AFTER a US jury largely sided with Johnny Depp in his libel battle against Amber Heard, could the verdict help the "Pirates of the Caribbean" star to resurrect his flagging career?
A jubilant Depp on Wednesday (1) said the jury "gave me my life back" as he was awarded more than $10 million in damages for defamation, in contrast to just $2m for his ex-wife, who had counter-sued.
Central to the high-profile trial were testimonies from Hollywood agents, accountants and lawyers, who were asked to assess whether the former couple had derailed one another's careers.
Jurors heard from Depp's side that he had lost a $22.5m payday for a sixth "Pirates" film due to Heard's claims of abuse.
But Heard's legal team introduced witnesses who said her ex-husband's star was already losing its luster due to "unprofessional behaviour" which included drinking and drug use.
"The damage that's done is done, and from this, it might start a process back to some sort of normalcy," said a Hollywood producer who has worked with Depp in the past, but asked not to be identified.
"But I don't think he's going to get big, big, big studio jobs where there's so much on the line.
"If he's throwing bottles and taking drugs, and he's late, they're not gonna put up with the tardiness that costs a boatload of money for somebody who isn't a shining star any longer."
This combination of pictures created on June 1, 2022 shows US Actor Johnny Depp (L) and actress Amber Heard (Photo by JIM WATSON/POOL/AFP via Getty Images)
Major Hollywood studios may find it difficult to get insurance for mega-budget productions featuring Depp, the producer added.
"It's too risky to put a guy like that into billion-dollar franchises now," they said.
Similarly, while jurors and social media opinion may have swayed in Depp's direction during the trial, that is no guarantee that his box office appeal will return, particularly among women.
"The things he said are vile," said the producer, pointing to text messages introduced during the trial, which featured Depp calling Heard an "idiot cow" and talking about her "rotting corpse."
'Depp is as much in the public eye'
Of course, while not directly comparable, Hollywood titans from Marlon Brando to Mel Gibson have enjoyed massive box office success after seismic controversies.
"I think there are studios that will be willing to work with him at this point," said Karen North, a University of Southern California professor specializing in reputation management.
Despite a string of recent flops, "he's almost always been very good for the box office," she said, noting that Depp is "as much in the public eye now as he ever has been because of the trial."
While a comeback from lurid accounts of alcohol- and drug-fueled binges could be problematic for someone with a more clean-cut image, Depp "has never said that he was a mild-mannered do-gooder."
"When somebody is a bit of a bad boy... when they're accused of doing something that involves being volatile, people say, 'Well, I'm not surprised -- it doesn't change who I think that person is.'"
"I think Johnny Depp is gonna come back personally, it makes sense," said North.
"That's assuming that he wants to, right? He has a lot of choices."
Depp spent the days before the verdict playing rock concerts in England with guitarist Jeff Beck, potentially demonstrating his interests are broader than a silver-screen comeback.
-And if he were to return to the big screen, it would not necessarily need to be in glitzy Hollywood.
"He could become an indie darling, where the shoots are six to eight weeks, the payment is $250,000, and he gets 25 per cent of the ownership of the movie, or something like that," said the producer who worked with Depp.
"And he could get nominated for some cool little role where the stakes aren't so high, and the budget's a couple million bucks, and he blows people away with some crazy performance."
And failing that?
"He'll work in Europe. I mean, they don't care about this kind of thing," said the producer.
"He'll make French films. He'll make German films."
The next James Bond hasn’t been confirmed yet, but one name has quietly moved ahead of the rest, and that is Theo James. While the usual suspects like Henry Cavill and Aaron Taylor-Johnson remain strong contenders, James has now become the frontrunner in the betting race.
