ONE of the most interesting careers in Hindi cinema is that of Farhan Akhtar – who has gone from being an ace writer and director to an award-winning actor and a successful singer.
That amazing journey into brand new territories continued last month when the multi-talented star launched his first English language single, Rearview Mirror, which is taken from his debut album, Echoes.
These songs are aimed at the global market and come ahead of his hotly anticipated UK concerts in November.
Farhan was in full preparation mode for his British concerts when Eastern Eye caught up with him to talk about music, his newsingle, recently launched career-path and upcoming shows.
Most people are happy being successful in one discipline, whether it’s acting, film making, singing, writing or composing, but you explore all of them and more. Where does that come from?
I think just from the need to keep expressing in some kind of way. Sometimes it leads me to wanting to write a script, sometimes it draws me to a character and sometimes it makes me want to write music and sing songs.
You are good at multiple things, but in terms of personal passions where does music fit in?
It is pretty much right on the top. It is probably more a first love of mine than before I got excited about films, so it truly is up there.
Do you remember your first connection to music?
It was The Beatles. My mum had an extensive record collection and they really did stand out for me as a kid. I loved listening to their music. The other person whose music and songs I loved listening to was Kishore Kumar.
Who are your musical influences?
It is difficult to tell, but when people hear the music and those who have heard the album feel that it, at times, is reminiscent of a certain artist from times past. But I guess it is a sub-conscious reflection of that.
The film songs you have done have been hits. What made you decide to do English songs?
This is material I have been writing for roughly the past two and-a-half years. I really did feel strongly that I wanted to share this material because it pretty much talks about what my life has been like in that period of time. So I found it slightly cathartic to share what was going on with me.
Why did you choose Rearview Mirror as the first song?
It wasn’t purely just my decision. I was happy for the album to be out, but people who have a better understanding in terms of the music business today recommended going with a couple of singles before we drop the album. It was a collective decision of the opinion of people I trust, and then I felt, given the kind of sound being played on radio today within the UK, it would probably be a nice place to start.
Tell us about the new album?
With any artist, when they record music that is truly their own, what you can expect is honesty and I do hope people will recognise that. Because it really has come from a place of dropping all facades and walls, and really speaking about what is inside of me.
You have gone really deep with the lyrics and emotions in your English language material.
I did not feel that it was too much. I did feel the things that I am feeling; it cannot be that I am the only person who has felt this way. And, somehow, music has always had that healing property – whatever I have gone through, over the years. When you hear a song that resonates, you realise you are not alone in feeling a certain way. I felt that it would be wonderful if my music could do that for someone. So I did feel it was important to share it.
What was the biggest challenge of putting the album together?
It was finding the right person to produce the album, because I wanted it to be as close to the kind of music I had when I played the guitar, when I recorded it as an acoustic song. I wanted it to have the same feeling when it was produced again. Tommaso (Colliva), who I finally connected with after connecting with two of three producers, really did get it.
He understood that it is about storytelling and not to focus too much on the technicality of the music. You know, to focus a lot more on the emotion. That, for me, was a process. Finding him was the best thing that could happen.
It is correct to say you are trying to connect with emotions ahead of any age demographic?
With music, it is basic human emotions we are talking about here, it’s nothing too complicated. So I feel the age doesn’t really matter. Of course, a certain experience in life does matter. I feel that people who have experience in love or even heartbreak will understand where these songs are coming from.
It’s an unfair question, but is there one track on the album that is closest to your heart?
(Laughs). That is an unfair question, Asjad. But I think the song that I have probably lived with the longest, which is the only one on the album that was written over 20 years ago, is Seagull. That will be the next single to come out. That, to me, just as a thought and something I have experienced, has lived with me the longest, so that maybe gives it a special place. But they are all special, so it’s very difficult to choose one.
How much has live performing helped you evolve as an artist?
It has, tremendously. There is a certain level of giving you the belief, empowering you and giving you the confidence to express yourself the way you really would like to. I think being on stage has done that for me.
If I think the first time I went on stage – when we were promoting the first Rock On in 2008 – to how I feel when I am on stage now, I really feel like a completely new person.
How much are you looking forward to the UK concerts and what can we expect?
To me, it is really important the crowd has a really fun night, so that is all I focus on. It is my film journey predominantly, from Dil Chahta Hai till Lucknow Central. We play all the hits; there are stories behind the songs, poetry from Zindagi Na Milegi Dobara and more. So all of that is kind of packaged together.
We really want people to have a memorable evening. We do realise that it isn’t cheap to go buy a ticket and watch somebody’s work you have enjoyed. So I do feel that it is important for me the audience has a great time and goes back with great memories. That is an important part of the performance.
A lot of singers do cover versions of classics. Are there any you love singing?
