A DYNAMIC, decade-long journey in Indian television has seen Zain Imam rise from an exciting newcomer in his debut serial Kaisi Yeh Yaariaan to a much-loved headline star.
After successes in serials such as the superhit drama Naamkarann, he continues to captivate audiences with his latest show, Suman Indori.
Broadcast on Colors TV, the relatable family drama has been pulling in big audiences since its 2024 premiere. In this remake of the Kannada drama Kendasampige, Zain plays a multi-layered character who embarks on an unexpected emotional journey. The show adds to his impressive body of work as a versatile actor with a massive fan base.
Eastern Eye caught up with the talented star during his busy shooting schedule to discuss his acting journey, the new serial, inspirations, and how he copes with a demanding schedule. He also revealed who his biggest hero is.
How do you reflect on your acting journey so far?
From my first steps into the industry with Kaisi Yeh Yaariaan, where I was still finding my footing, to now, it’s been a whirlwind of emotions, growth, and discovery. Each role has taught me something new, not just about acting but about myself. I’ve always believed in pushing boundaries, and while it hasn’t always been easy, the support of fans and mentors has made it worthwhile. It’s humbling to look back and see how far I’ve come, but I feel like there’s still so much more to achieve.
Which of your projects has been closest to your heart?
That’s like asking a parent to pick their favourite child. But Naamkarann holds a special place in my heart. Neil Khanna wasn’t just a character; he was an emotional journey. The connection with the audience was almost magical. That show challenged me as an actor and gave me a bond with fans that I cherish. Of course, Suman Indori is quickly becoming another favourite – it’s fresh, dynamic, and has let me explore new layers as a performer.
How much does being in so many successful TV projects mean to you?
It means everything. I don’t take it lightly that viewers have consistently shown their love and support. Each project, be it Tashan-e-Ishq, Naamkarann, or Fanaa: Ishq Mein Marjawan, is a team effort, and the fact that audiences have connected with my work gives me the drive to keep going. Success in this industry isn’t just about ratings or awards; it’s about leaving a lasting impression, and I’m grateful for every opportunity to do that.
What drew you to your latest drama, Suman Indori?
The simplicity yet depth of the story instantly drew me in. I loved how the script balanced heartfelt moments with humour and intensity. The raw and grounded feel of the project was too good to pass up.
How does this character compare to others you’ve played?
It’s hard to compare because every character I’ve played has had unique quirks, but Teerth in Suman Indori stands out for his emotional complexity. He’s not just about heroics or drama – there’s a deep sense of introspection and vulnerability to him. Unlike Neil Khanna in Naamkarann, who was defined by strong principles, or other characters I’ve played who relied on their charisma, Teerth has many more emotional layers that make him distinct.
Suman Indori has received a positive response since it premiered last year. What has been the experience of working on this show?
Honestly? Refreshing. The energy on set is incredible, and the cast and crew have become like a second family. The directors give me the freedom to experiment, and the writing keeps me on my toes. There’s something satisfying about being part of a project where everyone is equally invested in making something special. It’s been a beautiful ride so far.
Why do you think the show is resonating so strongly with audiences?
It’s real and fresh. Suman Indori isn’t about overthe-top drama. It’s about human emotions and relationships that everyone can relate to. The characters feel authentic, and the storytelling hits home. I think viewers see a piece of themselves in the show, and that’s what keeps them hooked.
Do you ever feel pressure when you’re leading a high-profile show like this?
Absolutely, but I see it as a constructive kind of pressure. It motivates me to deliver my best every day on set. There is a responsibility that comes with being the face of a show, and I take that seriously. At the same time, I remind myself to stay grounded and enjoy the process, as that is when the best work happens.
With so many episodes being shot, how do you cope as an actor doing a show that has such a demanding schedule?
It’s all about pacing yourself. I have learned to find joy in the little moments, whether it’s cracking jokes on set or spending a quiet evening reading scripts. Staying connected to my purpose as an actor helps as well. It really makes a difference when you love what you do. And, of course, plenty of coffee helps too (laughs).
Zain Imam
Millions enjoy watching you on television, but what do you enjoy as an audience member?
I’m drawn to good storytelling. Whether it is thrillers like Breaking Bad or heart-warming dramas like The Family Man, I enjoy anything that can hold my attention. I also have a soft spot for romantic comedies.
You have portrayed an interesting variety of characters, but do you have a dream role?
There are so many characters I would love to play. I have always wanted to be part of a period drama – something epic, like a warrior or a historical figure. The costumes, drama, and grandeur of a historical epic are elements I would love to explore. I am also drawn to psychological thrillers, where I could delve into the darker sides of human nature. That would be a fascinating challenge.
If you could master something new, what would it be?
