SHE may be turning 25 on June 30, but Avika Gor has been entertaining audiences since making a winning acting debut as a talented child star in 2008.
That 14-year career has seen her effortlessly go from flourishing stints in iconic TV shows like Sasural Simar Ka to becoming an in-demand leading lady in Telugu cinema, in films such as Uyyala Jampala, Cinema Choopistha Mava, Ekkadiki Pothavu Chinnavada and #Bro.
The talented actress will finally make her long-awaited Bollywood debut in forthcoming supernatural film 1920: Horrors Of The Heart and embark on an exciting new chapter of an already prolific acting story loaded with memorable moments.
Eastern Eye caught up with a star who is shining brighter with each project to discuss her amazing acting journey, new film, inspirations, and ambitious hopes.
How do you look back on your incredible acting journey?
Absolutely experimental! I have done characters I thought I would never be able to do. I never thought I would become an actor and I’m here. So, a lot of it is unpredictable and something I never imagined for myself. So, it’s like a dream.
You have been working since a young age. Do you feel like you missed out on
childhood and growing up?
I really don’t think I missed out on anything. In fact, I got everything extra from what a normal child would get at that age. I think every day in my life was very different and people would die or kill for the life I lived. I think I’m very grateful for getting the work that early and getting to experience something not many get in their entire lives. So, I’m really grateful for the life I have had.
Is there any role that is closest to your heart?
There are definitely favourites. One of them is Anandi from (drama series) Balika Vadhu, which changed my life completely. The other one is Uyyale Jampala, which was my Telugu (film) debut. I liked that character a lot and is very close to me. I took the challenge and did justice to it and was very happy doing that character. My latest favourite would be Subhadra from (Telugu film) #Bro. That is a character I always dreamt of and was a goal in life I reached early. When you’ll watch the movie, you will know. I’m very happy I got to play a character like that at such an early age.
Which project challenged you most?
I think TV series Sasural Simar Ka challenged me most. I mean every day you had to do supernatural stuff you personally don’t believe in and convince yourself to make it look real as an actor because that’s your job. I think that was the most difficult thing to do. If we talk about the movies, #Bro was something very difficult because of the language (Telugu) and the character. I had to learn a lot and take care of a lot of my dialogues. It was really difficult to pull that off with the ease and innocence that is supposed to be there in the character.
What has it been like balancing film and television?
It is fun doing TV and movies together at the same time. I remember making my debut when I was giving my 10th boards (at school). So, there was so much happening in my life. Then Sasural Simar Ka happened. So, for me it became an exciting and fun thing to do. Right now, my focus is just movies. I haven’t done TV in a while and absolutely miss it.
What made you finally sign a Bollywood film after a successful career in regional language cinema?
I always wanted to do a Hindi movie and not just Telugu or regional cinema. I was waiting for the right script and the minute I was approached for 1920: Horrors Of The Heart, I realised that this is the kind of script and important character I would want to work on. I get to show a lot in the performance. I was waiting for the right kind of a script and here we are.
What can we expect from your Bollywood debut?
My Bollywood debut is very performance driven. It’s not just about glamour and looking beautiful. It’s a lot to do with performance. I think people down south really appreciate the fact I choose scripts where I do a lot and not just dance around. I have tried my best to choose something like that for my Hindi debut as well. So, I hope people like the effort I’m putting in for my debut movie.
Why did you decide to work with a debut director?
Even though Krishna Bhatt is a debut film director, she has definitely done work earlier and has the experience of writing and the horror genre, and everything the Bhatt family have always been known for. They have been together since a very long time working in films. Of course, the guidance of Mahesh Bhatt sir and Vikram Bhatt sir is there. This project is not just going to be one of the random debut movies for a director. It’s going to be the Bhatt movie. I think that itself is good enough and not to doubt the first-time director.
You are versatile in terms of languages and mediums. What is your acting plan
going forward?
I try to be versatile and reach as many people as I can. I have always been that way and glad it’s been noticed. I’m glad I got those opportunities where I can reach out to more audiences and interact with them more. As an actor that’s your purpose. You want to reach out to people as much as you can and work hard. That’s what I’ve been doing and hope people like the efforts I put in my work. Be it Hindi movies, English movies, or whichever country it is, I’m going to be glad to be a part of it.
