Rameet Rauli takes on a precious lead role in new British Asian comedy
By ASJAD NAZIRJun 17, 2022
A BIG highlight of this year’s London Indian Film Festival is the world premiere of Little English.
The British Asian comedy based on hit play There’s Something About Simmy marks the directorial debut of acclaimed theatre maestro Pravesh Kumar and sees rising star Rameet Rauli take on the challenging lead role. Best known as Anya Patel in Nickelodeon’s popular teen series Ride (2018), the naturally gifted actress plays Simmy, a newly arrived girl from India who has come to marry the eldest son of a London-based family. But after he runs away, Simmy is left with a dysfunctional Punjabi family ruled by a domineering mother-in-law and must use her smart nature to survive in the hostile new world she finds herself in.
Eastern Eye caught up with Rameet to discuss the experience of taking on a lead role in Little English and what audiences can expect. She also revealed her acting heroes and what it was like shooting during a pandemic.
How did you feel being cast in the film?
Ecstatic, happy, grateful for the opportunity and then there were definitely some tears! I’ve grown up watching Pravesh’s work and now had the chance to work with him on his first feature film. A big deal and blessings for the little girl who went to see his plays and realised I could do that one day too.
Tell us about the film and character you play?
(Laughs) Not sure how much I can tell you. But Little English is a film about a very interesting family. It’s an uplifting romantic-comedy with a heart-warming story and an all-British Asian cast. I play the role of Simmy, who is a young bride, arriving from India to start her new life in UK. But this new life isn’t as she expected, and things don’t go according to plan! Cut to some unexpected turn of events and hilarious characters. For the rest you will have to watch the film.
Rameet Rauli in Little English
What is your own favourite moment in the movie?
The Bollywood moment! Simmy has a ‘running in the field’ scene, in a Punjabi suit where her chunni grazes the grass, maybe in slow-mo, who knows! But I had dreamt of that sequence for a long time and am so blessed that I got to do it in reality. Viraj Juneja (who plays Harry) and I had so much fun filming that day. We were so lucky to have the talented Andy Kumar help choreograph that running sequence.
Which other moments did you enjoy?
The big family scenes were also special because all the cast would be together, and I don’t know if you know but there are some legends of British Asian film and TV in this movie.
What kind of audience are you hoping connects with this film?
I’d like to think that there’s something for everyone in this movie. It is a family film, and we will all recognise these characters from our own relatives. We all have that one ‘merry’ uncle, snobbish sister-in-law, aunts with top detective skills. I also hope this film speaks to women, especially young Indian women. Typically, Indian women in cinema are portrayed as not having much of a voice, and I think we have flipped the narrative here. Simmy is not a damsel in distress waiting to be rescued. She is her own hero, who finds her own feet and paves her own way.
What was it like shooting for a film during the Covid pandemic?
The filming process was a strange one for all. Lots of new procedures to follow and no hugs! We tried to stay in our shoot bubbles and restricted any social mixing during the shoot. We heard lots of productions had to shut down due to outbreaks, so we were really careful about testing and not mixing. We became a tight unit, cast and crew, which was helpful to battle Covid, as well as in the working process of making the film. We were really lucky that we managed to make it through the schedule without an outbreak.
A still from Little English
How do you feel about the film premiering at London Indian Film Festival?
I am absolutely ecstatic but also very nervous! It’s an honour to have our film premiere at The London Indian Film Festival. It’s a huge festival and a great opportunity for our audience to see the film. As well as the prestigious BFI screening, we also have the opportunity for the film to travel to Manchester, Birmingham, and another London venue. I feel it’s the perfect start to the film's journey.
What are the kind of movies that you enjoy watching?
I love using movies to help me escape into other worlds. It really depends on how I’m feeling in the moment. I get really affected by what I watch, so select accordingly. On a difficult day, I love to watch comedy. On other days, I love a good thriller. But cheesy romantic movies are my current go-to, especially after a long shoot day.
Who is your own acting hero?
Ahh, so many and too many to list! But from the top of my head Tom Hanks, Mark Rylance, Dharmendra, Vidya Balan, Sridevi, Kathy Bates, Emily Blunt, and Priyanka Chopra. Can I go on?
What inspires you as an actress?
Strong female leads.
Why do you think we should all watch Little English?
This film celebrates British south Asian cinema. I think everyone watching will be able to see a version of themselves or their family in a story that reflects living in the UK. At the film’s heart, we have a family with problems, trials, and tribulations, which a lot of people will relate to. We have some absolute OGs of British Asian film and TV. Ameet Channa, Goldy Notay, Shin (DCS) and so many more. It will leave you crying, laughing, and wanting some diet cola.
Little English is set to be screened at the London Indian Film Festival next Friday (24, BFI Southbank) and June 30 (Picturehouse Central).
Visit www.londonindianfilmfestival.co.uk for more.