Martial arts. It would be incredible to incorporate those skills into future roles. It is also a great way to stay fit and disciplined. Being able to perform my own stunts in an actionpacked show or movie would be a rewarding challenge and a dream realised.
Tell us something about you that not many people know.
I am a huge foodie. While many assume I am entirely focused on fitness, I have a soft spot for Mughlai and North Indian cuisine.
What inspires you?
Many things inspire me, but people inspire me the most. Their stories, resilience, capacity to love, and ability to overcome challenges are endlessly motivating. My fans also play a significant role – their unwavering belief in me fuels my passion to keep improving and to give my best, both on-screen and off.
A still from Suman Indori
You are a hero to many, but who is your hero?
That is a tough question, but if I had to choose, it would be my parents. They have been my pillars of strength through every high and low, and their unwavering faith in me has always been a source of inspiration. On a professional level, I truly admire Ranbir Kapoor. The media even jokingly refers to me as ‘TV ka Ranbir Kapoor’ because of my portrayal of romantic and intense scenes, which they believe I do justice to.
How do you feel about that?
(Laughs) It is flattering, to be honest. What I admire about Ranbir goes beyond his acting. I appreciate him as a personality – the way he carries himself with a blend of charm and humility, which I believe stems from the incredible values imbibed in him by his parents, Neetu (Kapoor) Ji and Rishi (Kapoor) Ji.
Why do you love being an actor?
Being an actor is like living a thousand lives in one, and that is what I love about it. Each character allows me to step into someone else’s shoes and see the world through their eyes. It is an exhilarating, emotional, and deeply rewarding experience. Acting enables me to express thoughts and emotions I might never articulate otherwise, and that is an irreplaceable feeling.
Jason Isaacs has revealed that every cast member of The White Lotus Season 3, regardless of experience or fame, earned the same salary: £32,000 (₹33,60,000) per episode. That totals around £256,000 (₹2,68,80,000) for the full eight-episode run. While that figure might seem significant, Isaacs called it “a very low price” for a hit HBO show, but said he had no complaints.
“We would’ve paid to be in it,” Isaacs said in an interview, adding, “We probably would’ve given a body part.”
Jason Isaacs opens up about financial regrets and career lowsGetty Images
Equal pay, no ego
The show’s ensemble approach meant that veterans like Isaacs and Parker Posey received the same as newer faces such as Patrick Schwarzenegger and Sam Nivola. Asked if it bothered him to be paid the same as his younger co-stars, Isaacs shrugged it off: “I never work for money. I’ve done alright. People assume I have piles of cash, but I’ve basically matched my spending to my income and spent everything over the years.”
The pay structure, introduced from Season 1, was meant to ensure fairness and avoid ego clashes. “Everyone is treated the same,” said producer David Bernad in an earlier interview, explaining how the alphabetical billing and equal salaries were key to creating a drama-free, committed cast.
The White Lotus cast shares the screen and the paycheck equallyGetty Images
Isaacs admitted that while the rate was lower than typical network or streaming pay outs, the prestige of working on The White Lotus and with creator Mike White made it worthwhile.
Cautionary tales and career lows
Isaacs also took the opportunity to share hard-earned lessons with his younger co-stars, urging them not to get emotionally attached to the final product. “You don’t control how it’s received. That’s Mike’s job,” he said. Reflecting on his own past, he pointed to Peter Pan (2003), where he played Captain Hook, a big-budget project that tanked commercially and nearly derailed his career.
“It was the lowest I’ve ever felt professionally. I thought I’d never work again,” he confessed. Isaacs said it was his partner Emma Hewitt who helped him through that dark phase, crediting her support over their decades-long relationship.
Jason Isaacs says Emma Hewitt helped him through his dark phase in lifeGetty Images
The White Lotus Season 3 is now streaming on Max, and while the actors may not have earned big bucks, the series continues to score big on screen, with critics and fans alike.
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From Squid Game season 3 to Stick, these are the biggest shows and films to stream in June 2025
Honestly, this June, your watchlist is about to need a watchlist. Forget the rinse-and-repeat releases because this month, streaming platforms are serving us a cocktail of choices. Whether you're Team Marvel or Team “give me plot twists that slap,” this list brings the crème de la stream. Curated with zero fluff and verified from top entertainment sources, here’s what you need to watch this month, before spoilers eat you alive.
Squid Game – Season 3 (Netflix)
The final round is here. Lee Jung-jae returns for the ultimate face-off in the game that turned capitalism into a slasher film. Will justice be served? Probably not. Will it wreck you emotionally? Absolutely.
Redemption arcs are for quitters, unless you’re Owen Wilson with a golf club and a grudge. In this new sports comedy, washed-up golf pro Pryce Cahill finds a second shot at greatness when he stumbles upon a teenage prodigy, Santi. Coaching the kid might save both their careers or crash them harder than his infamous meltdown. Think underdog story, but with dad jokes, sports rivalries, and just the right swing of heart.