Who would you love to work with?
I want to work with directors who have a lot of depth in their scripts. I have a lot of my favourites like Imtiaz Ali, Anurag Basu, Rajkumar Hirani and so many other good directors in our industry. I would love to work with all of them.
What kind of content do you enjoy watching as an audience?
As an audience I would love to watch movies which are not made just for surface, but a lot more meaningful. I enjoy watching a lot of international movies as well and hope I get to do some. I want to do movies I myself love watching and think this is one of the reasons I like my movie #Bro – it definitely touches my heart and is the kind of movie I would want to watch.
What inspires you?
The love I receive from my fans inspires me every day to give my best. It’s been so many years of this, and I feel absolutely grateful and blessed to do this every day. I get to do what I absolutely love and enjoy. I think that process inspires me to give my best and not take anything for granted.
Why do you love being an actress?
I love being an actress because I get to do so many different things in my life. I get to learn instruments, dance forms, different accents and so many other things. There’s so much that an actor can learn and do! I think I love being these different characters and adapting those mannerisms in myself, and the whole process. It’s very difficult. Not a lot of people understand, they only see the other side of it. There’s a lot of hard work put in behind the scenes and I really like doing that hustle and am happy I get to do it.
FIFTY years since Sholay was released, it has been watched by generations of audiences, but its director has said it is not a perfect film.
Written by Salim Khan and Javed Akhtar, Sholay tells the story of two small-time criminals hired by a former policeman to capture the ruthless gangster, Gabbar Singh.
The action-adventure movie was praised for its gripping storytelling, powerful dialogues and unforgettable characters played by Amitabh Bachchan, Dharmendra, Hema Malini, Jaya Bachchan, Sanjeev Kumar and Amjad Khan in his first major role as the villain Gabbar.
Director Ramesh Sippy said, “The fact that Sholay was made means something better than Sholay can also be made and people will learn to like that kind of film as well.”
He added, “I think you always want to better Sholay. That’s how you keep your spirits up. Otherwise, how will you carry on?”
In an interview at his office in Mumbai, the renowned filmmaker acknowledged the audience’s enduring love for every frame of the classic as “amazing”.
Gabbar Singh’s evil laughter, Jai-Veeru’s undying friendship (played by Bachchan and Dharmendra, respectively), Thakur’s (Kumar) quest for vengeance, Soorma Bhopali’s boastful banter and Basanti’s (Hema Malini) exuberant defiance are part of Indian cinematic history.
Since it was released on August 15, 1975, the film has stayed on in the hearts of generations of film goers who discovered it later.
Sippy said the entire team worked hard on the project and, when shooting was completed, he knew he had a “fine film” in hand. “You can’t think of any of these characters being played by any other actor or actress. It was just simply so good. They did their best. I was able to get performances which were amazing, because they are such fine artists and because as a script it was very satisfying and promising and everybody worked towards achieving what they could in their own capacities.”
“At the end we had a fine film in our hand which till today we are here talking about it 50 years later, it’s amazing,” he said.
Sippy’s filmography also includes hits such as Seeta Aur Geeta, Shaan, Shakti and Saagar, but the popularity of Sholay sets it apart. “I have tried my best to make good films before and after Sholay and I have succeeded as well, but somehow nothing stands out like Sholay,” the 78-year-old said.
“I do hope one day there is a film that beats Sholay. That’s the way the world is.
“You need to be better than what was. So everybody has to strive to do that.
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Anurag Kashyap has condemned the AI film Chiranjeevi Hanuman – The Eternal for undermining artists
Filmmaker Anurag Kashyap criticised Vijay Subramaniam for backing the AI-made film Chiranjeevi Hanuman – The Eternal.
Kashyap said the project undermines creativity and betrays the artists represented by Subramaniam’s agency.
Vikramaditya Motwane also expressed disapproval, warning of AI sidelining writers and directors.
The AI film is produced by Abundantia Entertainment and Collective Media Network, with a 2026 release planned.
Filmmaker Anurag Kashyap has sharply criticised the upcoming project Chiranjeevi Hanuman – The Eternal, promoted as India’s first fully AI-made film. The director targeted Vijay Subramaniam, head of Collective Artists Network, accusing him of betraying the very writers, actors and directors his agency represents. The backlash follows recent controversy over AI’s use in altering the Tamil release of Aanand L Rai’s Raanjhanaa.
