Tawseef Khan is a qualified immigration solicitor and academic who made his literary debut with the acclaimed non-fiction book Muslim, Actually. His first novel Determination, originally published in 2024 and now available in paperback, brings his legal and creative worlds together in a powerful, emotionally rich story.
Set in a Manchester law firm, Determination follows Jamila, a 29-year-old immigration solicitor juggling frantic client calls, family expectations and her own wellbeing. Based on Khan’s lifelong proximity to immigration law, including his father starting a practice from their living room, the novel explores the human cost of a broken system with compassion, wit and clarity.
In this interview with Eastern Eye, Khan reflects on the journey behind Determination, his inspirations and why writing about immigration is as much about love as it is about justice.
He says "immigrants are the lifeblood of this country"Instagram/ itsmetawseef
What first connected you to writing?
I've always been an avid reader, ever since I was a child. It helped that my parents were strict about everything except buying books. From there, I started watching TV shows and writing them out in my notebook. I loved the feeling of putting the story down on paper, making sense of what had happened.
What led you towards writing your debut novel?
I grew up with a dad who was an immigration solicitor. He started his practice from our living room when I was about six years old, so it is all I have ever known. I knew there was a strong story there. Immigrants and immigration lawyers are poorly understood but easily reviled. I wanted to explore what it was like to be inside the immigration system, navigating that bureaucracy and helping vulnerable people through the cruelty. It is a lot of pressure.
Tell us a little bit about the story of your book.
Jamila is a 29-year-old immigration solicitor who has inherited the family's precious law firm. She is prone to being woken in the middle of the night by frantic phone calls from clients on the cusp of deportation. She works every hour that God sends her, with no time for friends, family or even herself. Jamila’s life feels hectic and out of control. Then a breakdown of sorts forces her to seek change, to pursue her own happiness while navigating the endless expectations that others seem to have of her and still committing herself to a career devoted to helping others.
What inspired the story, and is any of it drawn from real-life incidents?
While it is inspired by my background, none of the stories or cases in the book are drawn from real life. That would be unethical and would probably get me into trouble since I am still a practising solicitor. But I borrowed a lot from the energies in our office. And since I have a PhD examining the British asylum system, I took a lot from my own research.
What is your own favourite passage of the book?
It is about a character called Nazish, who is appealing the Home Office’s decision to refuse her case. As she fights with Jamila to tell her story on her own terms, there is one part she has been keeping back – the experience of being sent to a detention centre.
Is there a key message you want to convey with this book?
Immigrants are the lifeblood of this country and deserve to be treated with more dignity and respect, as do the lawyers representing them.
What inspired the title Determination?
In immigration law, a final decision is often called a ‘determination’. So the book is constantly exploring the tensions in that term – the desire to build a life for yourself versus the right of the system to decide its outcome for you. It is about power and agency, really. And the term also contains the word ‘deter’, an important reference to Theresa May’s ‘hostile environment’.
This book is, in a way, a love letter to how they raised meInstagram/ itsmetawseef
How did you feel when the hardback was published last year?
Elated. The book was a hard one to write and it had a long road to publication: I had the idea at 23, I started writing it at 29, and I published it at 37. My parents were very proud too. This book is, in a way, a love letter to how they raised me and the life we have lived – in service to our clients.
Who are you hoping connects with your novel?
People who are interested in reading about the world and understanding it better. I did not write the book for any audience in particular, but there is no doubt that those who care about migration issues, about the world we currently live in, and who have some affiliation with south Asian communities will feel seen and represented in this book. How many times do we get to say a book is filled with smart, independent and unapologetic brown women?
What kind of books do you enjoy reading yourself?
I have always tried to read the ‘world’, using it to travel to places and lives I could not imagine visiting. Since I write both fiction and non-fiction, I tend to read both too.
What, according to you, makes for a great novel?
That is a hard question. I think it has to be some combination of complex characters, a compelling story and gorgeous prose – but I am open to it all.
What inspires you as a writer?