Julianne Moore and Sydney Sweeney play a mother-daughter duo untangling a violent secret on a secluded Pennsylvania farm. It’s gritty, emotional, and slower than a shotgun reload, but way more explosive.
Back in the kitchen and hotter than ever. Carmy is back with more breakdowns, beef, and beautiful messes. After last season’s cliffhanger, expect Michelin-star levels of stress and storytelling.
Move over, Iron Man. Riri Williams is suiting up and rewriting the tech-hero narrative. With Anthony Ramos stepping in as The Hood, this is Marvel's smartest and sneakiest origin story in years.
If June 2025 proves anything, it’s that streaming isn’t slowing down. Rather, it’s speeding straight into every genre you thought you were tired of and making it feel brand new. So whether you're here for the heartbreak, the brain games, or just unfiltered weirdness, this month doesn’t just entertain, it devours. Get your snacks, clear your calendar, and for heaven’s sake, disable your spoilers.
Now let the binge begin!
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HBO’s Harry Potter reboot slammed for casting Italian actress as Indian character Parvati Patil
HBO’s upcoming Harry Potter reboot is already under fire, this time for casting Italian actress Alessia Leoni as Parvati Patil, a character rooted in Indian culture. The announcement has triggered widespread backlash from fans who accuse the makers of side-lining authentic South Asian representation in favour of what many see as surface-level diversity.
Parvati, originally portrayed by Shefali Chowdhury in the films, is one of the few explicitly Indian characters in the Harry Potter universe. The decision to cast someone with no clear Indian heritage has led to heated discussions across platforms like Reddit and X, with fans calling out what they perceive as performative inclusivity.
Fans question why Indian talent was overlooked again
Many online comments have shared similar frustrations: that casting a brown-skinned actor is not the same as casting someone of Indian origin. “They just picked someone who looks brown and called it a day,” one Redditor commented. Another added, “Parvati is not just a name, it’s a direct reference to Hindu culture. It deserved more thought.”
This is not the first controversy to hit the reboot. Earlier announcements like casting Paapa Essiedu as Snape and Arabella Stanton as Hermione also drew criticism from those who felt the series was playing fast and loose with established character identities. Supporters of accurate representation argue that while the intent may be diversity, the execution often feels tokenistic.
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Adding fuel to the fire is the casting history of the original films, where British-Bangladeshi actors Shefali Chowdhury and Afshan Azad played the Patil twins after being discovered through grassroots-level auditions. That sense of grounded authenticity, fans argue, is missing in the current reboot.
HBO's broader casting choices also under scrutiny
Alongside Leoni, HBO announced several other cast members: Katherine Parkinson as Molly Weasley, Lox Pratt as Draco Malfoy, Johnny Flynn as Lucius Malfoy, Leo Earley as Seamus Finnigan, Sienna Moosah as Lavender Brown, Bel Powley and Daniel Rigby as the Dursleys, and Bertie Carvel as Cornelius Fudge.
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The series, hoped to be a faithful adaptation of J.K. Rowling’s books, is scheduled to premiere in 2026. But with these early casting calls, many longtime fans feel HBO is missing the mark on cultural nuance—and all this before a single spell has been cast on screen.
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BBC Three documentary uncovers new details in Kim Kardashian Paris robbery case
Nearly ten years after Kim Kardashian was robbed at gunpoint in a Paris hotel, the story is being revisited in a new documentary coming to BBC Three and iPlayer. Titled The Kim Kardashian Diamond Heist, the film digs into one of the most talked-about celebrity crimes of the last decade, offering fresh access and unheard accounts from those closely involved in the case.
Kim Kardashian Paris robbery case revisited in new BBC Three documentaryGetty Images
New voices and untold moments from the night that shocked the world
The 45-minute documentary features first-hand interviews with close family friends, French police officers, and journalists who followed the robbery from day one. It takes viewers back to that October 2016 night, when Kardashian was tied up and robbed of jewellery worth millions of pounds inside her private apartment at a luxury hotel during Paris Fashion Week.
The film doesn’t stop at the crime itself. It moves forward to recent developments, including the court case in which Kim finally came face-to-face with her assailants last month. Eight people were found guilty, nearly a decade after the robbery made global headlines.
Kim Kardashian 2016 diamond heist case brought eight people to justice nearly a decade after the robberyGetty Images
Beyond gossip: A look at the cost of digital fame
This BBC Three documentary goes beyond the headlines and Instagram timelines. It examines the role of social media in the robbery, where public posts may have tipped off the thieves, and the emotional fallout Kim faced in the aftermath.
