A TO Z OF AN ACTION-PACKED 2021 FILLED WITH HIGHS, MEMORABLE MOMENTS AND NEW TALENT
AFTER a relatively quiet few years, it has been an action-packed year for British Asian artists and music, with songs, albums, performances, comebacks, and interesting innovations.
There have also been breakthrough artists and emerging talent, which is a good sign.
Eastern Eye went back across the past year to highlight the most memorable British moments with an all you need to know A to Z of 2021.
A is for Apache Indian: The outspoken music icon called for the closure of BBC Asian Network and cited wrongdoing at the publicly-funded radio station. He was backed up by much of the industry, including fellow music legend Malkit Singh, who called out the troubled broadcaster for ageism.
B is for Bally Sagoo: The British music icon made a stunning return with his comeback album Next Level, which included big tracks like Bhangra Jawan Ho Gaya, Kinna Chauna, Tu Mainu Milja Ve, Sakhiyan Saheliyan, Yeh Rooh Bhi Tumhari Hai, Mera Mascara and Tu Aaja Nachle. He made special vinyl and CDs also available for those wanting a collector’s edition.
(Photo by Gareth Cattermole/Getty Images)
C is for Charli XCX: The half-Indian pop sensation had another big year loaded with hit songs and cool collaborations. She delivered the stunning documentary Alone Together, which charted the whole process of recording her stunning 2020 lockdown album How I’m Feeling Now and started work on her fifth album.
D is for Darbar: The annual Darbar music festival, now in its 16th year, returned to London following a digital edition in 2020, with Indian classical concerts and discussions featuring acclaimed artists. Some of the standout performers included Ustad Waseem Khan, Kaushiki Chakraborty, Pandit Kushal Das, Sukhwinder Singh, Roopa Panesar, Jyotsna Shrikanth and Ken Zuckerman.
E is for EP: A great British EP that deserved a lot more attention than it perhaps got was the stunning #NoFilter by Anita. The talented singer-songwriter created the soulful songs 5 Foot 1, Best Life, Ghosted, Loser and No Filter at home during lockdown. She said: “It’s something I had wanted to do for a while as a response to social media and hashtag culture – the things I love about it and things that trouble me. The songs on the EP really document my thoughts and feelings over the course of the pandemic.”
F is for FLEXXX: Singing sensation Nish continued to take Bangla music to great heights in UK that it has not reached before with more stunning song releases like FLEXXX (Gulli Maro). The path-breaking artist combined catchy contemporary beats with a lovely Bangla lyrical flow and smooth vocals on a great track, which was accompanied by a superb, subtitled music video.
G is for Gujarati: Australia-raised and UK-based hip hop star RaOol released his boundary-
breaking four-track EP Gujarat Stand Up. The first high-profile Gujarati hip hop compilation combined artists from four different continents and laid the foundation for a brand new commercial musical scene. Also, talented British singer Geeta Jhala did something a little different by delivering her first Gujarati love song Have Maani Jaane.
H is for Hunterz: The singer, musician and composer made a welcome return with his song Tera Dil Mujeh Dede, which saw him team up with terrific new singer Aminah. This year, he also founded new studio and record label London Inc and said: “This is a new beginning for me. I am reborn musically and you will hear it in every piece of music I touch, including this new song. It’s the beginning of a special journey and I hope you all accompany me on it.”
I is for Independent artists: This was another year of exciting new acts by British Asian artists forging their own path without the backing of a major label. Stand-out British Asian independent acts included singer-songwriter Inder Paul Sandhu, who delivered the awesome single Monster and the multi-talented Maya Lakhani, who sang, wrote, recorded, and produced her song Walk Alone entirely from her bedroom during lockdown.
J is for Jassi Sidhu: The British bhangra icon battled back from a career-threatening illness with back-to-back single releases Kudi Chandigarh Di, Jatt Warga and Balle. He said: “These songs show the three sides of Jassi Sidhu. I didn’t know if these were gonna be the last three songs, I was physically gonna be able to release. I just wanted to give something to the people that have taken this journey with me.”
K is for Kiranee: The multi-talented Mumbai-based British singer admirably mixed-up
recording songs with running the record label Break The Noise with ace producer Rishi Rich, which gives a platform to new talent. The label’s releases included the excellent EP 3 Chapters. She said: “Putting together 3 Chapters was an idea I brought to Rishi because I wanted to put together a small body of work to showcase multiple genres of music across the board, with a hint of international flavour and nostalgia. It’s been amazing seeing that vision come to life.”
