Ace producer Abhigyan Jha has written films like Krishna Cottage and created popular TV shows including Movers & Shakers, Jay Hind!, Qubool Hai 2.0, Qayamat Se Qayamat Tak, and Janani – AI Ki Kahani.
He currently hosts the popular podcast Fsex: The Free Speech Experiment, a conversational and humorous live show that explores a range of topics.
Away from creativity and conversations, he is also a passionate cricket enthusiast and played the sport up to college level. He looked across all formats to select his top 10 favourite cricketers.
Abhigyan Jha getty images
Sunil Gavaskar: The greatest. He scored the most runs against the most lethal bowling attack in cricket history – the West Indies. Today’s generation does not understand how fast those bowlers were. There are no such fast bowlers now. He made 34 Test centuries, and when he reached 10,000 runs, no one had even crossed 9,000. And he never wore a helmet. No batsman ever faced that kind of pace without one – it was incredibly courageous. He was also a phenomenal captain.
Virender Sehwag: The first Indian to score 300 in a Test match – and then he did it again. You would expect someone with his style to belong only in T20 or one-day formats, but he played that way in Tests too, and against top-class bowling. Scoring 300 in Pakistan against their pacers is why he’s on this list. He had raw talent and was thrilling to watch. He played with complete freedom, wherever he was.
Virat Kohli: He has fans screaming for him constantly. Ten thousand people turn up just to watch him practise – and you can see why. In the modern era, nobody comes close. Many players today might have struggled against the great bowlers of the past, but I believe Virat would have held his own. He changed the game in India. A fantastic player and an amazing captain, with insane talent. He’s also the fittest player globally.
Virat Kohligetty images
Gary Sobers: One of the greatest captains and a brilliant all-rounder. At one point, he was the only cricketer with 26 centuries and 200 wickets. I think he was the first to reach that milestone in history. He transformed the West Indies into a world-beating side. A genius, a phenomenal fielder, and a record-breaker.
Adam Gilchrist: The greatest wicketkeeper-batsman of all time. He was brilliant against both pace and spin. The speed at which he scored runs was incredible. He holds the record for the most sixes in ODIs and also the fastest Test century by a wicketkeeper-batsman. Just an insanely good cricketer.
Ian Botham: One of the finest all-rounders ever. There was a 1981 Ashes Test between England and Australia that became known as ‘The Botham Test’. He took all the wickets and won the match almost single-handedly. A fantastic batsman with a great strike rate – he could walk in and change the game with bat or ball.
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Imran Khan: One of the greatest captains in cricket history. He single-handedly led Pakistan to new heights and groomed talents like Wasim Akram and Waqar Younis. A great fast bowler and solid batsman, he also won the 1992 World Cup for Pakistan. In his prime, he was arguably the second most difficult bowler to face after Malcolm Marshall. A strong all-rounder and top leader.
Richard Hadlee: Jasprit Bumrah is getting closer to him, but he has not played as many matches. Hadlee had exceptional wicket-taking ability and an incredible strike rate. He was a phenomenal swing bowler with superb control and became the first to cross 400 wickets in Test cricket.
Viv Richards: One of the most gifted players of all time – he could destroy bowling like no one else. He was just insane! No bowler wanted to see him at the crease. He and Gavaskar were pretty much the only greats who never wore a helmet. At the time, his strike rate was the highest. Absolute legend.
Malcolm Marshall: The greatest fast bowler of all time did not play as many matches as others, but still crossed 300 wickets. He was the bowler most feared by everyone. He once bowled so fast that Sunil Gavaskar’s bat literally flew out of his hands. If the greatest batsman’s bat could be knocked loose like that, it tells you everything about Malcolm Marshall’s brilliance.
He may have often been overshadowed by famous family members, but that has not taken away from the remarkable achievements of ace composer Rajesh Roshan.
The uncle of superstar actor Hrithik Roshan and younger brother of acclaimed filmmaker Rakesh Roshan, he has enjoyed a glorious 50-year Bollywood career with hit songs across major blockbusters.
The music maestro celebrates his landmark 70th birthday on Saturday (24), and to mark the occasion, Eastern Eye has put together an ultimate playlist of 20 songs he composed, presented in chronological order.
