Comment: How to ‘be more normal’ in our diverse democracy
Ethnic minorities have higher trust in party politics than the more cynical white British.
How far ethnic minorities are seen as an exceptional or normal part of this diverse democracy is one theme of a major new research study (Photo: Getty Images)
By Sunder KatwalaOct 08, 2024
The first post-election autumn political conferences turned into a pre-season warm-up before the major battles of this parliament. Prime minister Sir Keir Starmer decided that overhauling his Downing Street operation within his first 100 days was needed to get the government match-fit before budget day.
The Conservatives held a US-style primary for the next party leader – with James Cleverly overtaking Robert Jenrick as the new frontrunner as MPs prepared to choose the final two candidates this week.
“Let’s be more normal” is Cleverly’s message. He believes tone comes before policy when a defeated party is seeking a public hearing again. Cleverly told me his call for a more positive voice should apply to how Conservatives talk about race and integration too. I had asked him, at a Centre for Policy Studies fringe meeting, if the right could sound too pessimistic about an increasingly diverse Britain, at times casting it as a society at risk of failing.
Cleverly agreed, saying the Conservatives get it wrong if they seem to look back and prefer the distant past to the country we have become. He wanted Conservatives to take a quiet pride in their contribution to making diversity in British public leadership an increasingly unremarkable new norm. Being at ease with diversity does not mean ducking integration challenges, he argued, talking about how his mother was proud to be from Sierra Leone, but did not seek to recreate Sierra Leone in Britain.
Cleverly’s emphasis on accentuating the positive means he rarely criticises Conservative rivals directly. But he will not echo former home secretary Suella Braverman’s warnings of the “toxic failures” of multiculturalism. How far Cleverly’s differences with Jenrick on this topic are a matter mainly of tone or of substance too may emerge in the campaign to come – if those two candidates do eliminate Kemi Badenoch, the favourite with party members. How far ethnic minorities are seen as an exceptional or normal part of this diverse democracy is one theme of a major new research study, ‘Minorities Report’, published by UK in a Changing Europe with Focaldata this week.
The 2024 election showed how the minority vote remains distinct. Labour led by 49 per cent to 20 per cent among ethnic minorities, compared to just an eight per cent lead among white voters. Yet this was Labour’s lowest ethnic minority vote share. The dramatic short-term loss of Muslim voters – many over Palestine – combines with the long-term fading of the intense pro-Labour allegiances forged in the immigration and race debates of half a century ago.
Party identities are much weaker today – so sweeping generalisations about ethnic minority voters have never been less valid with varied patterns within and across different groups.
Ethnic minorities have higher trust in party politics than the more cynical white British. The research offers new insights into why ‘culture war’ politics turn many British minorities off. The binary assumptions often don’t fit. Ethnic minorities combine stronger faith identities with more positive views of immigration. University graduates tend to lean left politically, but ethnic minority graduates are more likely than non-graduates to consider the Conservatives – unless the dynamics of post-Brexit culture wars dampen that Cameron-era trend.
As social class fades, compared to age and education, in predicting white British votes, it is becoming a stronger predictor of minority voting, among some groups at least. The Conservatives are now seen as a “normal” choice for British Indian and Chinese voters – with voters from those groups split increasingly evenly across the major parties – yet have failed spectacularly to bridge a chasm in trust with black Caribbean or Muslim voters.
Labour’s 2024 election strategy was mostly to take ethnic minority votes for granted. The party leadership would not have put it so crudely – but that was a consequence of putting all its energies into the people and places who did not already vote Labour. Labour lost over half a million ethnic minority votes. It may have been a rational electoral, trading surplus votes for seats, if relationships can be rebuilt afterwards.
Sunder Katwala
Labour could never, in the long run, have maintained the full extent of its monolithic historic dominance. Integration across generations was always likely to generate new swing voters. But the Focaldata research shows how Labour’s inattention could accelerate a loss of support on both its right and left flanks.
Asian and black voters should gain from their votes being increasingly up for grabs – unless the parties get stuck debating who they can and can’t appeal to. It would be bad for community relations if the big parties institutionalised which specific minority groups they see as on- or offside.
Parties that want to govern Britain should aspire to be a natural choice for voters from any ethnic or faith background. Political leaders who want to “be more normal” in our increasingly diverse democracy should compete to pass that One Nation test.
(The author is the director of British Future thinktank)
CARLOS ALCARAZ will begin his attempt to win a third straight Wimbledon title against Italian Fabio Fognini, while women’s top seed Aryna Sabalenka opens her campaign against Canadian qualifier Carson Branstine.
