THE BBC’s new six-part crime drama, Virdee, which began transmission on Monday (10), is making history as it is the first of its kind, with a diverse British Asian cast. It is also very much author AA Dhand’s baby. The credits state that it was “created and written by AA Dhand”; is “based on City of Sinners by AA Dhand”; and Dhand is also its executive producer, along with Paul Trijbits.
The drama is named after its eponymous hero, Detective Chief Inspector Hardeep Virdee, a clean-shaven Sikh who prefers to be addressed as “Harry”.
He is played by Staz Nair, son of an Indian father “from Aanakkulam near Cochin in Kerala” and a Russian mother. Born in Moscow, he was brought over to the UK when he was two.
Staz Nair with Danyal Ismail in 'Virdee'BBC/Magical Society/Vishal Sharma
Harry’s decision to marry a Muslim has not gone down well with his father. Aysha Kala is very good as Saima Hyatt, as you would expect as she was named best actress in Eastern Eye’s Arts Culture and Theatre Awards (ACTA) last year for her performance in The Motive and the Cue at the National Theatre.
In fact, City of Sinners, set in Bradford – like all the novels featuring Virdee – was nominated in ACTA’s literature category in 2019. Dhand’s time has now come, but it has been a long journey for him to get the premiere the BBC organised for Virdee last Thursday (6) at St George’s Hall in Bradford. Alongside running a pharmacy, he began writing crime fiction in 2006. After 1.1 million words, for which he did not earn a penny, and “66 rejections”, his first Virdee novel, Streets of Darkness, was published in 2016, followed by Girl Zero in 2017, City of Sinners in 2018, and One Way Out in 2019.
Perhaps what Eastern Eye readers will find shocking in the opening episode is not so much the violent drugs war raging between rival gangs in Bradford, but the bigotry shown by Virdee’s father, Ranjit, who has disowned his son for marrying a Muslim (even though he now has a grandson, Aaron).
As both an empathetic mother and mother-inlaw, Sudha Bhuchar has been cast perfectly as Jyoti Virdee. The same goes for Kulvinder Ghir as Virdee’s father.
In 2019, Sudha and Kristine Landon-Smith, founders of the Tamasha Theatre Company, won an ACTA “for outstanding contribution to the creative industry”.
Many Asian viewers will probably consider Virdee’s father to be the real villain in the opening episode. When his estranged son attempts to make peace by visiting him at home for Diwali with food cooked by Saima, he asks Hardeep to go down like a dog and beg for forgiveness. When Hardeep does so, his father pours a bowl of curry over his son’s head. In a city with a serial killer on the loose, that may well turn out to be the most upsetting scene in the whole series.
There is another raw piece of dialogue when a young Indian woman confronts Saima and tells her she knew Harry before he ditched her “for a Paki”. Only Dhand could get away with dialogue like that on prime time TV. It is to Saima’s credit that she – first humiliated by her father-in-law and then by her husband’s ex – retains her poise. She merely tells the foul-mouthed woman that she might have had too much to drink.
There is an amusing exchange when an East European gangster, Novak Rexa (Lewis Goody), fears Virdee might rough him up in order to get information about a missing teenager.
“You can’t do this to me,” protests Novak. “This is England!”
Virdee corrects him: “This is Bradford.” This produced one of the loudest cheers of the evening at the premiere, where cast and crew were invited along with members of the public.
It is the family tensions that set Virdee apart from other crime dramas. Virdee is beholden to Saima’s wealthy brother, Riaz Hyatt (Vikash Bhai), who kept him out of prison at some point in the past. To discover the whereabouts of the missing teenager, Virdee turns to his brother-in-law for help. The only problem is that Riaz himself heads one of Bradford’s most notorious gangs. He owns a country estate with horses grazing in the fields – where the two boys had played as children.
“No bodies,” Virdee tells Riaz.
The latter agrees: “No bodies.”
But the body of Novak, who was being questioned by Riaz’s men, later turns up hanging from a tree.