I find inspiration everywhere – in films, books, TV shows, paintings, my garden, and in my culture, community and family. These are the stories I am most interested in telling.
What can we expect next from you?
I never speak of the next project until it is a solid, confirmed thing – I am very superstitious. But also, publishing is such a difficult, unpredictable industry, you never know if you will be lucky enough to publish again.
Why should we pick up your new book? Because it is moving, enlightening, funny and hopeful, all in one. And it is written with a lot of love for South Asian communities in Britain – men and women, and the different generations of migrants that have come here.
MONISHA RAJESH, who has achieved distinction as a travel writer, tells Eastern Eye that a good way – possibly the ideal way – to discover India is by train.
She was given a session at the FT Weekend Festival to talk about her new book, Moonlight Express: Around the World by Night Train, which focuses mainly on travel across Europe in sleeper trains.
She took her two young daughters – they were seated in the front row in the FT audience – on a double-decker sleeper called the Santa Klaus Express on a 12-hour journey in Finland from Helsinki to Rovaniemi.
But Moonlight Express also has a chapter, “The Shalimar Express”, on India, the subject of her first book, Around India in 80 Trains, which came out in 2012, followed by Around the Worldin 80 Trains (2019) and Epic Train Journeys (2021).
In Moonlight Express, she writes: “In 2010 I lost my heart to Indian Railways and being back on these clanking, dusty rails felt like a homecoming.”
On board during her travels
She decided to find out.
At the FT Weekend Festival, she appeared alongside fellow travel writer Andrew Martin. Her session, The new age of the train: why are holidays by rail this year’s hottest ticket?, was moderated by the FT’s political editor, George Parker, who asked: “Monisha, are we seeing a rail renaissance at the moment? And indeed, are train holidays the hot ticket?”
She replied: “I personally feel railway travel is having a renaissance. From everyone I have spoken to on board, a lot of it has been pushed by the climate crisis. People want to give up flying but are also embracing the slowness of travel and engaging a bit more with the places you’re moving through and the people you’re meeting. Trains are definitely having a renaissance in terms of sleepers even though a lot of the rolling stock (in Europe) is dilapidated.”
Since it takes an extra engine to operate a dining car, some companies dispense with it. But people tend to gather in a dining car if there is one.
Asked about the books she took on train journeys, Monisha said: “I really enjoy fiction about the places I‘m travelling through, just to have that point of reflection along the way. It’s a cliché but I love coming back to (Agatha Christie’s) Murder on the Orient Express.”
The cover of an earlier book
Monisha was born in Norfolk of medic parents who came to Britain from Madras (now Chennai) and grew up in Yorkshire.
She tells Eastern Eye that when she was nine, her parents moved back to India but abandoned the experiment after two years and returned to the UK.
For her debut book, Around India in 80 Trains, Monisha – “I am not a fan of flying generally” – spent January to May in 2010 travelling across the country. Her itinerary was drawn up in London and she also “bought a 90-day rail pass, which I still have, for $540 (£397)”.
She travelled in a number of luxury sleepers, among them the Indian Maharaja- Deccan Odyssey (from Mumbai to Delhi); the Deccan Queen (from Mumbai to Pune); and the Golden Chariot (from Mysore to Vasco da Gama) which she liked best of all.
The latter journey was seven days and took her to places like Hampi, Badami and Nagaraahole which were all new to her. Monisha’s 80 Indian train journeys, crisscrossing the country, included: Nagercoil to Kanyakumari; Okha-Puri Express from Dwarka to Ahmedabad; Jaisalmer Express from Jodhpur to Jaisalmer; Himalayan Queen toy train from Shimla to Kalka; Chennai Rajdhani Express from Delhi to Chennai; Kolkata Mail from Mumbai to Katni; Darjeeling Mail from New Jalpaiguri to Kolkata; and Konarak Express from Bhubaneshwar to Hyderabad.
