Pooja Pillai is an entertainment journalist with Asian Media Group, where she covers cinema, pop culture, internet trends, and the politics of representation. Her work spans interviews, cultural features, and social commentary across digital platforms.
She began her reporting career as a news anchor, scripting and presenting stories for a regional newsroom. With a background in journalism and media studies, she has since built a body of work exploring how entertainment intersects with social and cultural shifts, particularly through a South Indian lens.
She brings both newsroom rigour and narrative curiosity to her work, and believes the best stories don’t just inform — they reveal what we didn’t know we needed to hear.
Vidya Balan has built her career by turning away from the formula. From her early days in Parineeta to her recent outing as the haunted Manjulika in Bhool Bhulaiyaa 3, she’s always gone for roles that allow her to stretch beyond the surface. And now, she’s looking beyond borders, towards global stories that carry weight and depth.
In a recent conversation during the Cannes season, Vidya spoke openly about the kind of characters that excite her today. One that’s stuck with her? A therapist in Adolescence, the gritty British drama on Netflix. It’s a role that, to her, captures the kind of emotional intensity she’s craving. “That’s top of my list right now,” she said, drawn to the show’s nuanced take on mental health, masculinity, and the digital chaos young people live in.
At Cannes Vidya opened up about her ambition to explore roles across bordersGetty Images
Vidya’s also interested in bringing out her lighter side. “I’d love to do comedy,” she said, adding that Kate Winslet’s offbeat dictator in The Regime struck a chord with her. She also applauded Nicole Kidman and Reese Witherspoon for the choices they’ve made in their careers, especially choosing roles that balance vulnerability, complexity, and wit.
What Vidya craves, whether in India or abroad, are roles with layers. She’s frustrated by the way female characters in mainstream Hindi films often feel flat. “They lack depth,” she said, which makes them less human and harder to connect with. That’s why she’s proud of projects like Paa, Shakuntala Devi, and Tumhari Sulu, films that gave her space to explore women who weren’t just sidekicks or stereotypes.
Vidya Balan shared she hopes for more complex and human portrayals of women in cinema worldwideGetty Images
Though she’s won awards and earned box office success, Vidya believes Indian cinema still has a long way to go in treating women’s stories as commercially viable. And with streaming reshaping the rules of the game, she sees a chance for reinvention, not just for herself, but for the entire industry.
She’s ready to take risks again. And this time, the world is her stage.
Critics praise Gulzar’s opening narration as the series’ emotional anchor.
Several reviewers find the animation ambitious but uneven.
Many reviews note secondary voice performances lack range compared with the narration.
Reviewers differ on pacing and storytelling focus: some call it tight, others say it feels stitched.
Viewers and critics recommend watching for the scale and music, not for flawless character work.
This Kurukshetra review is a round-up of what critics and early viewers are saying about Netflix’s new animated retelling, and one name keeps coming up: Gulzar. Across reviews, the opening narration is almost universally singled out as the strongest element, while opinions split sharply on animation quality, voice casting and whether the series’ narrow battlefield focus pays off.
Netflix’s animated Kurukshetra draws praise for its ambition but criticism for uneven voice performances Instagram/netflix_in
What do reviewers say about Kurukshetra and Gulzar’s role?
Multiple reviews call Gulzar’s baritone the series’ single greatest asset. Critics write that his lines give scenes emotional gravity. They said the narration "grounds" the show and often rescues moments that might otherwise feel flat. A few outlets even suggested his voice elevates sequences beyond the animation’s limits.
Do critics think Kurukshetra gets the animation right?
The answer is mixed. Several reviewers applaud the scale, chariot set pieces, wide battle frames and the sheer ambition. Others point out inconsistencies, like faces that do not always register emotion and occasional stiffness in character movement. Many reviews used the same phrasing: “impressive in scope, uneven in detail.”
How do reviewers view the voice cast beyond Gulzar?
This is where opinions cluster on the negative side. A number of critics say secondary voiceovers feel one-note and do not match the gravitas Gulzar brings. A handful of reviews praised specific performances, but the dominant note was: solid, not stellar.
Pacing and focus. Some reviewers appreciated the choice to limit the story to battlefield days and called it focused and brisk. Others felt certain backstories were teased, leaving them wanting more, and described the structure as stitched together. So, pick your critic: some loved the discipline, others wanted a fuller sweep.
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