L is for Live music: All the artists that have been locked away during the Covid-19 pandemic were able to perform in front of live audiences again and that included big named international singers like Rahat Fateh Ali Khan returning for big UK tours. Sonu Nigam also made a welcome return with a big live show, but Arijit Singh, Neha Kakkar and Jubin Nautiyal postponed their tours until 2022.
M is for Money: More music artists took control of their finances and found ways to directly deal with fans. A prime example was singer-songwriter Bat For Lashes following fellow British artist M.I.A onto the Patreon platform, which allows creative talents to directly sell to fans, depending on the subscription packages taken out.
N is for Navin Kundra: One of the greatest British Asian music hero of lockdown has been Navin Kundra. The singer, songwriter and musician selflessly delivered free concerts every Saturday for a year to lift the spirits of those in self-isolation. When things opened up, he delivered his brilliant Voice Of Legends concert to a live audience. N is also for Naughty Boy – the ace music producer appeared on reality TV shows Cooking With The Stars and I’m A Celebrity Get Me Out Of Here.
O is for Ovation: Perhaps the most critically acclaimed album of the year was Immigrants by Nitin Sawhney. The acclaimed musician’s official sequel to his landmark 1999 album Beyond Skin received rave reviews right across the board, and had cross-cultural appeal.
P is for Podcast: Metz & Trix unleashed their explosive podcast State Of Flow this year. The dynamite rap duo delivered entertaining episodes featuring new music discussions, interviews, and hilarious moments. Chart-topping singer Jay Sean continued to entertain listeners with his podcast Basement Banter.
Q is for Qawwali: Perhaps the best online concert of the year was a stunning tribute to late qawwali maestro Ustad Nusrat Fateh Ali Khan by British music act KayKay & Co. Their Remembering Nusrat - Khiraj-e-Tehseen, A Tribute, which is still available, featured the stunning vocals of British singers Rekha, Anj Chauhan, Abira Shah, Parry Mad and Shahid Abbas Khan. Meanwhile, UK- based Chand Ali Khan and his qawwali group did a stunning UK tour.
R is for Raf-Saperra: Exciting newcomer Raf-Saperra brought Punjabi folk back into British music in a big way. The London-born singer, who has been compared to bhangra stalwart Jazzy B, has gone from singing covers of classics to injecting life back into the British Asian bhangra scene with big tracks like his most recent release Snake Charmer.
S is for Spiritual: There were some great spiritual albums released in 2021. Manika Kaur used some of the rarest instruments on her Sikh devotional album Ek. London-based singer Bhavik Haria released his crowd-funded seven-track bhajan album Roots & Changes. Acclaimed musician Kaykay Chauhan released the unique multi-faith album Mind & Soul, which explored diverse faiths and featured a stunning array of singers.
T is for Teenager: There was a lot of young talent that emerged in 2021, including 14-year-old Londoner Shrinaya, who released her debut single Swag Bada Athra in July.
U is for UB40: Legendary British band UB40 released the album Bigga Baggariddim, which was loaded with global collaborations, including a big track with General Zooz from India’s Reggae Rajahs, who said: “It’s an absolute honour to have collaborated with UB40 on the song, Roots Rock Reggae. I grew up listening to them on tapes, so it has been quite a surreal experience.”
V is for Vee: British music producer Vee continued to make huge waves in India with more hit tracks that included Munde Mar Gaye and Nain Bengali, which were big collaborations with chart-topping singer Guru Randhawa.
W is for We Are Lady Parts: The six-part Channel 4 musical introduced us to Muslim female punk band called Lady Parts and their unique brand of guitar thrashing music. One of the most original comedy series of 2021 mixed up original punk songs with surprisingly great cover tracks.
X is for X-Factor: On July 28, 2021, ITV announced that music reality TV show The X Factor had been axed. It didn’t really contribute much to British Asians but deserves a mention here for gifting Zayn Malik to the pop world.
Y is for Yesteryear: This year saw the launch of Lyca Gold, which became the first British radio station dedicated to playing classic Bollywood film music. The golden oldies proved to be popular and set the station up for a big 2022.
Z is for Zayn: Pop superstar Zayn Malik had a terrible start to 2021 with his third album Nobody Is Listening being a huge failure. The British singer launched a scathing attack on the Grammy awards and accused them of being corrupt after being overlooked in the nominations at the 63rd ceremony, despite his album not being eligible and flopping badly. He ended the year with a messy split with partner Gigi Hadid. Z is also for Zaheer – the British music producer had a good year that included his singles So Lost and Just One Kiss, which both featured widely acclaimed British singer Jamie Stimpson.