Anyone from Britain who has travelled by train in India will know fellow passengers are not exactly shy about asking personal questions: “Of, you are from England? Have you dated an English girl? (if a man). What salary are you drawing? Are you married? (if a woman) No? Why aren’t you married? You should be.”
Monisha, who records many of the conversations that she has had, remembers: “There were quite a lot of Indian families, who had brought their children, on the luxury trains. I like that because passengers in luxury trains in the Golden Triangle (in Rajasthan) tend to be western tourists for the most part. It wasn’t like that in the south.”
In 2023, she went back to do a piece marking the 170th anniversary of Indian Railways for the National Geographic Traveller. She took the Mondovi Express from Mumbai to Goa, and came back to Rajasthan for a journey from Jaipur to Jodhpur. She was introduced to Ghanshyam Gowalini, who is better known as “Omelette Man” because he “cracked open more than one thousand eggs a day”. She moved on to Jaisalmer from where she caught the Shalimar Express sleeper to Delhi.
On another journey in India
The trip was India revisited: “I wanted to see what I felt about the trains again, how things have changed and evolved, whether the charm and character I found the first time were still there.”
She wasn’t disappointed: “It was a real refresher.” She encourages her readers and her own friends to undertake a train adventure in India. “They’re quite pleasantly surprised because a lot of people who have never been to India before feel a bit nervous about negotiating it by themselves.”
Some English folk in their sixties took her book and told her later it was a “nice little guide”.
Monisha says: “Once you hop on board, you’re surrounded by people who give you very good advice about where to stay, what to eat, what not to eat, where to go, things that you don’t find in guidebooks. You get that instant interaction with people in India who are always very helpful, very friendly. They love the fact that people are travelling around and want to know a bit more about their country.”
n Moonlight Express: Around the World by Night Train by Monisha Rajesh is published by Bloomsbury at £22.
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The book traces his mother’s journey from a small village near Jalandhar in Punjab
Memoir traces a mother’s journey from rural Punjab to post-war Britain
Blends personal history with wider South Asian migration narratives
Aims to challenge negative portrayals of immigrant communities
A family story that became a book
Origins: The Roots We Stand On, published in 2025 under the pseudonym Omar Hassan, began with a deeply personal request. In 2016, as her health declined, the author’s mother asked him to give a lecture about her life during a large family reunion. That presentation, first delivered through PowerPoint slides to a hundred relatives, became the foundation for a manuscript that evolved into a published memoir.
The book grew from family notes and stories meant for children, who were enthralled by the characters and history, into a wider project that sought to preserve a legacy. “It slowly dawned on us all that with that small, unusual and apparently innocent request my mum had managed to cement in us all a deeper appreciation for our origins and respect for our family’s struggle,” Omar writes.
From Punjab to post-war England
The book traces his mother’s journey from a small village near Jalandhar in Punjab, then part of British India, through Pakistan and finally to Britain in the 1960s. She had never travelled before her marriage, and found herself in the grey industrial landscape of post-war England, unable to speak the language and cut off from her roots.
Her experience reflected a broader migration wave. These were not refugees, Omar stresses, but workers invited under Britain’s post-war plan to rebuild key industries. “They were, in fact, invited guests – part of a plan to rebuild a Britain battered by World War II.”
Building a life and legacy
For Omar’s parents, education and work were central milestones. His father earned a PhD, a defining achievement, while his mother eventually returned to teaching, which she had loved in Pakistan. Family milestones, such as their first holiday abroad, often combined necessity with ingenuity, and became part of the shared memory that fills the book.
Blending memory and history
Origins draws on oral history through countless conversations, supported by archival research including immigration records, newspapers and maps. One unexpected treasure came from a school project where Omar’s niece asked her grandparents detailed questions about their early lives. Their written answers later became invaluable, offering insights that might otherwise have been lost.
Omar notes that these stories are not just about struggle, but also about humour and warmthTariq
Giving voice to women’s stories
While many accounts of migration focus on men’s work, Origins highlights the overlooked experiences of women who came through arranged marriages. Often isolated, they became the architects of their families’ futures, raising children, enduring hardship and creating stability. Omar notes that these stories are not just about struggle, but also about humour and warmth.