Virdee has a junior partner, DSI Amin (Danyal Ismail).
Aysha Kala and Staz Nair in 'Virdee'BBC/Magical Society/Vishal Sharma
Bradford, where Dhand has grown up and where he feels most at home, is very much a character in the drama. A quarter of its population is from the ethnic minorities. Virdee has been shot in Bradford in such locations as City Park, Lister Park, Little Germany and the disappearing Kirkgate market, where the author spent his youth. Dhand relaxes by walking in the woods around Bradford. He considers himself a creature of the night, preferring Bradford after dark.
Virdee opens with a “Bond-esque” chase across Bradford at night.
“I like working at night time, like walking at night, like driving at night,” Dhand told Eastern Eye.
Unlike Agatha Christie, who acquired her knowledge of poisons after working in a pharmacy, Dhand learnt about crime growing up in council property near Holme Wood, “the largest council estate in Europe”.
“If you grew up in a tough environment in a tough estate, you learnt about criminality,” he recalled. “There were no other brown people.”
As far as he was concerned, said Dhand, “Virdee is not an Asian crime drama – it’s a crime drama with a diverse cast. It’s heightened, elevated crime drama about murder, drugs, universal things that we’ve seen in crime dramas before. I call him ‘Harry’ (instead of Hardeep) because I was inspired by the dirty Harrys of this world when I was growing up. I don’t want it to be a south Asian crime drama. I want it to be a crime drama that encompasses the south Asian world.”
Luther, starring Idris Elba, is not seen as a black crime drama, he pointed out.
Sudha Buchar and Kulvinder Ghir
Virdee’s lead actor, Nair, has been searching for his Indian roots. Like his protagonist character in the drama, who was disowned by his family, Nair, too, was estranged from his father for 25 years. He has seen being involved in Virdee as “a unique opportunity to find my own relationship with my culture”.
Kala, meanwhile, talked about playing Saima, a nurse who saves the life of her father-in law when he is brought into hospital after suffering a heart attack. He is unaware that the woman he is praising to his wife is actually the daughter-in-law he has abused and rejected.
“Her religion is important to her, but it didn’t become her defining character,” said Kala. “I feel sometimes when we talk about religion and culture, especially in south Asian characters, it becomes the only thing they’re known for.
“Yes, Saima is a Muslim woman, but it’s just part of her character.”
Virdee is on BBC 1 on Mondays at 9pm and on iPlayer.
Fragments of Belonging is Nitin Ganatra’s first solo exhibition
Opens Saturday, September 27, at London Art Exchange in Soho Square
Show explores themes of memory, displacement, identity, and reinvention
Runs from 3:30 PM to 9:00 PM, doors open at 3:15 PM
From screen to canvas
Actor Nitin Ganatra, known for his roles in EastEnders, Bride & Prejudice, and Charlie and the Chocolate Factory, is embarking on a new artistic chapter with his debut solo exhibition.
Titled Fragments of Belonging, the show marks his transition from performance to painting, presenting a deeply personal series of works at the London Art Exchange in Soho Square on September 27.
Exploring memory and identity
Through abstract forms, bold colour, and layered compositions, Ganatra’s paintings reflect themes of memory, displacement, and cultural inheritance. The exhibition has been described as a “visual diary,” with each piece representing fragments of lived experience shaped by migration and reinvention.
What visitors can expect
The exhibition will showcase original paintings alongside Ganatra’s personal reflections on identity and belonging. The London Art Exchange promises an intimate setting in the heart of Soho, where visitors can engage with the artist’s work and connect with fellow creatives, collectors, and fans.
The event runs from 3:30 PM to 9:00 PM on September 27, and is open to all ages.
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£1 tickets available for families receiving Universal Credit
The Peter Rabbit™ Adventure runs at Hampton Court Palace from 25 July to 7 September 2025
Trail includes interactive games, riddles and character encounters across the gardens
Children can meet a larger-than-life Peter Rabbit in the Kitchen Garden
Special themed menu items available at the Tiltyard Café
£1 tickets available for families receiving Universal Credit and other benefits
Peter Rabbit comes to life at Hampton Court
This summer, families visiting Hampton Court Palace can step into the world of Beatrix Potter as The Peter Rabbit™ Adventure takes over the palace gardens from 25 July to 7 September 2025.