I haven’t really done that on stage yet. The closest I ever came to doing a cover on set was the first time I played in Chennai I did a song tribute to AR Rahman because he is from that city. But, apart from that, I have not felt the need to do any covers, but you never know – there is time between now and November. We will work out some details on the set before we arrive.
What music dominates your playlist?
I am pretty liberal with things that I listen to. Because of my mum, I have never closed my heart to listening to any kind of music. She had a very varied taste in music.
Now, apart from things that make me feel nostalgic, there is also music that my kids are listening to. They are way hungrier in terms of discovering new artists than I am right now. So they keep sharing playlists with me. I keep listening to stuff they share.
You have shown talent in so many creative fields. Is there anything else you will surprise us with, like are you also a great painter?
(Laughs) I don’t think that is going to happen unless really bad art starts selling. If anything new does happen, it will probably still remain within the writing space, whether it emerges in the form of a book or perhaps a play, who knows. But I have a feeling it will be within the writing space, if at all. I would imagine that is where my heart remains, with the writing.
Finally, what inspires you?
Watching good work and listening to good music. Spending time with my kids keeps me inspired and also keeps me wanting to like somehow be involved in creating a better society where I live. That keeps me going. So, predominantly, my kids, when I see them I see that it is important for me to stay focused and create as good a world as I can for them.
Farhan Akhtar will be performing live at De Montfort Hall in Leicester next Friday (2) and at Indigo At The O2 in London next Sunday (4). Visit www.ticketmaster.co.uk and Twitter: @FarOutAkhtar
Mark your calendars: 31 May isn’t just another Saturday. It’s Netflix’s blockbuster bonanza, Tudum 2025, arriving with a bang. And although the actual event hasn’t streamed yet, the internet is already simmering with spicy leaks, juicy first looks, and cryptic clues.
From long-awaited finales to fresh faces in familiar worlds, here’s everything Netflix is bringing to the table. No spoilers, just pure hype.
1. Stranger Things 5 : The Hawkins finale that might emotionally destroy you
The Upside Down is gearing up for its final roar. The fifth and final season of Stranger Things drops in November, and whispers are already circulating that someone major might not make it out alive. The Duffer Brothers are teasing heartbreak, chaos, and a full-circle moment that could break Netflix’s servers all over again.
2. Wednesday season 2: Forget cute, it’s going full gothic beast mode
Wednesday Addams is back but meaner, moodier, and battling even weirder creatures at Nevermore Academy. Premiering 6 August, Season 2 leans heavily into horror, supernatural folklore, and gloriously dysfunctional friendships. Jenna Ortega has hinted at darker twists… and possibly a new love interest?
Thought Season 1 was brutal? Wait until Gi-hun goes head-to-head with the Front Man. Squid Game Season 3, launching 27 June, is being framed as a revenge saga soaked in betrayal and moral rot. No games. Just war.
4. Wake Up Dead Man: Benoit Blanc is back, and the vibes are off
Rian Johnson’s third Knives Out mystery returns with Daniel Craig, but this time, the mood? Less whodunnit, more existential chaos. Featuring a stellar cast including Glenn Close, Josh Brolin, and Mila Kunis, this late 2025 release might be the weirdest Blanc case yet.
5. Frankenstein: del Toro’s creature feature might haunt your sleep
Guillermo del Toro isn’t pulling punches. His upcoming Frankenstein, starring Oscar Isaac and Jacob Elordi, promises shadow-drenched horror, poetic violence, and zero romanticism. Think less “tragic monster” and more “run, and don’t look back.” Arriving November 2025.
Adam Sandler is dusting off the clubs. Thirty years on, Happy Gilmore 2 lands in July 2025 with Shooter McGavin returning to stir trouble. Expect golf, grudges, and Sandler’s signature cocktail of stupidity and sincerity.
7. One Piece season 2: Meet Chopper (yes, the reindeer doctor is real)
The Straw Hat crew is expanding. Season 2 of the live-action One Piece introduces fan favourites Tony Tony Chopper and Dr Kureha. With filming wrapped and post-production underway, fans are bracing for adorable talking reindeers and inevitable heartbreak.
The most introverted Bridgerton finally gets his turn. Though Season 4 won’t arrive until 2026, Tudum is expected to tease Benedict’s love arc with Sophie Beckett. Will it be scandalous? Naturally. Will there be waistcoats and whispered secrets? Absolutely.
The Pogues are calling it quits but not before one last sun-drenched, danger-packed ride. The fifth and final season of Outer Banks promises utter chaos and, just maybe, a little closure.
10. Emily in Paris 5: Emily does Rome (but leaves drama in Paris)
Emily’s off to Rome with a new bob and, inevitably, more bad decisions. Season 5 follows Lily Collins navigating Italian flair, post-breakup messiness, and what might be her best wardrobe yet. Camille is out, Alfie is in and filming is already underway.
