ACCLAIMED ARTIST DISCUSSES HIS NEW EP AND INSPIRATIONS
by ASJAD NAZIR
BRITISH talent DJ Dips has brilliantly balanced a successful career entertaining live crowds globally with producing successful songs and looks back on his rollercoaster journey positively.
The acclaimed DJ and music producer has used his time in lockdown to produce newly released explosive EP Forever Legends, which sees super singer Badal Talwan take on five classic songs in his own unique way. The songs have a new contemporary spin without losing the original magic.
Eastern Eye caught up with DJ Dips to discuss the new EP, life in lockdown, his musical journey, plans and why he draws inspirations from haters.
How do you look back on your musical journey?
I feel blessed and happy when I look back at how far I have come. I’m just a kid from Southall who fell in love with the idea of entertaining people, through making or playing music. It was always a passion, but I never dreamt it would take me around the world or get me the love I have from people. From starting as a 13-year-old ruining his brothers records to the days of Ominous DJS with my brother Rek, to DJ Dips today, it’s been amazing.
Which of your tracks is closest to your heart?
Gerra De De just makes me proud that it still gets played by every DJ around the world. It’s close to me because it was my first real vision as a producer of putting three of the biggest artists at the time, Miss Pooja, Lehmber Hussainpuri and Kaka Bhaniawala, together on one song and pulling it off. It always puts a smile on my face.
Who has been the most memorable person you have worked with?
I have a long working relationship with Miss Pooja and will always be a fan. So being able to do not just one but four tracks with her was an honour because she is such a legend as an artist and a person. She always demands the best and pushes me more, and more, which is what you look for when working with anybody, for them to test you.
Tell us about your latest EP Forever Legends?
The EP is something I have been wanting to do for a while. Lockdown just happened to be the perfect time. I’m a massive advocate for pushing through talent and to me, Badal is one of the best singers technically in the UK right now. To show off his versatility through some classics was something I wanted the world to hear. It was a good challenge, reworking songs that are already such big hits. I have tried to add the DJ Dips flavour to five of the biggest songs or compositions and give them a new lease of life.
Why did you decide to revisit classics and how did you choose them?
We were in lockdown and I saw a lot of singers doing covers. With Badal’s ability, I knew we could show off his talent by getting him to sing some of the most difficult classics. Choosing the songs was easy. We went with a couple of classic Pakistani and bhangra compositions, as a way for me to not only show my skills, but Badal’s versatility as a singer.
What quality do you most like about Badal Talwan, as a singer?
His natural talent and work ethic. I can ask him to sing practically anything, and he will pull it off without any issue. I have got him to write songs in minutes. He really has the hunger and drive to push himself to the next level, and he has the talent to do it.
Who are you hoping connects with these songs?
I just want to try diverting, even for a little while, people’s attention from all the bad going on right now. Music can always put a smile on people’s faces, so I hope this does the same with whoever hears it.
So, what else can we expect next from you?
I’m always working on new music, whether it be desi or other genres. I have three house singles ready, which you will definitely hear sooner rather than later. Apart from that, I am working on my solo desi album, which will drop at some point this year. I’ll do a few more live streams and when clubs open up, I’ll be back on the live scene too.
How have you coped as a DJ in lockdown with no live gigs?
As I said earlier, you have to make the best of every situation, so for me this is a time where I’ve managed to create this EP, as well as do live streams and most importantly, spend precious time with my family. It has been hard not being able to do live shows, as that’s all I have ever known, but it’s a time where we have all had to adapt. The live streams I have done really helped me connect with a new fan base that wouldn’t normally go to a club.
Has lockdown changed you in any way?
It’s made me appreciate how short life really is and realise that if there is something you want to do, forget about people’s opinions or the noise in the background, just concentrate on yourself and the end goal.
What inspires you today?
Everything and everyone around me, from other artists to members of my family. It’s about pushing your own boundaries and my family helps me do that. Other artists always inspire because everyone has their own story and journey. The biggest inspiration I get is from haters and trolls sitting behind a computer trying to put you down. I’ve had my fair share, but I’ve learnt to use that to fuel the fire because the only way to show these people is carrying on, working harder and being better.
Why should we pick up the new EP?
These songs were made with no audience in mind. It was just a whole lot of fun that Badal and I had. Just listen to it with an open mind and appreciate Badal’s vocal. We made this for people to enjoy and maybe relight the fire under some of these classic tracks. We hope you love it as much as we enjoyed making it.
Ricky Gervais now has his own star on the Hollywood Walk of Fame, but it wouldn’t be a Ricky moment without a few jabs that made the room a bit tense. Known for pushing buttons with his jokes, the 63-year-old comedian didn’t hold back during his acceptance speech, which mixed dry humour with some edgy digs.