Anurag Kashyap has condemned the AI film Chiranjeevi Hanuman – The Eternal for undermining artists Getty Images/ Instagram/abundantiaent
What is Chiranjeevi Hanuman – The Eternal ?
Earlier this week, production houses Abundantia Entertainment and Collective Media Network unveiled the poster of Chiranjeevi Hanuman – The Eternal. Marketed as the country’s first “Made-in-AI, Made-in-India” film, it is scheduled to release on Hanuman Jayanti 2026.
Producers claim the project will combine mythology with modern innovation, reimagining Lord Hanuman’s story for global audiences. They described the initiative as a tribute to India’s cultural legacy, brought alive through technology.
However, the announcement triggered heated debate within the industry. While backers framed the film as innovation, critics argue it risks erasing the role of human storytellers in cinema.
Anurag Kashyap, known for outspoken views, voiced his anger on Instagram after the poster launch. Addressing Subramaniam directly, he wrote:
“Here is the man heading an agency representing artists, writers and directors, now producing a film made by AI. End of the day, all these agencies are only interested in making money off you. Any actor or anyone who calls themselves artists and has a spine should be questioning him or leaving the agency.”
The filmmaker went further, describing the project as “the future for the spineless and cowardly so-called artists in the Hindi film industry.” His remarks reflect wider concerns that agencies profit from talent while backing projects that remove creative workers from the process.
Kashyap has previously worked on films tackling issues of power, exploitation and authenticity in cinema. His latest outburst adds to growing resistance against AI in filmmaking.
Kashyap was not alone in condemning the move. Director Vikramaditya Motwane, who recently explored AI themes in his project CTRL, reposted the announcement on Instagram with the blunt caption: “And so it begins. Who TF needs writers and directors when it’s ‘Made in AI’?”
Motwane’s reaction highlights a fear shared by many in the industry: that studios may prioritise cost-cutting AI tools over human creativity. His remarks echo discontent following Raanjhanaa’s AI-altered ending, which led to protests from Aanand L Rai’s team.
The Chiranjeevi Hanuman backlash has therefore become symbolic of a larger struggle, of filmmakers fighting to safeguard artistic integrity in an era of technological disruption.
Filmmaker Vikramaditya Motwane criticised the AI project and warned of the threat to writers and directors Instagram Screengrab/motwayne
What has the producer said in defence of AI films?
Vijay Subramaniam, head of Collective Artists Network and producer of Chiranjeevi Hanuman – The Eternal, defended the film at its launch. He argued that the project is not replacing tradition but enhancing it, describing it as “a unique opportunity to reimagine cultural storytelling for audiences who value both heritage and innovation.”
Supporters of the film insist that AI technology can make epic stories more accessible and visually ambitious without the usual budget constraints. Yet the criticism from Kashyap and Motwane shows strong resistance within Bollywood towards projects perceived as sidelining human talent.
The debate reflects a broader global conversation on AI’s role in creative industries, from Hollywood writers’ strikes to controversies in Indian cinema. With Chiranjeevi Hanuman – The Eternal set for release in 2026, the clash between technological innovation and artistic integrity is likely to intensify.
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Shah Rukh Khan supports son Aryan Khan during the Netflix launch of his debut series
Aryan Khan made his first public speech at the launch of his Netflix series The Ba**ds of Bollywood.
The debutant director admitted he was nervous and joked about keeping his father Shah Rukh Khan as backup.
The show stars Sahher Bambba, Lakshya, Bobby Deol, Mona Singh and Manoj Pahwa.
The Ba**ds of Bollywood will release on Netflix on 18 September.
Shah Rukh Khan’s son Aryan Khan stepped into the spotlight at the preview launch of his directorial debut The Ba**ds of Bollywood. Delivering his first-ever public speech, Aryan openly admitted he was “extremely nervous,” a moment that has quickly drawn attention. Speaking with a mix of honesty and humour, Aryan said he had been rehearsing for days and even carried backup notes in case the teleprompter failed. The much-anticipated Netflix series marks his debut as a director after four years of preparation.
