It has been four long years since Ranbir Kapoor has not been seen in any film. His last release was Rajkumar Hirani’s Sanju (2018), which broke several records before wrapping up its box office run.
Kapoor is presently awaiting the release of Ayan Mukerji’s Brahmastra, co-starring his wife Alia Bhatt, Amitabh Bachchan, and Mouni Roy in lead roles. After facing a series of delays, the film is finally set to enter cinemas in September.
The teaser of the mega-budgeted film was unveiled recently and it gave fans a sneak peek of the entire cast and their characters. Now, in a recent interview, the Barfi actor opened up about the upcoming fantasy adventure film and it seems like he just compared it to Marvel saying Ayan was creating his own superhero world with his Astraverse.
“Brahmastra is deep-rooted in Indian culture, and we had the opportunity to create our own Marvel, which Ayan is trying to do with his Astraverse. Any film, any good compelling story, made in your culture, in an authentic way, in a true form, will connect to a large audience,” the actor said.
Kapoor went on to add that he and Alia Bhatt were sitting and dreaming about this film with Ayan Mukerji. He added that they are three best friends and are ‘really excited and really privileged’ to be part of Brahmastra.
“A part of this vision so selfishly as an actor that I would do it over and over again,” he said.
Producer Karan Johar is making Brahmastra a three-part fantasy epic. Talking about it, Kapoor said, “Brahmastra is not an end in itself, but it’s a means to a larger end.” He also added that they have three parts ahead of them and they also have the potential to take the storytelling in many diverse directions.
Brahmastra is due on September 9, 2022. The film is set to release in five Indian languages – Hindi, Tamil, Telugu, Malayalam, and Kannada.
Keep visiting this space over and again for more updates and reveals from the world of entertainment.
• Glen Powell stars as Ben Richards in The Running Man, directed by Edgar Wright.
• Based on Stephen King’s 1982 novel and a remake of the 1987 Arnold Schwarzenegger film.
• Powell plays a desperate father competing in a televised death game to save his daughter.
• The action-thriller hits cinemas on 7 November 2025 via Paramount Pictures.
Glen Powell races against time in The Running Man, the latest high-stakes action film from director Edgar Wright. Based on Stephen King’s 1982 novel, the story reimagines the cult 1987 film through a modern lens. Powell stars as Ben Richards, a working-class father who enters a violent, state-sponsored game show to fund his daughter’s medical treatment, but quickly becomes a national sensation and a symbol of rebellion.
Edgar Wright’s high-energy vision for Stephen King’s dystopia
Wright, known for Baby Driver and Scott Pilgrim vs. the World, employs his signature fast-paced style here. The film is set in a bleak future where contestants, or “Runners,” must survive 30 days while being hunted by professional assassins called “Hunters.” The entire ordeal is broadcast to a bloodthirsty audience, with each day increasing the prize money and the danger. Powell’s character gains unexpected popularity, forcing the game’s creators to reckon with the monster they’ve built.
Josh Brolin plays the charismatic yet ruthless producer Dan Killian, while Colman Domingo appears as host Bobby Thompson. The ensemble cast also includes Katy O’Brian as a fellow contestant, Lee Pace as a top-tier Hunter, and Michael Cera as a rogue insider aiding Richards.
Glen Powell’s rise continues with another genre-bending role
Following recent hits like Hit Man, Anyone but You, and Twisters, Glen Powell continues his streak with The Running Man. His role as Ben Richards combines grit, heart, and defiance, positioning him as a reluctant hero challenging a corrupt system.
The screenplay, co-written by Wright and Michael Bacall, blends action, satire, and social commentary. With a stellar cast and Wright’s kinetic direction, The Running Man is poised to be a major autumn release.
By clicking the 'Subscribe’, you agree to receive our newsletter, marketing communications and industry
partners/sponsors sharing promotional product information via email and print communication from Garavi Gujarat
Publications Ltd and subsidiaries. You have the right to withdraw your consent at any time by clicking the
unsubscribe link in our emails. We will use your email address to personalize our communications and send you
relevant offers. Your data will be stored up to 30 days after unsubscribing.
Contact us at data@amg.biz to see how we manage and store your data.
Diddy trial recap as jury reviews Cassie testimony and flags juror concern
Jury in Sean "Diddy" Combs’ sex trafficking and racketeering trial sends fifth note to judge.
Concern raised about one juror’s ability to follow instructions; judge advises deliberations to continue.
Jurors request transcripts of Cassie Ventura and Daniel Phillip’s testimonies.
