smiling and sharing a rare PDA moment inside the exclusive Parkside Suite at No. 1 Court.
Priyanka also posed with John Cena, her co-star from Heads of State, which hit cinemas a day earlier on 1 July.
Their London appearance comes after a private date night and screening for the Amazon Prime Video action-thriller.
Bollywood star Priyanka Chopra and musician Nick Jonas made a striking appearance at Wimbledon 2025 on Tuesday, 2 July, as they joined a string of celebrities on day 3 of the world-famous tennis tournament. The couple turned heads in coordinated outfits and shared a rare display of affection while seated in the elite Parkside Suite at the All England Lawn Tennis and Croquet Club.
Priyanka Chopra and Nick Jonas photographed at the Wimbledon 2025Getty Images
Priyanka Chopra shares Wimbledon moment with Nick Jonas and John Cena
Chopra, dressed in a crisp white sleeveless shirt dress with an A-line cut, matched the classic Wimbledon dress code, while Jonas looked polished in a double-breasted navy blazer, light blue shirt and white trousers. The duo, who live in New York with their daughter Malti, were seen smiling, chatting and holding hands as they watched the match.
Adding to the buzz, Priyanka was also photographed catching up with her Heads of State co-star John Cena. Their action-packed political thriller, also featuring Idris Elba and Jack Quaid, premiered in London just a day earlier on 1 July. In the film, Chopra plays a skilled MI6 agent trying to protect the US President and British Prime Minister amidst a global crisis.
John Cena, Shay Shariatzadeh, Priyanka Chopra and Nick Jonas at Wimbledon 2025Getty Images
Familiar faces return to Wimbledon
Priyanka and Nick are no strangers to the Wimbledon spotlight. The couple attended the event last year too, with Jonas later sharing a sweet photo captioned, “Beautiful day out at the tennis with my ❤️.” Other stars spotted this year included Leslie Mann, Dominic Cooper, Tom Daley and Dave Grohl, adding a celebrity buzz to day 3 of the tournament.
Just hours before their Wimbledon outing, the couple attended a special screening of Heads of State in London. Chopra opted for a dramatic brown fringe dress and wore her hair in a sleek bun with curtain bangs, while Jonas kept it sharp in a navy suit.
Ilya Naishuller, Priyanka Chopra and John Cena attend the special screening for "Head of State" Getty Images
Priyanka on balancing fame and family
In an earlier interview, Chopra opened up about shielding her three-year-old daughter Malti from the public eye. “I’ve developed a tough hide when people talk about me,” she said. “But it’s so painful when they talk about my daughter… this chapter of my life is about her too.” The actress has been selective about appearances, balancing a high-profile career with family time.
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Abhishek Bachchan says Amitabh told him he could not even say a line properly on Sarkar set
Abhishek Bachchan said he was “petrified” during his first scene with Amitabh Bachchan in Sarkar.
After the shoot, Amitabh scolded him in the car, saying, “Dialogue bolna aata nahi hai tumhe.”
The 2005 political thriller marked their first major film together.
Abhishek will next be seen in Kaalidhar Laapata, premiering on 4 July on Zee5.
Abhishek Bachchan has opened up about a nerve-wracking experience from the sets of Sarkar, where his father Amitabh Bachchan gave him a blunt lesson on acting after their very first scene together. Speaking in an interview, Abhishek recalled the tension and pressure he felt on the first day of the shoot back in 2004 and the silence that followed until a sharp comment from his dad shattered it.
Abhishek Bachchan reveals Amitabh crushed him with brutal remark during Sarkar shootGetty Images
Abhishek on filming Sarkar with Amitabh Bachchan
Sharing the memory, Abhishek said, “The first time we shot together was for Sarkar. Ramu [Ram Gopal Varma] said we’d do test shoots and then I could move on to Bunty Aur Babli. I was sweating and panicking. All I had to do was turn around and say ‘Ji?’ but I was shaking.”
That small scene turned into a big moment. After the shoot wrapped, Abhishek waited in his vanity van, hoping to leave after Amitabh. But instead, Amitabh came knocking, suggesting they head home together.
