SHE may be turning 25 on June 30, but Avika Gor has been entertaining audiences since making a winning acting debut as a talented child star in 2008.
That 14-year career has seen her effortlessly go from flourishing stints in iconic TV shows like Sasural Simar Ka to becoming an in-demand leading lady in Telugu cinema, in films such as Uyyala Jampala, Cinema Choopistha Mava, Ekkadiki Pothavu Chinnavada and #Bro.
The talented actress will finally make her long-awaited Bollywood debut in forthcoming supernatural film 1920: Horrors Of The Heart and embark on an exciting new chapter of an already prolific acting story loaded with memorable moments.
Eastern Eye caught up with a star who is shining brighter with each project to discuss her amazing acting journey, new film, inspirations, and ambitious hopes.
How do you look back on your incredible acting journey?
Absolutely experimental! I have done characters I thought I would never be able to do. I never thought I would become an actor and I’m here. So, a lot of it is unpredictable and something I never imagined for myself. So, it’s like a dream.
You have been working since a young age. Do you feel like you missed out on
childhood and growing up?
I really don’t think I missed out on anything. In fact, I got everything extra from what a normal child would get at that age. I think every day in my life was very different and people would die or kill for the life I lived. I think I’m very grateful for getting the work that early and getting to experience something not many get in their entire lives. So, I’m really grateful for the life I have had.
Is there any role that is closest to your heart?
There are definitely favourites. One of them is Anandi from (drama series) Balika Vadhu, which changed my life completely. The other one is Uyyale Jampala, which was my Telugu (film) debut. I liked that character a lot and is very close to me. I took the challenge and did justice to it and was very happy doing that character. My latest favourite would be Subhadra from (Telugu film) #Bro. That is a character I always dreamt of and was a goal in life I reached early. When you’ll watch the movie, you will know. I’m very happy I got to play a character like that at such an early age.
Which project challenged you most?
I think TV series Sasural Simar Ka challenged me most. I mean every day you had to do supernatural stuff you personally don’t believe in and convince yourself to make it look real as an actor because that’s your job. I think that was the most difficult thing to do. If we talk about the movies, #Bro was something very difficult because of the language (Telugu) and the character. I had to learn a lot and take care of a lot of my dialogues. It was really difficult to pull that off with the ease and innocence that is supposed to be there in the character.
What has it been like balancing film and television?
It is fun doing TV and movies together at the same time. I remember making my debut when I was giving my 10th boards (at school). So, there was so much happening in my life. Then Sasural Simar Ka happened. So, for me it became an exciting and fun thing to do. Right now, my focus is just movies. I haven’t done TV in a while and absolutely miss it.
What made you finally sign a Bollywood film after a successful career in regional language cinema?
I always wanted to do a Hindi movie and not just Telugu or regional cinema. I was waiting for the right script and the minute I was approached for 1920: Horrors Of The Heart, I realised that this is the kind of script and important character I would want to work on. I get to show a lot in the performance. I was waiting for the right kind of a script and here we are.
What can we expect from your Bollywood debut?
My Bollywood debut is very performance driven. It’s not just about glamour and looking beautiful. It’s a lot to do with performance. I think people down south really appreciate the fact I choose scripts where I do a lot and not just dance around. I have tried my best to choose something like that for my Hindi debut as well. So, I hope people like the effort I’m putting in for my debut movie.
Why did you decide to work with a debut director?
Even though Krishna Bhatt is a debut film director, she has definitely done work earlier and has the experience of writing and the horror genre, and everything the Bhatt family have always been known for. They have been together since a very long time working in films. Of course, the guidance of Mahesh Bhatt sir and Vikram Bhatt sir is there. This project is not just going to be one of the random debut movies for a director. It’s going to be the Bhatt movie. I think that itself is good enough and not to doubt the first-time director.
You are versatile in terms of languages and mediums. What is your acting plan
going forward?
I try to be versatile and reach as many people as I can. I have always been that way and glad it’s been noticed. I’m glad I got those opportunities where I can reach out to more audiences and interact with them more. As an actor that’s your purpose. You want to reach out to people as much as you can and work hard. That’s what I’ve been doing and hope people like the efforts I put in my work. Be it Hindi movies, English movies, or whichever country it is, I’m going to be glad to be a part of it.
Who would you love to work with?
I want to work with directors who have a lot of depth in their scripts. I have a lot of my favourites like Imtiaz Ali, Anurag Basu, Rajkumar Hirani and so many other good directors in our industry. I would love to work with all of them.
What kind of content do you enjoy watching as an audience?
As an audience I would love to watch movies which are not made just for surface, but a lot more meaningful. I enjoy watching a lot of international movies as well and hope I get to do some. I want to do movies I myself love watching and think this is one of the reasons I like my movie #Bro – it definitely touches my heart and is the kind of movie I would want to watch.
What inspires you?
The love I receive from my fans inspires me every day to give my best. It’s been so many years of this, and I feel absolutely grateful and blessed to do this every day. I get to do what I absolutely love and enjoy. I think that process inspires me to give my best and not take anything for granted.
Why do you love being an actress?
