No matter whether you see her on the cine screen very often or not, but one thing is certain that the moment you hear her name, a thousand memories, which you made while watching her movies on the big or small screen in the 90s, flush back to trigger a broad smile on your face. Yes, we are talking about the sizzling ‘Chamma Chamma’ girl Urmila Matondkar who is coming back to movies after a massive gap of nine years and is busy raising the temperature several notches higher in the song ‘Bewafa Beauty’ from the upcoming Irrfan Khan starrer Blackmail. To know what prompted her to come back to movies with a song, her favourite actress from the current lot, and what actually kept her busy while she was away from the arc light, our Mumbai correspondent Mohnish Singh sits down with the gorgeous actress in a sea-facing luxury hotel in the maximum city and tries to extract from her as much as possible. Excerpts...
How does it feel to be back on the silver screen after such a really long time?
Till I am asked this question, I didn't think I was away for so long and trust me no actor thinks what you feel. But to answer your question nevertheless, it's been smashing because, to begin with, when I heard this song (Bewafa Beauty), I was excited because I have never thought of this Indian lyrical side of cinema. That's why I thought it was very exciting to do something like that and I always believed in doing something that hasn't been done before. Abhinay (Deo), the director, was so very clear that he didn't want just another dancing kind of a number. He wanted a lot of adaigee and a lot of expressions, something which used to be there in the old type of cinema. The makers were saying and trying to convey something to the audience as it's not just a flat-out dancing number, which is what most of them sometimes turn out to be. So that is something that really got me hooked to the whole thing and I am glad I did it because, as I said, when you do it without much of publicity and launch or hullabaloo and the song gets some 3 million views in first 3 hours, it's a beautiful feel.
So is it just a song you are making your comeback with or there are some full-fledged roles also in the pipeline?
First of all, I am not trying to make any comeback. There is no comeback and go-back (laughs). I have never understood the concept of comeback and most actors don't do, trust me. But anyway, the song 'Bewafa Beauty' came to me and I thought it's exciting and I think I am the best one in dancing. It was fun. Coming to projects, I am open to them but I don't want to make any comeback or anything like that. I don't plan my life so much. I take it as it comes and do it to the best of my abilities, be it any part of my life.
What kind of response are you receiving for your song 'Bewafa Beauty' from the film Blackmail?
Superb! It's superb. I was telling this to somebody that today when people think of heavy duty choreography, they talk about ‘Chamma Chamma’. I am extremely happy that when tomorrow people will talk about expressions and grace, they will remember that song. The same thought was there when we were making it. That's the pretty much the kind of response we are getting.
I have done glossy, big scale dancing numbers before, but this song is set in a dingy bar. It's a part of a gritty kind of a film, so the outlook in filming it is different. My looks, expressions and everything is different. This is more massy, not something which I have done in the past. It's something more like a whistle-worthy song. So that's the different one tried to aim at and I am glad that it has hit the bull's eye.
The song has got a positive response from most of the audience, but there are some who expected a little extra because you were there featuring in it. What do you have to say about that?
First of all, the song that has been released so far has got a lot of movie inserts into it and that's why you see a lot is happening there in it. The whole song has not come out yet, so that's why they are getting a little whatever. Secondly, I have been associated with extremely high glam, glossy, big-scale different kind of dancing numbers and this is a completely different take. Having said that, the song cannot be something different from the movie. It's gritty so that's why some of them are 'Oh my God! Why isn't she dancing? It is lavish sets usually our movies show - God knows where these clubs exist, but that's what is shown usually - but that was not the intention because I have been there done that. The whole thing was to definitely do something urban and different.
Of late, we have seen you connecting with your fans more through Instagram. How has that feeling been?
