The National Theatre’s annual Connections Festival will return this June, celebrating its 30th anniversary with a week-long programme of youth theatre performances from across the UK.
Running from 24 to 28 June, the festival will also mark the reopening of the Dorfman Theatre, which has been closed since November 2024 for government-funded refurbishment works.
Over the past three months, more than 5,000 young people from over 270 schools and youth theatre groups have performed in venues across 33 professional stages nationwide. From this wide participation, ten theatre groups have been selected to perform at the National Theatre in London.
Each group will stage one of ten newly commissioned plays, offering young performers the opportunity to explore contemporary themes including identity, climate change, and community.
The selected groups and their plays are:
Fresh Air by Vickie Donoghue – Central Foundation Boys’ School, London
Ravers by Rikki Beadle-Blair – HOME Young Company, Manchester
Mia and the Fish by Satinder Chohan – Abbey Grange Academy, Leeds
The Company of Trees by Jane Bodie – Hamilton District Youth Theatre, Lanarkshire
Their Name is Joy by May Sumbwanyambe – Nottingham Girls Academy Theatre Company
Saba’s Swim by Danusia Samal – Central Youth Theatre, Wolverhampton
Normalised by Amanda Verlaque – Brassneck Youth, Belfast
No Regrets by Gary McNair – Glasgow Acting Academy
Brain Play by Chloë Lawrence-Taylor and Paul Sirett – Chatham and Clarendon Grammar School, Ramsgate
YOU 2.0 by Alys Metcalf – Everyman Youth Theatre, Cardiff
Young participants have also been involved in backstage roles, including lighting, costume design, directing and composing, helping to realise their productions from start to finish.
Indhu Rubasingham, Director and Co-Chief Executive of the National Theatre, said: “I am really pleased to welcome ten youth groups from all corners of the UK to the NT for this landmark anniversary festival of Connections. Everyone should have the opportunity to experience the power of theatre-making.”
Since launching, the festival has engaged over 125,000 young people, with former participants including actors Keira Knightley, David Oyelowo, Rose Ayling-Ellis, and Callum Scott Howells.
Each year, ten new plays are commissioned for Connections, contributing to a growing archive of over 235 scripts written specifically for young performers.
Tickets are available for £5 per show, or £8 for two performances in one evening. All shows will feature captioning for accessibility.
Whether it is her cool songs like Checka, Piya Piya Calling and Siste Dans, cutting-edgeEP Running Deep, or acclaimed 2024 debut album Shahrazad, Delara has consistently crossed creative horizons and collaborated with global talent.
The award-winning Norwegian singer has lit up the live scene, clocked millions of streams, and connected with diverse cultures through her eclectic music. The fabulously forward-thinking talent has added to her impressive achievements with the newly released Kalash Reimagined, a bold collaboration with Indian singer Charan, Pakistani producer Talal Qureshi and Jamaican-American rapper BEAM.
Eastern Eye caught up with Delara to discuss her music, inspirations, future hopes and unique new single.
Her new track, Kalash ReimaginedInstagram/ amandadelara
What first connected you to music?
I think music was always part of my life before I even knew what it meant to me. I grew up in a household where my parents would talk about life and politics around the dinner table. That energy of emotion, reflection and curiosity somehow found its way into the songs I started writing. Music became my space for understanding myself and the world around me.
How do you reflect on your music journey so far?
I’m proud of how much I’ve dared to evolve. From the start, I didn’t take the easiest route. I sang about politics and personal struggles when people told me not to. But I’ve always trusted that staying true to myself would lead me to where I’m meant to go. That has shaped me into the artist I am today – a mix of experimentation, boldness and vulnerability.
Which of your songs is closest to your heart?
That’s a hard one, but Unbound will always be very close to me. I wrote it during a time when I was thinking a lot about the impermanence of life, and how nothing and no one lasts forever. The relationship I have with my mother, who means everything to me, inspired much of that song. Having her in the music video made it even more emotional and personal.
How much did the acclaim your debut album received mean to you?
Of course, I’m grateful for the recognition, but I try not to get too caught up in critical acclaim. What means the most to me is the feedback I get from listeners – people who send me messages or come up to me after shows saying a song helped them through something. That’s what gives me confidence and keeps me creating.
Tell us about Kalash Reimagined.
Kalash Reimagined takes the original track to new heights by merging powerful voices and sounds from different parts of the world. After working on Piya Piya with Coke Studio last year, it felt natural to expand on this fusion of cultures. The remix blends south Asian sounds, Jamaican energy and Norwegian–Iranian influences to create something bold and deeply emotional. It is a celebration of what can grow when different worlds collide.