Tudum 2025 feels less like a streaming event and more like Netflix flexing every muscle it has. It’s goodbyes (Stranger Things, Outer Banks), glow-ups (Wednesday, Emily in Paris), and glorious chaos (Squid Game, Wake Up Dead Man). Cancel your plans, grab the snacks, and prepare to be bombarded because if this is what we know before the event, just imagine what Netflix is saving for showtime.
Tudum goes live on 31 May 2025. See you on the other side.
R&B star Chris Brown was taken into custody early Thursday morning in Manchester, England, over an alleged assault at a London nightclub in 2023. Police arrested the 36-year-old singer at The Lowry Hotel shortly after 2 a.m., charging him with causing grievous bodily harm to music producer Abe Diaw.
The incident dates back to 19 February 2023, when Brown reportedly attacked Diaw at Tape nightclub in Mayfair, central London. According to Diaw’s lawsuit filed last October, Brown struck him multiple times on the head with a bottle of Don Julio 1942 tequila. The assault allegedly continued with Brown stomping and kicking Diaw, leaving him unconscious for about 30 seconds and requiring hospitalisation for head wounds and torn ligaments in his leg.
Chris Brown taken into custody ahead of UK tour following 2023 nightclub assault allegationsGetty Images
Diaw claims Brown’s attack was unprovoked and caused lasting physical and emotional damage. Beyond the physical injuries, Diaw also accuses Brown of spreading false rumours to harm his reputation and business relationships. The producer has filed a civil lawsuit seeking £12 million (₹126 crore) in damages.
The Metropolitan Police confirmed the arrest and said detectives from the Central West Area Basic Command Unit are handling the case. Brown remains in police custody as the investigation proceeds.
This latest arrest adds to Brown’s long history of legal troubles linked to violent behaviour. He pleaded guilty to felony assault in 2009 after physically attacking then-girlfriend Rihanna. In 2017, a restraining order was placed on him by ex-partner Karrueche Tran amid allegations of aggressive conduct over financial disputes.
R&B singer Chris Brown appears in court for a probation violation hearing in Los Angeles Court in 2014Getty Images
Brown arrived in Manchester on a private jet just the day before his arrest, possibly preparing for his upcoming UK tour dates scheduled for June. The tour, called Breezy Bowl XX, is meant to mark 20 years of his music career and includes shows in Manchester, Cardiff, London, Birmingham, Glasgow, and Dublin. However, the ongoing police investigation raises questions about whether those dates will go ahead as planned.
Despite his troubled past, Brown remains a major figure in the music world, known for selling out large venues and generating millions in revenue. But with new serious allegations now in play, the future of his career hangs in the balance as legal proceedings move forward.
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Aamir Khan and Jr NTR are set to portray Dadasaheb Phalke in two separate biopics
The man who started it all, Dadasaheb Phalke, the pioneer of Indian cinema, is set to be immortalised on screen not once, but twice. In a surprising turn, two major biopics on the "Father of Indian Cinema" are in the works, with Bollywood and Tollywood’s biggest stars stepping into his shoes.
First, reports emerged that Jr NTR will portray Phalke in Made in India, a project backed by RRR director SS Rajamouli. The film, announced last year, will be a pan-India release diving into the birth of Indian cinema. Sources say NTR was instantly drawn to the script, fascinated by lesser-known aspects of Phalke’s journey. The actor, always known for his high-action roles, will take on a more subdued, dramatic part this time.
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But before fans could fully process this news, another bombshell dropped! Aamir Khan and Rajkumar Hirani are teaming up for their own take on Phalke’s life. The duo, known for blockbusters like 3 Idiots and PK, has been working on the script for four years, with Phalke’s grandson contributing personal anecdotes. Set against India’s independence movement, the film will highlight Phalke’s struggles and triumphs in creating an industry that now dominates global screens.
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The clash of these two projects has sparked debates: Who will do justice to Phalke’s legacy? While Rajamouli’s vision leans toward grandeur, Hirani’s touch is expected to bring together emotion with humour. Meanwhile, fans are already picking sides: will NTR’s intensity or Aamir’s nuanced acting win over audiences?
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As the two teams prepare to bring this legendary filmmaker’s story to audiences, viewers can look forward to two distinct cinematic portraits of the man who laid the foundation of Indian cinema, each promising a unique perspective on the icon who changed the course of Indian storytelling forever.
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Iconic moments that transformed Eurovision, from ABBA’s dazzling debut to Måneskin’s raw rock rebellion, these performances changed the game forever
The Eurovision Song Contest has never been just about glitter, high notes, and questionable fashion choices. It’s where music collides with the messiness of global politics. Some acts stroll onstage, sing politely, and vanish. Others? They rip the roof off, rewrite the rules, and leave scorch marks on history.