Amitabh Bachchan told me I cannot deliver dialogues Abhishek recalls painful Sarkar momentGetty Images
The silent car ride and a scolding to remember
According to Abhishek, the ride home was filled with complete silence. “He was just staring ahead. When we reached home and the staff got out, he finally turned to me and said, ‘Isiliye maine itne saal mehnat karke tumhe padhaya likhaya? Dialogue bolna aata nahi hai tumhe.’ I felt like I had killed someone. He just destroyed me.”
It was a moment that stayed with him, marking one of his earliest lessons in the industry from someone who demands nothing less than perfection, even if that someone is your father.
Abhishek Bachchan opens up about working with Amitabh Bachchan on SarkarGetty Images
A turning point in their on-screen journey
Sarkar, directed by Ram Gopal Varma, was released in 2005 and went on to become a major hit. Loosely inspired by The Godfather, the film featured Amitabh in a role of political power and Abhishek as his loyal son. The success of the film led to two sequels: Sarkar Raj (2008) and Sarkar 3 (2017).
The real-life father-son dynamics added emotional depth to the film, especially considering how different they were from their on-screen relationship. While the characters bonded through unwavering loyalty, the reality behind the scenes was far more intense, at least in the beginning.
Abhishek Bachchan says Amitabh humiliated him after one line went wrong on Sarkar setGetty Images
What’s next for Abhishek Bachchan
Now, 25 years into his acting career, Abhishek has carved his own path, gradually earning praise for performances in films like Guru, Manmarziyaan, and Dasvi. His next project, Kaalidhar Laapata, will premiere on Zee5 on 4 July.
Abhishek Bachchan says Amitabh left him shaken after first scene together in Sarkar Getty Images
Though the early days were rocky, especially under the towering shadow of a legend like Amitabh Bachchan, this behind-the-scenes story shows just how seriously the Bachchans take their craft, and how a tough first lesson may have set the tone for Abhishek’s journey in cinema.
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BTS attend Dick Clark's New Year's Rockin' Eve With Ryan Seacrest 2020
• BTS will release a new group album in spring 2026, followed by a world tour. • All seven members have now completed South Korea’s mandatory military service. • The announcement was made during their 1 July livestream, their first group appearance since 2022. • The band will begin regrouping in the U.S. this month to start production.
BTS have officially confirmed their long-anticipated comeback. The global K-pop phenomenon announced that a new group album will be released in spring 2026, alongside a worldwide tour, marking their first full-group activity since 2022.
The announcement came during a 30-minute livestream on 1 July via Weverse, which saw all seven members including Jin, RM, Suga, J-Hope, Jimin, V, and Jungkook, together on air for the first time in nearly three years. Their hiatus began in late 2022 as each member enlisted for South Korea’s mandatory military service. Jin, the eldest, was discharged in June 2024, while the final group members RM, V, Jimin, and Jungkook completed service in June 2025. Suga, who served alternative duty, finished on 21 June.
K-pop band BTS's members RM and V react after being discharged from a mandatory military serviceGetty Images
BTS album to reflect 'original mindset'
“We’ll begin working closely together from July,” the group shared during the livestream. “Since this is a group album, it’ll reflect everyone’s input. We’re going into it with the same mindset we had when we first started.”
The 2026 release will be BTS’ first studio album since BE in 2020 and their first full-group project since the 2022 anthology Proof, which became South Korea’s best-selling album of that year with nearly 3.5 million copies sold.
V, Suga, Jin, Jungkook, RM, Jimin and J-Hope of BTS attend the 64th Annual GRAMMY AwardsGetty Images
Tour to follow new album release
Alongside the album, BTS confirmed plans for a global tour, though exact dates and cities have not been revealed. The tour will be their first since Permission to Dance on Stage, which drew more than 4 million fans across in-person shows and digital broadcasts during the post-pandemic period.
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“We’ll be visiting fans all over the world. Please look forward to it,” RM said, as fans flooded Weverse with excitement. The stream drew over 7.3 million real-time views.
Economic impact and global success
BTS' return is more than just a musical event, it’s almost like an economic force. Before their hiatus, the group contributed over £3.2 billion (₹33,600 crores) annually to South Korea’s economy, amounting to roughly 0.2% of the country’s GDP, according to the Korea Culture and Tourism Institute. They remain the most-streamed group on Spotify and were the first K-pop act to top both the Billboard 200 and Billboard Artist 100 charts.
