BRITAIN reported its highest number of new Covid cases in more than six months on Friday (16), days before the government plans to relax curbs on pubs, restaurants and nightclubs in England and ease requirements to wear masks.
Government data showed there were 51,870 new cases of coronavirus, up from 48,553 on Thursday (15) and the highest daily total since January 15.
The number of new deaths reported as having occurred within 28 days of a positive Covid test was 49, down from 63 on Thursday (15), taking the total on this measure to 128,642.
However, with over two thirds of the adult population fully vaccinated, prime minister Boris Johnson has said the time is right to lift most remaining restrictions, due to a weaker link between case numbers and subsequent hospitalisation or death.
Friday's data showed 67.5 per cent of British adults had received two vaccine doses, while 87.6 per cent had received at least one dose. Most of those who are unvaccinated are younger people who only gained access to vaccines recently.
From Monday (19) nightclubs in England can reopen and pubs, bars and restaurants will be able to pack in more customers.
A legal requirement to wear masks on English public transport and in shops will also go, although many transport operators and stores have said they will require or strongly advise customers and passengers to continue doing so.
The government's chief medical advisor, Chris Whitty, warned earlier on Friday (16) that England could quickly slip back into crisis.
"I don't think we should underestimate the fact that we could get into trouble again surprisingly fast," he had said.
Quarantine on return from France
Meanwhile, English residents who visit France after July 19 easing of restrictions will still be required to quarantine on returning home even if they are fully vaccinated, the UK government said on Friday (16).
The end of the compulsory quarantine for vaccinated English residents returning from countries on London's "amber" list "will not apply to France following the persistent presence of cases in France of the Beta variant" of Covid-19 first detected in South Africa, the Department of Health said in a statement.
Those arriving from countries on the amber list, which includes other popular European holiday destinations like Italy, Portugal and Spain, currently need to quarantine at home for up to 10 days and submit to two tests.
From Monday (19), they will only need to show proof of vaccination in the UK to their airline, ferry or train operator and take a test on the second day after arrival.
But "anyone who has been in France in the last ten days will need to quarantine on arrival to England in their own accommodation and will need a Day 2 and Day 8 test, regardless of their vaccination status," the health ministry said.
Winter flu shot programme
Also, Britain said on Saturday (17) that it would expand its winter flu vaccination programme to millions more people, making it the most extensive ever, as it seeks to avoid pressure on hospitals with the Covid-19 pandemic still circulating.
The government said it would offer shots to 35 million people including older schoolchildren and all those aged over 50 as part of a programme starting in September that would be delivered alongside the possible delivery of Covid vaccine booster doses.
"Flu can be a serious illness and we want to build a wall of protection by immunising a record number of people," health minister Sajid Javid said.
"With the nation getting closer to normal life, we must learn to live with COVID-19 alongside other viruses and we’re offering the free flu jab to millions more people to help keep them safe this winter."
Last year, 81% of people aged 65 and over in England received a flu shot. Admissions to hospital for treatment for flu during the winter typically puts the state-run National Health Service under huge pressure, and health officials fear a combination of serious flu cases along with people still needing treatment for the coronavirus could leave hospitals struggling to cope.
Protesters calling for the closure of the The Bell Hotel, believed to be housing asylum seekers, gather outside the council offices in Epping, on August 8, 2025. (Photo: Getty Images)
High Court blocks asylum seekers from being housed in Essex hotel
Nigel Farage calls for peaceful protests outside “migrant hotels”
Government considering appeal against injunction ruling
Debate grows over housing asylum seekers in hotels across Britain
NIGEL FARAGE has called for protests after a court ruling blocked the use of an Essex hotel to house asylum seekers.
On Tuesday, the High Court in London granted a temporary injunction stopping asylum seekers from being placed in the Bell Hotel in Epping, about 32 km northeast of London. The case, based on a planning issue, will be heard in full later this year.
Protests in Essex
The Bell Hotel has seen regular demonstrations since a resident was charged with sexual assault, which he denies. Police have deployed in large numbers to separate anti-immigration and pro-immigration groups during the protests.
The injunction has prompted other councils to seek legal advice on whether they can also act to remove asylum seekers from hotels in their areas.
Farage statement
Farage, leader of the Reform Party, said all 12 local authorities under his party’s control would act.
"Let's hold peaceful protests outside the migrant hotels, and put pressure on local councils to go to court to try and get the illegal immigrants out; we now know that together we can win," he wrote in the Daily Telegraph.