The draw, held on Friday at the All England Club, featured several notable first-round matchups.
Sinner, Djokovic face Italian, French opponents
Top men’s seed Jannik Sinner, who lost to Alcaraz in the French Open final, has been drawn to face fellow Italian Luca Nardi. Sixth seed Novak Djokovic, who is aiming to match Roger Federer’s record of eight Wimbledon singles titles, will begin against Alexandre Muller of France, ranked 40th in the world.
In the women’s draw, defending champion Barbora Krejcikova, seeded 17th and recently withdrawn from the Eastbourne tournament due to a thigh strain, will face Alexandra Eala of the Philippines.
Second seed Coco Gauff starts her campaign against Ukraine’s Dayana Yastremska. Third seed Jessica Pegula, a potential semi-final opponent for Gauff, plays Italian qualifier Elisabetta Cocciaretto. Fourth seed Jasmine Paolini, last year’s runner-up, will meet Latvia’s Anastasija Sevastova. Sabalenka is seeded to face Paolini in the semi-finals.
Big home presence for Britain
Britain has 23 players in the singles draws, its largest representation since 1984. Fourth seed Jack Draper leads the men’s challenge after a rapid rise in form. Draper begins against Argentina’s Sebastian Baez, ranked 38th. If he progresses, he could face 2017 runner-up Marin Cilic in the second round, and Kazakhstan’s Alexander Bublik in the third round – a player he lost to at the French Open.
Draper’s projected path to the title may include matches against Djokovic in the quarter-finals, Sinner in the semi-finals, and Alcaraz in the final.
Raducanu faces Xu in British clash
Emma Raducanu, Britain’s top-ranked woman, will take on fellow Briton Mingge (Mimi) Xu in the first round. Xu is one of three British teenage wildcards in the women’s draw. If Raducanu wins, she may face 2023 champion Marketa Vondrousova or 32nd seed McCartney Kessler next.
Branstine, Sabalenka’s first-round opponent, advanced through qualifying by defeating former U.S. Open champion Bianca Andreescu. In the third round, Sabalenka could face either Raducanu or Vondrousova.
Key early matchups and returns
A possible second-round highlight could be Olympic champion Zheng Qinwen, seeded five, taking on Japan’s Naomi Osaka, a four-time Grand Slam winner.
Alcaraz, who won Queen’s Club in preparation for Wimbledon, opens against Fognini. The 38-year-old Italian was once ranked as high as ninth but has not replicated that form in recent years. If Alcaraz advances, he could face British qualifier Oliver Tarvet in the next round. Tarvet, ranked 719, will meet Swiss qualifier Leandro Riedi in the first round.
Alcaraz could face third seed Alexander Zverev in the semi-finals. Zverev begins his campaign against France’s Arthur Rinderknech.
Centre Court schedule
As the defending men’s champion, Alcaraz will play the opening Centre Court match on Monday. That day will feature matches from the bottom half of the men’s draw and the top half of the women’s draw. Krejcikova will begin Centre Court action on Tuesday.
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Sir Sajid Javid (Photo by Tom Nicholson-WPA Pool/Getty Images)
A cross-party group has been formed to tackle the deep divisions that sparked last summer's riots across England. The new commission will be led by former Tory minister Sir Sajid Javid and ex-Labour MP Jon Cruddas.
The Independent Commission on Community and Cohesion has backing from both prime minister Sir Keir Starmer and Tory leader Kemi Badenoch. It brings together 19 experts from different political parties and walks of life.
It was set up following the violent unrest that broke out in 27 towns and cities after three young girls were killed in Southport last July. False claims about the attacker's identity spread rapidly on social media, helping to fuel the disorder.
Sir Sajid warned that Britain has become a "tinderbox of division" due to years of neglect. He said governments have only acted when tensions boil over, rather than dealing with the root problems. "We are more disconnected as a country than at any point in our modern history," he told reporters. "There is a pandemic of loneliness that has spread across the country."
According to Javid, who served as communities secretary, home secretary and chancellor in the cabinets of David Cameron, Theresa May and Boris Johnson, social cohesion had been treated as a “second tier” issue by successive governments.
“Communal life in Britain is under threat like never before and intervention is urgently needed," he told the Telegraph. "There have been long-term, chronic issues undermining connections within our communities for several decades now, such as the degradation of local infrastructure from the local pub to churches, the weakening of family units, growing inequality, declining trust in institutions and persistent neglect from policy-makers."
He pointed to several factors making the situation worse, including high levels of immigration that haven't been properly managed, rising cost of living pressures, social media spreading extremist views, declining trust in public institutions, and the breakdown of local community spaces like pubs and churches.