Dil Kya Kare (Julie, 1975): After an acclaimed debut with the soundtrack for 1974 film Kunwara Baap, the son of legendary composer Roshan truly announced himself with the award-winning music of romantic drama Julie. The standout track was this unforgettable love song, beautifully rendered by Kishore Kumar.
O MungdaPiano Daddy
O Mungda (Inkaar, 1977): This foot-tapping, cabaret-style number was brilliantly sung by Usha Mangeshkar and picturised on dancing queen Helen. The lyrics may not have made much sense, but the hook and chorus were irresistibly catchy. The track was later recreated in the film Total Dhamaal.
Pardesia (Mr Natwarlal, 1979): Mixing folk influences with commercial Bollywood grooves, this upbeat number had infectious energy. Roshan brought out the best in Kishore Kumar and Lata Mangeshkar on a song that still compels you to dance.
Tere Jaisa Yaar Kahanhinditracks
Tere Jaisa Yaar Kahan (Yaarana, 1981): This musical is largely remembered for its stunning soundtrack. This track, sung by Kishore Kumar, became a defining friendship anthem. Special mention also goes to the film’s love song Chookar Mere Man Ko and dance hit Sara Zamana.
Angrezi Mein Kehte Hain Ki I Love You (KhudDaar, 1982): A simple premise – expressing ‘I love you’ in different languages – was transformed into a hugely entertaining duet, delightfully delivered by Lata Mangeshkar and Kishore Kumar. Couples have been singing this playful track to each other ever since.
Jab Koi Baat Bigad Jaye (Jurm, 1990): It may have ‘borrowed’ its melody from the English song 500 Miles, but that does not diminish its emotional resonance. This romantic number, offering comfort and reassurance, beautifully conveys the sentiment of standing by a loved one. Kumar Sanu and Sadhana Sargam’s heartfelt vocals add to its timeless appeal.
Yeh Bandhan Toh (Karan Arjun, 1995): A key emotional highlight of this cult classic, this powerful track celebrates the strength of family bonds. The magical voices of Kumar Sanu, Udit Narayan and Alka Yagnik fill the song with feeling from start to finish.
Yeh Bandhan TohBollywood Hits
Ghar Se Nikalte Hi (Papa Kehte Hain, 1996): This romantic song became so popular that it turned the soundtrack into a major hit and brought wide attention to an otherwise low-key film. Rajesh Roshan teamed up with lyricist Javed Akhtar for this youthful anthem, soulfully sung by Udit Narayan.
Dekha Tujhe Toh (Koyla, 1997): This action-thriller featured a hit soundtrack with popular tracks like Tanhai Tanhai, Saanson Ki Mala and Ghoongte Mein Chanda. The standout, however, was this romantic duet by Kumar Sanu and Alka Yagnik, which oozed emotion.
Ho Mubarak Tujhe (Ghulam-EMusthafa, 1997): This qawwali-inspired Bollywood number was beautifully sung by Iqbal Sabri and Afzal Sabri. Power, passion and emotion come together in this celebratory track, marked by heartfelt delivery.
Dil Deewana (Daag: The Fire, 1999): A major highlight of the action thriller was this popular romantic song. An epic musical arrangement combined well with a powerful hook, heartfelt lyrics and an emotion-filled vocal delivery from Anuradha Paudwal.
Na Tum Jaano Na Hum (Kaho Naa Pyaar Hai, 2000): The composer’s most successful soundtrack won him multiple awards. It included this soothing romantic number, featuring the silky voice of Lucky Ali. The dream melody connected with music fans globally and remains popular.
Ek Pal Ka Jeena (Kaho Naa Pyaar Hai, 2000): Although the soundtrack had a whole host of superb hits, a big standout was this delightful dance number delivered by Lucky Ali. The song was elevated to another level by Hrithik Roshan’s stunning onscreen performance.
Ek Pal Ka JeenaScoll.in
Aye Dil Laya Hai Bahaar (Kya Kehna, 2000): This simple yet powerful song was a heart-warming celebration of life, love and family. It was entertaining enough for music fans to overlook the fact that it had a melody similar to the Neil Sedaka single Oh! Carol. Singers Kavita Krishnamurthy and Hariharan made it a memorable number.
Jaan Leva (Moksha, 2001): A lot of great tracks from Rajesh Roshan have been forgotten because they appeared in flop films like this crime drama. This standout song, sung by Sukhwinder Singh and Kavita Krishnamurthy, had a raw energy from start to finish, which made it popular on dancefloors.