Writing, publishing and what’s next
The writing process took shape slowly, shaped by emotion and reflection, before Omar and his sisters completed the manuscript and self-published on Amazon in paperback and Kindle formats. Wider distribution through independent bookshops is being explored, and a follow-up book is planned on the second generation’s experience.
Pride in immigrant communities
At its core, Origins seeks to highlight dignity in everyday sacrifice. “Pride doesn’t always look like loud success or headline-making stories,” Omar writes. “Sometimes it looks like mothers ironing uniforms late into the night, fathers working weekends to send money home, families crowding into small spaces so their children could have bigger lives.”
In turbulent times, he hopes the book can counter negative media portrayals of immigrants by affirming their struggles and celebrating their contributions. “Yes we would be delighted to answer any questions you have. I hope in these turbulent times we could specifically have the opportunity to highlight pride that immigrant communities should feel, contrary to the often negative depictions of current mainstream media.”
Origins: The Roots We Stand On is available now onAmazon.
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UN human rights office urges India to drop cases against Arundhati Roy
ARUNDHATI ROY’S forthcoming memoir, Mother Mary Comes To Me, is about the author’s close but fraught relationship with her mother, Mary Roy, whose death in 2022 her daughter has likened to “being hit by a truck”.
Mary Roy, who insisted her children call her “Mrs Roy” in school, belonged to the Syrian Christian community. She does not seem a very nice person.
The Financial Times, which interviewed Arundhati at her home in Delhi, reveals: “In an episode to which the writer makes oblique reference early in the book but withholds until later — because of the pain it caused — she returned from boarding school for the holidays, aged 13, to find that Mrs Roy had had her beloved pet dog, Dido, shot and buried as ‘a kind of honour killing’ after Dido mated with an unknown street dog.”
In 1996, someone tipped me off that a publisher had won an auction by paying £1 million for The God of Small Things by an unknown Indian writer. This was unprecedented for a debut novel. But the buzz among the bidders was that the novel was a possible contender for the Booker Prize.
As I was writing my story at the Daily Telegraph, the night editor, Andrew Hutchinson, leant over and quipped: “Writing about your sister again?” As we know, Arundhati Roy did win the Booker in 1997. I had actually met Arundhati two years previously when she had stuck up for Phoolan Devi, the subject of Shekhar Kapur’s movie, Bandit Queen, based on Mala Sen’s biography.
Phoolan had been repeatedly raped by upper class Thakurs (the men were later lined up in the village of Behmai and executed by Phoolan’s gang in 1981). The film was exploitative, claimed Arundhati, because for Phoolan, it was like being raped again. She wrote a piece in Sunday in Calcutta (now Kolkata), headlined, “The Indian rape trick”.
Mala arranged for me to interview Phoolan who was refusing to talk to Channel 4 which was making a documentary in India on the controversial movie. In public, she supported Arundhati, but behind the scenes did a deal with C4 which paid her £40,000.
The FT interview says Arundhati “left home at 16, putting the length of the subcontinent between her mother in Kerala and herself in New Delhi, where she was admitted as one of the few women students at the School of Planning and Architecture. ‘I left in order to be able to continue to love her, because I knew she would destroy me if I stayed,’ she says.
First edition of The Hobbit sold for £43,000 by Auctioneum in Bristol.
Only 1,500 copies were printed in 1937; few hundred believed to survive.
Book was found during a routine house clearance without a dust jacket.
Bound in light green cloth, it features original black-and-white illustrations by Tolkien.
Copy once belonged to the family library of Oxford botanist Hubert Priestley.
A rare first edition of JRR Tolkien’s The Hobbit has sold for £43,000 at auction after being discovered during a house clearance in Bristol. The copy, uncovered by Auctioneum, was part of the original 1937 print run of 1,500 copies and is considered “unimaginably rare”, with only a few hundred believed to still exist.