Combs faces five charges, including racketeering conspiracy and sex trafficking, and could face life in prison.
Jurors in the high-profile criminal trial of Sean “Diddy” Combs have raised new concerns as deliberations continue, sending a fifth note to the judge questioning whether one juror can follow instructions. The jury also asked to review key testimonies from singer Cassie Ventura and witness Daniel Phillip, signalling the complexity and weight of the decision they face.
Diddy trial jury raises alarm over juror and demands key witness testimoniesGetty Images
Jury seeks witness transcripts in Diddy sex trafficking trial
On the second day of deliberations, the jury asked to review four specific pieces of testimony: three from Combs’ ex-girlfriend Cassie Ventura and one from male stripper Daniel Phillip. The requests relate to critical events, including an incident at the InterContinental Hotel and a Cannes Film Festival encounter.
The defence and prosecution are currently negotiating which parts of these testimonies should be submitted to the jury. Combs, who has denied all charges, remained in court as the latest note was read and legal teams reconvened.
The jury’s focus on testimony details suggests they are carefully weighing evidence linked to the most serious allegations, including coerced sexual encounters allegedly orchestrated by Combs as part of a broader racketeering conspiracy.
Marc Agnifilo, attorney for Sean "Diddy" Combs, arrives at federal courtGetty Images
Concerns over juror raise questions during deliberations
Just hours into the first day of deliberations, the jury sent a note to Judge Arun Subramanian expressing concern that one juror “cannot follow” legal instructions. That juror, reportedly a scientist by profession, had earlier described the trial as a “good break” during voir dire.
Judge Subramanian instructed the jury to continue deliberating, reminding them of their duty to follow court instructions. Legal experts say such internal jury issues can complicate proceedings but are not uncommon in high-stakes trials.
Sean 'Puffy' Combs arrives at Manhattan Supreme Court in 2001Getty Images
If found guilty, Combs could face a minimum of 15 years and up to life in prison. The charges include racketeering, sex trafficking, and transporting women for prostitution. The trial, now in its final phase, has drawn intense public interest and influencer coverage outside the Manhattan courthouse.
Keep ReadingShow less
Diljit Dosanjh in a still from Sardaar Ji 3 set for overseas release only
Sardaar Ji 3 rakes in £275,000 (₹3 crore) on opening day in Pakistan, surpassing Sultan.
Diljit Dosanjh responds to backlash: “When we shot the film, everything was fine.”
Film was not released in India due to controversy over Pakistani actress Hania Aamir’s casting.
Worldwide opening weekend collection touches £1.6 million (₹18.1 crore).
The Punjabi-language horror-comedy Sardaar Ji 3, starring Diljit Dosanjh and Pakistani actress Hania Aamir, has become the highest-grossing Indian film ever released in Pakistan. Despite being banned in India, the film grossed £275,000 (₹3 crore) on its opening day and £825,000 (₹9 crore) over the first weekend in Pakistan alone.
The movie was released internationally on 27 June but did not receive clearance in India due to political tensions following the Pahalgam terror attack. Its success across the border has reignited debates around cross-border cultural collaborations and censorship.
Sardaar Ji 3 Pakistan box office collection sets new benchmark
Despite ongoing tensions and a ban on Indian films in Pakistan since 2019, Sardaar Ji 3 was cleared by the Pakistani censor board and released nationwide. The opening day collections broke the previous record held by Salman Khan’s Sultan, which had earned £265,000 (₹2.9 crore) on day one in 2016.
Nadeem Mandviwalla, a leading cinema distributor in Karachi, called it “the best opening for any Indian or Pakistani film in recent years,” adding that school holidays and the lack of quality cinema had contributed to packed halls.
Diljit Dosanjh shared videos of audience reactions from Pakistan on his Instagram, celebrating the overwhelming support while refraining from commenting directly on the boycott in India.
Diljit Dosanjh defends overseas release, says “situation changed after shoot”
The controversy stems from the casting of Hania Aamir, which violated the Indian film workers’ ban on Pakistani artists. Actor Naseeruddin Shah publicly defended Dosanjh, criticising attempts to scapegoat him for political gain.
Speaking in an interview, Dosanjh clarified, “We shot the film in February when everything was fine. After the attack, the producers knew they couldn’t release it in India. They’ve spent a lot on this film, and releasing it overseas is the only way to recover costs.”
Ensemble Festival 2025 to be held on 26–27 July at Royal Victoria Docks, London.
Free outdoor event featuring circus, dance, street art and physical theatre.