According to UK bookmakers BetMGM, James currently sits at the top with odds of 6/4, followed by Cavill at 3/1. This shift follows the release of the Dolce & Gabbana campaign that featured James in a beachside fragrance advert. The images, shot in Capri and dripping with Bond-like energy, show him stepping out of the sea in tight white briefs, alongside model Vittoria Ceretti. It’s a stunning image that instantly reminded people of Daniel Craig’s memorable entrance in Casino Royale.
Fans and bookmakers tip Theo James as the next 007 frontrunnerGetty Images
Fans didn’t hold back. Social media was flooded with reactions, with many questioning why James hasn’t already been cast. He’s got the accent, the charm, and the looks. One fan wrote, “How are they even struggling with a James Bond when Theo James exists?” Others shared similar thoughts, suggesting James is the perfect fit for a modern 007.
This isn’t just hype. Ladbrokes, another leading bookmaker, also moved James up to their top spot, with spokesperson Cal Gildart saying his odds are “as short as anyone has ever been” for the role.
It’s not just the advert campaign doing the work. James has also gained attention for his roles in The White Lotus and The Gentlemen, where his performances balanced charisma and control, two key ingredients for Bond. Despite being in the public eye, James keeps a low profile. He’s married to actress Ruth Kearney, and they have two children. He has spoken about how fatherhood has grounded him and made him more focused, adding another layer to the depth he could bring to 007.
With Amazon MGM now steering the Bond franchise, and production for the next film reportedly underway in London, speculation is at an all-time high. Producers remain tight-lipped, but insiders hint that the new film may explore Bond’s early years.
James Bond casting heats up as Theo James tops betting chartsGetty Images
Whether or not Theo James gets the job, the buzz around him isn’t just talk. It’s momentum. And right now, it’s taking him straight to the top of MI6’s most wanted list.
OYO has added 3,500 new corporate clients in FY25 through its business accelerator division, the global travel tech platform said on Friday. This marks a 20 per cent year-on-year growth in its corporate portfolio, reflecting a rise in business travel in India following the Covid period.
With this addition, OYO’s corporate network now includes more than 6,500 clients.
Mumbai led the growth, adding over 700 corporate clients in the last year. It was followed by Hyderabad with 400 and Pune with 350. Other key metro cities such as Chennai and Bengaluru also contributed to the increase in corporate accounts.
The company said it also saw a rise in long-duration and event-based stays among its corporate clients.
“The growth has been driven not just by large corporations but also by a diverse mix of small and medium enterprises, traditional business houses, startups, travel management companies, and even film production houses,” said Manish Kashyap, Head, OYO Business Accelerator.
The latest Business Travel Index (BTI) by the Global Business Travel Association (GBTA) ranks India as the fourth-largest business travel market in the Asia-Pacific region. This has been attributed to economic growth and rising demand for in-person meetings.
The expansion of small and medium enterprises across India is also contributing to the rise in regional travel demand.
(With inputs from PTI)
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At 59 Elizabeth Hurley outshines Zendaya, Rihanna and Megan Fox on Maxim’s Hot list
In a world where beauty standards often favour youth, Elizabeth Hurley is turning the tide. The 59-year-old model and actress recently claimed the title of the world’s sexiest woman, topping Maxim's Hot 100 list and outshining younger stars like Sydney Sweeney, Zendaya, Margot Robbie, and Rihanna. This win is not just about her timeless appeal but also about challenging conventional ideas about beauty and age.
Maxim’s Hot 100 list, which began crowning the top spot as the “world’s sexiest woman” in 2021, has typically featured younger celebrities. However, Elizabeth Hurley took the title, proving that style and charisma don’t come with an expiration date. As the oldest to ever hold the title, she made waves for defying stereotypes about age and attractiveness.
Timeless beauty and confidence define Elizabeth Hurley’s careerGetty Images
Elizabeth Hurley first made headlines in the late 1980s with small roles in British films, but her big break came in 1994 when she appeared at the London premiere of Four Weddings and a Funeral in a daring black Versace dress. The bold look made her a global sensation, and she continued to make a mark with roles in films like Austin Powers and Bedazzled.