Koi Mil Gaya (Koi Mil Gaya, 2003): The stunning science fiction drama, which spawned a successful franchise, had this feel-good title track about finding that someone special. The delightful duet delivered by Udit Narayan and KS Chitra was a cool combination of lovely lyrics and marvellous music.
Dil Na Diya (Krrish, 2006): The path-breaking superhero movie featured this high-flying dance number that soared to great heights. Singer Kunal Ganjawala gave the energetic track added power, and it was further elevated by Hrithik Roshan’s brilliant onscreen performance.
Zindagi Do Pal Ki (Kites, 2010): The romantic action thriller featured this terrific track sung by KK. Filled with emotion, the song resonated with anyone who has been in love. Special mention also to the film’s other top love song, Dil Kyun Yeh Mera, which was also beautifully delivered by KK.
Zindagi Do Pal Ki T-Series
Dil Tu Hi Bataa (Krrish 3, 2013): The superhero sequel featured this uniquely styled song, which combined different elements to create an interesting sound. Pop stars Alisha Chinai and Zubeen Garg offered a distinctive vocal delivery on this romance-infused track.
Rajesh Roshan with Hrithik Roshan and Rakesh RoshanGetty
Kaabil Hoon (Kaabil, 2017): This multi-layered song, picturised on blind protagonists, combined romance with sentiments of self-belief and capability. Singers Jubin Nautiyal and Palak Muchhal added a sweet extra layer to this musically rich track, delivered by a maestro who has entertained millions over a distinguished career.
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Inspired by a love of Bollywood films and vibrant Punjabi music, Cherelena creates tracks that fuse diverse influences. With multiple singles and an album already to her name, the multilingual singer-songwriter from Holland recently added to her musical journey with the release of Cocaine.
Eastern Eye asked the exciting talent to share 10 songs she loves – and why they mean so much to her.
Ek Baar Dekh Liye by Kalpana Gandharva: Composed by Sanjay Leela Bhansali for the Netflix series Heeramandi, this song is beautifully sung. The heartfelt lyrics portray a woman surrendering completely to the unknown, embracing what life brings. She follows her heart with unwavering trust – a sentiment that is so profound and relatable.
Pardesi by Cherelena ft Apache Indian: One of the most cherished moments of my life was creating my own song with Apache Indian. It felt like a dream come true to collaborate with such a legendary artist. The track is about a wife longing for her husband’s return, expressing how incomplete and unmotivated she feels without him.
Bewafa by Imran Khan: This powerful song touches on the complexities of relationships – the arguments, the fear of betrayal. Sometimes, even without infidelity, the fear of the truth surfacing can lead you to say things you do not mean. It reflects the emotions and vulnerabilities that come with navigating trust, love and heartache.
Jhoomo Re by Kailash Kher: This deeply moving song carries a profound and uplifting message. It beautifully conveys that, at the core, everything is one energy – and that the divine you worship ultimately resides within yourself. It serves as a gentle reminder to treat the world with kindness and compassion, and to never break anyone’s heart.
Untouchable by Tegi Pannu: This track’s vibe and flow are incredible. It is not about the lyrics – it is about the energy, rhythm and the way it makes you feel. A perfect example of how music transcends language. You do not need to understand the words to connect with it – you either feel it, or you do not. And I definitely feel it.
Gallan Goodiyan from Dil Dhadakne Do: I have loved dancing since I was two years old. Although I stay active through sports, dancing is what truly excites me – it is my happy place. Songs like this make me feel as though I am stepping into a vibrant Bollywood scene, filling my life with energy and joy.
Cocaine by Cherelena ft Raja: This hauntingly beautiful song about love and loss captures the heartbreaking journey of a couple deeply in love but torn apart by addiction. He is consumed by his dependence on cocaine, while she is trapped in an endless struggle to save him. Based on a true story, the song delivers a powerful message: do not let drugs take control – they destroy far more than you realise.
Yeh Dil Tum Bin Kahin Lagta Nahin from Izzat: This timeless Bollywood song, sung by legends Lata Mangeshkar and Mohammed Rafi, continues to inspire me. I still take singing lessons and dedicate time to improving my craft. When it comes to mastering vocal technique, Lata didi’s songs are an unmatched treasure trove. Her signature sweetness, flawless delivery and artistry set a benchmark that is almost impossible to reach.
