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Work on the third instalment of Don franchise begins

While Megastar Salman Khan is part of two film franchises and Aamir Khan none, superstar Shah Rukh Khan is associated with only one film franchise, Don. The series has seen two instalments so far and both were equally loved by the audience. Talks about a third part of the franchise are not new. Fans have been waiting for an official announcement for a long time. However, if latest reports are to be believed, Don 3 might go on floors sometime next year as the work on the same has already begun.

Ritesh Sidhwani, the producer of the franchise, says, “It will happen sooner than you know, as we have started working on the script and the story. I think we need to crack the story as the responsibility is more. With the next film in 'Don' franchise we won't take that much time, we'll make it fast.”


The first two films saw Priyanka Chopra as the leading lady, but since the actress is quite busy with her prior commitments in Hollywood, she might not be a part of the next instalment. Recently, reports were doing the rounds that Deepika Padukone might replace PC in the film to be Shah Rukh Khan’s leading lady.

Speaking about the same, Sidhwani said, “We have not decided what we are going to do with it. Right now the film is in the idea stage, it needs to come out in the form of story and screenplay. So it is too early to say anything.”

The first part of the series, Don, came in 2006 and was a runaway success at the box office. Its sequel, Don 2, released in 2011 and emerged as one of the highest grossing Bollywood films of the year. Hope Don 3 replicates the success of its predecessors.

Don franchise is an Excel Entertainment offering.

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Relies on body horror, sound design and shock value over spectacle

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How Lee Cronin’s 'The Mummy' turns a classic adventure into a domestic horror

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  • Moves away from the adventure tone of The Mummy (1999) into possession-led horror
  • Shifts the setting from desert tombs to a family home in Albuquerque
  • Focuses on parental fear and a “returned” child rather than treasure hunting
  • Relies on body horror, sound design and shock value over spectacle
  • Critics call it bold and unsettling, but uneven in storytelling

From desert spectacle to domestic dread

For decades, The Mummy has been tied to adventure, romance and spectacle, most famously in The Mummy (1999). That version thrived on sweeping desert landscapes, archaeological intrigue and a sense of escapism.

Lee Cronin takes a sharply different route. His reworking strips away the sense of adventure and relocates the horror into the home. The story still begins in Egypt, anchored by an ancient sarcophagus, but quickly shifts to the United States, where the real tension unfolds inside a family house.

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