Beyond her on-screen presence, Hurley’s journey as a model and entrepreneur has been remarkable. She launched her swimwear line, Elizabeth Hurley Beach, nearly two decades ago, emphasising creative control and maintaining a niche appeal. Despite offers to expand, she chose to keep the brand small and personal, a decision that kept it both profitable and fulfilling.
Elizabeth Hurley champions self-confidence and breast cancer awarenessGetty Images
Even as trends changed, Hurley remained unapologetically herself, focusing on what made her feel good rather than chasing industry standards. She often speaks about the importance of self-acceptance and confidence, emphasising that women of any age should feel comfortable wearing what they love.
Hurley’s advocacy goes beyond fashion. As a long-time global ambassador for Estée Lauder’s Breast Cancer Campaign, she’s dedicated to raising awareness and supporting those affected. Her commitment to staying relevant while giving back makes her success all the more inspiring.
Elizabeth Hurley attends the 2025 Breast Cancer Research Foundation's 'Hot Pink Party'Getty Images
Elizabeth Hurley’s recognition as Maxim’s sexiest woman isn’t just a win for her but a win for women everywhere who refuse to be defined by age.
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Starmer polarised opinion within his own party by using language that is not his own
So who was prime minister Sir Keir Starmer trying to sound like on immigration? Not Enoch Powell, surely, though independent former Labour MP Zarah Sultana alleged the ‘rivers of blood’ speech was quoted with intent. Downing Street scrambled to declare any faint echo unintentional. Briefing that Starmer was really summoning the spirit of Roy Jenkins instead - since Labour's most liberal multiculturalist home secretary did not want unlimited immigration - did not reflect his tone.
The prime minister’s language was deliberately tough - much tougher than the white paper he was recommending. Its principles - controlling migration, to bring the record numbers down, while welcoming contributors, managing impacts and promoting cohesion - could resonate across a Labour electoral coalition which includes migration sceptics, liberals and many ‘balancers’ in between.
Yet, Starmer polarised opinion within his own party by using language that is not his own to parrot arguments he cannot fully believe. Starmer began by co-opting Vote Leave’s slogan “take back control”. “Everyone knows what that slogan meant for immigration”, he said.
Yet on Brexit Day in 2020, Starmer was telling his party members he could respect the referendum result, while bringing back free movement (though he later made the opposite pledge to the general public). Starmer’s foreword citing the ‘incalculable damage’ of high immigration felt like clunky plagiarism of former Conservative home secretary Suella Braverman’s warnings about societal collapse. If Starmer believes that too, his white paper should go further towards eliminating net migration, not merely reducing it.
Starmer knows that he did not inherit an ‘open borders’ policy - since the chaotic asylum backlog he inherits was the product of ceasing to process claims. The prime minister could have spoken for this white paper using social democratic arguments that he does believe. At Labour’s last conference, Starmer defended ‘legitimate concerns’ on migration and the need to bring numbers down. Nobody called that Powellite, as it was fused with a repudiation of racism and a clear statement it was ‘toxic’ to blame the migrants who had come to Britain for policy failures of the government.
A measured critique this week from 25 leaders across faith, asking Starmer to lower the temperature noted that the language of ‘incalculable damage’ risks failing this test. A calmer Starmer narrative could still be scathing about the last government saying one thing and doing the opposite. He could be more specific about the promises he can keep to reduce immigration. He was well placed to commit to halving net migration within his first two years in office. A public bruised by broken promises might only believe it when they see it. 460,000 fewer visas in 2024 means the Office of National Statistics will this week report the significant start in cutting net migration within the first six months.
Labour previously opposed a net migration target, so Starmer should offer a Labour argument about why the rate of inflow matters. His most coherent point would be that he wants housing supply to outpace population change comfortably. That is impossible when annual net migration soars above one per cent of the population - but possible if this government committed to keeping that rate below 0.5 per cent - half of the level inherited - while managing it down further where consistent with its growth, training, NHS, climate and education missions. That two-thirds of the public support a new UK-EU youth mobility deal shows the pragmatic permission for managed migration too.