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Raw, grounded, and impossible to ignore; these films captured the year’s deepest emotions
These 10 films weren’t just hits; they started conversations and held up a mirror
Malayalam cinema leads the list, with 4 standout films pushing boundaries
Stories tackle caste, grief, gender, and class without sugar-coating
From indie gems to box office smashes, they prove truth sells too
Some films punch you in the gut. Others sit quietly with you after the credits roll, refusing to leave. This year, South Asian cinema has delivered both, and more. It hasn't been about larger-than-life heroes or formula plots. It's been about discomfort. Tenderness. Grief. Guts. From sun-drenched fields in rural Maharashtra to gritty courtrooms in Kerala, filmmakers across the region are telling stories with a kind of bravery that feels new and honestly overdue.
Here’s a list of 10 films from 2025 that haven’t just made money but also moved people. If you haven't seen these yet, fix that.
1. Ponman (Malayalam)
Dowry culture in Kerala? This black-comedy thriller doesn't just expose it, it truly sets it on fire. Basil Joseph is phenomenal as a gold broker trapped in a wedding scheme gone horribly criminal. Made on a small budget of £285,000 (₹3 crore), the film earned £1.73 million (₹18 crore+). Proof you don't need a mega-budget, just a killer story and guts. Beneath the dry humour is a grim look at how tradition twists into greed, and how no one comes out clean.
A heartbroken college dropout slides into online fraud to numb the sting of failure. But lies have limits, and this one drags him back to where it all went wrong. It’s funny, sad, and painfully honest about how young people drown quietly in pressure and heartbreak. And damn, did people watch – £14.2 million (₹150 crore) says they felt it too.
Imagine giving up everything for your sick mum. Now imagine your neighbours using that love to blackmail you. Moushumi Chatterjee, back after 12 years? Her performance is a quiet masterclass. You feel every sigh, every unspoken pain. It’s about sacrifice, rage, and the quiet grief of being trapped by love. You’ll want to call your mother after this one.
A failing basketball coach stumbles into teaching neurodivergent adults, and learns he's not the only one looking for redemption. It’s messy, warm, and awkward in the best way. No easy solutions, but plenty of real moments that catch you off guard. It’s warm, sometimes chaotic, but ultimately about seeing people truly seeing them. £9.5 million+ (₹100 crore+) and counting? People are feeling it.
Remember making stupid movies with your friends? These guys in 90s Maharashtra did it with pure, chaotic passion, spoofing Bollywood to save their video shop. In a dusty town where money’s tight but dreams run wild, a group of boys try to make a film with zero budget and all heart. It’s not about success, but about doing something that makes you feel alive. You’ll laugh, maybe cry, and definitely smile.
No songs. No glamour. Just Abhishek Banerjee, jaw clenched! A tribal mother and two estranged brothers tear through the filth of a child-trafficking ring. It’s grimy. It’s urgent. It exposes the rot of class privilege exploiting the desperate. And Banerjee? Forget “good.” This is career-defining. It’s the underrated gut-punch of the year.
A city guy grieving. A rural farmer. A 10-day funeral ritual. Oh, and they’re both gay, navigating isolation amidst tradition. Rohan Kanawade’s debut is revolutionary precisely because it’s so quiet. No grand speeches, just aching glances and shared silence. Won Sundance. Won Guadalajara. It’s a lot about loneliness, ritual, and finding softness in the most unlikely corners of grief.
Disgraced cop. Forty-year-old murder. The twist? It’s tangled up in the real history of Malayalam cinema. They used AI to recreate old film scenes and it was mind-blowing. Asif Ali’s great, but this is for Mollywood nerds. It’s niche, clever as hell, and made bank: £5.44 million (₹57 crore+). It’s a slow burn, like a love letter to film itself, coded in celluloid secret.
A teen falsely accused. A lawyer fighting caste bias inside the courtroom. Ram Jagadeesh holds up a mirror to legal corruption, and it’s ugly. Lawyers praised its real courtroom vibe. Sivaji’s villain might steal the show, but the rage against a broken system? That’s the real takeaway. It’s claustrophobic, brutal, and terrifyingly real.
