Number of women business leaders in UK falls, says report
Gender parity could be delayed for five generations, The Pipeline says
The average proportion of women on executive committees at Britain's 350 biggest companies slipped to 32 per cent in 2024. (Photo for representation: iStock)
THE number of women who hold executive reins in corporate Britain has fallen for the first time in eight years in an "unacceptable" reversal that could delay gender parity for another five generations, a consultancy said on Thursday (17).
The Pipeline, which analyses gender diversity at senior corporate levels, said the average proportion of women on executive committees at Britain's 350 biggest, listed companies slipped to 32 per cent in 2024 from a revised 33 per cent last year.
The drop appears small. But Geeta Nargund, the group's chair, told Reuters it reflected a sharp disconnect with male numbers and urged business leaders and headhunters to use the vast pool of female talent to fill decision-making roles, fix cultures and ensure women can thrive in the workplace.
"It is unacceptable that gender representation in business leadership is moving backwards in 2024 ...," she said.
"Organisations which are performing the best in terms of gender parity are 22 per cent more likely to have improved profits ... and so fair representation is not just a 'nice to have' or a tick-box exercise – it is a business imperative."
Geeta Nargund
Women still hold only 9 per cent of chief executive (CEO) roles on FTSE 350 companies and 18 per cent of top finance (CFO) positions - although they account for over 44 per cent of chartered accountant roles, The Pipeline's 2024 Women Count report showed.
Only 19 per cent of women hold commercial boardroom jobs -- roles that are accountable for a company's profit and loss and can lead to jobs as a CEO and CFO -- according to the data, sourced from research group BoardEx. That number is down from 20 per cent in 2023.
The latest report comes after former Tory prime minister Rishi Sunak's government stated last year that Britain was a leader for female representation because women held 40.2 per cent of board positions on London's top 350 listed companies - ahead of a 2025 deadline.
Britain's Financial Conduct Authority (FCA) also requires listed companies to appoint women to at least 40 per cent of board positions or explain why they have missed that target.
Board positions, however, include non-executive roles that lack operational power and decision-making functions.
Ursula von der Leyen, president of the European Commission and Keir Starmer, prime minister of the UK greet each other, ahead of their bilateral meeting at the 6th European Political Community summit on May 16, 2025 at Skanderbeg Square in Tirana, Albania. Leon Neal/Pool via REUTERS
PRIME MINISTER Keir Starmer is set to sign a new deal with the EU seeking to reset ties after Brexit, his office said ahead of landmark talks.
Starmer will meet on Monday (19) with EU chiefs for the first post-Brexit EU-UK summit aimed at agreeing steps towards a closer relationship between Britain and the 27-country bloc which it left five years ago after an acrimonious and knife-edge referendum.
"This week, the prime minister will strike yet another deal that will deliver in the national interest of this country," Downing Street said in a statement, also pointing to recent trade deals with the US and India.
Britain left the EU in 2020, but the prime minister has been trying to boost ties with the country's biggest trading partner.
Starmer will welcome EU bosses Ursula von der Leyen and Antonio Costa as well as top EU diplomat Kaja Kallas for Monday's talks at the storied Lancaster House venue in London.
"The prime minister will set out how a strengthened, forward-looking partnership with the European Union will deliver for working people and lead to more money in pockets," the statement said.
Talks looked set however to go down to the wire due to last-minute squabbling over long-standing issues, such as fishing rights and food checks.
But negotiators were hopeful of at least signing a defence and security partnership.
Starmer, elected Labour prime minister last July, wants a deeper relationship with the European Union than the one negotiated by the previous Tory government.
That deal "isn't working for anyone", Starmer's office said.
The move is aimed at opening the door to closer cooperation as both the EU and Britain race to rearm in the face of the threat from Russia and fears the US under president Donald Trump will no longer help protect Europe.
That should mean more regular security talks, Britain considering joining EU military missions and the potential for London to fully tap into a $167 billion (£137bn) defence fund being set up by the bloc.
But Starmer has several red lines he has said he will not cross, while sticking points remain over some EU demands that threaten to stall the rapprochement.
In an interview with The Times on Saturday (17), Starmer said a deal would be a "really significant moment".
Starmer has ruled out rejoining the customs union and single market but has suggested that the UK is ready for regulatory alignment with the EU on food and agricultural products.
EU diplomats in Brussels have been working on getting Britain to keep its waters open for European fishermen in return for easing the checks on some food imports from the UK.
And Starmer appeared to have made a key concession by agreeing to an EU demand and clearing the way to let young Europeans live and work in Britain under a youth mobility scheme.
While freedom of movement was a "red line," he told The Times, "youth mobility is not freedom of movement".
Starmer is approaching the scheme cautiously under pressure from rising support for Nigel Farage's anti-immigration and Euro-sceptic party Reform UK, which made huge gains in local elections earlier this month.