The book was bought by a private collector based in the UK. Auctioneum, which handled the sale, noted that bidding came from across the globe, pushing the final sale price to more than four times the original estimate.
Discovered on an ordinary bookcase
The copy was found without a dust jacket on what was described as a “run-of-the-mill bookcase”. Caitlin Riley, Auctioneum’s rare books specialist, recognised the value immediately upon examining the book.
“It was clearly an early Hobbit at first glance, so I just pulled it out and began to flick through it, never expecting it to be a true first edition,” Riley said. “It’s a wonderful result for a very special book.”
Bound in light green cloth with black lettering, the edition features black-and-white illustrations by Tolkien himself, who was then a professor at the University of Oxford.
Historical connection to Oxford
This laid the foundation for his epic sequel, The Lord of the RingsAuctioneum
Auctioneum said the book was part of the family library of Hubert Priestley, a botanist linked to Oxford and the brother of Sir Raymond Edward Priestley, an Antarctic explorer and geologist. It is believed that the Priestley family had personal or academic ties with Tolkien, and possibly CS Lewis, who was also part of Oxford’s literary circle.
High-value collector’s item
Tolkien’s The Hobbit has sold over 100 million copies worldwide and laid the foundation for his epic sequel, The Lord of the Rings. First editions of The Hobbit are in high demand; in 2015, a copy featuring a handwritten note by Tolkien in Elvish fetched £137,000 at Sotheby’s.
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Reeta Chakrabarti with her ACTA trophy for Best Presenter
REETA CHAKRABARTI is wonderfully eloquent when talking to Eastern Eye about her debut novel, Finding Belle, which she says has been “inspired” by Charlotte Brontë’s Jane Eyre “rather than a retelling of the classic published in 1847”.
To most people in Britain – and indeed across the world – Reeta is the calm, authoritative, reassuring presence on the BBC, which she joined in 1994. Indeed, in March this year she was named “Best Presenter” in Eastern Eye’s Arts, Culture & Theatre Awards (ACTA). After speaking to Eastern Eye last Tuesday (15), she headed back to Broadcasting House to front the BBC’s flagship News at Ten as chief presenter.
A different picture of Reeta emerges as she talks about Finding Belle, which is quite a dark novel that tells of the effect of schizophrenia on Belle, an Indian woman who has met and married a handsome Englishman, Fairfax, in Mombasa, before uprooting to suburban England. The tale is told by their daughter Mivvi, who witnesses the collapse of her parents’ marriage and her mother’s descent into almost a kind of madness. Belle also miscarries. What makes everything worse is Fairfax’s infidelity and cruel refusal to give his wife medical treatment.
Chakrabarti as a seven-year-old in Kolkata
At school, Mivvi is humiliated by a couple of blonde twins, who chant, “Mivvi! Superstar! How many boys have you kissed so far? 24? Maybe more? Ten on the bed and the rest on the floor!”, adding, “Paki! Paki! Blackie, Mivvi, Paki!”
She was “determined to be Daddy’s daughter, not Mama’s,” but, alas, all the soap in the world cannot make her complexion fair and lovely.
Reeta said she has always been a bookworm and read Jane Eyre at the age of eight. Five novels she would take to a desert island would include Jane Eyre, along with Mary Shelley’s Frankenstein; or, The Modern Prometheus; Never Let Me Go by Kazuo Ishiguro; Tender Is the Night by F Scott Fitzgerald; and George Eliot’s Middlemarch, A Study of Provincial Life. She considered herself to be “an author in search of a novel”. During Covid, she realised it was “now and never”.
She said Jane Eyre “is the book I have read most”. When she was growing up, she was “consumed by the romance between Jane and Rochester”.
