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Ayushmann Khurrana wishes to do a film on Section 377

Known for starring in some unconventional films such as Vicky Donor (2011), Dum Laga Ke Haisha (2015) and Shubh Mangal Saavdhan (2017), talented actor Ayushmann Khurrana welcomed the much-awaited decision by India’s apex court which decriminalized gay sex, reading down an archaic law (Section 377), which made homosexual activities a crime in India.

“I feel the SC’s decision regarding Section 377 is historic, to say the least, and it was long overdue. The decision shows that the nation is getting progressive in its thoughts. Perhaps it will strengthen our belief in the judicial system. But then, there are smaller battles yet to be fought. Those will only be won when everyone understands the social implications of the SC’s decision and accepts it wholeheartedly,” said Khurrana.


While many mainstream actors in Bollywood shy away from playing gay characters onscreen, Ayushmann does not have any issue if some filmmaker approaches him to star in a film which touches upon the issue of homosexuality. The actor said that it’s important to make films on such subjects.

Talking about Khurrana’s upcoming projects, he will shortly be seen in Sriram Raghvan’s mystery thriller Andhadhun, followed by Amit Sharma’s family entertainer Badhaai Ho.

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The Mummy

Relies on body horror, sound design and shock value over spectacle

X/ DiscussingFilm

How Lee Cronin’s 'The Mummy' turns a classic adventure into a domestic horror

Highlights

  • Moves away from the adventure tone of The Mummy (1999) into possession-led horror
  • Shifts the setting from desert tombs to a family home in Albuquerque
  • Focuses on parental fear and a “returned” child rather than treasure hunting
  • Relies on body horror, sound design and shock value over spectacle
  • Critics call it bold and unsettling, but uneven in storytelling

From desert spectacle to domestic dread

For decades, The Mummy has been tied to adventure, romance and spectacle, most famously in The Mummy (1999). That version thrived on sweeping desert landscapes, archaeological intrigue and a sense of escapism.

Lee Cronin takes a sharply different route. His reworking strips away the sense of adventure and relocates the horror into the home. The story still begins in Egypt, anchored by an ancient sarcophagus, but quickly shifts to the United States, where the real tension unfolds inside a family house.

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