Pramod Thomas is a senior correspondent with Asian Media Group since 2020, bringing 19 years of journalism experience across business, politics, sports, communities, and international relations. His career spans both traditional and digital media platforms, with eight years specifically focused on digital journalism. This blend of experience positions him well to navigate the evolving media landscape and deliver content across various formats. He has worked with national and international media organisations, giving him a broad perspective on global news trends and reporting standards.
ENGLAND will offer equal starting salaries to men and women across professional domestic cricket from next year, the country's cricket board (ECB) said.
The equal pay will apply to the players at both 'Rookie' and 'Senior Pro' levels, the ECB said.
Rookie level has been introduced into the women's game for the first time and will serve as a player's first professional contract while the Senior Pro level is for the established players in first teams.
The starting salaries and salary budget have been approved by the ECB's Professional Game Committee (PGC), featuring representatives from the First-Class County (FCCs), the Professional Cricketers' Association (PCA), and the ECB.
ECB said pay parity has been introduced as part of the restructuring of the women's professional game following their earlier announcement of the men's and women's professional white ball competitions alignment for next season.
"Equalising starting salaries across our men's and women's professional domestic game is another positive step forward for women's cricket in England and Wales," director of Women's Professional Game Beth Barrett-Wild said in a statement.
"The changes we've made to the structure of women's domestic cricket across the last nine months have been about producing a sustainable and viable product that's attractive off the pitch, as well as being quality on it.
"As part of this, it's important that our players are remunerated appropriately, and that cricket is seen not just as a viable career option for women, but an enticing one."
The eight FCCs with tier-one status in next year's revamped domestic women's structure will also have minimum squad sizes of 15 contracted players with a salary cap of £800,000 ($1.07 million) per year.
The FCCs will also have to invest at least £500,000 ($669,500) in their player salary costs in 2025.
The Oval will host the inaugural T20 Blast Women's Finals Day on July 27 next year, while the first edition of the One Day Cup Women's Final will be held at the Utilita Bowl on Sept. 21.
A 19th-century painting in Wiesbaden sees a massive visitor surge.
Fans spotted a direct link to the opening shot of The Fate of Ophelia.
Museum staff were completely caught off guard by the 'Swiftie' invasion.
They are now planning special tours to capitalise on the unexpected fame.
The question on everyone's mind: did Taylor Swift visit this place herself?
It is not every day a quiet German museum gets caught in a pop culture hurricane. But that is exactly what has happened at Museum Wiesbaden, where a painting of Shakespeare’s Ophelia has become a pilgrimage site. The reason? Taylor Swift’s latest music video for The Fate of Ophelia kicks off with a scene that looks ripped straight from their gallery wall. Suddenly, they have queues of fans where usually there is just quiet contemplation.
The Ophelia painting that Swifties say inspired The Fate of Ophelia becomes an overnight sensation Instagram/taylorswift
How did this Ophelia painting become so popular?
To be honest, it was simply hanging there. Friedrich Heyser’s work from about 1900. It is lovely, sure, but it was not a headline act. Then the video drops. And you see it immediately in the pose, the white dress, and the water lilies. It is practically a direct copy or, let us say, an homage. Fans on social media connected the dots in hours. Now the museum cannot believe its luck. Visitor numbers went from a few dozen admirers to hundreds, just over one weekend, like a whole new crowd for a century-old painting.
What has the museum said about the surprise attention?
They are thrilled, but a bit stunned. A spokesperson said it was a "shock" and they are having an "absolute Ophelia run." Can you blame them? One minute you are managing a classical collection, the next you are at the centre of a global fan phenomenon. They tried to reach Swift’s team, but they had no luck there. But they have leaned into it completely. Now they are organising a special "Ophelia reception" with guided tours. Smart move, right? It is a perfect storm of high art and pop star power, and they are riding the wave.
The big question: did Taylor Swift actually visit?
This is the real mystery, is not it? How did this specific painting, in this specific German museum, end up as the template for a mega-budget video? The staff are wondering the same thing. She was in Germany for the Eras tour last July. Did she slip in, incognito? Did a location scout send a photo? The museum thinks they would have noticed if Taylor Swift was wandering their halls. Who knows? It is the sort of stuff that feeds fan speculation for years. Whatever the facts, the painting's life has been irreversibly altered.
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