Bewajah Mein Dil Tera Toda by Cherelena: I wrote this song from a deeply personal place, during a time when my heart had been broken more than once. I felt a part of me was fading, and turned to songwriting as a way to process those emotions. This track reflects the journey of understanding who I became during those painful moments – and why.
Flow With Me by Cherelena: I wrote this song during a time when I was perfectly in sync with someone, and everything just clicked. I wanted to hold on to that feeling – to stay in the flow without overthinking or complicating it, knowing that sometimes taking things further can bring its own set of challenges.
Talal Qureshi is not just riding the wave of Pakistani music – he is helping reinvent it. A trailblazer in electronic and experimental sound, he has fused desi roots with global beats to produce tracks that have thrilled music lovers and found their way onto popular TV shows such as Coke Studio and Ms Marvel.
From bringing Diplo to Pakistan to lighting up Times Square with his album TURBO, Qureshi’s journey has been boundary-breaking. His latest track Kailash Reimagined, a collaboration with global artists Delara, Charan and BEAM, proves once again that his sonic universe knows no borders. Here, the genre-defying hitmaker shares 10 unforgettable career moments – and he is only getting started.
Coke Studio debut: It was a full-circle moment to step into a space I had admired for years, contributing Cricket Khidaiye and Peechay Hutt. We introduced an experimental sound to its vast audience – something we do not usually lean towards – and that felt ground-breaking.
Talal Qureshi redefining the sound of Pakistani music
Awesome album: I was really excited to put my album TURBO together. It felt like the right time to craft a body of work that truly represented my sound – high energy, experimental and unapologetically me. The album was about pushing boundaries and having fun. When TURBO was featured on a billboard in New York’s Times Square, it was a personal milestone. That visibility marked a turning point, validating years of genre-defying work and showing how far Pakistani electronic music had come.
Working with Atif Aslam: I mean, who is not an Atif Aslam fan? Getting the chance to work with him was surreal – but even more special was having him as a friend and mentor during the process. He was open, honest and incredibly generous with his time and knowledge. Watching his work ethic up close reminded me – and should remind anyone chasing a dream – that success is not out of reach if you stay committed and true to your craft. It was more than a collaboration – it was a learning experience I will always be grateful for.
Aag featuring Naseebo Lal: I had never experienced a session like this before. When I created the beat and composition, I knew I had to get her on the track and explore the potential for blending genres. While we were in the studio, she called me a “music director”, which genuinely surprised me. She told me, “Your ideas can truly come to life,” and that meant a lot.
Performing at Mad Decent Block Party alongside artists like Diplo, Marshmello and Swae Lee: This was not just about being on a global stage – it was about representing Pakistani electronic music in a space where it had not been seen before. It proved that South Asian artists can hold their own, and it helped shine a light on the underground scene back home. Hanging out with Diplo was a moment I never saw coming. I have always respected his journey, but actually spending time with him and talking music was something else. I learnt a lot just by being around him – the way he approaches collaboration, brings out the best in others, and balances his own vision while amplifying theirs. It really opened my eyes to new ways of working with artists – and how to help their ideas grow.
Talal Qureshi sets fire with his track Aag
Photo memories: There was a time I was shooting all my own visuals – just me, a borrowed DSLR, some lights and a projector. I was compiling, editing and figuring it all out as I went. Now I have a team and resources to help take my vision further, but I am still extremely proud of the work I shot for myself. Some of those early pieces are my favourites – they helped me grow as a visual artist.
Building my studio: After moving out of my parents’ house, I did not have a space of my own. I crashed on floors and couches – anywhere I could. I was lucky to have friends who let me stay with them. I made music wherever I could find a corner to set up. Years of grinding, experimenting, failing and learning led to me finally building my own studio, investing in gear, and getting analogue synthesisers like the Korg Minilogue and Modwave. Having my own creative space really puts everything into perspective. I am grateful for the journey.
A proud moment Qureshi's tracks featured in Ms Marvel
Ms Marvel soundtrack: Having two of my favourite tracks – Aag and Peechay Hutt – featured in not just any series, but a Marvel one, was surreal. It was a proud moment both personally and for the global representation of our music.
Finding my people through music: I have been lucky to find friends like family through my work. Some of the most important people in my life began as collaborators. Now they are my support system.
