Pramod Thomas is a senior correspondent with Asian Media Group since 2020, bringing 19 years of journalism experience across business, politics, sports, communities, and international relations. His career spans both traditional and digital media platforms, with eight years specifically focused on digital journalism. This blend of experience positions him well to navigate the evolving media landscape and deliver content across various formats. He has worked with national and international media organisations, giving him a broad perspective on global news trends and reporting standards.
A 'winning culture' may be one of the most overused terms in modern football but Real Madrid and Carlo Ancelotti proved on Saturday, at Liverpool's expense, that there truly is meaning and value in the concept.
With the 1-0 win over Juergen Klopp's side, Ancelotti became the first coach to claim the Champions League four times, with his second victory as Real boss coming after two triumphs with AC Milan.
As for the Spanish champions, this was the 14th time they have won Europe's elite club competition -- twice as many as the next most successful team Milan.
That pedigree, on the bench and on the field, has created a calm confidence that has seen them come through the toughest tests in this year's competition.
To reach the final, Real came through a knockout stage which first saw them up against a Paris St Germain side with Lionel Messi, Neymar and Kylian Mbappe -- they came back from 2-0 down on aggregate to progress thanks to a Karim Benzema hat-trick.
Defending champions Chelsea were next, beaten in extra time thanks to another Benzema goal before the Frenchman then got the decisive goal in the remarkable late comeback to beat Premier League champions Manchester City in the semi-final.
Real Madrid's Italian coach Carlo Ancelotti (L) and Real Madrid's French striker Karim Benzema (R) gesture after Real Madrid's victory in the UEFA Champions League final football match between Liverpool and Real Madrid at the Stade de France in Saint-Denis, north of Paris, on May 28, 2022. (Photo by ANNE-CHRISTINE POUJOULAT/AFP via Getty Images)
There was no such drama at the Stade de France on Saturday where, after surviving some early Liverpool dominance and suffering the setback of a disallowed Benzema goal, Real took a grip on the game after halftime, got their goal and then, with help from goalkeeper Thibaut Courtois, defended their lead.
Ancelotti's success has been founded on strong and trusting relationships with his senior players -- from the days when Paolo Maldini organised his Milan defence to the current faith he shows in Benzema and Luka Modric to get Real over the line.
The understated confidence was evident from the moment Real entered the ground in sharp suits and ties, as though they knew they were attending an awards ceremony.
In marked contrast, Liverpool's players got off their bus in t-shirts and tracksuits and it was not the only clash of cultures in the build-up to the game.
While Klopp boasted about his team being "mentality monsters" and never struggled to find superlatives to describe his players, Ancelotti, true to form, was much more understated.
RESTRAINED ANCELOTTI
The Italian adopts the same approach on the touchline -- rarely showing emotion, trusting his players to follow his gameplan without the need for arm-waving and shouting.
But that restrained demeanour, disguises a too-often underrated tactical astuteness from the Real coach.
Ancelotti's side defended deep, an approach which forced Liverpool to choose between pushing on and risking leaving space for Real's deadly counter-attacks or sitting in space themselves and playing a slower passing game.
Klopp's players adopted the latter approach and that meant they were forced to play at a slower tempo and with little of the aggressive, fast attacks down the flanks that has been their hallmark under the German.
With the ball Real were patient but they, and particularly Modric, frequently looked to play the ball over the back of Liverpool right-back Trent Alexander-Arnold, an approach which created some of their better moments.
After the break, Real stepped up their tempo with the ball, imposing themselves in midfield and Liverpool struggled to move into a higher gear, until a late spell of pressure in their desperate search for an equaliser.
Although Courtois was forced into action on several occasions, there was never a hint of panic in the way Real defended, their self-belief and confidence in their abilities seeing them through to the final whistle.
It was the performance of a Real team which knows how to win in the biggest games, something which Klopp's side for all their qualities - and despite one Premier League title and one Champions League triumph -- have yet to truly learn.