Elisabeth Moss didn’t jump at the chance to play June Osborne in The Handmaid’s Tale. In fact, she turned it down. Twice. Fresh off Mad Men, Moss was unsure about committing to another long-term TV role. At the time, she wasn’t ready to dive into another demanding project. But that changed the moment she found out who the producers were planning to offer the role to next.
“That did it for me,” she said on The Jennifer Hudson Show. “I was like, absolutely not. Over my dead body.”
Elisabeth Moss admits she turned down the role twice before realising she truly wanted itGetty Images
She didn’t name the actor in question, but the thought of someone else playing June made her realise she couldn’t let the opportunity go. That moment of protectiveness over the role made her realise how deeply she wanted it. “I couldn’t bear the idea of watching someone else do it,” she said.
Seven years later, Moss is still front and centre in the now-final season of the series. Based on Margaret Atwood’s novel, the story follows June, a woman forced to become a Handmaid and carry children in a totalitarian regime. The role has become one of Moss’s defining performances, and her portrayal has been praised for its emotional depth and strength.
This isn’t the first time Moss has taken on a role that transforms a woman from victim to fighter. From Peggy in Mad Men to June in The Handmaid’s Tale, she’s repeatedly chosen stories where women claw back control over their lives. Speaking in an interview, Moss said, “I try to show women as they are. Not perfect, not superhuman. Just real.”
In the latest season, the show features a moment Moss had long dreamt of: using a Taylor Swift song. Episode nine opens with Look What You Made Me Do, something Moss, an open Swiftie, personally pushed for. “I’ve wanted a Taylor track on the show for years,” she said. “This one fit perfectly.”
Elisabeth Moss opens up about her deep connection to June and the journey behind itGetty Images
She credited her editor for helping place the song at just the right time. For Moss, it was more than a soundtrack choice. It was a personal milestone in a series that’s meant so much to her.
In the end, the role she nearly walked away from became the one she couldn’t imagine giving up.
What began as a routine casting change for Sandeep Reddy Vanga’s next big film, Spirit, has now snowballed into a messy online spectacle. Deepika Padukone was initially rumoured to play the lead opposite Prabhas. Then came news that she had stepped away, reportedly due to scheduling issues, a hefty fee demand and a request not to shoot in Telugu. Soon after, Triptii Dimri was announced as the new lead, and that’s when the real drama began.
Suddenly, stories began circulating about the film’s "bold content" being the reason Deepika backed out. Reports claimed that both Prabhas and Triptii had agreed to certain adult scenes, suggesting Deepika wasn’t comfortable with them. Then, without naming anyone, director Vanga posted a cryptic but pointed tweet accusing an unnamed actor of betraying his trust and playing "dirty PR games" to paint a younger actor in a bad light.
— (@)
It didn’t take long for people to connect the dots. Was Deepika being accused of leaking details about Spirit to create a backlash against Triptii? That’s the speculation dominating social media. But the real question isn’t whether Deepika leaked anything. It’s why Triptii, who’s simply stepping into a role, is being dragged and judged for choices she didn’t make.
The way some online users have reacted mocking Triptii for "A-rated" roles, linking her worth to kissing scenes, and calling her "too bold" says more about the audience than the actor. The same public that cheered her fiery presence in Animal is now shaming her for the very quality that made her popular. She’s even being unfairly compared to Deepika, as though being younger and less established makes her less deserving.
This isn’t the first time Triptii has faced such scrutiny. She was allegedly dropped from Aashiqui 3 earlier this year because she was deemed "too exposed" after Animal. Meanwhile, her male co-stars face no such judgements, despite participating in the same content.
In all this chaos, what stands out is how quickly blame is placed on women, especially younger ones, for decisions beyond their control. Triptii didn’t leak stories. She didn’t insult anyone. She simply accepted a role. And yet, she’s the one paying the price.
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Billie Eilish dominates AMAs 2025 as Beyoncé and Eminem make major comebacks
The American Music Awards 2025 proved to be a night of both breakout triumphs and nostalgic reunions. The event, held in Las Vegas, saw Billie Eilish take a clean sweep with seven wins, including the top honours: ‘Artist of the Year’ and ‘Album of the Year’ for Hit Me Hard and Soft. Her track Birds of a Feather also won ‘Song of the Year’ and ‘Favourite Pop Song’, reinforcing her impact on pop music this year.
Eilish won all seven categories she was nominated for, including Artist of the Year and Album of the YearGetty Images
Eilish wasn’t the only familiar face back in the spotlight. Eminem returned with his first AMAs win in 15 years, bagging ‘Favourite Male Hip-Hop Artist’ and ‘Favourite Hip-Hop Album’ for The Death of Slim Shady (Coup De Grâce). Beyoncé also made history, winning ‘Favourite Female Country Artist’ and ‘Favourite Country Album’ for Cowboy Carter, making it a rare crossover success.