"No doubt we will be attacked as 'far Right' provocateurs for daring to suggest that people follow the lead of Epping’s parents and residents by protesting peacefully."
Government response
Britain houses about 30,000 asylum seekers in more than 200 hotels while they await decisions on their claims. The government has said it plans to close them all by 2029.
The Home Office told the court that the injunction would have a "substantial impact" on its legal duty to provide accommodation. Security minister Dan Jarvis said the government was considering whether to appeal.
"The big challenge remains, which is, we need to process asylum claims much more speedily and much more effectively than was the case previously," Jarvis told BBC TV.
Wider debate
Critics argue that housing asylum seekers in hotels puts communities at risk and point to crimes in Epping and elsewhere involving some migrants. Others highlight the contrast between hotel accommodation and the difficulties many in Britain face with rising costs and a lack of affordable housing.
Pro-migrant groups say far-right organisations and politicians are exploiting tensions for political purposes.
Across Europe, governments have faced similar disputes. In Britain last year, hotels with migrants were attacked during unrest linked to misinformation about a crime in Southport.
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FIFTY years since Sholay was released, it has been watched by generations of audiences, but its director has said it is not a perfect film.
Written by Salim Khan and Javed Akhtar, Sholay tells the story of two small-time criminals hired by a former policeman to capture the ruthless gangster, Gabbar Singh.
The action-adventure movie was praised for its gripping storytelling, powerful dialogues and unforgettable characters played by Amitabh Bachchan, Dharmendra, Hema Malini, Jaya Bachchan, Sanjeev Kumar and Amjad Khan in his first major role as the villain Gabbar.
Director Ramesh Sippy said, “The fact that Sholay was made means something better than Sholay can also be made and people will learn to like that kind of film as well.”
He added, “I think you always want to better Sholay. That’s how you keep your spirits up. Otherwise, how will you carry on?”
In an interview at his office in Mumbai, the renowned filmmaker acknowledged the audience’s enduring love for every frame of the classic as “amazing”.
Gabbar Singh’s evil laughter, Jai-Veeru’s undying friendship (played by Bachchan and Dharmendra, respectively), Thakur’s (Kumar) quest for vengeance, Soorma Bhopali’s boastful banter and Basanti’s (Hema Malini) exuberant defiance are part of Indian cinematic history.
Since it was released on August 15, 1975, the film has stayed on in the hearts of generations of film goers who discovered it later.
Sippy said the entire team worked hard on the project and, when shooting was completed, he knew he had a “fine film” in hand. “You can’t think of any of these characters being played by any other actor or actress. It was just simply so good. They did their best. I was able to get performances which were amazing, because they are such fine artists and because as a script it was very satisfying and promising and everybody worked towards achieving what they could in their own capacities.”
“At the end we had a fine film in our hand which till today we are here talking about it 50 years later, it’s amazing,” he said.
Sippy’s filmography also includes hits such as Seeta Aur Geeta, Shaan, Shakti and Saagar, but the popularity of Sholay sets it apart. “I have tried my best to make good films before and after Sholay and I have succeeded as well, but somehow nothing stands out like Sholay,” the 78-year-old said.
“I do hope one day there is a film that beats Sholay. That’s the way the world is.
“You need to be better than what was. So everybody has to strive to do that.
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Anurag Kashyap has condemned the AI film Chiranjeevi Hanuman – The Eternal for undermining artists
Filmmaker Anurag Kashyap criticised Vijay Subramaniam for backing the AI-made film Chiranjeevi Hanuman – The Eternal.
Kashyap said the project undermines creativity and betrays the artists represented by Subramaniam’s agency.
Vikramaditya Motwane also expressed disapproval, warning of AI sidelining writers and directors.
The AI film is produced by Abundantia Entertainment and Collective Media Network, with a 2026 release planned.
Filmmaker Anurag Kashyap has sharply criticised the upcoming project Chiranjeevi Hanuman – The Eternal, promoted as India’s first fully AI-made film. The director targeted Vijay Subramaniam, head of Collective Artists Network, accusing him of betraying the very writers, actors and directors his agency represents. The backlash follows recent controversy over AI’s use in altering the Tamil release of Aanand L Rai’s Raanjhanaa.
Anurag Kashyap has condemned the AI film Chiranjeevi Hanuman – The Eternal for undermining artists Getty Images/ Instagram/abundantiaent
What is Chiranjeevi Hanuman – The Eternal ?
