What’s so fun about this film is that it holds a space between the ridiculousness, the fun, and the pathos: Natalie Portman on Thor return | EasternEye
Oscar-winner Natalie Portman credits Marvel Studios for casting a five-foot-three frame actor like her in the towering role of Mighty Thor in the upcoming Thor: Love and Thunder, an opportunity the star says changed the way she perceived superhero films.
Portman returns as Thor’s ex-girlfriend and astrophysicist Jane Foster in the upcoming Taika Waitit directorial, which will see her appear as Mighty Thor in the possession of the mystical hammer Mjolnir.
“I was especially grateful to everyone’s imagination to cast a 5.3 actor in a six-foot role. That takes a real belief. Probably it is not something I will get to do again. It was a great challenge,” the actor said during a global press conference of the film.
Set following the events of Avengers: Endgame, Thor: Love and Thunder will see the Asgardian God in search of inner peace, but he must return to action and recruit Valkyrie, Korg, and Jane Foster, who has become the Mighty Thor, to stop Gorr the God Butcher from eliminating all gods.
Hollywood star Chris Hemsworth is returning as the titular superhero alongside Tessa Thompson who reprises her role of Valkyrie. Actor Christian Bale plays the villain Gorr.
Portman, 41, said the film gave her the space to explore a character that could convert her weakness into strength.
“It’s incredible to explore a female superhero that could be quite vulnerable and weak and find strength in that and be more like a human. I could relate to her personally,” she added.
Playing a superhero also gave her renewed respect for what her co-stars Hemsworth and Thompson have been doing for so many years. The actor, who had to go through physical training to bulk up for her role, said she was unaware about the hard work the team had to put in while creating these movies.
“It just gave me renewed respect for what Chris has been doing for over a decade, Tessa has been doing because I see how much work goes into it. I don’t think I was aware of when I was in the first one (‘Thor’).
“I didn’t see everything that went on behind the scenes, now when I got an insight into all of the choreography, training and everything, I was like, ‘Wow, this is a triple job of what I was doing back then’,” she said. Thompson said returning to the franchise was an amazing experience as Waititi could create a story that falls somewhere in between “ridiculousness” and “pathos”.
“What’s so fun about this film in particular is that it holds a space between sort of the ridiculousness, the fun, and the pathos. That is something that Taika has always done really well in his films,” she said.
Thor: Love and Thunder is produced by Kevin Feige-led Marvel Studios.
For Feige what connects the audiences most to the Thor franchise is the lead star Hemsworth’s inherent funny side.
“There’s fun to Chris Hemsworth, and Taika certainly brought another dimension. It was always there within Chris… So, the audience responds to that.” Without divulging any future plans about the Thor franchise, the producer said Marvel comics are full of great stories about the character and they have not yet explored them all.
“And if we look at the comics as our guide, there are plenty of other incarnations of Thor that we have yet to see,” he added.
Feige also teased that Marvel fans can expect some big announcements at the San Diego Comic-Con next month.
“We’ll be at Comic-Con next month, which we’re excited about,” he said about returning to the event after three years.
“We are excited to go and talk about the future.” “Thor: Love and Thunder” will be released in India in English, Hindi, Tamil, Telugu, Kannada, and Malayalam on July 7.
Bollywood horror has gone mainstream: bigger budgets, big stars, family audiences.
Roots: Mahal (1949) to the Ramsay Brothers' cult run of the 1970s–80s.
Modern hits pair folklore with comedy, as seen in Tumbbad, Stree, Munjya, and now Thamma & Maa.
Technical leap: prosthetics and CGI have "gone to the next level"; budgets now reach mainstream scale.
Remember when Bollywood horror meant creaky doors in a haunted haveli and a woman in a white sari? Forget it. We are in an era where a ghost's main ambition is not revenge, but finding a wife, where ancient mythology collides with suburban kitchens, and a mother's love can literally summon a goddess. The genre has exploded into the mainstream, and clearly everyone is buying a ticket.
The horror revolution: How Bollywood turned ghosts, goddesses, and gore into gold Instagram/thammamovie/netflix_in/maddockfilms
Where did this all begin?
The lineage is long. Kamal Amrohi's Mahal (1949), a chilly, melodramatic original, is often cited as Hindi horror's starting point. The Ramsay Brothers then carried the torch through the 1970s and 80s, churning out roughly 30 low-budget creature features that made haunted havelis a cult staple. Their old formula was simple: lurid gore, sex, and cheap shocks because "blood and sex pulled crowds."
As Deepak Ramsay puts it, "There are new stories, fresh talent, and all of this is leading to a resurgence. Films that were once niche are turning out to be blockbusters."
Kamal Amrohi's Mahal Youtube Screengrab
Why is Bollywood horror trending now?
Two things: smarter storytelling and better tech. Filmmakers stopped copying Western ghosts and started mining local myths, as seen in Tumbbad and Stree, and they mixed scares with laughs.
"The moment you get scared, your first reaction after the shock is to laugh," Ram Gopal Varma says, and that laugh is the neat trick, making scares sharable.
Aditya Sarpotdar explains the appeal bluntly: "There is a huge audience wanting to watch such movies. When catering to mass audiences, humour becomes key." His Munjya proved it: "Children pulled their parents to theatres." You cannot get more mainstream than that.
For decades, horror was the B-movie cousin no one wanted to acknowledge. Big stars stayed away, the effects were cheap, and an 'Adults' certificate locked out half the family audience. But not anymore. Maa (June 2025) saw Kajol in a mythic, bloody role that shocked and thrilled the audience. Thamma (Diwali 2025) is being billed as "a bloody love story" with Ayushmann Khurrana and Rashmika Mandanna in a vampire-romance that pairs fangs with dance numbers. Sequels and studio universes hits like Stree 2, Chhorii 2, and lighter fare like The Bhootnii keep the pipeline full.
Deepak Ramsay even points to the tech shift: "From as little as £20,000 to make a horror film, now budgets are closer to £7.2 million."
Veterans say prosthetics and CGI have "gone to the next level," so monsters finally look convincing.
Bollywood horror is having a moment, and it's brilliant
However, the quick, messy truth is the genre still trips; it suffers from a tonal wobble and silly beats, but it is honest. Horror has stopped hiding at midnight and is selling tickets at matinées. Directors joke about the next move. "I would love to see Shah Rukh Khan attempt horror," says Sarpotdar, but the point is clear. What was once pulpy trash has become a lively, profitable stretch of mainstream cinema. It is rough around the edges, loud, sometimes ridiculous, and that is exactly why it is working.
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