From ABBA’s glitter-drenched revolution to Måneskin’s rock ‘n’ roll swagger, these iconic acts reshaped the contest, searing themselves into the collective memory of millions. Let’s dive into five performances that tore the rulebook to shreds and left the world stunned.
1. ABBA – Waterloo (Sweden, 1974)
The explosion that turned Eurovision into a supernova. ABBA didn’t just win. They hijacked the whole show with sequins, swagger, and a chorus that’s been stuck in humanity’s brain for 50 years. The song was so unstoppable that even Napoleon would’ve surrendered to it. This was a total pop coup. Why it’s legendary? Because Eurovision’s biggest success story began here! ABBA set the bar for every act that followed.
Monsters. Fire. Riffs that could crack concrete. Who would’ve thought that a metal band dressed like monsters would rock the Eurovision stage? When Finland’s nightmare-fuelled rock brigade stormed the stage, half the audience clutched their pearls and the other half lost their minds. Eurovision had never smelt like gasoline and face paint before. It was the first time Eurovision truly embraced heavy metal, and Europe loved it. It was an anthem of rebellion, forcing Eurovision to evolve and Finland’s first win was well earned.
3. Conchita Wurst – Rise Like a Phoenix (Austria, 2014)
Conchita Wurst didn’t just sing, in fact, she soared. In a flowing gown with a beard that dared the world to question its norms, Conchita’s ballad became an anthem for resilience. When the final note faded, it was clear: Conchita had shattered stereotypes, and Eurovision was more inclusive because of it. Eurovision became more than a show that night; it became a revolution.
Leather, sweat, and a smirk that could melt steel. Rock hadn’t felt this raw at Eurovision in years. Måneskin swaggered onto the stage with an unfiltered, unapologetic energy that made everyone sit up and take notice. Gritty, powerful, and defiantly cool, this performance not only won the contest, but also marked a new era, where Eurovision wasn’t just a pop paradise but a space for rock to thrive.
Måneskin - Zitti E Buoni - Italy 🇮🇹 - Grand Final - Eurovision 2021youtu.be
5. Loreen – Euphoria (Sweden, 2012)
Twelve minutes of wind machines and raw euphoria (pun intended). Merging barefoot from the shadows, she captivated audiences with her ethereal vocals and minimalist choreography, all set against a backdrop of strobe lights and falling snow. By the time she finished, Europe was collectively breathless, earning her a landslide victory with 372 points: the second-highest in contest history at the time.
Eurovision isn’t just another song contest. It was a referendum. On war. On freedom. On who gets to be heard. Some acts left with trophies, others left with scars. But every single one proved that when the world’s a dumpster fire, music doesn’t just soundtrack the chaos… it answers it.
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Scarlett Johansson expresses frustration over Oscars snubbing Avengers Endgame for Best Picture
Scarlett Johansson has once again voiced her frustration over the Oscars overlooking Avengers: Endgame for the Best Picture category. The actress, known for portraying Black Widow in the Marvel Cinematic Universe, expressed her disbelief during an interview. She questioned how a film as groundbreaking and successful as Endgame managed to receive only one nomination, for visual effects, at the 2020 Academy Awards.
“It was an impossible movie that shouldn’t have worked, yet it did, both as a film and as a cultural moment,” Johansson remarked. She pointed out that the film not only pushed creative boundaries but also became one of the highest-grossing movies of all time. Despite its global impact and critical acclaim, Endgame remained absent from major Oscar categories, including Best Picture.
Scarlett Johansson questions why Avengers Endgame was overlooked by the Academy despite its record breaking successGetty Images
This snub particularly stings because Endgame marked the end of an era for Johansson’s character, Natasha Romanoff, who sacrificed herself to save the universe. Following this emotional farewell, Johansson reprised the role one last time in the 2021 prequel, Black Widow. However, when asked about returning to the Marvel universe again, she remained firm, stating that Natasha’s story had reached a meaningful conclusion.
While Johansson clearly misses working with her Marvel co-stars, she feels that bringing back the character would undermine the impact of her farewell. “It wouldn’t make sense,” she said, emphasising the importance of leaving Natasha’s legacy intact.
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Besides her frustration over the Oscars snub, Johansson also took a jab at the length of recent award ceremonies, particularly the 2025 Oscars. She found the James Bond tribute segment overly long, describing it as feeling like an advertisement rather than a celebration of cinema.
Despite the setbacks, Johansson is staying busy. She’s set to star in Jurassic World: Rebirth and is making her directorial debut with Eleanor the Great, which will premiere at the Cannes Film Festival. Her passion for storytelling continues, whether or not the Oscars recognise her past projects.
Scarlett Johansson defends Avengers Endgame and criticises lengthy Oscars ceremoniesGetty Images
In the end, Johansson’s disappointment highlights a recurring issue: the Academy’s reluctance to honour blockbuster superhero films, even when they make a significant cultural impact.