Earlier this week, production houses Abundantia Entertainment and Collective Media Network unveiled the poster of Chiranjeevi Hanuman – The Eternal. Marketed as the country’s first “Made-in-AI, Made-in-India” film, it is scheduled to release on Hanuman Jayanti 2026.
Producers claim the project will combine mythology with modern innovation, reimagining Lord Hanuman’s story for global audiences. They described the initiative as a tribute to India’s cultural legacy, brought alive through technology.
However, the announcement triggered heated debate within the industry. While backers framed the film as innovation, critics argue it risks erasing the role of human storytellers in cinema.
Anurag Kashyap, known for outspoken views, voiced his anger on Instagram after the poster launch. Addressing Subramaniam directly, he wrote:
“Here is the man heading an agency representing artists, writers and directors, now producing a film made by AI. End of the day, all these agencies are only interested in making money off you. Any actor or anyone who calls themselves artists and has a spine should be questioning him or leaving the agency.”
The filmmaker went further, describing the project as “the future for the spineless and cowardly so-called artists in the Hindi film industry.” His remarks reflect wider concerns that agencies profit from talent while backing projects that remove creative workers from the process.
Kashyap has previously worked on films tackling issues of power, exploitation and authenticity in cinema. His latest outburst adds to growing resistance against AI in filmmaking.
Kashyap was not alone in condemning the move. Director Vikramaditya Motwane, who recently explored AI themes in his project CTRL, reposted the announcement on Instagram with the blunt caption: “And so it begins. Who TF needs writers and directors when it’s ‘Made in AI’?”
Motwane’s reaction highlights a fear shared by many in the industry: that studios may prioritise cost-cutting AI tools over human creativity. His remarks echo discontent following Raanjhanaa’s AI-altered ending, which led to protests from Aanand L Rai’s team.
The Chiranjeevi Hanuman backlash has therefore become symbolic of a larger struggle, of filmmakers fighting to safeguard artistic integrity in an era of technological disruption.
Filmmaker Vikramaditya Motwane criticised the AI project and warned of the threat to writers and directors Instagram Screengrab/motwayne
What has the producer said in defence of AI films?
Vijay Subramaniam, head of Collective Artists Network and producer of Chiranjeevi Hanuman – The Eternal, defended the film at its launch. He argued that the project is not replacing tradition but enhancing it, describing it as “a unique opportunity to reimagine cultural storytelling for audiences who value both heritage and innovation.”
Supporters of the film insist that AI technology can make epic stories more accessible and visually ambitious without the usual budget constraints. Yet the criticism from Kashyap and Motwane shows strong resistance within Bollywood towards projects perceived as sidelining human talent.
The debate reflects a broader global conversation on AI’s role in creative industries, from Hollywood writers’ strikes to controversies in Indian cinema. With Chiranjeevi Hanuman – The Eternal set for release in 2026, the clash between technological innovation and artistic integrity is likely to intensify.
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Shah Rukh Khan supports son Aryan Khan during the Netflix launch of his debut series
Aryan Khan made his first public speech at the launch of his Netflix series The Ba**ds of Bollywood.
The debutant director admitted he was nervous and joked about keeping his father Shah Rukh Khan as backup.
The show stars Sahher Bambba, Lakshya, Bobby Deol, Mona Singh and Manoj Pahwa.
The Ba**ds of Bollywood will release on Netflix on 18 September.
Shah Rukh Khan’s son Aryan Khan stepped into the spotlight at the preview launch of his directorial debut The Ba**ds of Bollywood. Delivering his first-ever public speech, Aryan openly admitted he was “extremely nervous,” a moment that has quickly drawn attention. Speaking with a mix of honesty and humour, Aryan said he had been rehearsing for days and even carried backup notes in case the teleprompter failed. The much-anticipated Netflix series marks his debut as a director after four years of preparation.
Aryan Khan makes his first public speech at The Ba**ds of Bollywood* preview in Mumbai Getty Images
What did Aryan Khan say in his first speech?
Aryan Khan confessed that facing the media for the first time left him anxious. “I’ve been practising this speech for two days and three nights,” he said, before joking that he had even written it down on paper in case of a power cut. He added, “Aur agar iss sab ke baad bhi mujhse galti ho jaaye toh papa hain na (And even then if I make a mistake, my dad is here).”
In a lighthearted moment, Shah Rukh Khan joined in by showing a copy of Aryan’s speech taped to his back, drawing laughter from the audience. Aryan ended his address by requesting forgiveness if he stumbled, saying, “This is my first time.”