You know I have been the only actor who has come on Instagram so late in life because I am extremely technically challenged and I always used to feel what if I get trolled but I had been told partly by my husband and couple of friends that it's not like that. But I have never ever let go a chance to thank all my fans for all my journey because if it wasn't for them. I would not have been able to make any because coming from a non-filmy background you cannot imagine having such a tremendous journey. It would not have been possible if it was not the constant support of the fans. So that's why the whole social media thing has happened. If you look at it, you will see that not my whole life revolves around it. But if I want to share some moments of my life with them (fans) because of whom I am who I am in the first place, I do. So I have been having a great time on it and it's really amazing. I really want to thank all my social media followers.
Did you miss acting while you were away from films?
Yes and no. I mean, there are lots of other things that I haven't done in years, now I am busy doing. So I don't really sit and miss it. But it is great to be in front of the camera, that's how I put it.
What kept you busy when you were away from movies?
There are so many things that I love doing and I can't do a hundred things at a time because then you mess up everything and like I just said that I believe in giving my best in whatever I do at that moment. So there has been a lot of travelling, reading, I did a course in yoga, I learn scuba diving, I learnt a bit of Spanish. Now the next thing I am learning is to play a little bit of guitar. Trust me there is a lot life has to offer. We just don't know most of the times. So that's what I have been busy doing.
Your choice of films, be it Rangeela or Pinjar for that matter, was very different from what was happening in the 90s. Do you think you were much ahead of your time?
Yeah, absolutely! I think anybody in my shoes would have done hundreds of Rangeela first before thinking of doing acting, one fine day. That is not what I had time for. I just wanted to try, explore and do work as much as possible, and I am glad I gave it my best. And whatever roles and characters came to me were challenging. Whether the movie was a big hit or not – because they were not cut out to be the full-fledged con; it was a different kind of cinema which was made 20 or more years ago. So obviously you were not going to expect every film to become a Kuch Kuch Hota Hai of that time – it had that kind of challenging subject. And if you talk about today also, even if it is a movie of its own kind, those were movies where very few will dare to go. So I am glad that very few actors who really actually dared to go there and I happened to be that actor and I am very glad that I was way ahead of time because I was in this line of work because of my love for acting, not for the name, fame and money it gives you - though it feels great before you jump at it. It feels great to have a lot of money and lot of fame and people loving you and adulation give you the biggest and ultimate high in life - but that was not the base reason. Therefore, it was great experimenting and the whole ride was good.
It must have been a risky ride, right?
Of course! There have been times when some piece of my mind would come to me and talk to me, 'Have you gone mad? How could you do that?' And till the time I saw that I never thought of it like that. And I really thought that we underestimated the intelligence of an audience and media. Why would people think of it in any other way? You're just playing a character. So it is just that.
Have you ever thought of a sequel to Rangeela?
Oh, no way!
Do you have any favourite actress from the current lot of actresses in Bollywood?
I think all of them are doing fabulous, and I am not being politically correct. I will tell you why. Deepika (Padukone) is fantastic. She is like an all-rounder. She has had a very remarkable rise in her career. Alia Bhatt is doing fantastically well in her genre. Kangana (Ranaut) is rocking in whatever she comes in and does. When you watch her film, you don't see Kangana, you just see the character. So each one of them is putting in their best and is doing absolutely fantastic work.
Any recent Bollywood film which you saw and felt that 'I should have done it'?
You know, I don't think like that. I am a very hungry artist. I would want to do my work well. But when I see others' work, I don't feel like I should have done it. I am just enjoying the experience of watching a film because I am a movie buff. I love cinema for what it is. It is great to watch it. When you are watching it, enjoy the experience. Just it.
Do you remember any recent film which you liked very much?
Actually, of late, I haven't watched too many films as I have been travelling a lot.
How do you think the shooting process has changed since the 80s when you started as a child artist?
It is much professional now. That's a good part of it. So basically actors are wasting lesser time meeting and more time working.
What do you have to say about exhaustive promotional activities which have become compulsory nowadays?