He said late Saturday in a statement that on Monday "we take another step forwards, with yet more benefits for the UK as the result of a strengthened partnership with the European Union".
"In this time of great uncertainty and volatility, the UK will not respond by turning inwards, but by proudly taking our place on the world stage."
Susan Stronge was understandably a little emotional as she spoke to Eastern Eye last Monday (5), the final day of the exhibition on The Great Mughals: Art, Architecture and Opulence, the exhibition she curated at the Victoria and Albert Museum.
The exhibition opened on 9 November 2024 to celebrate “the extraordinary creative output and internationalist culture of the golden age of the Mughal court (about 1560–1660), during the reigns of its most famous emperors: Akbar, Jahangir and Shah Jahan.”
There was a large crowd on the last day to catch one more glimpse of the jewellery, paintings, armour, textiles, carpets and other works of art before they were taken down to make way for the next exhibition, Marie Antoinette Style: Shaped by the most fashionable queen in history, in September.
By any reckoning, The Great Mughals has been a huge success. On the final day, Stronge wandered through the gallery, listening to visitors’ chatter – few of them aware she was the curator who had selected the objects now holding them spellbound.
A gem-set dagger, pendant and flask
“I’ll miss it when it goes,” she admitted. “But I’m very, very pleased it’s been so successful and people have obviously enjoyed it. I quite liked eavesdropping on people who are talking to each other about the objects. I heard a couple who were looking at the jewelled jade pendant that arguably could have been made for Jahangir. The chap looked at it and said it was worth coming just to see that one piece. I thought that was fantastic.
“I am struck by the number of people who tell me they have been two, three, four, five, even 10 times. I have a Pakistani friend from Lahore, who is now in London, and he was coming every Friday and he was in week six.”
The Great Mughals was Stronge’s swansong after 49 years at the V&A. She formally retired in February as senior curator in the Asian department, where she had mentored many over the decades. Another of her exhibitions that she feels has left “a significant legacy” was The Art of the Sikh Kingdoms in 1999.
She said: “I have got a three-year position in the museum as an honorary senior research fellow in the research department of the V&A Research Institute.”
Although she is now recognised as a leading scholar in Sikh and Mughal art, she feels she came into the field almost by accident.
“A happy accident,” she acknowledged.
A model of the cenotaph of Mumtaz Mahal
She is a Yorkshire girl who grew up in Ripon in a family where visiting museums wasn’t the done thing. She initially did voluntary work in Norwich, at the Castle Museum and in Strangers’ Hall, a Grade I listed building. She didn’t know it then, but her life was set to change when she applied for, and got, a job as an assistant at the V&A in 1976.
“I was told at the interview I’d be in ceramics, metalwork or the press office,” she recalled. “When I turned up for work, the first day, they said, ‘Oh, you are in (what was then) the Indian section.’ This was a surprise, but also disconcerting, because I knew nothing about India, its history and culture. The keeper of the department was John Irwin, who was a very distinguished textile historian.
“I did an MA at SOAS in South Asia studies and was taught by John Burton-Page, who was a fantastic teacher of Mughal architecture and art. It snowballed from there as I got more and more interested. We did interesting exhibitions (at the V&A) under Robert Skelton’s leadership. We did Arts of Bengal in 1979. No two years were the same. We were given so many opportunities.”
Her interest in Mughal art “evolved over many years. I’ve been teaching a lot on South Asian art courses”.
She found the Western way of defining fine or decorative art “did not apply at all to Mughal or other Eastern arts. So, I started thinking about how to present it.
“I did a book many years ago (2010) called Made for Mughal Emperors: Royal Treasures from Hindustan which was published by Roli in India. I did it by theme, and took things like the institution of the royal household, the imperial treasury. It was much more rooted in telling the cultural story of the history and atmosphere of the court.”
She likes the word “Hindustan”, because the art of pre-Partition India takes in present-day India, Pakistan, Bangladesh, Afghanistan, and Myanmar. It was also what the Mughals called their own territories.
Coming to the present, she said that when the V&A’s current director, Tristram Hunt, “said he would like a South Asian exhibition, I suggested The Great Mughals, and it was added to the schedule – though plans were later disrupted by the pandemic.”
And, a floorspread
She began by considering the objects she could pick, and is grateful for the loans from the Al-Sabah collection in Kuwait. She said the late Sheikh Nasser “had an absolute passion for Mughal art”, and his wife, Sheikha Hussa, had been “incredibly generous”.
Stronge offered an insight into her approach to curating the exhibition: “I wanted to show the very great art produced over 100 years under Akbar, Jahangir and Shah Jahan. I also wanted to explain something of the history and the cultural context, and also show how hybrid the culture was. That is reflected in the hybridity of the art.
