Pramod Thomas is a senior correspondent with Asian Media Group since 2020, bringing 19 years of journalism experience across business, politics, sports, communities, and international relations. His career spans both traditional and digital media platforms, with eight years specifically focused on digital journalism. This blend of experience positions him well to navigate the evolving media landscape and deliver content across various formats. He has worked with national and international media organisations, giving him a broad perspective on global news trends and reporting standards.
THE South African unit of Unilever will set up an advisory board and a diversity committee after apologising for a hair care advert which it admitted was “racist”, the consumer group said.
The advert by its TRESemmé brand, was posted on drugstore Clicks Group’s website on September 4, and described images of African black hair as “frizzy and dull,” while a white woman’s hair was referred to as “normal”.
It caused an outcry on social media and sparked protests led by the opposition Economic Freedom Fighters (EFF) in a country where unfair treatment of black hair evokes painful memories of prejudice during apartheid.
The then-government used a “pencil test” to determine someone’s racial identity: a pencil was inserted into a person’s hair and if it did not fall, that person was considered not white.
“We were shocked to discover that we had supplied images for the Clicks website that portrayed black hair as inferior. This was racist and we apologise unreservedly,” Unilever said in a statement.
The firm is reviewing all the marketing campaigns and images in its South Africa portfolio “to make sure they match our commitment to celebrate all beauty and promote diversity and inclusion.”
It will also set up a new diversity and inclusion assets committee and an advisory board with internal and external experts to review how its hair care products in South Africa can offer consumers solutions, it said.
The household goods conglomerate behind the Omo, Sunlight and Domestos brands will also work with the new advisory board to develop programmes to deliver immediate support to black hair stylists and small professional salons.
Lastly, Unilever will review its mandatory diversity and inclusion training to accelerate its training on unconscious bias for all staff.
Also, Unilever agreed to pull all its TRESemmé haircare products from South African retail stores for 10 days to show remorse after some retailers had begun removing the products.
Crafted from white gold and smothered in thousands of diamonds.
Carries a price tag that will make your eyes water – we are talking £1.6 million (approx. ₹16.6 crore).
She just wore a silver Manish Malhotra saree with those emerald earrings.
Nita Ambani arrived at Manish Malhotra's Diwali party and essentially broke fashion. Everyone else was present and looking great, but then there was her bag. That Hermès number is not something you see every day, or ever, really. It is the Sac Bijou, a thing so exclusive it makes a standard Birkin look common.
Nita Ambani stuns with Hermès Sac Bijou worth ₹17 crore at Diwali party Instagram/three.over.six/manishmalhotraworld and manishmalhotra05
What is special about the bag?
It is the Hermès Sac Bijou. The name sounds fancy because it is. They only made three ever. Every detail was carefully conceived by Pierre Hardy back in 2012. With 3,025 diamonds weighing a total of 111 carats, its purpose is not to hold essentials. Instead, it transforms the wearer’s arm into a dazzling showcase.
You do not. It styles you. Nita appeared to understand that. She chose a razor sharp silver sequin saree from Manish Malhotra. There was no heavy embroidery, just clean lines and a great deal of sparkle to match the bag's feel. She then added those heart shaped Colombian emerald earrings, which were absolute units of gemstones, and a matching bracelet. The overall effect was pure casual flex. It was a statement, suggesting: "Oh, this old thing? Just a typical Tuesday night out."
But why does anyone care about a bag that is practically useless?
That is the whole point. It is not about utility; it is about spectacle. In the world of high fashion, this is the peak. It is a piece of art that you wear. The bag was not part of the outfit. It was the outfit. The entire ensemble felt like a massive understatement, which is remarkable to say. It was like she was saying, "This? It is nothing," when it is very clearly everything.
No. Of course, you cannot. That is not the point. That is what makes it so brilliant. It is a power move. It is a conversation piece that instantly wins the conversation. When the value of your bag could buy an entire row of houses, it stops being an accessory. It becomes a landmark, like a statement of arrival without saying a word. And for an event like the Diwali bash, where everyone is trying to make a statement, that was hers. Game over.
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