That is, for me, great. As I said it's my way of connecting to the people, to fans that I haven't been connected to and when talking about promotions, it's not a pain when you are talking about good work and, touch wood, in that sense it has never been a pain for me.
You got an opportunity to share the screen space with one of Indian cinema's greatest actresses Sridevi in her last film Judaai before she made a comeback with English Vinglish. Now she is no more with us. Do you recall any fond memories of her?
She was an actor par excellence. What can I say? We all know that. There's nothing that she hadn't managed to do and it's too tragic to talk about the whole episode. I happened too sudden. Till afternoon (of 24th February), I didn't even believe the news (of Sridevi's demise). I thought it was a rude joke or something. (She almost chokes)
There is a new trend in Bollywood of recreating old songs. Will you be okay if any of your iconic item songs is recreated?
I don't think that much about all of this. You think of it and also write a good story on it (laughs).
How do you see today's cinema viz a viz the time when you were active in films?
Then also there was good cinema made. But now there are better options and the market has become bigger and the making has become better. So definitely the whole experience has become so much nicer, and that is great to see.
The leading man of Blackmail, Irrfan Khan, is unfortunately unwell these days. Are you in touch with him?
No, unfortunately, I have never even met him to even say a 'hello'. It's been sad. It's very sad to hear about his illness as well. But like he said he is a fighter and he will come out of it all winner and will be rocking all of us. I am hoping and praying for that.
Anurag Kashyap is known for being outspoken, and this weekend he made headlines again, this time taking aim at Netflix’s top boss Ted Sarandos. The filmmaker lashed out after Sarandos questioned the streaming platform’s early approach in India, particularly their decision to kick things off with Kashyap’s gritty crime drama Sacred Games in 2018.
During an interview on Nikhil Kamath’s podcast People by WTF, Sarandos said he may have chosen a more “populist” route if he could go back, admitting the series was perhaps too novel for the Indian market at the time. The comments didn’t sit well with Kashyap, who fired back on social media, calling Sarandos “the definition of dumb” and sarcastically suggesting the platform should’ve launched with traditional “saas-bahu” content instead.
Kashyap takes aim at Netflix’s shift to mass-market content
Kashyap’s reference wasn’t just casual; it came at a time when Netflix India has partnered with Balaji Telefilms, led by Ektaa Kapoor, best known for her highly successful daily soaps like Kyunki Saas Bhi Kabhi Bahu Thi. The filmmaker’s post read: “He should have started with Saas Bahu… he would have done well. Which he is doing now. I always knew tech guys are dumb when it comes to storytelling, but @tedsarandos is the definition of dumb is what I didn’t know.”
The post sparked debate online, with even singer-actor Lisa Mishra chiming in to support Kashyap, saying that everything on OTT today is “derivative… specifically of Sacred Games.”
Kapoor, without naming Kashyap, responded via Instagram by accusing unnamed artists of being classist. She defended soap operas, claiming they gave a voice to Indian women and were even studied by international researchers. Her post ended with a call for inclusivity and “graciousness.”
Ekta Kapoor's story Instagram screengrab/ektakapoor
A clash of content ideologies in India’s OTT landscape
Sacred Games, co-directed by Kashyap and Vikramaditya Motwane and starring Saif Ali Khan and Nawazuddin Siddiqui, was a landmark moment for Indian streaming content. Though it didn’t continue past two seasons, it opened doors for darker, more experimental storytelling in Indian OTT.
Sarandos’ comments appear to suggest that while Sacred Games earned critical acclaim, it may not have been the right commercial launchpad for Netflix in India. Kashyap, however, sees the platform’s current pivot toward formula-driven programming as a step backward.
Ted Sarandos talks about Sacred Games for Netflix IndiaGetty Images
This very public disagreement brings to light a bigger conversation in the entertainment industry, between art that challenges and content that simply sells.