Revamping Pakistani pop: With songs like Shaam, Faltu Pyar, Sweetu, Ronaq (album), Jogi, Paisa and many more, I feel we really broke the fourth wall. These songs played a huge role in shaping the direction of modern Pakistani pop music.
SHAHID KAPOOR has come a long way since making his debut as a leading man in the 2003 romantic comedy Ishq Vishk.
Over the years, he has established himself as one of Bollywood’s most versatile actors, taking on a wide range of roles across genres. From comedy and romance to intense, unpredictable characters, he has continued to push boundaries.
As the actor turns 44 on February 25, Eastern Eye marks the occasion by selecting his top 10 film performances, listed in chronological order.
Jab We Met
Jab We Met (2007):After a steady start to his career, he cemented his leading man credentials with this romantic road movie. His first major commercial success saw him portray a disillusioned young man who finds hope again after an unexpected road trip with a spirited woman, played by Kareena Kapoor. His heartfelt performance earned him multiple best actor nominations and made the film a fan favourite.
Kaminey (2009):If Jab We Met showcased Kapoor’s presence as a romantic lead, Kaminey proved his immense acting ability. His portrayal of identical twins with contrasting personalities and speech impediments turned this action thriller into a cult classic. His layered performance earned him widespread acclaim and multiple best actor nominations, marking the start of an interesting creative partnership with writer-director Vishal Bhardwaj.
Kaminey
Badmaash Company (2010): This crime comedy remains underrated despite being a commercial success. The story of a disillusioned man who sets out to get rich by any means necessary required a strong performance, as it centred around a master conman and his gang of criminals. His portrayal of a loveable rogue was so compelling that audiences rooted for him despite his character’s morally questionable actions.
Teri Meri Kahaani (2012): The film’s commercial failure did not take away from the excellent performances by lead stars Shahid Kapoor and Priyanka Chopra. The episodic story saw them portray lovers across three different time periods, each role distinct in personality, showcasing their impressive range.
Teri Meri Kahaani
Haider (2014): The third instalment of Vishal Bhardwaj’s Shakespearean trilogy was a critically acclaimed Bollywood adaptation of the classic play Hamlet. Kapoor delivered arguably the greatest performance of his career in the title role of this political crime thriller. He brought intensity to every scene with a multi-layered portrayal, including a striking transformation in his appearance. He deservedly won best actor honours at all the major Bollywood award ceremonies.
Haider
Udta Punjab (2016): He once again transformed himself with a gripping portrayal of a drug-addicted pop star determined to change his ways. He excelled in this episodic film, which weaves together multiple narratives and features strong performances from the lead cast. His rebellious role, vastly different from anything he had played before, gave him several standout moments and earned the popular star further best actor awards.
Rangoon (2017): Director Vishal Bhardwaj has arguably brought out the best in Kapoor with Kaminey, Haider, and this romantic war drama. Although Rangoon ultimately was a commercial failure, it was widely appreciated by critics. Much of its acclaim stemmed from the pitch-perfect performances of the lead cast. Set during the Second World War, the film took Kapoor on another power-packed journey, allowing him to explore a wide range of emotions.
Padmaavat (2018): With the spotlight largely on Ranveer Singh and Deepika Padukone, Kapoor faced a challenge in making his mark in this historical epic. However, he delivered a commanding performance in Sanjay Leela Bhansali’s lavish drama, portraying an honourable king who stands against a formidable adversary. From his screen presence to his mannerisms, he embodied the finesse of a Rajput ruler, delivering a regal performance that was filled with memorable moments.
Padmaavat
Kabir Singh (2019): The biggest commercial success of Kapoor’s career as a solo lead saw him deliver an explosive performance that set the screen ablaze. Despite being a remake of the highly successful 2017 Telugu film Arjun Reddy, he brought a fresh intensity to an already established role. His portrayal of a doctor struggling with anger issues and alcoholism was raw and powerful, once again proving his ability to take a character on a gripping emotional journey.
Jersey (2022): This remake of the 2019 Telugu film may have underperformed at the box office, but it received strong reviews. At the heart of that praise was Kapoor’s stellar performance as a man who loses out on his cricketing dream, only to be inspired by his son to give it another shot – despite harbouring a life-threatening secret. He delivers an immersive portrayal of a man torn between family, ambition, and health. The different stages of his journey highlight why Kapoor remains one of Bollywood’s finest actors.