Nasfim Haque, Head of Content at BBC Three, says the film “cuts through the noise and looks at the real-life consequences of being so visible in the digital age.” Firecracker Films, the production company behind the documentary, also hopes the film helps viewers understand how the case was solved and the emotional cost behind the glamour.
Kim Kardashian arrives at the Assize Court for the trial Getty Images
Directed by Ben Bryant and produced by Jessica Sartenaer, The Kim Kardashian Diamond Heist will be available on BBC Three and BBC iPlayer later this month. Executive producers include Jes Wilkins and Sam Emmery, and the documentary will be distributed globally by Passion Distribution.
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A post-screening Q&A that revealed how their off-screen camaraderie and improvisational skills helped
The world premiere of Deep Cover lit up the inaugural SXSW London Screen Festival on Wednesday night, with stars Bryce Dallas Howard, Orlando Bloom and Nick Mohammed attending a post-screening Q&A that revealed how their off-screen camaraderie and improvisational skills helped shape the film’s comic energy.
The crime caper, directed by Stath Lets Flats creator Tom Kingsley, was screened as the festival’s Centrepiece Headliner and will be available to stream on Prime Video from 12 June.
A story years in the making
The project began over a decade ago, when producers Colin Trevorrow and Derek Connolly came across a real-life story involving New York police using actors as decoys in criminal investigations. The idea evolved into a feature film script written by the British duo Ben Ashenden and Alexander Owen, adapting Trevorrow and Connolly’s original concept and relocating the story to London.
Deep Cover follows three improv performers who are enlisted by an undercover police officer to pose as hardened criminals and infiltrate London’s underworld. With comedy and action colliding in unexpected ways, the film balances high stakes with humour.
Action-comedy with an indie heart
Director Kingsley explained that while the film began as a straightforward comedy, the involvement of bigger stars gave the team the resources to explore more ambitious action sequences.
“I think maybe it started more as a comedy. Straight up,” Kingsley said. “As we went on, bigger and bigger stars joined us, and that meant we could aim higher.”
- YouTubeYouTube/ Primevideo
The film was produced independently in London under Trevorrow’s Metronome Film Co. banner. The producers emphasised that creating a film like Deep Cover without major studio backing was a challenge, particularly in today’s economic climate.
“It’s not easy. We’re at a time when getting films financed is harder and harder,” Trevorrow noted. He credited Amazon’s partnership and the dedication of the British crew with bringing the production to life on a competitive budget.
Real locations, real stakes
One of the defining aspects of Deep Cover is its use of real London locations. From Shoreditch to Barking, the film avoids glossy studio sets in favour of gritty, authentic settings.
“We wanted the movie to feel real. I think the comedy is funnier when you really believe in the stakes,” said Kingsley. “We needed London to look a little dangerous, not too picture postcard.”
He revealed that some night shoots required extra security, especially in industrial zones. “We shot in areas that needed some caution – but that’s what gave it a grounded feel.”
Strong chemistry on and off screen
The cast’s chemistry was clear both on screen and during the Q&A. Howard, Bloom and Mohammed all spoke about how much they enjoyed working together and how much that dynamic influenced the film’s tone.
“We all just genuinely get along,” said Howard. “We’re all at similar stages in life. We’ve got kids, so we connect over that.”
Bloom, better known for dramatic and action roles, said the project allowed him to explore a new side of acting. “I’m not known for comedy,” he admitted. “But the writing and direction really supported me in finding the humour through the character’s seriousness.”
For Mohammed, the shift was in the other direction. Best known for his work in Ted Lasso, he found the action element to be a new experience. “Overwhelming,” he said. “I’m a huge fan of action films and blockbuster hits. So working with Hollywood-level stars on this was surreal.”
Improv rooted in structure
Although Deep Cover is about improvisers, the film itself relied heavily on a carefully structured script. Kingsley noted that while improvisation did happen during filming, most of it was trimmed for pacing.
“It’s a really tightly worked out script,” he said. “It goes a mile a minute, and we had to stick to the rhythm.”
Howard praised the collaborative process, saying, “We were never treated like puppets. It was very organic. The improv was more about getting into the scene rather than driving it.”
Bringing comedy back to the big screen
Producer Colin Trevorrow reflected on the rarity of seeing comedy in cinemas, especially as more films are made for streaming platforms.
“We live in a day and age where we rarely get to see comedy in a packed theatre full of people laughing – something I loved as a kid,” he said. “This film is going to be on Amazon, and we’re grateful for that, but tonight was something special.”
Deep Cover also features British acting veterans Paddy Considine, Ian McShane and Sean Bean in supporting roles.
As it heads to its Prime Video release, Deep Cover offers audiences a blend of improvisational comedy, undercover drama and London grit, all anchored by a cast with genuine chemistry and comedic timing.