Highlights include new works by Sadiq Ali, Vidya Thirunarayan and Miss High Leg Kick.
This year marks the 10th anniversary of organisers Certain Blacks.
This summer, London’s historic Royal Victoria Docks will transform into a hub of vibrant outdoor performance as Ensemble Festival 2025 returns on 26 and 27 July. Presented by arts organisation Certain Blacks, the free weekend event features an interesting line-up of new circus, dance and street theatre works, while also celebrating a decade of championing diverse and underrepresented artists.
Set across two full days, the Ensemble Festival 2025 programme includes exciting new commissions such as Tell Me by Sadiq Ali Co., a Chinese pole circus piece tackling HIV stigma, and Holy Dirt, a visceral collaboration between director David Glass and Indian artist Vidya Thirunarayan.
Vidya Thirunarayan in Holy Dirt brings myth and ritual into raw physical form The Clay Connection
The festival also sees the return of audience favourite Miss High Leg Kick with Palais de Danse, a multi-sensory throwback to the 1950s dance hall era. Nandita Shankardass’s Roots to Rise brings together Indian classical movement with contemporary dance to explore memory, ancestry and women’s resilience. Other acts range from aerial theatre in Hug by Levantes Dance Theatre to climate-themed installations like Hydropunk by Artizani and Tenderfoot Theatre.
Sadiq Ali's pole performance explores HIV stigma with athletic graceLuke Whitcomb
Certain Blacks marks 10 years of championing diversity
2025 is a milestone year for Certain Blacks, the East London-based organisation behind Ensemble Festival. Known for spotlighting talent from across socio-economic, ethnic, gender and neurodiverse backgrounds, Certain Blacks has become a vital force in the UK arts scene.
Sadiq Ali delivers a daring upside-down act in his powerful show Luke Whitcomb
“Our aim has always been to bring diverse artists from the margins into the mainstream,” said artistic director Clive Lyttle. “This year’s Ensemble Festival reflects that, with a powerful mix of voices and perspectives, many being showcased on this scale for the first time.”
Ensemble Festival forms part of Without Walls, a major UK network that supports ground-breaking outdoor performance. As one of its partners, Certain Blacks plays a key role in shaping new work for public spaces across the country.
Dancers in Nandita Shankardass’s Roots to Rise connect movement with memoryJohn Evans
The festival remains accessible with step-free access and dedicated facilities, and also continues its commitment to sustainability with green practices across production.
TikTok is testing a new one-way messaging feature called bulletin boards.
Jonas Brothers, People magazine, and Paris Saint-Germain among early testers.
The feature mimics Instagram’s broadcast channels but may expand further.
Only creators can post; followers can react with emojis but not comment.
TikTok is trialling a new feature called bulletin boards, allowing select creators and brands to send direct broadcast-style messages to their followers, similar to Instagram’s broadcast channels. The Jonas Brothers, football club Paris Saint-Germain, and People magazine are among the first to test the tool, which shows TikTok’s growing focus on creator-fan intimacy beyond its traditional feed.
TikTok’s new tool mimics Instagram’s broadcast channels
Unlike regular TikTok posts that rely on algorithms or viral reach, bulletin boards aim to offer a more direct communication path. Only the creator can post updates, which may include text, videos, or images, while followers can respond with emoji reactions but cannot comment. The format is clearly inspired by Instagram’s broadcast channels, launched in 2023, where artists and influencers routinely share behind-the-scenes content and personal messages.
The new bulletin system was first spotted by marketing strategist Christina Garnett, who shared screenshots via Threads, showing how fans are invited to follow these boards. Once subscribed, users receive notifications whenever a creator sends out a new update.
— (@)
Big-name creators signal broader rollout plans
Early involvement from mainstream acts like the Jonas Brothers indicates TikTok is positioning bulletin boards as a premium tool for high-engagement fanbases. With creators constantly seeking ways to reach audiences without relying on the platform’s unpredictable feed algorithm, the feature could become a valuable line of direct communication.
It is also a clear move in the current trend of social platforms “borrowing” each other’s best features: Instagram mimicked TikTok’s short-form videos with Reels, while TikTok introduced Stories in 2022. Now, it is returning the favour with this broadcast-style tool.
People's Bulletin boardICYMI
The key question remains whether TikTok will differentiate its version with interactive additions like polls, which Instagram already offers. But for now, bulletin boards could offer artists and brands a streamlined way to share announcements, tour updates, and exclusive previews straight to their superfans’ inboxes.