Looking around at the star-studded pavement, he jokingly pointed out some controversial names, including Michael Jackson, Bill Cosby, and Fatty Arbuckle, all of whom have faced serious allegations. Gervais, with a smirk, seemed to be making a comment on how celebrity and scandal often go hand in hand, especially in a place like Hollywood.
Ricky Gervais stands beside his newly unveiled Hollywood Walk of Fame starGetty Images
But beneath the usual sarcasm, Gervais did show a bit of sincerity. He said the honour left him “humbled” and credited his success to “luck, persistence, and going against the grain.” True to form, he also joked about his casual outfit, saying he wasn’t trying to be edgy, he just didn’t own a suit that fit.
The comedian’s place on the Walk marks him as the 2,813th inductee, joining names from Bob Marley to Stevie Wonder. His long career includes hits like The Office, Derek, and After Life, and he’s picked up multiple Emmys, BAFTAs, and Golden Globes along the way, the latter of which he’s hosted in infamous fashion.
Ricky Gervais adds his name to Hollywood Boulevard with a signature smirkGetty Images
Controversy has never been far behind him. His Netflix special Armageddon drew backlash even before release, with thousands signing a petition over jokes targeting terminally ill children. But Gervais brushed it off, saying people were reacting to headlines, not the actual performance. “They’re hecklers,” he said in an interview, dismissing the outrage as manufactured.
He’s defended his comedy by insisting it’s never personal and is just ideas explored through humour. “People often confuse the topic of a joke with its target,” he explained. His work, including darker series like After Life, often circles around deeper themes like death, grief, and morality, all wrapped in wit.
Fans gather to celebrate the star unveiling in classic Gervais fashionGetty Images
Whether you find him sharp or just plain insensitive, Ricky Gervais doesn’t plan to change his approach. He believes comedy should provoke, even if it ruffles feathers. And now, with a star on Hollywood Boulevard, he’s left a permanent mark, both on the pavement and the industry.
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Taylor Swift celebrates full control over the music that launched her career
After years of fighting for control over her early music, Taylor Swift has bought back the master recordings of her first six albums. The deal marks the end of a bitter chapter in her career and gives her full ownership of every song she’s released since her teenage debut.
It all started in 2019 when Swift’s old label, Big Machine, sold her original recordings to music executive Scooter Braun. At the time, Swift called it her “worst-case scenario,” saying she wasn’t even given the chance to buy them herself. Instead, she was offered a deal where she’d “earn” back one old album for every new one she made. She declined. Braun later sold the masters to Shamrock Capital for around £222 million (₹1,848 crore), and Swift decided to take matters into her own hands.
Over the last few years, Swift has been rerecording her old albums and releasing them as Taylor’s Version, including Fearless, Red, Speak Now, and *1989*. These new versions allowed her to regain control and reduce the value of the originals owned by others.
Now, Swift has confirmed that she has officially bought her masters along with the rights to music videos, album artwork, concert films, and even unreleased songs from Shamrock. The price hasn’t been disclosed, but reports suggesting up to £800 million (₹6,656 crore) were exaggerated.
This move brings an end to a nearly two-decade-long struggle. She called it a dream she thought would never come true. In a note to fans, she thanked them for supporting her through it all and helping her get back what she lost.
Taylor’s Eras Tour spotlighted her catalogue as she reclaimed her legacyGetty Images
Of the original six albums, only Reputation and her self-titled debut are yet to be rereleased. Swift admitted she hasn’t finished rerecording Reputation, describing it as deeply tied to a difficult period in her life. Still, she hinted that both albums might see the light again, not out of necessity anymore, but as a celebration.
Swift’s Eras Tour, her biggest to date, presented her entire catalogue and has made over £1.6 billion (₹13,312 crore) globally. Along the way, she’s inspired newer artists to demand better deals, ones that let them own their own music from the start.
Now, at last, so does she.
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Mona Singh gears up in uniform for her first cop role in Kohrra season 2
Netflix’s acclaimed crime drama Kohrra is returning for a second season, and its newest addition is none other than Mona Singh. Known for her wide-ranging roles across genres, Singh’s casting adds a fresh layer of intrigue to the moody, atmospheric series.
This will also be her first time playing a cop, a welcome shift from her recent comedic role in the horror flick Munjya. The teaser shows her in uniform, sharing the screen with Barun Sobti, and already hints at a character with grit and complexity. It’s a role that seems tailor-made for her brand of grounded intensity.