What was it like collaborating with Charan, Talal Qureshi and BEAM?
Collaborating with Charan, Talal and BEAM was an amazing experience. Charan brought his unique perspective and fresh energy to the track. Talal’s creativity and musical vision really helped elevate the sound, while BEAM’s raw intensity added something special. It felt like a real meeting of different worlds, with voices that had something real to say. The collaboration was a true exchange of energy and ideas, and it came together beautifully.
How would you describe this track?
It’s a powerful fusion of sounds and emotions. Kalash Reimagined is bold, raw and unapologetic – yet playful and full of energy. The track exists in the spaces between cultures, not trying to represent everything but highlighting what can grow when worlds collide. It celebrates shared experiences and the beautiful complexity that emerges from blending different backgrounds.
Who are you hoping this song connects with?
I hope this track resonates with anyone who feels caught between cultures or identities. It is for those who do not fit neatly into one box. Whether you are from south Asia, the diaspora, the Caribbean or anywhere in between, I want the song to speak to those who feel empowered by blending different worlds – and who are open to the beauty that comes from that fusion.
What can we expect next from you?
There is a lot on the horizon. I’m about to announce my biggest headliner show yet, which I’m incredibly excited about. I’m also working on new music and visual projects that will push boundaries, along with more cross-cultural collaborations like Kalash Reimagined. The goal is always to connect sounds and stories in unexpected ways. I’m exploring fresh creative paths, keeping things organic and letting ideas flow freely.
Who would you love to collaborate with? There are so many, but right now I would love to work with artists who challenge genres and tell strong stories – people like Bad Bunny, Rosalía, Frank Ocean or even Raveena. Artists who are not afraid to blend cultures and sounds.
What kind of music dominates your personal playlist?
It’s a mix of many things. But with summer approaching, there is a lot of Afro, reggaeton, salsa, r’n’b and hip hop. I’ve actually created a personal playlist that I share with my listeners.
What inspires you as an artist?
Life itself – my family, friends, conversations with strangers, travelling, latenight thoughts, missing home, or wondering what home even means. I get inspired by contradictions, and those quiet moments of reflection when I’m not even trying to create.
Why do you love music?
When I’m creating music, I feel the most free. It is a space where only your mind, creativity and ideas matter – not how you look or how others see you. Music was the first place where I felt truly seen and heard. It’s a powerful force of connection, the closest thing we have to real magic – a universal language that everyone understands. In just seconds, music can make us feel a little less alone. How can you not love that?
Tate Liverpool will reopen in 2027 with the first major retrospective of artist Chila Kumari Singh Burman, one of the UK’s most prominent and influential contemporary artists. The announcement was made by Secretary of State for Culture Lisa Nandy during a reception held in Delhi on 3 May 2025.
Burman, a British-Indian artist renowned for her bold, vibrant, and politically engaged work, will be the focus of a landmark exhibition marking the gallery’s relaunch following a major transformation. The retrospective will span five decades of Burman's career and celebrate her unique artistic language, which fuses traditional and popular Indian culture, British heritage, and a personal exploration of identity.
The exhibition is being positioned as a significant cultural event, highlighting the diversity and creativity of artists from the North of England. Born in Bootle, Liverpool, to Punjabi parents, Burman describes herself as a “Punjabi Scouser” and has developed a distinctive visual style rooted in her working-class upbringing and dual heritage. Her work covers a wide range of media, including drawing, painting, printmaking, collage, photography, video, and neon installations.
Helen Legg, Director of Tate Liverpool, said: “Chila Kumari Singh Burman was always the artist we wanted to show on reopening, as part of a celebration of the rich culture of the North. She is renowned for creating irreverent pop and punk-inspired works in kaleidoscopic colour, infused with glitter and neon, that draw on aspects of Indian and British cultural heritage. Her works are just as striking for their subversive treatment of gender, class and identity.”
Culture Secretary Lisa Nandy described Burman’s work as a celebration of British diversity, saying: “The exhibition will honour one of Britain’s most innovative artists and marks an exciting new chapter for Tate Liverpool as it transforms into a modern day museum at the heart of the city.”
“Chila’s vibrant work celebrates the rich diversity of British identity. Her powerful artistic vision, spanning five decades and bringing together influences from her working-class Liverpool roots and Punjabi heritage, has already brightened our cities and lifted spirits during difficult times,” she added.
The upcoming retrospective will be curated by Leanne Green, Head of Exhibitions and Displays at Tate Liverpool, and Curator Tamar Hemmes. It is supported by the Bagri Foundation, which promotes artistic and educational projects relating to Asian cultures.