“But then as I got older, I started to think Rochester is quite a bastard because he locks up his wife in a cellar. She’s ill, very ill, but instead of finding a treatment, he locks her up. Then he leads Jane a merry dance. The themes within Jane Eyre are of secrecy, a marriage where the wife becomes very mentally ill and is hidden away. She’s a shameful secret, and our attitudes to mental illness these days are entirely different. So that’s where my novel comes from. Schizophrenia is a particular form of psychosis whereby somebody, who may lead their lives fairly normally, can have delusions so they hear voices or imagine scenarios that are not real. This is the condition that I decided to give my fictional character, based on the classical reference to Bertha from Jane Eyre.”
Finding Belle “is not ultimately a bleak novel”, she said.
Mivvi, a bright girl at school, goes off to Bristol to study French (Reeta herself read English and French at Exeter College, Oxford) and finds friendship and marriage with an Indian boy, Ashish. After they have a baby, there is a brief sojourn through Kolkata, a city Reeta knows well.
Reeta’s father, Bidhan Kumar Chakrabarti, a junior doctor, and mother, Ruma, a civil servant, arrived in Britain in 1960. Now 90, her father worked for the NHS, ending up as a surgeon. Her mother passed away in 2016. Reeta’s younger sister, Lolita Chakrabarti, is the wellknown actress and writer (she adapted Life of Pi for the West End).
“My father particularly was very ambitious for me,” said Reeta. “He wanted me to be a doctor and continue the tradition because his father was a doctor and his father was a doctor and his father was a doctor. His older brother was a doctor. I was quite happy to continue the line. Then one day, he took me to theatre to see an operation. I was 13, and he was operating, and I remember being very overcome by the environment, and I fainted to his mortification.” However, he was “over the moon” when Reeta got into Oxford.
In Finding Belle, she initially set Mivvi’s childhood in the 1990s but pushed it back into the 1970s at her editor’s suggestion to reflect her own schooldays.
Although born in London, Reeta moved when she was five to Birmingham, where she attended various state schools before joining King Edward VI High School for Girls.
“1970s Britain was a harsher, cruder place when it came to race,” she said. “I was brought up in Birmingham and although I did not experience very harsh racism there was a lot of teasing at school. This was a few years after Enoch Powell’s (1968 ‘Rivers of blood’) speech, the National Front was quite strong there. Football hooliganism was quite tainted by racism. This is the atmosphere I was trying to recreate from my memory of being a child in the 1970s.”
Chakrabarti holding her book Finding Belle
Her parents did consider returning to Kolkata.
“We made two attempts to live there,” she remembered, “once just for a few months, then for 18 months. When I was 15, we went back to Kolkata. Until I was 16 and a half, I went to the international school there. I did my O levels there. So, I know Kolkata quite well. I still go back quite regularly now. My uncles, aunties, and cousins are all there. And the descriptions that I have of Kolkata towards the end of the novel are very much my accumulated feelings about the city.” In Kolkata she is happy not to be treated as the big BBC star from London but instead, “I am somebody’s niece, the eldest in our group of cousins. These are important relationships for me. My uncles range from their late seventies to mid-nineties. I feel close to them. I feel my Bengali identity increasingly strongly.”In the 1970s, she, like other Asians or Afro-Caribbeans, felt “a strong need to assimilate and be British. I see younger colleagues who don’t feel the need to assimilate in quite the same way. They can have mixed dual heritage much more openly. I can, too, now. Is that a function of changing society or is that because I am older and more confident? I am at the stage where my Indian heritage is very important to me, and so I go back frequently. My three children are British. I use the word British (rather than English) because my husband is Scottish. My children were born here. They are mixed race. They are part of the new Britain.
Chakrabarti at Exeter College, Oxford
“When I was a child, I used to be teased for having Chakrabarti as a surname. It’s now part of the national fabric. People know how to spell it as well.”
She would encourage young people, especially Asians, to go into journalism: “It’s a fantastic career. Some people say it’s an uncertain career, but I’m a great optimist. Each generation remakes an industry for themselves, don’t they? We’re some way from being as integrated and as equal as we should be, but we are so much better than we used to be. I’m, by and large, very proud of the way in which the country has developed.”
n Finding Belle is published by HarperCollins. £16.9