I love being an actress because I get to do so many different things in my life. I get to learn instruments, dance forms, different accents and so many other things. There’s so much that an actor can learn and do! I think I love being these different characters and adapting those mannerisms in myself, and the whole process. It’s very difficult. Not a lot of people understand, they only see the other side of it. There’s a lot of hard work put in behind the scenes and I really like doing that hustle and am happy I get to do it.
Billie Eilish appears to have confirmed her latest romance in the most cinematic way possible, with a champagne-fuelled kiss on a sunny balcony in Venice. The singer was spotted with actor and musician Nat Wolff, and the intimate moment has fans convinced that the long-rumoured pair are now officially a couple.
In photos circulating online, the Chihiro singer and Wolff are seen locking lips while casually dressed in matching grey T-shirts, enjoying champagne and sunshine in one of the world’s most romantic cities.
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A long-rumoured connection comes into focus
While this is the first clear public display from the duo, Eilish and Wolff’s bond goes back a while. They worked together on her music video Chihiro, which she directed. Around the same time, Nat and his brother Alex opened for her during the North American leg of her Hit Me Hard and Soft tour in 2024.
Fans first started speculating about their closeness earlier this year when the two were seen leaving the iHeart Music Awards together and later on a night out in New York City. Although both had previously described their friendship as platonic, there seemed to be more under the surface.
Fans react as Billie and Nat’s long-rumoured romance takes centre stageGetty Images
In past interviews, Wolff described their connection as one of shared understanding, particularly around living with Tourette syndrome, a condition both have spoken about. “It’s rare to find people you don’t have to explain yourself to,” Wolff once shared, adding that he and Eilish could just “be” around each other.
Keeping it private until now
Eilish has openly said she regrets how much she’s shared about her personal life in the past. In an interview, she stated she wanted to keep her dating life and sexuality out of the spotlight going forward.
A kiss in Italy sparks fresh buzz around Billie Eilish’s love lifeGetty Images
“I wish no one knew anything about my dating life,” she said. “And I’m never talking about who I’m dating ever again.”
Still, their recent public outing in Venice may signal a quiet shift in that. Whether or not they’ll speak out, the photos seem to say plenty.
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The cast of Maybe Happy Ending celebrates their big night at the Tony Awards
South Korea just scored a historic milestone at the Tony Awards, with the musical Maybe Happy Ending bagging six trophies, including Best Musical and Best Lead Actor. The show, centred on two ageing helper robots living on the edge of Seoul, left the awards night buzzing. Korean entertainment, long a force in film, television, and music, is now making serious inroads into Western theatre too.
From Seoul to Broadway: A story born in two languages
Maybe Happy Ending wasn’t always destined for the bright lights of Broadway. It first opened in a small Seoul theatre in 2016, a result of a local arts foundation’s programme. Co-created by South Korean lyricist Hue Park and American composer Will Aronson, the story explores loneliness, connection, and memory through the eyes of obsolete robots. Written in both Korean and English, the piece has been reimagined several times since its debut.
Darren Criss, known to many as a Glee star, played Oliver and took home his first Tony for the role. His co-star Helen J Shen portrayed Claire, the other robot. Together, they brought the emotional weight to a futuristic love story that’s more human than it sounds.
While the robots explore feelings in a near-future Seoul, the show managed to preserve distinct Korean elements like Jeju Island and the traditional plant pot hwabun on the Broadway stage, something fans celebrated online.
A cultural shift, decades in the making
With this win, South Korea joins the rare club of nations with major victories across all four major American entertainment awards, including the Oscars, Emmys, Grammys, and now Tonys. From Parasite to Squid Game, and now Maybe Happy Ending, Korean creators are no longer breaking into the global scene, they’re leading it.
The success also validates years of quiet work in South Korea’s theatre scene. Original musicals like Marie Curie and The Great Gatsby have made appearances in the West End and on Broadway, but Maybe Happy Ending marks the first time a Korean musical has truly swept the Tonys.
As one critic noted, more than awards, it’s about shifting global perspectives. Korean musicals are no longer export hopefuls. They’re now centre stage.
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BBC Three documentary uncovers new details in Kim Kardashian Paris robbery case
Nearly ten years after Kim Kardashian was robbed at gunpoint in a Paris hotel, the story is being revisited in a new documentary coming to BBC Three and iPlayer. Titled The Kim Kardashian Diamond Heist, the film digs into one of the most talked-about celebrity crimes of the last decade, offering fresh access and unheard accounts from those closely involved in the case.
Kim Kardashian Paris robbery case revisited in new BBC Three documentaryGetty Images
New voices and untold moments from the night that shocked the world
The 45-minute documentary features first-hand interviews with close family friends, French police officers, and journalists who followed the robbery from day one. It takes viewers back to that October 2016 night, when Kardashian was tied up and robbed of jewellery worth millions of pounds inside her private apartment at a luxury hotel during Paris Fashion Week.
The film doesn’t stop at the crime itself. It moves forward to recent developments, including the court case in which Kim finally came face-to-face with her assailants last month. Eight people were found guilty, nearly a decade after the robbery made global headlines.