In response to the announcement, Burman said: “I’m made up to be coming back home to Liverpool with an exhibition that spans my whole career, from the River Mersey to the Land of the Five Rivers in Punjab. It is a real honour to be reopening the gallery and I hope the exhibition inspires a whole new generation of visitors.”
Burman’s work often explores themes of identity, feminism, and cultural heritage, weaving together personal history, social commentary, and artistic experimentation. Her visual language is known for its use of colour, text, and symbolism, often drawing on punk, reggae, Bollywood, and Bhangra influences.
One of her most acclaimed pieces, Remembering a Brave New World, was installed at Tate Britain in 2020. The neon and technicolour installation brought a message of hope and resilience during the height of the Covid-19 pandemic and became widely celebrated for its powerful visual impact.
Her other recent exhibitions include Chila Welcomes You (IWM North, 2025), Spectacular Diversions (Compton Verney, 2024), Illuminating India (Science Museum, 2017), and Beyond Pop (Wolverhampton Art Gallery, 2017). She has also completed several major public commissions, such as Liverpool Love of My Life, which adorned Liverpool Town Hall; Blackpool Light of My Life at the Grundy Art Gallery; and Do You See Words in Rainbows? in Covent Garden, all in 2021.
A neon tiger sculpture, a signature element in Burman’s work, will soon be on display at India House in London at the invitation of Indian High Commissioner to the UK, His Excellency Vikram Doraiswami.
Tate Liverpool’s transformation aims to deliver a 21st-century museum experience. The refurbished space will feature a new ground-floor art hall, expanded public areas for play, relaxation and learning, and panoramic views across the River Mersey. The reopening in 2027 is expected to reaffirm Tate Liverpool’s place as a cultural hub in the North and showcase the breadth and diversity of the Tate collection alongside world-class exhibitions.
Further details on additional exhibitions and programming for Tate Liverpool’s reopening will be announced in the coming months.
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Dylan has previously described painting as a way to “relax and refocus a restless mind”
Bob Dylan will exhibit a new series of original paintings at the Halcyon Gallery in London from 9 May. The collection, titled Point Blank, features 97 recent works and will be open to the public free of charge.
The exhibition follows renewed interest in Dylan’s life and career following the release of the biopic A Complete Unknown earlier this year. Now aged 83, the musician remains active, both as a touring performer and visual artist.
Point Blank comprises works based on original sketches Dylan created between 2021 and 2022. The subjects include musicians, couples, sportspeople, interior scenes, and locations Dylan has spent time in. The sketches were later transformed using vivid colours, which Dylan describes as “living, breathing entities that have emotional resonance”. He said the colours act as “weapons and mood setters” and serve as “a means of storytelling”.
Commenting on the intention behind the series, Dylan said: “The idea was not only to observe the human condition, but to throw myself into it with great urgency.” Some of the images include a saxophonist, a cowboy standing before a rising sun, and a mirror reflecting a set of lips. A number of the works use blue, red, and neutral monochromatic tones, prompting comparisons to Pablo Picasso’s early Blue Period.
The Point Blank collection also originated as a book and features accompanying prose. According to Kate Brown, creative director at Halcyon, “These works on paper feel like memories, intangible windows into the life and imagination of one of the greatest storytellers who ever lived.” She added that the exhibition is likely to engage viewers' imaginations, encouraging them to consider the lives of the characters portrayed and the spaces depicted.
This is not Dylan’s first collaboration with Halcyon Gallery. In the past, the venue has showcased his Drawn Blank series, which featured graphite sketches made between 1989 and 1992 during tours across Europe, Asia, and the United States. Those works were also later reinterpreted with colour.
Dylan has previously described painting as a way to “relax and refocus a restless mind” during the demands of touring life.
Paul Green, president and founder of Halcyon Gallery, said: “It is nearly 18 years since Halcyon first started working with Bob Dylan and it has been an extraordinary experience to watch this cultural icon develop into such a critically revered and important visual artist so closely.”
He added: “This latest body of paintings feels like a more intimate connection to the artist than in any of his previous work and it is a great privilege to share them with the public for the first time.”
The Point Blank exhibition will be on display at the Halcyon Gallery on New Bond Street, starting from 9 May. Entry is free.
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'The Archives' will be on display from 21 November 2025
A model of The Grand Budapest Hotel will be among more than 600 objects featured in a major new Wes Anderson exhibition opening at the Design Museum in London later this year.
Titled Wes Anderson: The Archives, the retrospective has been developed by the museum in collaboration with the acclaimed American filmmaker and La Cinémathèque française. It is set to open on 21 November 2025 and will explore Anderson’s distinctive visual style, detailed craftsmanship, and storytelling across his career.
