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Dharmendra opens up about his character in Karan Johar’s Rocky Aur Rani Ki Prem Kahani

Dharmendra opens up about his character in Karan Johar’s Rocky Aur Rani Ki Prem Kahani

On Tuesday, Karan Johar announced his next directorial titled Rocky Aur Rani Ki Prem Kahani. The film stars Ranveer Singh, Alia Bhatt, Dharmendra, Jaya Bachchan, and Shabana Azmi.

Recently, while talking to E-Times, Dharmendra opened up about his character in the film. He stated, "I am playing a romantic (guy) in this film.”


Further talking about the movie, he said, "I am very happy. You see l love the camera and the camera loves me. Hum log ek doosre ko door se dekhte rahte hai jab mauka mil jaata hai gale lag jaate hai (we keep admiring each other from a distance and we end up embracing every chance we get)."

The veteran actor revealed that the shooting of the film will kickstart in August this year.

Dharmendra was known for his good looks, and apart from doing action films, he also featured in many romantic movies. While talking about his penchant for romance, the actor told the portal, "I am playing a romantic (guy) at this age. You know, once a romantic, always a romantic."

While announcing the film on Tuesday, Dharmendra had tweeted, “Friends, I am delighted to announce my new film, a love story deeply embedded in the roots of family, directed by Karan Johar. I'm extremely excited for this as you will see me again in a romantic role! Can't wait for you all to see me at the movies!.”

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The Mummy

Relies on body horror, sound design and shock value over spectacle

X/ DiscussingFilm

How Lee Cronin’s 'The Mummy' turns a classic adventure into a domestic horror

Highlights

  • Moves away from the adventure tone of The Mummy (1999) into possession-led horror
  • Shifts the setting from desert tombs to a family home in Albuquerque
  • Focuses on parental fear and a “returned” child rather than treasure hunting
  • Relies on body horror, sound design and shock value over spectacle
  • Critics call it bold and unsettling, but uneven in storytelling

From desert spectacle to domestic dread

For decades, The Mummy has been tied to adventure, romance and spectacle, most famously in The Mummy (1999). That version thrived on sweeping desert landscapes, archaeological intrigue and a sense of escapism.

Lee Cronin takes a sharply different route. His reworking strips away the sense of adventure and relocates the horror into the home. The story still begins in Egypt, anchored by an ancient sarcophagus, but quickly shifts to the United States, where the real tension unfolds inside a family house.

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