Mohanlal. An old Ambassador car. Starts as a sweet family drama about his bond with the taxi... then spirals into a criminal nightmare. Mohanlal is just phenomenal, as usual. It’s Drishyam’s tension meets raw emotional realism. £22.4 million (₹235 crore) globally? Yeah, people connected. Hard. Director Tharun Moorthy keeps the pace slow and deliberate, letting the tension build quietly. Shobhana is understated but powerful, her presence brings a quiet weight to the story that stays long after it ends.
This isn't just a “top 10.” It's proof. Proof that right now, in cinemas and on your screens, South Asian stories are exploding with a courage and honesty that’s impossible to ignore. Malayalam’s on fire. New directors like Kanawade (Sabar Bonda) and Jothish Shankar (Ponman) are arriving fully formed, swinging hammers. Seven out of ten are staring down hard truths like displacement, caste, gender, corruption.
They don’t all have happy endings. Some don’t even have closure. But that’s what makes them matter. Because real life isn’t tied up in neat little bows, and neither are these films.
And sometimes, that’s all we need.
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Jury reaches partial verdict in Diddy trial but stalls on racketeering charge
• Jury reaches verdict on 4 out of 5 charges in Sean Combs’ federal trial
• No consensus yet on racketeering conspiracy charge carrying life sentence
• Deliberations to continue Wednesday after just 13 hours behind closed doors
• Combs faces decades in prison if convicted of sex trafficking or racketeering
The jury in Sean “Diddy” Combs’ federal sex trafficking trial has delivered a partial verdict, agreeing on four of the five serious charges against the music mogul. However, jurors remain split on the most severe charge of racketeering conspiracy, a count that could send Combs to prison for life if convicted.
After two full days of deliberation in a New York courtroom, the 12-member panel told Judge Arun Subramanian that they had reached unanimous decisions on two counts of sex trafficking and two counts related to transportation for prostitution. These verdicts remain sealed for now.
Sean "Puffy" Combs arrives at New York State Supreme Court in New York city 29 February, 2000Getty Images
Jury stalled over racketeering conspiracy charge
The panel informed the judge on Tuesday evening that they were unable to agree on the racketeering conspiracy charge due to “unpersuadable opinions on both sides.” The charge is the most complex, requiring jurors to determine if Combs operated a coordinated criminal enterprise involving at least two crimes across several years.
Combs has denied all five charges. He sat quietly in court as Judge Subramanian declined to accept a partial verdict and ordered deliberations to continue. His defence team had requested more time to try for full consensus.
Jury reaches partial verdict in Diddy trial but stalls on racketeering charge Getty Images
Sex trafficking and prostitution charges under wraps
Though the jury has reached decisions on the remaining charges, the court has not revealed those verdicts yet. If found guilty of sex trafficking, Combs faces a minimum sentence of 15 years, while convictions on the prostitution-related charges carry up to 10 years each.
The case is based on disturbing testimony from 34 witnesses, including two of Combs’ ex-girlfriends. The government alleges that the Bad Boy Records founder orchestrated “Freak Offs” or sex marathons involving drugs, male escorts, and coercion, often across state lines.
Sean "P. Diddy" Combs performs during taping for the opening of the MTV Beach HouseGetty Images
Cassie’s testimony and surveillance video central to case
One of the most damning pieces of evidence came from R&B singer Cassie Ventura, who testified that Combs abused her physically and sexually during their decade-long relationship. The jury reviewed her account of a 2016 hotel hallway assault, captured on surveillance video, where Combs was seen kicking and dragging her.
Prosecutors say the footage supports Ventura’s claim that she tried to flee a coerced sex party. They argue Combs used threats, money, and fear of public humiliation to control and exploit her.
Sean "Puffy" Combs arrives at Manhattan Supreme Court February 28, 2001Getty Images
Defence paints alternate picture of consensual lifestyle
Combs’ attorneys insist the trial is a smear campaign aimed at criminalising the artist’s consensual swinger lifestyle. They argue his personal relationships were toxic but not criminal, and the alleged abuse, while serious, does not meet the bar for federal sex trafficking or racketeering.
Marc Agnifilo, attorney for Sean "Diddy" Combs, arrives at federal court Getty Images
They also reject claims that his employees helped facilitate illegal acts, saying any staff involvement was limited to professional duties, not criminal collaboration.