Aryan Khan makes his first public speech at The Ba**ds of Bollywood* preview in Mumbai Getty Images
What did Aryan Khan say in his first speech?
Aryan Khan confessed that facing the media for the first time left him anxious. “I’ve been practising this speech for two days and three nights,” he said, before joking that he had even written it down on paper in case of a power cut. He added, “Aur agar iss sab ke baad bhi mujhse galti ho jaaye toh papa hain na (And even then if I make a mistake, my dad is here).”
In a lighthearted moment, Shah Rukh Khan joined in by showing a copy of Aryan’s speech taped to his back, drawing laughter from the audience. Aryan ended his address by requesting forgiveness if he stumbled, saying, “This is my first time.”
The Netflix series The Ba**ds of Bollywood is described as a high-energy, stylised drama set against the backdrop of the film industry. It features Lakshya and Sahher Bambba in lead roles, with Bobby Deol, Mona Singh, Manoj Pahwa, Raghav Juyal, and Anya Singh in pivotal parts.
The series, produced by Red Chillies Entertainment, also features cameos from Salman Khan, Ranveer Singh and Karan Johar. According to Aryan, the project took four years of development, with “hundreds of discussions and thousands of takes” before reaching its final form.
Netflix has confirmed that The Ba**ds of Bollywood will begin streaming worldwide on 18 September. The platform has promoted it as a fresh take on the glitz and chaos of the industry, promising stylised visuals, sharp humour, and a look at ambition and rivalry in the world of cinema.
For Aryan, the series represents not just a professional debut but also the culmination of years of behind-the-scenes work. He said at the launch: “We’ve tried to bring entertainment to people everywhere, and I want to thank everyone who made this possible.”
— (@)
How did fans react to Aryan Khan’s speech?
Clips of Aryan Khan’s speech quickly spread online, with many fans pointing out his striking resemblance to his father’s manner of speaking. Comments like “Sounds just like SRK” and “Aryan’s voice = SRK’s voice” dominated social media reactions.
The warm reception suggests that Aryan’s entry into filmmaking has sparked high curiosity, both because of his family legacy and the scale of the project. With his directorial debut soon arriving on Netflix, expectations are running high.
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Charli XCX confirms her next chapter with upcoming A24 film The Moment
Charli XCX ends her Brat era with a South Korean festival performance
Pop star leaves fans emotional with farewell message on stage screen
Teases upcoming A24 film The Moment based on her own concept
Singer shifts focus from music to film after blockbuster success
Charli XCX has officially closed the chapter on her acclaimed Brat era with an emotional final performance at South Korea’s One Universe Festival, where she also teased her next project. The British pop star, who dominated global charts with Brat, used her farewell show to surprise fans with a teaser for her upcoming A24 film The Moment.
Charli XCX confirms her next chapter with upcoming A24 film The Moment Getty Images
What happened at Charli XCX’s final Brat concert?
On 15 August, Charli XCX took the stage in Gwacheon-si for her last headlining performance linked to Brat, the album that turned her from cult favourite to mainstream force. As she wrapped her set, a huge screen behind her displayed the words: “Please don’t let it be over.”
The message struck a chord with fans, who had been following her whirlwind year of success. Shortly after, she posted a clip on Instagram showing a film slate marked The Moment, confirming her move towards cinema.
Why is the Brat era significant in Charli XCX’s career?
Released in June 2024, Brat became Charli’s most successful album to date, peaking at No. 3 on the Billboard 200. Its lime-green cover, hyperpop energy, and cultural reach made it more than just a record. From influencing U.S. political campaigns to dominating TikTok trends, Brat marked a turning point in the perception of experimental pop.
Charli herself admitted she never expected the record’s impact. Speaking earlier this year, she said: “I don’t really feel the pressure because you can never do the same thing twice. My next record will probably be a flop, which I’m down for to be honest.”
What do we know about Charli XCX’s new film The Moment ?
The most talked-about reveal from her farewell concert was her upcoming A24 project The Moment. The film, based on her own concept, signals a bold shift into storytelling on screen. While details remain under wraps, fans online are already speculating about its potential to capture the same disruptive energy that made Brat so influential.