Explore the Kitchen Garden, Tiltyard and WildernessHRP
The family trail, officially licensed by Penguin Ventures on behalf of Frederick Warne & Co., combines the palace’s historic gardens with the much-loved tales of Beatrix Potter. Visitors will encounter interactive activities, puzzles and games while exploring the Kitchen Garden, Tiltyard and Wilderness.
Interactive activities and wildlife learning
Along the trail, children can try Mrs Tiggy-winkle’s washing equipment to make music, search for Peter Rabbit under wheelbarrows, or test their hopping skills alongside Beatrix Potter’s characters.
The experience also highlights Potter’s role as a committed environmentalist. Young visitors are encouraged to look for real wildlife such as hedgehogs, squirrels and toads while learning about habitats and conservation in the palace grounds.
Children can meet a larger-than-life Peter Rabbit HRP
Meet Peter Rabbit and enjoy themed treats
Peter Rabbit himself will make appearances in the Kitchen Garden at set times each day, where families can take photos among the seasonal produce. Fresh fruit and vegetables grown in the gardens will feature in special Peter Rabbit™ menu items at the Tiltyard Café.
After completing the trail, children can also explore the Magic Garden playground or visit Henry VIII’s Kitchens inside the palace, where live cookery demonstrations take place each weekend.
Tickets and access
The Peter Rabbit™ Adventure is included in general admission:
Off-peak (weekdays and bank holidays): Adults £27.20, Children (5–15) £13.60, Concessions £21.80
Peak (weekends and events): Adults £30.00, Children £15.00, Concessions £24.00
HRP Members go free
Families in receipt of Universal Credit and other means-tested benefits can access £1 tickets throughout the summer (advance booking required).
Membership offers unlimited visits to Hampton Court Palace and other Historic Royal Palaces sites, including seasonal events such as the Hampton Court Palace Food Festival and Henry VIII’s Joust.
For more details and booking, visit
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The mural has been covered and is being guarded by security
A new mural by street artist Banksy has appeared on the Royal Courts of Justice building in central London.
The artwork depicts a judge hitting a protester, with blood splattering their placard.
It comes days after nearly 900 arrests at a London protest against the ban on Palestine Action.
The mural has been covered and is being guarded by security; Banksy confirmed authenticity via Instagram.
Banksy’s latest work at the Royal Courts of Justice
A new mural by the elusive Bristol-based street artist Banksy has appeared on the side of the Royal Courts of Justice building in central London.
The artwork shows a judge in traditional wig and black robe striking a protester lying on the ground, with blood depicted on the protester’s placard. While the mural does not explicitly reference a specific cause or incident, its appearance comes just two days after almost 900 people were arrested during a protest in London against the ban on Palestine Action.
Security and public access
Social media images show that the mural has already been covered with large plastic sheets and two metal barriers. Security officials are guarding the site, which sits beneath a CCTV camera.
Banksy shared a photo of the artwork on Instagram, captioning it: “Royal Courts Of Justice. London.” This is consistent with the artist’s usual method of confirming authenticity.
Location and context
The mural is located on an external wall of the Queen’s Building, part of the Royal Courts of Justice complex. Banksy’s stencilled graffiti often comments on government policy, war, and capitalism.
Previous works in London
Last summer, Banksy launched an animal-themed campaign in London featuring nine works. The series concluded with a gorilla appearing to lift a shutter at the London Zoo. Other notable pieces included piranhas on a police sentry box in the City of London and a howling wolf on a satellite dish in Peckham, which was removed less than an hour after unveiling.
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Works are painted on bark cloth from Lake Victoria
Artist Shafina Jaffer presents a new chapter of her Global Conference of the Birds series.
The exhibition runs from 7–12 October 2025 at Mall Galleries, London.