Mona Singh continues to break boundaries with every new role she takes on
Singh’s recent choices have consistently veered into darker, more layered territory. From her performance in Kaala Paani to her memorable role in Made in Heaven 2, she’s leaned into characters that demand emotional range. Kohrra, with its slow-burn storytelling and rural noir setting, offers fertile ground for another such performance.
Adding Singh to the mix is also a clever narrative choice. The first season of Kohrra stood out for its quiet, restrained depiction of masculinity and justice. Introducing a strong female law enforcement officer could open up new dynamics and push the story into interesting moral grey zones.
Mona Singh shines as one of the most dependable actors in Indian entertainmentGetty Images
This isn’t just a comeback to long-form content for Singh but also shows her ability to adapt and elevate. If her past thrillers are anything to go by, her entry into the Kohrra universe is likely to amplify both the emotional and suspenseful stakes of the show.
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In a major shift in India’s music scene, composer Mithoon has become the country’s highest-paid musician, commanding £2.4 million (₹25 crore) for a single film project. This fee, reportedly for the soundtrack of an upcoming untitled romantic film, marks a milestone that no Indian composer has ever reached before.
Mithoon, whose real name is Mithun Sharma, is known for creating some of Bollywood’s most emotional and popular tracks like Tum Hi Ho and Phir Mohabbat. The new deal places him ahead of big names like AR Rahman, Pritam, Arijit Singh, and even Diljit Dosanjh. According to insiders, Mithoon’s long-standing collaboration with the film’s director was a key reason for the producers’ massive investment. Their previous work delivered memorable chartbusters, and this reunion has generated big expectations.
Mithoon returns to collaborate with a director he last worked with nearly 20 years agoInstagram/mithoon11
Until now, Anirudh Ravichander held the top spot, having earned over £960,000 (₹10 crore) for his work on Jawan, starring Shah Rukh Khan. His subsequent projects, including Leo and Jailer, reportedly brought in £768,000 (₹8 crore) each. Before Anirudh, AR Rahman had long been Bollywood’s most in-demand composer, charging about £768,000 (₹8 crore) per film and more if he also sang on the track.
For comparison, most music directors in the industry earn less than £480,000 (₹5 crore) per film. Popular composers like Pritam, MM Keeravani, Vishal-Shekhar, and Yuvan Shankar Raja fall into this range. Playback singers typically earn £14,400–£19,200 (₹15–20 lakh) per song and rarely touch the £96,000 (₹1 crore) mark for an entire film album. The only exception is in the independent music scene with artists like Diljit Dosanjh, who often cross £96,000 (₹1 crore) for private albums or live shows.
Mithoon’s deal signals a new phase for the music industry, where original soundtracks are becoming a major factor in a film’s success. As music continues to play a central role in Indian cinema’s appeal, composers like Mithoon are beginning to receive the kind of recognition and pay that reflects their influence on a film’s overall impact and that is a good sign.
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The live-action adaptation of The Legend of Zelda may be lining up a popular fan pick for the role of Princess Zelda, with reports suggesting that Euphoria star Hunter Schafer is being considered for the part.
Nintendo first confirmed in 2023 that it would be collaborating with Sony Pictures to bring its long-running fantasy video game franchise to the big screen. The film is currently scheduled for release on 26 March 2027.
Following the announcement, fans widely advocated for Schafer to be cast as Zelda, citing her strong resemblance to the Hylian princess. Schafer, 25, has also expressed interest in taking on the role. In a 2023 interview with Entertainment Tonight, she said: “I played that video game a bunch when I was a kid. That’s such a good game,” adding that appearing in the adaptation would be “so cool”.
- YouTubeYouTube/ Nintendo of America
While no official casting decisions have been confirmed by Nintendo or Sony, entertainment insider Daniel Richtman recently claimed on social media that Schafer is indeed being considered for the role of Zelda. Schafer’s representatives have yet to comment on the reports.
The Legend of Zelda, created by game developers Shigeru Miyamoto and Takashi Tezuka, was first released in Japan in 1986 for the Famicom Disk System. Set in the fictional land of Hyrule, the game follows Princess Zelda and a young warrior named Link as they embark on adventures to protect their kingdom.
Since its debut, the franchise has expanded into multiple acclaimed titles, including Ocarina of Time, Twilight Princess, Breath of the Wild, and Tears of the Kingdom. It is widely considered one of the most influential series in gaming history.
The upcoming film will be directed by Wes Ball, best known for his work on The Maze Runner trilogy and Kingdom of the Planet of the Apes. Miyamoto will co-produce the project alongside veteran film producer Avi Arad.
In a statement shared when the film was announced, Miyamoto said, “I have been working on the live-action film of The Legend of Zelda for many years now with Avi Arad-san… We have now officially started the development of the film with Nintendo itself heavily involved in the production.”
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