FORMER home secretary Suella Braverman has said it is 'wrong, dangerous, and disempowering' to claim the British countryside is racist.
In an article for The Telegraph on Monday (12), Braverman added that white individuals should not be made to feel guilty for their race.
The former home secretary’s comments follow recent claims by wildlife charities, including the National Trust and RSPCA, suggesting that the countryside is unwelcoming to ethnic minorities due to its predominantly white demographic (see story on page 15).
The Wildlife and Countryside Link, an umbrella group representing various charities, asserted in a report submitted to parliament that green spaces in the UK are often seen as "dominated by white people," which can discourage ethnic minorities from utilising them.
Braverman disagreed, saying, "We need to stop making white people feel guilty for being white."
She said judging individuals based on their skin colour, rather than their character, is "wholly disempowering for ethnic minorities".
She described her own experiences, recalling 30 years of family camping trips in the British countryside without encountering any hostility.
She contrasted this with the rare instances of racism she has faced, predominantly in urban settings.
Braverman's also cautioned against the dangers of making white people feel guilty for their race, labelling concepts like critical race theory and white privilege as "left-wing militancy."
This isn't the first time Braverman has criticised what she sees as misplaced guilt and identity politics. She previously defended Britain's colonial past and criticised efforts to "decolonise" university curriculums.
Braverman argued that framing everything through the lens of race or gender and perpetuating a narrative of victimhood only serves to divide society further.
To illustrate her point, Braverman shared family photos from her childhood camping adventures, showcasing memories of riding horses in the Brecon Beacons, hiking in the Lake District, and braving blizzards in the Cairngorms.
She emphasised the importance of challenging divisive ideologies and celebrating the countryside as a shared treasure for all, regardless of race or manufactured victimhood.








Curator Emma Slocombe with ikat robes and arabachi coats in the Peter the Great Room in Blickling Hall Amit Roy
View of the entrance to Blickling Hall on a rainy autumn dayAmit Roy
Kente cloth from Ghana in the Long Gallery in Blickling Hall
Decoration in the Great Hall at Blickling Hall Amit Roy
Palampore fragment made in coastal south-east India in the Brown Room in Blickling Hall Amit Roy
Bed valance dating from early 1700s in the Italian Print Room at Blickling Hall Amit Roy
Indian inspired fabric draped on sofas in the South Drawing Room in Blickling Hall Amit Roy
Indian inspired fabric draped on sofas in the South Drawing Room with Indian carpet in Blickling Hall Amit Roy
Karun Thakar has picked out the geometric patterns in the bookcase and the Kente cloth in the Long Gallery in Blickling Hall Amit Roy
Large tapestry depicting Peter the Great defeating the Swedish army at the Battle of Poltava in 1709 Amit Roy
ikat robes and arabachi coats in the Peter the Great Room in Blickling Hall Amit Roy
Baghs and kanthas made by women provide contrast to the men only portraits in the Great Hall at Blickling Hall Amit Roy
Baghs and kanthas in the entrance Great Hall at Blickling Hall Amit Roy
Baghs and Kanthas in the Great Hall in harmony with stained glass window at Blickling Hall Amit Roy
Kimonos reflect Japanese influence in Upper Ante Room in Blickling Hall Amit Roy
Kimono in Upper Ante Room in Blickling Hall
A view of the Palace and fort at Agra shows romantic side of India Amit Roy
Blickling Hall Amit Roy
Table carpet, European 1670-1680 Amit Roy
Unfinished 17th century Italian embroidery in the Print Room at Blickling Hall Amit Roy
Picture of Kashmir shows a romantic view of India Amit Roy
A panel of Ashburnham bed hangings made in Gujarat for sale in Europe in the Brown Room in Blickling Hall Amit Roy
Colcha made in the 1600s by women in Bengal for the Portuguese market in the Long Gallery at Blickling Hall Amit Roy