Cruddas, who represented Dagenham for over 20 years, said the commission would listen directly to people across Britain rather than impose solutions from Westminster.
Over the next 12 months, the panel will examine what's driving people apart and develop practical recommendations for government. The group includes former West Midlands mayor Sir Andy Street, ex-Green Party leader Caroline Lucas, and counter-extremism expert Dame Sara Khan.
The commission is being supported by the Together Coalition, which was founded by Brendan Cox after his wife, MP Jo Cox, was murdered by a far-right extremist in 2016.
Sir Sajid remains optimistic about Britain's future, saying the country has "phenomenal attributes" to overcome its challenges. The commission aims to create "a vision for communities that all British citizens can buy into."
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Kalki 2898 AD showcased Prabhas in a genre-blending sci-fi mythological role
It’s been a year since Kalki 2898 AD hit theatres, and whether you loved it, questioned it, or are still figuring out what you watched, one thing’s clear: it cemented Prabhas’ place at the top. A unique experiment packed with mythology, sci-fi, and big-screen ambition, Kalki didn’t just push boundaries—it made sure everyone was paying attention.
Here’s how Kalki quietly reinforced what audiences across India (and beyond) already suspected: Prabhas isn’t going anywhere.
From Andhra to Ahmedabad — he still pulls crowds across the board
There are many stars who rule regions, but very few cut across states and languages the way Prabhas does. Whether it’s a traditional action flick or an experimental epic, people show up.
Prabhas in a still from Kalki 2898 AD which completed one yeargetty images
£94 million+ (₹1000 crore) globally — and not for the first time
With Kalki joining the £94 million+ (₹1000 crore) club, Prabhas added yet another big-budget success to his list. He’s one of the few actors in India whose films regularly cross that mark, without it feeling like a fluke or a one-off.
Kalki 2898 AD became one of the top three biggest openers in Indian cinemagetty images
A top three opener in Indian cinema — again
Kalki had one of the biggest opening days in Indian box office history. No gimmicks. Just the kind of theatre rush most films today struggle to pull off. Say what you want about the film, but its opening confirmed Prabhas’ continued draw for the big-screen crowd.
Kalki 2898 AD brought together sci-fi and mythology in a first-of-its-kind Indian filmgetty images
Fans flew in from Japan — yes, really
It’s not just India. International fans have long backed Prabhas, and Kalki saw that play out in real time, with Japanese fans travelling to Hyderabad just to catch it in cinemas. Not a premiere or event, just a regular screening. That kind of quiet loyalty is rare.
Prabhas plays the futuristic warrior Bhairava in Kalki 2898 AD getty images
He’s still choosing the harder road
A dystopian mytho-sci-fi mash-up isn’t exactly a guaranteed hit. Most stars would’ve played it safe, but Kalki was a risk, and Prabhas took it head-on. It’s part of what keeps his filmography interesting. He’s not here to repeat formulas, and that makes every new release worth watching, even if you don’t love every film.
Prabhas in action during a high-intensity sequence from Kalki 2898 ADgetty images
The calm at the centre of the chaos
One year later, Kalki 2898 AD may still be divisive as a film, but as a career move, it only strengthened what Prabhas has built over the years: a fanbase that shows up, a screen presence that works across regions, and a habit of picking stories that don’t play it safe.
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Masum was seen on CCTV trying to steer the pram away and, when she refused to go with him, stabbed her multiple times before walking away and boarding a bus. (Photo: West Yorkshire Police)
A MAN who stabbed his estranged wife to death in Bradford in front of their baby has been convicted of murder.
Habibur Masum, 26, attacked 27-year-old Kulsuma Akter in broad daylight on April 6, 2024, stabbing her more than 25 times while she pushed their seven-month-old son in a pram. The baby was not harmed.
Bradford Crown Court heard that Akter had been living in a refuge since January after Masum threatened her with a knife at their home in Oldham. Masum tracked her using her phone location and confronted her after she left the refuge to meet a friend, believing he was in Spain.
Masum was seen on CCTV trying to steer the pram away and, when she refused to go with him, stabbed her multiple times before walking away and boarding a bus. He was arrested three days later in Aylesbury, Buckinghamshire.
Kulsuma Aktergetty images
Masum, of Leamington Avenue, Burnley, had admitted manslaughter and possession of a knife but denied murder. He was found guilty of murder, stalking, making threats to kill, and assault by beating.
The Crown Prosecution Service said the attack was “planned and premeditated”. West Yorkshire Police described it as a “brutal” daylight attack. Det Ch Insp Stacey Atkinson said Ms Akter “should have been safe”.