The rapper bagged two awards after a 15-year AMAs gap, proving his staying power with The Death of Slim ShadyGetty Images
Pop veterans also had their moment. Bruno Mars won ‘Favourite Male Pop Artist’ and shared the ‘Collaboration of the Year’ and ‘Favourite Music Video’ wins with Lady Gaga for Die With a Smile. Gaga separately picked up ‘Favourite Dance/Electronic Artist’. Gracie Abrams was named ‘New Artist of the Year’, while Post Malone earned his first country award, winning ‘Favourite Male Country Artist’.
Lady Gaga and Bruno Mars’ triple win as their song Die With a Smile swept up three major awards, including Collaboration of the YearGetty Images
The ceremony was hosted by Jennifer Lopez, who returned to the role after ten years. She opened the night with a medley of 23 chart-toppers from the past year. One of the evening's most emotional moments came when Janet Jackson took the stage to accept the ‘Icon Award’. Dressed in a white jacket and jeans, she performed after a seven-year hiatus and spoke about her family's humble beginnings and their shared love for music.
JLo returned as host after a decade and danced through 23 hit songs to kick off the showGetty Images
Veteran rocker Rod Stewart closed the ceremony after receiving the ‘Lifetime Achievement Award’ from his children. Overwhelmed by their surprise presence, he spoke about his six-decade-long journey that began with nothing but a passion for singing.
Rod Stewart's family presented him with the Lifetime Achievement Award, bringing tears and nostalgiaGetty images
The night was filled with performances, from Blake Shelton and Lainey Wilson's country ballads to Gloria Estefan’s Latin medley and Benson Boone’s acrobatic pop number. Gwen Stefani, Renée Rapp, Becky G, and more delivered high-energy sets, making the night a celebration of both fresh voices and iconic stars.
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Abhishek Bachchan and Rani Mukerji in Bunty Aur Babli
The story of two small-town dreamers, played by Abhishek Bachchan and Rani Mukerji, conning their way through life struck a chord with audiences worldwide. The Shaad Ali-directed crime comedy also featured other standout elements – including an unforgettable turn by Amitabh Bachchan as the cop on their trail, and marvellous musical numbers such as the global smash hit Kajra Re.
Eastern Eye marks the 20th anniversary of this charming film – one that continues to hold a special place in pop culture – by presenting fun facts connected to it:
Amitabh Bachchan
Producers considered the titles Babli Aur Bunty and Bunty–Babli Ka Khel before settling on the final one, which had a better ring to it.
The screenplay was written by Jaideep Sahni, who also penned acclaimed films including Company (2002), Khosla Ka Ghosla (2006), Chak De! India (2007), and Rocket Singh: Salesman of the Year (2009).
While Rani Mukerji was the first choice for her role, actors such as Aftab Shivdasani, Saif Ali Khan and Hrithik Roshan were considered for Bunty before Abhishek Bachchan was finalised. Bachchan reportedly shed 12 kilos to prepare for the role.
The role of no-nonsense police officer JCP Dashrath Singh, played by Amitabh Bachchan, was initially written as a much smaller part. It was expanded to give the film more gravitas and was rewritten specifically for him. It marked the first time he shared screen space with his son Abhishek. There were references to Amitabh’s classic films throughout Bunty Aur Babli, including in the background music.
This was the first film to feature Puneet Issar and Amitabh Bachchan together after their near-fatal fight scene during the filming of Coolie (1983) – although they did not share screen space.
Aishwarya Rai in Kajra Re
Before becoming a star, the late actor Sushant Singh Rajput worked as a background dancer in the song Nach Baliye.
Real-life (reformed) con artists were consulted to help develop the scams shown in the film and ensure authenticity. Many of the tricks were based on actual incidents.
Bunty Aur Babli was Shaad Ali’s second directorial venture after his successful debut Saathiya (2002). Unfortunately, his later films struggled at the box office.
Sushmita Sen was considered for the iconic Kajra Re song before producers finalised Aishwarya Rai. It would be the only time she appeared on screen alongside her future family members Abhishek and Amitabh, all at once. The song was filmed on Abhishek’s birthday.
Despite Kajra Re becoming the biggest Indian song of the year, singer Alisha Chinai was reportedly paid only ₹15,000 – around £135 in today’s money.
Stills from the film
Rani Mukerji filmed the Dhadak Dhadak sequence near a well full of snakes and scorpions, unaware that the crew had spent three hours clearing the area. They were still not certain all the creatures had been removed.
The opening Dhadak Dhadak train sequence was filmed with unaware passengers. Many later realised they had featured in a Bollywood shoot.