ACTOR Raj Ghatak praised the enduring appeal of The Producers as he takes on a role in the hit Broadway show, now playing in the West End.
Ghatak is the first person of colour to portray Carmen Ghia, the flamboyant partner of eccentric director Roger DeBris (Trevor Ashley) and, consequently, his character is dressed in the south Asian attire of sherwani (tunic) and kurta pyjama.
In an interview with Eastern Eye, he said, “The world was arguably a happier place when it was first written.
“But what we’re finding now is that audiences are so grateful to laugh. They sit down, immerse themselves in the story, and forget everything else. That’s the power of theatre.”
Describing the show as a kind of “therapy” for modern times, Ghatak said, “Audiences tell us how welcome it is to laugh so hard again”.
It is the first major London revival of American filmmaker and actor Mel Brooks’ classic, which earned an unprecedented 12 Tony Awards, and has transferred from a sold-out run at the Menier Chocolate Factory to the Garrick Theatre.
Based on Brooks’ 1967 cult film, the story follows two desperate Broadway producers who scheme to get rich by producing a flop, only for their plan to go hilariously wrong.
Trevor Ashley as Roger DeBris and Ghatak as Carmen Ghia in The Producers
Teeming with Brooks’ signature wit, the show delights in its irreverence, sending up everything from show business to politics. Ghatak said, “It’s massively exciting to be part of it. And this time around, they’ve leaned in to my ethnicity. I wear a kurta pajama and a sherwani – things that have obviously never been done before. It gives us visibility.”
Two decades ago, Ghatak starred in Bombay Dreams, AR Rahman’s West End musical produced by Andrew Lloyd Webber, that became a cultural turning point for British Asian performers.
Ghatak recalled how the show “broke the glass ceiling for south Asian actors”.
He said, “At the time, it was just a job – a very high-profile one. But, years later, people tell me they were taken to see that show as children, and because of it, they felt they had permission to be an actor. That’s something that was never the case in my day.”
That generational shift is something Ghatak takes pride in. “When I look back, it feels like we’ve come a long way. But we still have a long way to go.”
Being part of The Producers brought Ghatak face to face with one of his heroes. Brooks himself, now 99, had to approve his casting.
The actor said, “They filmed my meeting. I met the team on a Friday afternoon, and on Monday morning they said, ‘Pending Mel Brooks’ approval, we’d like to offer you the role.’ I remember thinking, if I don’t get his approval, does this mean I can’t do the job?”
The cast had four weeks of full-time rehearsals. “For that production, I watched both films,” Ghatak said, referring to the 1967 original and the 2005 version with Nathan Lane and Matthew Broderick.
“I wanted to understand the source material. I’m a firm believer that if it’s not broke, don’t fix it. Otherwise, you’re changing something for the sake of it. But rehearsals are where you experiment and play.” He credited both Brooks’ writing and Patrick Marber’s direction for the show’s humour.
“Our director comes from a background of plays. My own background is in plays, TV and film. So, we both approached this with the idea that, however heightened the situation or character, it must be grounded in truth,” he said.
Ghatak trained at the Royal Central School of Speech and Drama and Queen Mary University in London and has worked with Emma Thompson, Nicole Kidman, Riz Ahmed, Sir Derek Jacobi, Ewan M c G r e - g o r, Hugh Jackman and Benedict Cumberbatch. His stage credits include The Kite Runner, Life of Pi, Everybody’s Talking About Jamie and The Father and the Assassin. He has worked with some of the most respected directors in theatre, including Dominic Cooke, Indhu Rubasingham, Rufus Norris, Kerry Michael and now Marber.
Despite his achievements, the actor is conscious of the ongoing struggles for representation. He said, “As much as the situation has improved, we’ve still got a long way to go. Roles that challenge me, excite me. There are so many stories from the Asian subcontinent and diaspora that deserve to be told.
“When I started, there were very few people I could look to as role models. That’s why I’ve become such a champion for diversity and inclusion.”
Born and raised in north London to Bengali parents from Kolkata, he grew up surrounded by music and culture.
“My father was a doctor, and my mother was a chemistry teacher,” Ghatak said, adding, “But there was always music at home. My father sings Rabindra Sangeet, my mother plays guitar, and my sister is a classical singer.” Initially, he didn’t see acting as a viable career. “I went to a very academic school.
My interests were split between medical sciences and the performing arts.”
Eventually, he followed his childhood passion and trained as an actor.
He said, “A show like The Producers challenges me in a different way - it makes me laugh and it makes me think. That’s what keeps me passionate about the work.”
Asked what continues to excite him about musical theatre, Ghatak said, “Being in this show and telling this story. The comedy, the chaos, the craft… it’s such a joy. And to be the only person of colour among the six principal cast members, representing our community on such a stage, that’s something I’m proud of.”
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