The Independent Office for Police Conduct found no breach of standards by officers involved prior to her death. Masum is due to be sentenced on 22 July.
In her own words, the London-based artist shares 10 defining moments that turned glitter into grit, pain into power and creativity into connection.
Shreena Patel has built a vibrant, shimmering world with her signature metallic-sparkle acrylics, one canvas at a time. A graduate of the prestigious University of the Arts London, the London-based abstract artist has earned acclaim both in the UK and internationally, creating bespoke pieces for celebrities, private collectors and public institutions.
But behind the glittering finishes and spiritual symbolism lies a deeper story – one of passion, purpose and personal resilience.
From a childhood curiosity about the minds behind masterpieces to becoming a multi-award-winning artist herself, Shreena’s journey is marked by colour, courage and community. Whether speaking on stage at Diwali on the Square, raising funds through her work, or spotlighting invisible illnesses like ulcerative colitis, her art has always been more than decorative. It is deeply personal and powerfully connective.
Now, for the first time, Shreena shares 10 of her most memorable artistic milestones. Each moment reveals not only her growth as a creator but also her unwavering belief in art as a force for joy, healing and change.
Shreena Patel
Artwork displayed at Hyde Park Corner station
Seeing my Ganesh artwork displayed at Hyde Park Corner station during South Asian Heritage Month was a pinch-me moment. To have commuters and tourists pause in a busy London station to take in my art, rooted in identity, culture and colour, made me feel truly seen. It was public, powerful and proof that South Asian stories belong in mainstream spaces.
Being featured in British Vogue was an unexpected yet unforgettable milestone. Just a few years after Art By Shree was born, seeing my work and story in one of the world’s most iconic fashion publications validated my creativity in a whole new light. It bridged the gap between contemporary style and ancient symbolism and reminded me that tradition and trend can coexist beautifully.
Shreena Patel's work
Painting for celebrities I have had the honour of creating bespoke paintings for celebrities, including Bollywood actors, music artists and famous cricketers, who connected with the spirituality and vibrancy of my work. Each commission has been personal and meaningful, not just because of who they are, but because of the shared energy and intention behind the art. It is surreal knowing my pieces live in the homes of people I once only watched on screen.
Shreena Patel's work
Winning awards and artistic recognition
Winning awards and being recognised as an artist, particularly in Parliament and at the Eastern Eye ACTAs, gave me the confidence to own my creative journey. These acknowledgements are not just about trophies. They are reminders that the risks I took, the pain I turned into paint and the stories I chose to tell matter. Every accolade reflects years of growth, grit and heart.
Raising money for charities and temples
Art with purpose has always been my North Star. Whether raising money for temples close to my heart or supporting charities doing life-changing work, I have been blessed to use my creativity to give back. Each canvas sold for a cause reminds me that art can be a force for good – a way to serve, uplift and unite communities.
Being invited by Neasden Mandir’s head swami for Diwali and PSM10 Being personally invited by Yogvivekdas Swami at Neasden Mandir to take part in the Diwali and 100 Years of Pramukh Swami Maharaj celebrations was an emotional high. To be recognised in such a sacred and historic space was beyond humbling. It felt like a spiritual homecoming, where my art and my faith met in perfect harmony during a once-in-a-lifetime celebration.
Speaking on the centre stage at Diwali on the Square, in front of the Mayor of London, was a surreal and proud moment. I spoke about art, culture and the power of community spirit. To then gift my large Ganesh canvas to the winner of the rangoli competition was the perfect way to honour creativity and celebrate our shared cultural pride in a truly public way.
Shreena Patel's work
Collaborating with Nitin Ganatra OBE
Collaborating with the incredible Nitin Ganatra OBE for a charity auction was a joyful and meaningful experience. Aligning our talents for a cause greater than ourselves reminded me why I started painting in the first place. It is always special when creative worlds come together, especially when it helps raise funds and awareness for those in need.
Uplifting the next generation
Helping the next generation find their creative voice means everything to me. Whether through workshops, mentoring or simply showing them that success can look different, I aim to be the representation I did not see growing up. Especially for young South Asians, I want to say: your stories, your art and your dreams are valid – and so needed.
Shreena Patel's work
Raising ulcerative colitis awareness through art
Living with ulcerative colitis has not been easy, but it has shaped my art and mission. Through creativity, I have turned pain into power and raised awareness about invisible illnesses in ways words never could. Painting became therapy, advocacy and storytelling. If my journey inspires even one person with UC to keep going, then every brushstroke has been worth it.