Bunty Aur Babli received positive reviews and became the second highest-grossing Bollywood film of 2005.
An alternate ending – where the protagonists are separated – was considered. However, filmmakers opted for a more upbeat conclusion, with the duo becoming crime consultants for the police. The ending was loosely inspired by the Hollywood film Catch Me If You Can (2002), which shares a similar theme.
The film received eight Filmfare award nominations, including best film, best actor (Abhishek Bachchan), best actress (Rani Mukerji), and best supporting actor (Amitabh Bachchan). It won best music director (Shankar–Ehsaan–Loy), best lyricist (Gulzar), and best female playback singer (Alisha Chinai) for Kajra Re. Vaibhavi Merchant also received multiple choreography awards for the song.
The film’s influence extended beyond cinema – after its release, several people reportedly began copying the cons shown on screen, with locals duping tourists by pretending to be government officials.
The colourful, traditional outfits worn by Rani Mukerji became a fashion trend among female fans. There was a surge in demand for the so-called Bunty Aur Babli suits after the film was released.
Stills from the film
The phrase ‘Bunty aur Babli’ has become synonymous with clever con jobs and remains a pop culture reference.
The film was remade in Telugu as Bhale Dongalu (2008).
Stills from the film
A sequel was initially planned much earlier but faced script delays. Bunty Aur Babli 2 (2021) saw Rani Mukerji return, while Saif Ali Khan replaced Abhishek Bachchan. Unfortunately, the sequel failed at the box office.
Stills from the film
Twenty years on, Bunty Aur Babli continues to hold a special place in Bollywood history. With its perfect blend of humour, adventure and music, the film’s charm remains as infectious as ever.
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Little Mix reunion clues spotted during Jade Thirlwall’s Radio 1 Big Weekend performance
Jade Thirlwall set Liverpool’s Sefton Park ablaze during her first solo headline at BBC Radio 1’s Big Weekend. From sly lyric switch-ups to nostalgic nods, Jade used her stage as a breadcrumb trail, and fans are gobbling up every clue pointing to a potential Little Mix reunion. Whether it’s instinct or intention, the signs feel too loud to ignore. Here's every cheeky, emotional, and strategic move Jade made that has the fandom whispering: the girls are coming back.
Jade Thirlwall drops major hints about Little Mix comeback at BBC Radio 1 Big Weekend
Instagram/bbcradio1
“It’s a hiatus!” — Jade rewrites the Wasabi script
During her electrifying take on Wasabi, Jade took a lyrical detour that sent shockwaves through the crowd. Just before the classic line, “I bet they gonna break up,” she interrupted herself and yelled, “It’s a hiatus!” The crowd erupted. It was playful, yes, but let’s be honest, that wasn’t just for laughs. That tiny rewrite was a blink-and-you’ll-miss-it reminder that Little Mix was never over. Just on pause. Intentional or instinctive, it hit like a mic drop.
Jade could’ve used the solo stage to focus purely on her own songs. But instead, she turned back the clock and delivered a medley of Touch, Shout Out to My Ex, Sweet Melody, and Woman Like Me. The energy screamed: “These songs still belong to us.” And every fan knew this wasn’t nostalgia. This was a reminder.
Midway through her set, Jade paused to thank the crowd, but it was the part where she looked straight into the camera and said, “I love the Little Mix girls with all my heart… I wouldn’t be here without them,” that really struck a chord. This wasn’t PR politeness or rehearsed humility. It was raw. It was real. It sounded like someone who’s been through the highs, the heartbreaks, and the healing and still holds the band as a cornerstone.
Long before the glitter and smoke of Sefton Park, Jade had already cracked the door open to a comeback. In a 2024 interview, she said, “I’d never close that door… A reunion will definitely happen at some point.” She even teased the idea of a North American tour. The way she talks about Little Mix isn’t in the past tense. It’s in ellipses. As if the sentence is still being written, just with a few solo side quests in between.
Jade’s upcoming album That’s Showbiz Baby! drops this September, with a tour to follow. It’s the exact kind of solo rollout that artists use to stretch their wings and then soar back home. Every strategic step she’s taken is like the classic pop playbook: slay your solo moment, then reunite at the height of your powers. With the spotlight hotter than ever, the smart money’s on a grand return just when no one expects it. Or better just when everyone hopes for it.
As the final confetti fell and the crowd chanted her name, something hung in the air. A feeling that this wasn’t a farewell to Little Mix, but a prelude. Jade Thirlwall may be standing on her own, but every move she made that night whispered one thing loud and clear: this story isn’t finished. It’s just waiting for the next beat to drop.
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