BUILT on a foundation of romance, Bollywood has explored all kinds of love stories over the decades.
The most compelling, dramatic, and popular genre has been the love triangle, which has entertained millions since the black-and-white era.
With Valentine’s Day setting the romantic tone this month, Eastern Eye takes a deep dive into Hindi cinema’s love triangles, from deeply dramatic to comedic and creative.
A is for Andaz: The big daddy of Bollywood love triangles, released in 1949, set the blueprint for others to follow. The Mehboob Khan classic about unrequited love, misunderstandings, and two men in love with the same woman became the highestgrossing Hindi film of all time upon release. It also turned then-newcomers Dilip Kumar, Nargis, and Raj Kapoor into overnight superstars.
Andaz
B is for bigamy: In most love triangles, either two people become a couple while one is left disappointed, or none end up together. Daag (1973) took a different approach, with a married escaped convict, presumed dead, starting a new life by marrying another woman. In a shocking twist, he ends up with both wives.
B is also for Barfi:The 2012 romantic comedy took a unique turn by incorporating two protagonists with disabilities into a love triangle.
Daag
C is for casting coup: The 1981 musical Silsila is perhaps Bollywood’s most remarkable love triangle. Apart from tackling the taboo of an extramarital affair, what made this Yash Chopra classic special was how it allegedly mirrored real life between lead stars Amitabh Bachchan, Jaya Bachchan, and Rekha.
D is for Devdas:Perhaps the most famous love triangle in Hindi cinema, Devdas has been adapted multiple times, with the 1935, 1955, and 2002 versions being the most notable. Based on Sarat Chandra Chattopadhyay’s 1917 novella, the story follows an alcoholic lamenting a lost love, while a courtesan falls for him, knowing she can never have him. Its themes influenced films like Muqaddar Ka Sikandar (1978).
Devdas
E is for exit: In love triangles, one person is always left disappointed, sometimes making a sacrifice. These gestures range from staying silent to walking away or, in extreme cases, committing suicide. One of the most poignant examples is Kal Ho Naa Ho (2003), where a terminally ill man tries to set up the woman he loves with his friend.
Dostana
F is for friends: Many friendships have been destroyed by love triangles. In Dostana (1980) and Naseeb (1981), Amitabh Bachchan and Shatrughan Sinha play best friends whose bond is broken after falling for the same woman. In other cases, one friend sacrifices their love, as seen in Chaudhvin Ka Chand (1960), where both best friends are pushed into an unimaginable situation, after realising they love the same woman.
G is for gay: The Miami-set 2008 comedy Dostana put a fresh spin on love triangles. Abhishek Bachchan and John Abraham’s characters pretend to be gay to rent an apartment but end up competing for their female flatmate’s (Priyanka Chopra) affection while maintaining the façade of a relationship.
Dostana
H is for haunting: The 1949 classic Mahal introduced a supernatural element to the genre, with a married man forming a bond with a woman he believes to be a ghost. Spooky spirits have since featured in love stories, such as Neel Kamal (1968), where a married woman is haunted by a past-life lover.
Tumsa Nahin Dekha
I is for imposter: Love triangles have often involved imposters inserting themselves into a story with fake identities, as seen in Tumsa Nahin Dekha (1957). Rab Ne Bana Di Jodi (2008) demonstrated that a triangle can exist with just two people – Anushka Sharma’s character is torn between two men, unaware they are the same person.
J is for jokes: Great comedies have shown that love triangles do not need to be emotional or dramatic. They often lead to hilarious mishaps on the path to love. Most of these films, like Padosan (1968), revolve around two men chasing the same woman, often with absurd and over-the-top antics. In Padosan, two buffoons battle for the attention of a beautiful neighbour who is out of their league, resulting in a series of comedic misadventures.
Padosan
K is for Kuch Kuch Hota Hai: The record-breaking 1998 romance featured two love triangles across different timelines. In college, Rahul chooses Tina, leaving his best friend Anjali heartbroken. Years later, after Tina’s death, Rahul and Anjali reconnect, but she is engaged to Aman, which again complicates matters.
Kuch Kuch Hota Hai
L is for loyalty: Loyalty often triggers sacrifices in love triangles. In Saajan (1991), Pooja falls for a poet named Saagar, but he lets his adopted brother Aakash take his identity. In Sangam (1964), one friend commits suicide to clear the path for another.