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Fans react as Billie and Nat’s long-rumoured romance takes centre stage
Billie Eilish appears to have confirmed her latest romance in the most cinematic way possible, with a champagne-fuelled kiss on a sunny balcony in Venice. The singer was spotted with actor and musician Nat Wolff, and the intimate moment has fans convinced that the long-rumoured pair are now officially a couple.
In photos circulating online, the Chihiro singer and Wolff are seen locking lips while casually dressed in matching grey T-shirts, enjoying champagne and sunshine in one of the world’s most romantic cities.
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A long-rumoured connection comes into focus
While this is the first clear public display from the duo, Eilish and Wolff’s bond goes back a while. They worked together on her music video Chihiro, which she directed. Around the same time, Nat and his brother Alex opened for her during the North American leg of her Hit Me Hard and Soft tour in 2024.
Fans first started speculating about their closeness earlier this year when the two were seen leaving the iHeart Music Awards together and later on a night out in New York City. Although both had previously described their friendship as platonic, there seemed to be more under the surface.
Fans react as Billie and Nat’s long-rumoured romance takes centre stageGetty Images
In past interviews, Wolff described their connection as one of shared understanding, particularly around living with Tourette syndrome, a condition both have spoken about. “It’s rare to find people you don’t have to explain yourself to,” Wolff once shared, adding that he and Eilish could just “be” around each other.
Keeping it private until now
Eilish has openly said she regrets how much she’s shared about her personal life in the past. In an interview, she stated she wanted to keep her dating life and sexuality out of the spotlight going forward.
A kiss in Italy sparks fresh buzz around Billie Eilish’s love lifeGetty Images
“I wish no one knew anything about my dating life,” she said. “And I’m never talking about who I’m dating ever again.”
Still, their recent public outing in Venice may signal a quiet shift in that. Whether or not they’ll speak out, the photos seem to say plenty.
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The cast of Maybe Happy Ending celebrates their big night at the Tony Awards
South Korea just scored a historic milestone at the Tony Awards, with the musical Maybe Happy Ending bagging six trophies, including Best Musical and Best Lead Actor. The show, centred on two ageing helper robots living on the edge of Seoul, left the awards night buzzing. Korean entertainment, long a force in film, television, and music, is now making serious inroads into Western theatre too.
From Seoul to Broadway: A story born in two languages
Maybe Happy Ending wasn’t always destined for the bright lights of Broadway. It first opened in a small Seoul theatre in 2016, a result of a local arts foundation’s programme. Co-created by South Korean lyricist Hue Park and American composer Will Aronson, the story explores loneliness, connection, and memory through the eyes of obsolete robots. Written in both Korean and English, the piece has been reimagined several times since its debut.
Darren Criss, known to many as a Glee star, played Oliver and took home his first Tony for the role. His co-star Helen J Shen portrayed Claire, the other robot. Together, they brought the emotional weight to a futuristic love story that’s more human than it sounds.
While the robots explore feelings in a near-future Seoul, the show managed to preserve distinct Korean elements like Jeju Island and the traditional plant pot hwabun on the Broadway stage, something fans celebrated online.
A cultural shift, decades in the making
With this win, South Korea joins the rare club of nations with major victories across all four major American entertainment awards, including the Oscars, Emmys, Grammys, and now Tonys. From Parasite to Squid Game, and now Maybe Happy Ending, Korean creators are no longer breaking into the global scene, they’re leading it.
The success also validates years of quiet work in South Korea’s theatre scene. Original musicals like Marie Curie and The Great Gatsby have made appearances in the West End and on Broadway, but Maybe Happy Ending marks the first time a Korean musical has truly swept the Tonys.
As one critic noted, more than awards, it’s about shifting global perspectives. Korean musicals are no longer export hopefuls. They’re now centre stage.