“In the West you tend to see Hindu and Muslim in completely separate categories. That’s not the reality. People share in each other’s religious festivals. That’s why in the studies of art history, ‘Islamic art’ is an almost meaningless term.
“Art historians (in the West) can’t quite place the Mughal empire, because it is not purely Islamic. The rulers are Muslim, but the majority of the population was Hindu. Akbar had Hindu wives and Jahangir had a Hindu mother. It’s not something that fits into Western categorisation. It’s much more hybrid. That’s something I wanted to get across – and how remarkable the artists were. Most of us, certainly me, had never heard of them before I joined the V&A. People like Ustad Mansur, Abu’l-Hasan, and the Iranian master Sa’ida Gilani, a goldsmith who crafted jade artefacts. What is so frustrating is how little we know about their lives or backgrounds.
“The thing that surprises many people is the primacy of the Persian language in the Mughal courts. It was the cultural language of the court, whether you were Hindu or Muslim. One of the leading poets under Jahangir was a Brahmin writing in Persian. I wanted to show the internationalism of the court, the importance of the Persian language and the beauty of the objects. Then there are things, like enamelling, which is a difficult craft. It comes from a foreign technique but becomes completely Mughal and sensational.”
Some of the craft techniques had survived, passed down from one generation to the next.
“There’s this wonderful continuity,” she commented.
She said the Aga Khan Trust for Culture, for example, was trying to revive “the craft of inlaying wood with mother of pearl. They wanted to copy a canopy that had been made in Gujarat and moved to a shrine in Nizamuddin in Delhi. They wanted to put it in their new museum. And, in doing so, they revived a craft that had been completely lost.
“They had to reinvent it almost by trial and error, and they’ve done it to perfection. We showed a short film about the technique in the exhibition.”
Perhaps most important of all, what her exhibition shows is that the Mughals were and remain an integral part of India, its history and its culture.
“If you remove them (from India’s history), you’re removing some of the greatest monuments in the world from the narrative, aren’t you?” she pointed out.
“How do you explain the Taj Mahal, the forts in Delhi and Agra, the endless tombs and monuments? If you don’t know the historical context, you’re losing a lot. It’s something to be proud of.
“If you’ve got a country with a Taj Mahal, it’s something to celebrate.”
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Imola has been the stage for some of Formula One’s most unforgettable moments
The Autodromo Enzo e Dino Ferrari, nestled in the Italian countryside near Imola, has long been a proving ground for Formula One’s finest. While its history is shadowed by the tragic events of 1994, the circuit has also delivered some of the sport’s most electrifying moments, testing the limits of driver skill, strategy, and sheer willpower. Here’s a look back at three of the most memorable races at this demanding track.
2005: Alonso vs Schumacher – A Showdown of Generations
In 2005, Formula One fans were treated to a classic duel between a young Fernando Alonso and the legendary Michael Schumacher. Starting 13th on the grid, Schumacher charged through the field in a masterful display of overtaking to reach the tail of Alonso’s Renault in the closing stages.
The Ferrari had superior pace after a late fuel stop, but Alonso, just 23 at the time, executed a defensive masterclass, denying the seven-time champion every opportunity to pass. Schumacher probed for weaknesses at the Tosa hairpin, the Variante Alta chicane, and even down the hill into Acque Minerali, but Alonso held his line each time, his car perfectly placed to block every attack. After 20 minutes of relentless pressure, Alonso crossed the line just 0.2 seconds ahead, securing his third consecutive win of the season. This race became a defining moment in the Spaniard’s career, cementing his reputation as a champion in the making. It also marked a symbolic end to Ferrari’s dominant era, as Schumacher would win just one more race that season, while Alonso went on to claim his first world title.
1985: A Race of Chaos and Fuel Misfortune
The 1985 San Marino Grand Prix was one of the strangest in F1 history, defined by fuel shortages and last-lap heartbreak. Ayrton Senna, who had secured pole in his Lotus, appeared set for victory until his fuel tank ran dry just four laps from the end. With Senna out, Stefan Johansson briefly took the lead in his Ferrari, only for an electrical fault to mislead his fuel gauge, forcing him to retire a lap later. This handed the lead to Alain Prost, who managed to coax his McLaren over the finish line, only to be disqualified when his car was found to be 2kg underweight. Amid this chaos, Elio de Angelis, Senna’s Lotus teammate, found himself declared the unlikely winner – the only time he crossed the line first without leading a single lap. It was to be the Italian’s final victory, as he tragically lost his life in a testing accident the following year. Adding to the farce, Thierry Boutsen ran out of fuel just metres from the finish, pushing his Arrows across the line to secure second place.