This calmer Starmer should reject the failed tactic of plucking numbers from the air for immigration in five years’ time - and promise instead to report back every year to parliament on numbers, impacts and future policy. That could challenge rivals with slogans about lower levels to make their numbers add up, too. That is how the real-world pragmatists might take back control of the politics of immigration.
Instead, we are debating Powell. Starmer’s contentious “island of strangers” soundbite worried out loud about wanting integration, which Powell declared impossible. But his white paper lacks a coherent agenda on integration. It proposes more migrants - outside graduate jobs - should be guest-workers. More temporary migration sounds like a recipe for more ‘strangers’ as neighbours.
The government proposes that some people who will settle permanently should wait twice as long before becoming British - but offers no evidence about why that would promote integration, not impede it. The distracting guessing game about immigration echoes from past speeches was the symptom of a vacuum in this government’s voice and thinking.
After five years as a party leader, Starmer has yet to offer a substantial public argument about diversity or integration. The conversation about his government’s future is dominated by political tactics - slicing and dicing which voter segments to engage in four years time. Yet the core challenge for the prime minister of this modern Britain is to find his own voice to speak to us all, together, at the same time.
Sunder Katwala is the director of thinktank British Future and the author of the book How to Be a Patriot: The must-read book on British national identity and immigration.
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Anita Rani reflects on breaking stereotypes and finding her voice through storytelling
Anita Rani, the popular TV presenter, has always felt like she’s on the outside looking in. Growing up in Bradford during the 1980s, just a few miles from the Brontë sisters’ hometown of Haworth, she couldn’t help but feel a personal connection to these iconic literary figures. Rani’s new Sky Arts documentary, The Brontës by Anita Rani: Sisters of Disruption, isn’t just a historical retelling but a journey that intertwines her own story with that of the famous sisters.
Anita Rani's Sky Arts documentary highlights the rebellious spirit of the Brontë sistersGetty Images
From a young age, Rani was surrounded by the Brontës’ legacy. At her all-girls’ school, the portrait of the Brontë sisters by Branwell Brontë was a familiar sight, and their stories felt personal, especially since she grew up walking the same windswept moors they once did. The documentary takes Rani back to those roots, exploring the spirit of rebellion that connected her with the Brontës from a young age. To her, they weren’t just quiet, knitting women. They were fierce disruptors who challenged norms and made their voices heard. It’s this strength that resonated with Rani, who always longed to break out of traditional expectations.
Rani’s upbringing was shaped by her parents’ struggles as Punjabi immigrants who set up a textile factory in Bradford. Despite the hardships, her father encouraged her to break stereotypes. Unlike many traditional Indian fathers, he took her to the pub at 15 and taught her to play pool, something Rani credits for her ability to navigate the TV industry today.
Anita Rani shares how her upbringing shaped her connection with the BrontësGetty Images
The Brontë sisters, like Rani, were outsiders in their own way. Rani’s documentary highlights how their stories are more than just gothic romances; they are tales of women pushing against the world’s constraints. The film also touches on modern issues, like using Anne Brontë’s The Tenant of Wildfell Hall to support domestic abuse survivors. Rani’s own sense of disruption is echoed in the Brontës’ fight for female autonomy and identity.
Reflecting on her journey, Rani admits that her teenage self never realised how much the Brontës’ spirit matched her own. It wasn’t just about loving Wuthering Heights or identifying with Heathcliff. It was about finding a voice and taking ownership of her story.
Today, Rani continues to challenge stereotypes, inspired by the Brontës’ rebellious legacy. As she considers getting a tattoo that reads ‘Sister of Disruption,’ it’s clear that she’s not just telling their story but living it.