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BBC Three documentary uncovers new details in Kim Kardashian Paris robbery case
Nearly ten years after Kim Kardashian was robbed at gunpoint in a Paris hotel, the story is being revisited in a new documentary coming to BBC Three and iPlayer. Titled The Kim Kardashian Diamond Heist, the film digs into one of the most talked-about celebrity crimes of the last decade, offering fresh access and unheard accounts from those closely involved in the case.
Kim Kardashian Paris robbery case revisited in new BBC Three documentaryGetty Images
New voices and untold moments from the night that shocked the world
The 45-minute documentary features first-hand interviews with close family friends, French police officers, and journalists who followed the robbery from day one. It takes viewers back to that October 2016 night, when Kardashian was tied up and robbed of jewellery worth millions of pounds inside her private apartment at a luxury hotel during Paris Fashion Week.
The film doesn’t stop at the crime itself. It moves forward to recent developments, including the court case in which Kim finally came face-to-face with her assailants last month. Eight people were found guilty, nearly a decade after the robbery made global headlines.
Kim Kardashian 2016 diamond heist case brought eight people to justice nearly a decade after the robberyGetty Images
Beyond gossip: A look at the cost of digital fame
This BBC Three documentary goes beyond the headlines and Instagram timelines. It examines the role of social media in the robbery, where public posts may have tipped off the thieves, and the emotional fallout Kim faced in the aftermath.
Nasfim Haque, Head of Content at BBC Three, says the film “cuts through the noise and looks at the real-life consequences of being so visible in the digital age.” Firecracker Films, the production company behind the documentary, also hopes the film helps viewers understand how the case was solved and the emotional cost behind the glamour.
Kim Kardashian arrives at the Assize Court for the trial Getty Images
Directed by Ben Bryant and produced by Jessica Sartenaer, The Kim Kardashian Diamond Heist will be available on BBC Three and BBC iPlayer later this month. Executive producers include Jes Wilkins and Sam Emmery, and the documentary will be distributed globally by Passion Distribution.
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The Pyramid Stage awaits Sir Rod Stewart’s return after more than two decades
Sir Rod Stewart has called off a series of concerts in the US as he recovers from a bout of flu, just weeks before his anticipated set at Glastonbury Festival. The 80-year-old singer, who was due to perform six shows across Nevada and California in early June, announced that four have been cancelled and two will be rescheduled.
Sharing the update on Instagram, Rod apologised to fans and expressed his frustration at having to take a break. “I’m devastated and sincerely sorry,” he wrote. “I’ll be back on stage and will see you soon.” The cancelled dates include multiple shows in Las Vegas and Stateline, Nevada, while the California concerts will now take place in September.
Despite the setback, Stewart’s headline appearance at Glastonbury is still very much on. He’s set to take over the festival’s famous Legends slot on Sunday, 29 June, more than two decades since he last played the Pyramid Stage in 2002. At the time, he performed alongside Coldplay and Stereophonics, but this time he’ll return as the oldest artist ever to headline the Legends slot.
Speaking on The Peter Crouch Podcast, Stewart revealed he was only allocated 75 minutes for his Glastonbury set but has requested an extra 15. “I play for over two hours every night, 90 minutes is nothing,” he said. He also shared that Rolling Stones guitarist Ronnie Wood, his former bandmate from Faces, will join him for part of the show, making it a mini-reunion.
Cancelled ShowsInstagram/sirrodstewart
Slowing down but not stopping
Though Stewart has hinted that this might be his final major tour, he’s not ready to retire just yet. “This will be the end of big world tours, but I’m not hanging up the mic,” he said. Instead, he’s eyeing more intimate venues for future performances, possibly exploring a swing or Great American Songbook setlist.
Rod Stewart set to reunite with Ronnie Wood at GlastonburyGetty Images
Rod has faced several health issues this year, including strep throat and a recent round of vocal rest. Still, he seems determined to power through Glastonbury with his charm and energy. With hits like Maggie May and Da Ya Think I’m Sexy, fans can expect a career-spanning set worthy of the Sunday slot.