M is for married: While most love triangles unfold before marriage, films like Woh Saat Din (1983) and Hum Dil De Chuke Sanam (1999) feature married women torn between their husbands and past lovers. Pati Patni Aur Woh (1978) and its 2019 remake depict a married man contemplating infidelity.
N is for naughty: Relaxed censorship laws led to steamier love triangles, as seen in Murder (2004), where a married woman has an extramarital affair.
Woh Saat Din
O is for opposites: A big driving force of Bollywood love triangles has been two opposites being attracted to the same person. In Rangeela (1995), a streetsmart ruffian and a famous movie star fall for the same woman. In Devdas, a respectable woman and a courtesan both love the same man. In films like Baazi (1951) and Shree 420 (1955), a man finds himself caught between a homely girl and a vamp. In Raju Ban Gaya Gentleman (1992), a rich and a poor woman both love the same man.
P is for period: Some of the most eye-catching love triangles have been presented in historical epics like Aan (1952) and Bajirao Mastani (2015). The greatest of them all was Bollywood’s finest film, Mughal-eAzam (1960), where a courtesan and a woman of higher rank both fall in love with a handsome prince.
Mughal-e-Azam
Q is for Qurbani: The highest-grossing film of 1980 introduced an action element into the love triangle genre. Two gangsters, who become best friends, both fall in love with the same woman.
R is for remakes: A lot of Bollywood love triangles have been remakes of international films, including Hollywood classics. Mann (1999) was an adaptation of An Affair to Remember (1957), in which an engaged woman falls for another man during a cruise. Similarly, Dil Hai Ke Manta Nahin (1991), a remake of It Happened One Night (1934), follows a betrothed woman who falls in love with someone else.
S is for sibling rivalry: Family bonds have often been tested when two siblings fall for the same person. In Yeh Dillagi (1994), two brothers are attracted to the same woman, while in Aaina (1993), two sisters find their relationship strained as they both love the same man.
Mann
T is for tragedy: Although in some cases, the spurned individual finds love elsewhere, many love triangles in Bollywood have ended in tragedy. Often, the rejected lover takes their own life or meets an untimely end, which isn’t great messaging, but adds to the emotional drama.
U is for unrequited: While love triangles typically end with two people together, what makes them compelling is the one left alone. The person with unrequited love often earns the most sympathy from audiences. Karan Johar dedicated an entire film to this theme in Ae Dil Hai Mushkil (2016), where the protagonist must deal with unreciprocated love, something most people can relate to.
Judaai
V is for villain: Negative outside forces often interfere in love triangles, causing conflict by spreading misinformation. In the early 1990s, Shah Rukh Khan played characters who forcibly created triangles by stalking married women in Darr and Anjaam. In Baazigar, he also forms a love triangle of sorts by murdering one woman and then seducing her sister.
W is for wealth: Money has frequently played a role in complicating love triangles. Many films feature a committed partner who has their head turned by a wealthier suitor. In Judaai (1997), a greedy woman effectively sells her husband to a rich love rival. In Dhadkan (2000), a man from a humble background gains wealth to win back his affluent former lover, despite her being married to someone else.
X is for X-factor: What makes this genre special is the wide array of possibilities it offers, from supernatural tales to deeply emotional dramas, social commentaries, and comedies. There is usually an element of unpredictability as audiences try to guess who will get their happy ending. The emotional tug-of-war between love, duty, friendship, and honour often mirrors reallife dilemmas. The genre also allows for intriguing twists, such as loyalty versus desire and destiny versus choice.
Y is for Yash Chopra: Whether it was Veer-Zaara, Darr, Kabhi Kabhie, Silsila, or many others, Yash Chopra presented love triangles in a way no other filmmaker ever has. He introduced unexpected turns, such as in Lamhe (1991), where a man is torn between a deceased woman and her lookalike daughter.
Z is for Zoya Akhtar: Classic comic book The Archies inspired multiple Bollywood films over the years with its iconic love triangle, including the first half of Kuch Kuch Hota Hai (1998). Director Zoya Akhtar brought it to Bollywood in 2023, with Agastya Nanda, Khushi Kapoor, and Suhana Khan forming the love triangle in her film adaptation.
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