Wes Anderson, who turns 56 this year, is known for films such as The Royal Tenenbaums, Fantastic Mr Fox, Moonrise Kingdom, The French Dispatch and the Oscar-winning The Grand Budapest Hotel. The latter, released in 2014, received Academy Awards for Best Production Design and Best Costume Design.
The exhibition will present a chronological journey through Anderson’s work, with each section dedicated to one of his films. Central to the display is a candy-pink model of The Grand Budapest Hotel, which served as a key element in the film’s production. The story follows M. Gustave, played by Ralph Fiennes, a concierge at a luxury hotel in a fictional European country during the early 20th century.
Among the other featured items are the vending machines seen in Asteroid City, the Fendi coat worn by Gwyneth Paltrow’s character in The Royal Tenenbaums, and the original stop-motion puppets used to depict underwater creatures in The Life Aquatic with Steve Zissou.
Costumes worn by cast members across various Wes Anderson films will also be on display. These include Benicio del Toro’s outfit as Moses Rosenthaler in The French Dispatch, as well as costumes worn by Ralph Fiennes, Scarlett Johansson, Jason Schwartzman, Ben Stiller, Tilda Swinton and Owen Wilson.
A section of the retrospective will focus specifically on Anderson’s work in stop-motion animation, including Fantastic Mr Fox and Isle of Dogs. Visitors will also be able to see unfinished props, set pieces, and other materials that reveal Anderson’s methods and collaborative process.
In addition, a selection of Wes Anderson’s handwritten notebooks will be included. These documents offer insights into the inspirations, character development, and storyboarding behind his films.
Tim Marlow, director and chief executive of the Design Museum, said: “Wes Anderson has created some of the most visually distinctive and emotionally resonant films of the last two decades — from the melancholic charm of The Royal Tenenbaums to the youthful adventurism of Moonrise Kingdom. He’s an utterly compelling creator of cinematic worlds, whose singular vision and attention to detail are underpinned by an acute understanding of design and craftsmanship, which is why the Design Museum is the perfect location for this landmark retrospective.”
The museum previously hosted a successful exhibition on Tim Burton in 2024, which included notable costumes such as Jenna Ortega’s Wednesday dress and Michelle Pfeiffer’s Catwoman suit.
Wes Anderson: The Archives will be on display from 21 November 2025 at the Design Museum in Kensington, London.
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A variety of performances were staged throughout the afternoon
KannadigaruUK, a leading community organisation representing Kannadigas in the United Kingdom, hosted a cultural event to celebrate Ugadi 2025 and International Dance Day in Feltham, London on Sunday, 27 April 2025.
The celebration brought together over 100 members of the Karnataka diaspora, combining traditional observances with cultural performances and recognition of community service. The event commenced with a one-minute silence to honour the victims and families affected by the recent terrorist attack in Jammu & Kashmir, India.
Guests were then treated to a traditional Karnataka-style lunch, served on banana leaves, in keeping with the customs of Ugadi — the Kannada New Year. The culinary offering aimed to recreate a familiar sense of home for those celebrating far from India.
In recognition of International Dance Day, a variety of performances were staged throughout the afternoon. Participants from the community showcased classical, folk, and contemporary dance forms native to Karnataka, highlighting the region’s artistic diversity.
KannadigaruUK’s event marked both a cultural and socially conscious occasionkannadigaruUK
A key moment in the programme was the felicitation of Mrs Revathi Kamath, a well-known environmentalist and mother of Zerodha co-founders Nithin and Nikhil Kamath. Mrs Kamath was honoured for her long-standing contribution to environmental conservation and green initiatives across Karnataka. Her efforts include planting over one lakh trees and leading the rejuvenation of Somanahalli Lake, benefitting the local ecosystem and surrounding communities.
Mrs Kamath was presented with the honour in the presence of Mrs Seema Malhotra, Parliamentary Under Secretary of State for Migration and Citizenship, and for Equalities in the UK Government. In her address, Mrs Malhotra praised KannadigaruUK for its commitment to preserving Kannada culture and for its contributions to community welfare in the UK.
During her speech, Mrs Kamath reflected on her transition from a career in floral design, event management, and landscaping to full-time environmental work. She emphasised the need for long-term commitment to tree planting and water conservation to benefit future generations.
KannadigaruUK’s event marked both a cultural and socially conscious occasion, aligning the celebration of a regional new year with international observance of dance and ongoing environmental awareness. The dual celebration underscored the organisation’s broader mission to preserve Karnataka’s traditions while promoting active citizenship and community values abroad.
The Ugadi and International Dance Day celebration concluded with a sense of collective pride and unity among attendees, reinforcing the group’s commitment to both heritage and humanitarian concerns.