2021: Hamilton’s Remarkable Comeback
The 2021 Emilia Romagna Grand Prix was another chapter of high drama, this time defined by changing weather and a relentless recovery drive from Lewis Hamilton. Starting from pole, Hamilton was forced wide by Max Verstappen at the first corner, damaging his front wing and dropping him to second. The race then took another turn when Hamilton slid off into the gravel while attempting to lap George Russell, seemingly ending his chances of a strong finish. However, a red flag triggered by a high-speed crash between Russell and Valtteri Bottas allowed Hamilton to rejoin the race, now in ninth place. From there, he carved his way through the field to finish second, earning high praise from Mercedes boss Toto Wolff, who called it a “10 out of 10” performance.
From nerve-wracking defensive drives to chaotic fuel dramas and stunning comeback charges, Imola has been the stage for some of Formula One’s most unforgettable moments. Despite its tragic past, the circuit remains a cherished battleground, pushing drivers to the absolute limit.
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Trump referred to India as 'one of the highest tariff nations in the world.' (Photo: Getty Images)
US president Donald Trump has again said that India is ready to cut 100 per cent tariffs on American goods and that a trade deal between the two countries is expected soon.
Speaking to Fox News, Trump said he is not in a "rush" to finalise the deal.
Commenting on Trump's remarks, India's external affairs minister S Jaishankar said in New Delhi on Thursday that any trade deal between the two countries must be mutually beneficial.
Trump referred to India as "one of the highest tariff nations in the world."
"They make it almost impossible to do business. Do you know that they're willing to cut 100 per cent of their tariffs for the United States?" he said.
When asked if the deal is coming soon, Trump said, "That'll come soon. I'm in no rush. Look, everybody wants to make a deal with us."
He added, "South Korea wants to make a deal but I'm not going to make deals with everybody. I'm just going to set the limit. I'll make another some deals. Because I can't, you can't meet with that many people. I've got 150 countries that want to make deals."
Talks are currently ongoing between India and the US to finalise a trade agreement.
On Thursday, Jaishankar said that negotiations were underway.
"These are complicated negotiations. Nothing is decided till everything is. Any trade deal has to be mutually beneficial; it has to work for both countries," he said. "That would be our expectation from the trade deal."
India's commerce minister Piyush Goyal is in Washington to assess the progress of the proposed trade agreement.
He is expected to meet US commerce secretary Howard Lutnick and US Trade Representative (USTR) Jamieson Greer.
India is looking for duty concessions on labour-intensive sectors including textiles, gems and jewellery, leather goods, garments, plastics, chemicals, shrimp, oil seeds, chemicals, grapes, and bananas.
The US is seeking duty concessions in areas such as industrial goods, automobiles (especially electric vehicles), wines, petrochemical products, dairy, and agricultural items like apples and tree nuts.
(With inputs from PTI)
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Nancy Tyagi stuns in a handmade silver-aqua gown at Cannes 2025
Nancy Tyagi is back at Cannes. But this time, the 24 year old influencer and designer from Uttar Pradesh is not just a surprise guest, she is a name many were waiting to see again.
Last year, she made her debut at the prestigious festival in a self stitched 44 lb (20 kg) ruffled pink gown, crafted from scratch in her Delhi home. It was not just the weight of the dress that turned heads but the story behind it. A year later, Nancy returned with another outfit of her own making.
This time, she wore a silver aqua gown with a plunging neckline, a shimmering corset, and layers of tulle. It had roses stitched into the skirt and headpiece, and bold shoulders that looked like unfolding petals. Her makeup was clean and glam with silver smoky eyes, a neatly tied bun, and just the right sparkle.
What is special is not just the gown, but the fabric. She sourced it from Seelampur, a market in northeast Delhi better known for its chaos than couture. But that is what makes Nancy different. She turns everyday materials into red carpet magic. She does not come from fashion schools or big labels. She learnt it all by herself.
The self-taught designer walks the red carpet in a look stitched from Seelampur fabricInstagram/nancytyagi
Nancy said she felt emotional returning to Cannes, where everything changed for her. “Last year, I was overwhelmed. This year, I feel proud,” she said. “This is my outfit. I made it. It is all mine.”
Her Instagram post summed it up in Hindi: “Phir se Cannes… phir se red carpet. Kabhi socha nahi tha yeh safar itna khoobsurat hoga” (Back to Cannes, back to the red carpet. I never imagined this journey would be so beautiful).
Nancy Tyagi brings local craftsmanship to the global stage in her second Cannes appearanceInstagram/nancytyagi
And the internet agreed. From fashion fans to fellow creators, the applause was loud. Comments flooded in praising her evolution, confidence, and creativity. One user wrote, “You have inspired millions. This is real talent: self made, rooted, and unstoppable.”
Nancy’s journey from a small town girl stitching clothes in her room to walking the world’s most watched red carpet continues to be proof that success does not need privilege. Just skill, grit, and imagination.