Kim Kardashian 2016 diamond heist case brought eight people to justice nearly a decade after the robberyGetty Images
Beyond gossip: A look at the cost of digital fame
This BBC Three documentary goes beyond the headlines and Instagram timelines. It examines the role of social media in the robbery, where public posts may have tipped off the thieves, and the emotional fallout Kim faced in the aftermath.
Nasfim Haque, Head of Content at BBC Three, says the film “cuts through the noise and looks at the real-life consequences of being so visible in the digital age.” Firecracker Films, the production company behind the documentary, also hopes the film helps viewers understand how the case was solved and the emotional cost behind the glamour.
Kim Kardashian arrives at the Assize Court for the trial Getty Images
Directed by Ben Bryant and produced by Jessica Sartenaer, The Kim Kardashian Diamond Heist will be available on BBC Three and BBC iPlayer later this month. Executive producers include Jes Wilkins and Sam Emmery, and the documentary will be distributed globally by Passion Distribution.
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The Pyramid Stage awaits Sir Rod Stewart’s return after more than two decades
Sir Rod Stewart has called off a series of concerts in the US as he recovers from a bout of flu, just weeks before his anticipated set at Glastonbury Festival. The 80-year-old singer, who was due to perform six shows across Nevada and California in early June, announced that four have been cancelled and two will be rescheduled.
Sharing the update on Instagram, Rod apologised to fans and expressed his frustration at having to take a break. “I’m devastated and sincerely sorry,” he wrote. “I’ll be back on stage and will see you soon.” The cancelled dates include multiple shows in Las Vegas and Stateline, Nevada, while the California concerts will now take place in September.
Despite the setback, Stewart’s headline appearance at Glastonbury is still very much on. He’s set to take over the festival’s famous Legends slot on Sunday, 29 June, more than two decades since he last played the Pyramid Stage in 2002. At the time, he performed alongside Coldplay and Stereophonics, but this time he’ll return as the oldest artist ever to headline the Legends slot.
Speaking on The Peter Crouch Podcast, Stewart revealed he was only allocated 75 minutes for his Glastonbury set but has requested an extra 15. “I play for over two hours every night, 90 minutes is nothing,” he said. He also shared that Rolling Stones guitarist Ronnie Wood, his former bandmate from Faces, will join him for part of the show, making it a mini-reunion.
Cancelled ShowsInstagram/sirrodstewart
Slowing down but not stopping
Though Stewart has hinted that this might be his final major tour, he’s not ready to retire just yet. “This will be the end of big world tours, but I’m not hanging up the mic,” he said. Instead, he’s eyeing more intimate venues for future performances, possibly exploring a swing or Great American Songbook setlist.
Rod Stewart set to reunite with Ronnie Wood at GlastonburyGetty Images
Rod has faced several health issues this year, including strep throat and a recent round of vocal rest. Still, he seems determined to power through Glastonbury with his charm and energy. With hits like Maggie May and Da Ya Think I’m Sexy, fans can expect a career-spanning set worthy of the Sunday slot.
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Deepika Padukone joins Allu Arjun in Atlee pan India epic AA22xA6
Deepika Padukone has officially signed on as the female lead in Atlee’s highly anticipated film with Allu Arjun, tentatively titled AA22xA6. The announcement has come after her controversial exit from Spirit, directed by Sandeep Reddy Vanga, making this casting a major talking point in film circles and among fans.
The film’s production house, Sun Pictures, introduced Deepika with a video of her training for what appears to be a fierce action role. Concept sketches depict her as a warrior queen, leaping into battle with a massive axe. The video includes scenes of her practising fight choreography in a motion-capture suit and even riding a CGI horse while wielding a weapon.
The visual cues suggest a fantasy-meets-science-fiction world with Deepika at the centre of it. This will be her first screen outing with Allu Arjun and her second project with director Atlee after the 2023 hit Jawan. The makers are calling it a “magnum opus” and have brought on top international technicians, including VFX experts who have worked on Iron Man 2 and Transformers.
Hollywood-based creators involved in the project have publicly praised the film’s script. From creature designs to large-scale battle sequences, AA22xA6 will be one of Indian cinema’s biggest cross-industry collaborations yet.
Sun Pictures reveals the film logo with a teaser full of actionYoutube Screengrab/ Sun TV
Exiting Spirit, entering strength
Deepika’s casting comes soon after her exit from Spirit, which led to a social media stir. While Sandeep Reddy Vanga seemed to suggest she made unreasonable demands, sources close to the actor say she simply wanted an eight-hour workday, a choice influenced by her becoming a new mother.
Vanga’s cryptic posts online accused an actor of lacking commitment, but fans and industry insiders were quick to defend Deepika’s professionalism. Some even joked, “She doesn’t need Vanga,” applauding her for choosing stronger projects over toxic work environments. Replacing her in Spirit is Animal star Triptii Dimri.
Director Atlee guides Deepika through motion capture choreographyYoutube Screengrab/Sun TV
With AA22xA6, Deepika is not just stepping into a powerful role on screen, she’s also showing that leading women in the industry can call the shots without compromise.