This is not Charli’s first step into acting. She is also set to appear in several upcoming films including I Want Your Sex with Olivia Wilde and Cooper Hoffman, the satire Sacrifice with Chris Evans and Anya Taylor-Joy, and a fantasy adaptation of 100 Nights of Hero.
Charli XCX closes Brat era with final show and teases new film ‘The Moment’Getty Images
What’s next for Charli XCX after Brat ?
With music milestones behind her, Charli XCX is turning her attention to film while still maintaining her reputation as an artist. She recently collaborated with Japanese horror director Takashi Miike for a new project and continues to expand her acting portfolio.
On a personal note, the singer also married The 1975’s drummer George Daniel in London last month. The wedding was a private ceremony at Hackney Town Hall, attended by close friends and family.
Charli XCX and George Daniel’s wedding photos spark a new alt-pop moodboard Instagram/charli_xcx
As she steps into a new creative phase, fans may have to wait before hearing another record, but Charli’s latest pivot suggests she is just as committed to breaking boundaries in cinema as she has been in music.
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Quentin Tarantino confirms his first West End play debut in London
Quentin Tarantino says his first-ever play will premiere in London’s West End.
The director confirmed the script is complete and work begins in January 2026.
He plans to relocate with his family to the UK during the production.
Tarantino hinted the play could also become his final film if it succeeds.
Hollywood filmmaker Quentin Tarantino has confirmed he is bringing his West End play debut to London, marking his first step into theatre. Speaking on The Church of Tarantino podcast, the Oscar-winning director of Pulp Fiction and Kill Bill revealed that the script is finished and that he will begin work on the project in early 2026. The move signals a new chapter for the 62-year-old, who said he intends to spend two years on the production and even relocate to the UK with his wife, singer Daniella Pick, and their two children.
Quentin Tarantino confirms his first West End play debut in London Getty Images
What has Quentin Tarantino said about his West End play?
Tarantino told the podcast that the untitled play is “all written” and confirmed it will be his next project. He explained that rehearsals and production will begin in January 2026, with the expectation that the show could premiere by 2027.
“It’ll probably be a year before it’s in front of an audience,” he said, adding that he is preparing for the play to be a success. “If it’s a flop, then I will be done very quickly.”
The filmmaker also suggested that if the West End production is well received, it could later be adapted into a film, potentially serving as the tenth and final movie of his career.
Tarantino plans to relocate with his wife Daniella Pick and children to the UKGetty Images
Why is Tarantino moving to the UK?
The director revealed he is planning to move to England with his family for the duration of the play’s production. Tarantino, who currently lives in Tel Aviv, said the relocation would allow him to closely oversee the project.
He explained that he intends to spend the rest of 2025 with his family before shifting focus entirely to his West End debut. “We’ll start the ball rolling on it in January… it’s going to take a year and a half to two years of my life,” he told the podcast.
Reports have also pointed out that staging a production in London is more financially viable than Broadway, where higher costs often limit new works.
Rehearsals for Tarantino’s West End debut are set to begin in January 2026Getty Images
Has Quentin Tarantino worked in theatre before?
Although this will be Tarantino’s official West End play debut, it is not his first experience with theatre. In 2015, following a script leak, he staged The Hateful Eight as a live reading. He also adapted his 2019 film Once Upon a Time in Hollywood into a play, showing his interest in moving stories from screen to stage.
His new project is expected to be a comedy, although no storyline or cast details have been announced yet.
Quentin Tarantino says the play could also be adapted into his final filmGetty Images
What else is Tarantino working on?
Alongside the play, Tarantino has been busy with film projects. He wrote the script for The Adventures of Cliff Booth, a Netflix sequel to Once Upon a Time in Hollywood centred on Brad Pitt’s stuntman character. The film is being directed by David Fincher, whom Tarantino praised as “one of the two best directors working today.”
He also revealed why he abandoned his planned project The Movie Critic, saying: “Every Tarantino title promises so much, except The Movie Critic. Who wants to see a movie about a critic?”
Quentin Tarantino revealed his theatre script is already completeGetty Images
Tarantino has long maintained he intends to retire after making ten films, counting Kill Bill Vol. 1 and Vol. 2 as a single entry. With nine films already completed, the success of his West End debut could shape how he closes his directing career.