Pooja Pillai is an entertainment journalist with Asian Media Group, where she covers cinema, pop culture, internet trends, and the politics of representation. Her work spans interviews, cultural features, and social commentary across digital platforms.
She began her reporting career as a news anchor, scripting and presenting stories for a regional newsroom. With a background in journalism and media studies, she has since built a body of work exploring how entertainment intersects with social and cultural shifts, particularly through a South Indian lens.
She brings both newsroom rigour and narrative curiosity to her work, and believes the best stories don’t just inform — they reveal what we didn’t know we needed to hear.
British singer Ed Sheeran is shifting lanes musically. Known for his emotional ballads and acoustic pop, Sheeran has taken a bold turn into rock territory with Drive, a gritty new single written for Brad Pitt’s upcoming Formula One film, F1. The track, released ahead of the film’s 27 June global premiere, shows the singer ditching his usual gentle strumming for loud guitar riffs, pounding drums, and full-throttle energy.
A rock track built for speed and the screen
Sheeran shared that he was invited to write a song for the film and immediately knew he wanted it to feel like a proper “driving song”, something loud, intense, and worthy of the speed and thrill of Formula One. He teamed up with guitarist John Mayer and producer Blake Slatkin to bring that vision to life. The result? A track with Foo Fighters’ Dave Grohl on drums, Pino Palladino on bass, and Rami Jaffee on keys. It’s an all-star crew of rock musicians who helped Sheeran hit the accelerator.
In a behind-the-scenes post, Sheeran said working on Drive reminded him of his earlier soundtrack work, particularly I See Fire for The Hobbit. But this time, he said, the stakes felt different. “This felt like the dream setup,” he wrote. “I love film and art, and to create something tailor-made for a big action scene in a racing film is just special.”
Sheeran joins a stacked soundtrack for F1
Drive will be featured on F1: The Album, which drops alongside the film. Overseen by Atlantic Records’ West Coast president Kevin Weaver, known for producing soundtracks like Barbie: The Album and The Greatest Showman, the album also includes songs by Doja Cat, Burna Boy, RAYE, and Rosé from BLACKPINK.
The film stars Brad Pitt as Sonny Hayes, a former racing champ pulled out of retirement to mentor rising star Joshua Pearce, played by Damson Idris. Directed by Top Gun: Maverick’s Joseph Kosinski and produced by Jerry Bruckheimer with F1 legend Lewis Hamilton, the film promises high-speed drama and big-screen spectacle.
With Drive, Ed Sheeran has stepped far out of his comfort zone and into the driver’s seat of something unexpected and loud. The track is now streaming, and the countdown to F1 begins.
Saif Ali Khan's hospital trip was a mess, from a sleepy attendant to insisting on a stretcher.
He just ignored everyone telling him to use a wheelchair when it was time to leave.
His own mother, Sharmila Tagore, is still annoyed he did not listen to her.
A chilling detail: his son Jeh was nicked by the knife too during the chaos.
Right, so Saif Ali Khan is talking about the knife attack now. He is actually talking about it. He is filling in the blanks from that night at his Bandra home, the one that ended with him in surgery. And he is explaining that moment he left the hospital, no wheelchair, no ambulance, just walking. It was a conscious choice after the knife attack, his way of saying he was still on his feet.
Saif Ali Khan says he wanted to walk out of hospital to show fans he was fine Instagram/saifalikhanpataudiworld
What exactly went down that night?
He saw the man standing over Jeh’s bed, armed. During the struggle, the assailant’s knife even nicked his young son Jeh. The attacker managed to stab Saif six times before fleeing.
Saif Ali Khan opens up about the night he was stabbed and his shocking hospital decisionInstagram/saifalikhanpataudiworld
Why did Saif Ali Khan deny a wheelchair after the attack?
The hospital scene was weirdly placid and almost sleepy especially the emergency area. He knew the second he walked in, he would require a stretcher. But the attendant on duty just offered a wheelchair. He had to argue, “No, I think I need a stretcher.” The guy was not really getting it. In the end, Saif said he had to snap the guy to attention by stating his name and calling it a medical emergency. That is when everything kicked off.
That initial refusal of aid, bizarrely, set the tone. Later, after a week in hospital and surgery, he was again faced with the wheelchair question for his discharge. “It just did not seem to be necessary.” He could move, though in pain. So why would he pretend otherwise?
Here is the thing: everyone had an opinion. Someone said to take an ambulance, and another insisted on the wheelchair. The media was camped outside, curious and waiting. His own instinct cut through the noise. He figured, why feed the panic? Why have his family, his fans, seeing him wheeled out or driven away in an ambulance?
He decided the right message was the simplest one: just walk out. Show them you are upright and okay. It was a picture message, literally.
Of course, the plan backfired a bit online, with some calling the whole thing fake. His mother, Sharmila Tagore, certainly thought he had made a mistake, telling Twinkle Khanna that if he had just listened to her and used the wheelchair, “there would have been no controversy.” But for Saif, the intention was only to reassure.
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