In their six games against top four opponents in the Premier League this past season, Liverpool failed to win, drawing them all. In the two domestic Cup finals they won against Chelsea, they failed to score, claiming the trophies after shootouts.
Liverpool are talked about, along with Manchester City, as one of the two best teams in the world. Yet it is Real, seen by many at the start of the season as an ageing, fading force, who finished with a rare LaLiga and Champions League double.
While Klopp creates the excitement and the viral video moments, it is Ancelotti who heads into the Paris night with the quiet satisfaction of having become the most successful manager the Champions League has ever seen.
Forum brings UK and Chinese film professionals together to explore collaborations.
Emerging British-Asian talent gain mentorship and international exposure.
Small-scale dramas, kids’ shows, and adapting popular formats were the projects everyone was talking about.
Telling stories that feel real to their culture, yet can connect with anyone, is what makes them work worldwide.
Meeting three times a year keeps the UK and China talking, creating opportunities that last beyond one event.
The theatre was packed for the Third Shanghai–London Screen Industry Forum. Between panels and workshops, filmmakers, producers and executives discussed ideas and business cards and it felt more than just a summit. British-Asian filmmakers were meeting and greeting the Chinese industry in an attempt to explore genuine possibilities of working in China’s film market.
UK China film collaborations take off as Third Shanghai London Forum connects British Asian filmmakers with Chinese studios Instagram/ukchinafilm
What makes the forum important for British-Asian filmmakers?
For filmmakers whose films explore identity and belonging, this is a chance to show their work on an international stage, meet Chinese directors, talk co-productions and break cultural walls that normally feel unscalable. “It’s invaluable,” Abid Khan said after a panel, “because you can’t create globally if you don’t talk globally.”
And it’s not just established names. Young filmmakers were all around, pitching ideas and learning on the go. The forum gave them a chance to get noticed with mentoring, workshops, and live pitch sessions.
Which projects are catching international attention?
Micro-dramas are trending. Roy Lu of Linmon International says vertical content for apps is “where it’s at.” They’ve done US, Canada, Australia and next stop, Europe. YouTube is back in focus too, thanks to Rosemary Reed of POW TV Studios. Short attention spans and three-minute hits, she’s ready.
Children’s and sports shows are another hotspot. Jiella Esmat of 8Lions is developing Touch Grass, a football-themed children’s show. The logic is simple: sports and kids content unite families, like global glue.
Then there’s format adaptation. Lu also talked about Nothing But 30, a Chinese series with 7 billion streams. The plan is for an english version in London. Not a straight translation, but a cultural transformation. “‘30’ in London isn’t just words,” Lu says. “It’s a new story.”
Jason Zhang of Stellar Pictures says international audiences respond when culture isn’t just a background prop. Lanterns, flowers, rituals, they’re part of the plot. Cedric Behrel from Trinity CineAsia adds: you need context. Western audiences don’t know Journey to the West, so co-production helps them understand without diluting the story.
Economic sense matters too. Roy Lu stresses: pick your market, make it financially viable. Esmat likens ideal co-productions to a marriage: “Multicultural teams naturally think about what works globally and what doesn’t.”
The UK-China Film Collab’s Future Talent Programme is taking on eight students or recent grads this year. They’re getting the backstage access to international filmmaking that few ever see, including mentorship, festival organising and hands-on experience. Alumni are landing real jobs: accredited festival journalists, Beijing producers, curators at The National Gallery.
Adrian Wootton OBE reminded everyone: “We exist through partnerships, networks, and collaboration.” Yin Xin from Shanghai Media Group noted that tri-annual gathering: London, Shanghai, Hong Kong create an “intensive concentration” of ideas.
Actor-director Zhang Luyi said it best: cultural exchange isn’t telling your story to someone, it’s creating stories together.
The Shanghai-London Screen Industry Forum is no longer just a talking shop. It’s a launchpad, a bridge. And for British-Asian filmmakers and emerging talent, it’s a chance to turn ideas into reality.
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