The Netflix series The Ba**ds of Bollywood is described as a high-energy, stylised drama set against the backdrop of the film industry. It features Lakshya and Sahher Bambba in lead roles, with Bobby Deol, Mona Singh, Manoj Pahwa, Raghav Juyal, and Anya Singh in pivotal parts.
The series, produced by Red Chillies Entertainment, also features cameos from Salman Khan, Ranveer Singh and Karan Johar. According to Aryan, the project took four years of development, with “hundreds of discussions and thousands of takes” before reaching its final form.
Netflix has confirmed that The Ba**ds of Bollywood will begin streaming worldwide on 18 September. The platform has promoted it as a fresh take on the glitz and chaos of the industry, promising stylised visuals, sharp humour, and a look at ambition and rivalry in the world of cinema.
For Aryan, the series represents not just a professional debut but also the culmination of years of behind-the-scenes work. He said at the launch: “We’ve tried to bring entertainment to people everywhere, and I want to thank everyone who made this possible.”
— (@)
How did fans react to Aryan Khan’s speech?
Clips of Aryan Khan’s speech quickly spread online, with many fans pointing out his striking resemblance to his father’s manner of speaking. Comments like “Sounds just like SRK” and “Aryan’s voice = SRK’s voice” dominated social media reactions.
The warm reception suggests that Aryan’s entry into filmmaking has sparked high curiosity, both because of his family legacy and the scale of the project. With his directorial debut soon arriving on Netflix, expectations are running high.
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Charli XCX confirms her next chapter with upcoming A24 film The Moment
Charli XCX ends her Brat era with a South Korean festival performance
Pop star leaves fans emotional with farewell message on stage screen
Teases upcoming A24 film The Moment based on her own concept
Singer shifts focus from music to film after blockbuster success
Charli XCX has officially closed the chapter on her acclaimed Brat era with an emotional final performance at South Korea’s One Universe Festival, where she also teased her next project. The British pop star, who dominated global charts with Brat, used her farewell show to surprise fans with a teaser for her upcoming A24 film The Moment.
Charli XCX confirms her next chapter with upcoming A24 film The Moment Getty Images
What happened at Charli XCX’s final Brat concert?
On 15 August, Charli XCX took the stage in Gwacheon-si for her last headlining performance linked to Brat, the album that turned her from cult favourite to mainstream force. As she wrapped her set, a huge screen behind her displayed the words: “Please don’t let it be over.”
The message struck a chord with fans, who had been following her whirlwind year of success. Shortly after, she posted a clip on Instagram showing a film slate marked The Moment, confirming her move towards cinema.
Why is the Brat era significant in Charli XCX’s career?
Released in June 2024, Brat became Charli’s most successful album to date, peaking at No. 3 on the Billboard 200. Its lime-green cover, hyperpop energy, and cultural reach made it more than just a record. From influencing U.S. political campaigns to dominating TikTok trends, Brat marked a turning point in the perception of experimental pop.
Charli herself admitted she never expected the record’s impact. Speaking earlier this year, she said: “I don’t really feel the pressure because you can never do the same thing twice. My next record will probably be a flop, which I’m down for to be honest.”
What do we know about Charli XCX’s new film The Moment ?
The most talked-about reveal from her farewell concert was her upcoming A24 project The Moment. The film, based on her own concept, signals a bold shift into storytelling on screen. While details remain under wraps, fans online are already speculating about its potential to capture the same disruptive energy that made Brat so influential.
This is not Charli’s first step into acting. She is also set to appear in several upcoming films including I Want Your Sex with Olivia Wilde and Cooper Hoffman, the satire Sacrifice with Chris Evans and Anya Taylor-Joy, and a fantasy adaptation of 100 Nights of Hero.
Charli XCX closes Brat era with final show and teases new film ‘The Moment’Getty Images
What’s next for Charli XCX after Brat ?
With music milestones behind her, Charli XCX is turning her attention to film while still maintaining her reputation as an artist. She recently collaborated with Japanese horror director Takashi Miike for a new project and continues to expand her acting portfolio.
On a personal note, the singer also married The 1975’s drummer George Daniel in London last month. The wedding was a private ceremony at Hackney Town Hall, attended by close friends and family.
Charli XCX and George Daniel’s wedding photos spark a new alt-pop moodboard Instagram/charli_xcx
As she steps into a new creative phase, fans may have to wait before hearing another record, but Charli’s latest pivot suggests she is just as committed to breaking boundaries in cinema as she has been in music.