Works are painted on bark cloth from Lake Victoria, combining spiritual themes with ecological concerns.
Exhibition details
Artist Shafina Jaffer will open her latest exhibition, Whispers Under Wings (Global Conference of the Birds), at the Mall Galleries in London on 7 October 2025. The show will run until 12 October 2025.
This practice-led series reinterprets Farid ud-Din Attar’s 12th-century Sufi allegory, Conference of the Birds, reflecting on themes of unity, self-realisation and the idea that the Divine resides within.
Material and meaning
Each work is painted on sustainably sourced bark cloth from the Lake Victoria region, using natural pigments, minerals and dyes. Large panels are formed from the bark of single trees, aligning material ecology with the spiritual narrative.
The series weaves together sacred geometry, Qur’anic verses and depictions of endangered bird species, underscoring the connection between ecological fragility and spiritual awakening.
Previous recognition
Whispers Under Wings follows earlier presentations in London and Dubai, extending the project’s message of peace, unity and environmental care.
A central work from the series — the Simurgh, conceived as a symbol of light (Noor) — was recently acquired by Prince Amyn Aga Khan for the new Ismaili Centre in Houston. A feature on the exhibition also appears in the September edition of Twiga, Air Tanzania’s inflight magazine.
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Each character in the set has been carefully designed to reflect cultural narratives
British-Bangladeshi prop maker Anika Chowdhury has designed a handcrafted glow-in-the-dark chess set celebrating heritage and identity.
The limited-edition set, called Glowborne, launches on Kickstarter in October.
Each piece draws from South Asian, Middle Eastern, and African cultural references, re-rooting chess in its origins.
The project blends art, storytelling, and representation, aiming to spark conversations about identity in play.
Reimagining chess through heritage
When Anika Chowdhury sat down to sculpt her first chess piece, she had a bigger vision than simply redesigning a classic game. A British-Bangladeshi prop maker working in the film industry, she grew up loving fantasy and games but rarely saw faces like hers in Western storytelling.
“Chess originated in India, travelled through Arabia and North Africa, and was later Westernised,” she explains. “I wanted to bring those forgotten origins back to the board.”
The result is Glowborne — a limited-edition, glow-in-the-dark fantasy chess set that blends craft, identity and cultural pride.
Anika Chowdhury says she has many ideas to further fuse craft and culture in future projects Glowborne
Crafting Glowborne
Each character in the set has been carefully designed to reflect cultural narratives: Bengali kings and pawns, Indian bishops with bindis, Arab knights, and African queens. Chowdhury sculpted each piece by hand, drawing on her prop-making training at the National Film and Television School.
Once sculpted, the pieces were cast in resin, painted, and finished with South Asian-inspired motifs filled with glow-in-the-dark pigment. “The characters glow both literally and metaphorically,” she says, “as a chance for them to take the stage.”
Cultural pride and visibility
For Chowdhury, the project is about more than gameplay. “Fantasy doesn’t need to fit into the Western mould to tell a great story,” she says. “South Asian, Middle Eastern and African stories are just as powerful, and they can transform something as traditional as chess by reconnecting it with its roots.”
She hopes Glowborne will resonate with South Asian and Eastern African communities as a celebration of identity and belonging. At the same time, she sees it as a bridge for wider audiences — chess enthusiasts, collectors, and design lovers who appreciate craftsmanship and storytelling.
A personal journey
Chowdhury’s career in film and prop-making has influenced her creative process, but Glowborne marks her first independent project. She created it outside her film work, after hours and on weekends.
“At 28, I finally feel like I’ve found my voice,” she reflects. “For a long time I felt pressure to hide my identity, but now I see my culture as a superpower. This project is about using art to express that.”
Looking ahead
Launching this October on Kickstarter as a collector’s edition, Glowborne is only the beginning. Chowdhury says she has many ideas to further fuse craft and culture in future projects. “This is the proof of concept,” she says. “I can’t wait to create more stories that blend heritage, art and play.”