Mahesh Babu and Priyanka Chopra head to Tanzania as Rajamouli’s ‘SSMB 29’ plot leaks reveal African legend-inspired thriller
The £89 million (approx. ₹970 crore) action-adventure will begin filming in Serengeti this July with Mahesh Babu playing a rugged explorer on a world-altering mission.
Mahesh Babu and Priyanka Chopra head to Tanzania for Rajamouli’s SSMB 29
Pooja Pillai is an entertainment journalist with Asian Media Group, where she covers cinema, pop culture, internet trends, and the politics of representation. Her work spans interviews, cultural features, and social commentary across digital platforms.
She began her reporting career as a news anchor, scripting and presenting stories for a regional newsroom. With a background in journalism and media studies, she has since built a body of work exploring how entertainment intersects with social and cultural shifts, particularly through a South Indian lens.
She brings both newsroom rigour and narrative curiosity to her work, and believes the best stories don’t just inform — they reveal what we didn’t know we needed to hear.
Mahesh Babu, Priyanka Chopra and Prithviraj Sukumaran to headline SS Rajamouli’s next big-budget film
Shooting for SSMB 29 begins in mid-July in Tanzania’s Serengeti, followed by South Africa
Tanzanian report leaks plot details: a globe-trotting explorer unravels ancient secrets
Film reportedly mounted on a massive £89 million (approx. ₹970 crore) budget, one of India's costliest projects
Director SS Rajamouli is set to begin filming a new schedule of SSMB 29, his much-anticipated project starring Mahesh Babu and Priyanka Chopra. Reports from Tanzania suggest the crew will kick off shooting in Serengeti by the third week of July. The action-adventure, which also stars Prithviraj Sukumaran, is said to be based on classic African exploration tales, with a twist of mythology and mystery.
The buzz around SSMB 29 has only grown after Tanzanian publication The Citizen not only confirmed the upcoming shoot in East Africa but also leaked key details about the plot. The film is being made on a staggering budget of £89 million (approx. ₹970 crore), putting it among India’s most expensive cinematic ventures.
Mahesh Babu, Priyanka Chopra Jonas and Prithviraj Sukumaran joins SSMB29 Getty Images
What is the story of SSMB 29?
According to reports, SSMB 29 follows a daring explorer who sets out on a perilous mission through uncharted territories in Africa. Described as being influenced by Indiana Jones and classic adventure films, the protagonist faces nature’s fury, cryptic legends, and a powerful adversary while uncovering a long-lost secret capable of altering the fate of the world.
Tanzanian media described the story as: “Think ancient legends, wild landscapes, and edge-of-your-seat thrills.” Mahesh Babu is expected to portray the rugged central character, making this his most physically demanding and globally ambitious role yet.
Mahesh Babu’s dramatic new look for SSMB 29 sparks a social media frenzy as fans compare him to Mufasa and a Hollywood action hero Getty Images/ Twitter
Where is SSMB 29 being shot?
The new schedule begins in Serengeti, Tanzania in mid-July, with the crew expected to move to South Africa shortly after. Earlier, parts of the film were shot in Koraput, Odisha, particularly at Talamali Hilltop.
There’s also buzz that the production may recreate ancient Indian cities, particularly Kashi (Varanasi), on elaborate sets in Hyderabad. While the African setting dominates the current narrative, past reports hinted at a mythological layer rooted in Indian history and a Lord Shiva lore.
SS Rajamouli recreates Varanasi at Ramoji Film City for a key action sequence in SSMB29 Getty Images
Who else is in the cast of SSMB 29 ?
Aside from Mahesh Babu and Priyanka Chopra, the film features Malayalam actor Prithviraj Sukumaran in a major role. There are also unconfirmed reports suggesting R. Madhavan may join the ensemble cast, adding further star power to Rajamouli’s already stacked team.
Chopra, who has been working predominantly in the West, confirmed in an interview that she’s returning to India for this project. “I miss Hindi movies and I miss India so much. I’m working in India this year, and I’m really excited about that,” she said.
Priyanka Chopra calls 'SSMB29' her homecoming as she reunites with Indian cinema Getty Images
Why is Rajamouli keeping quiet about the film?
Unlike his high-profile promotions for Baahubali and RRR, Rajamouli has adopted a low-key strategy for SSMB 29. The project was quietly launched with a puja ceremony in Hyderabad earlier this year, and there has been no official word from the director about the storyline or cast additions.
During a screening of RRR in Japan, Rajamouli did express enthusiasm about introducing Mahesh Babu to international audiences. “His name is Mahesh Babu… he is very handsome. Hopefully, we finish the film fast and I’ll bring him here. I’m sure you’ll love him,” he told fans.
Forum brings UK and Chinese film professionals together to explore collaborations.
Emerging British-Asian talent gain mentorship and international exposure.
Small-scale dramas, kids’ shows, and adapting popular formats were the projects everyone was talking about.
Telling stories that feel real to their culture, yet can connect with anyone, is what makes them work worldwide.
Meeting three times a year keeps the UK and China talking, creating opportunities that last beyond one event.
The theatre was packed for the Third Shanghai–London Screen Industry Forum. Between panels and workshops, filmmakers, producers and executives discussed ideas and business cards and it felt more than just a summit. British-Asian filmmakers were meeting and greeting the Chinese industry in an attempt to explore genuine possibilities of working in China’s film market.
UK China film collaborations take off as Third Shanghai London Forum connects British Asian filmmakers with Chinese studios Instagram/ukchinafilm
What makes the forum important for British-Asian filmmakers?
For filmmakers whose films explore identity and belonging, this is a chance to show their work on an international stage, meet Chinese directors, talk co-productions and break cultural walls that normally feel unscalable. “It’s invaluable,” Abid Khan said after a panel, “because you can’t create globally if you don’t talk globally.”
And it’s not just established names. Young filmmakers were all around, pitching ideas and learning on the go. The forum gave them a chance to get noticed with mentoring, workshops, and live pitch sessions.
Which projects are catching international attention?
Micro-dramas are trending. Roy Lu of Linmon International says vertical content for apps is “where it’s at.” They’ve done US, Canada, Australia and next stop, Europe. YouTube is back in focus too, thanks to Rosemary Reed of POW TV Studios. Short attention spans and three-minute hits, she’s ready.
Children’s and sports shows are another hotspot. Jiella Esmat of 8Lions is developing Touch Grass, a football-themed children’s show. The logic is simple: sports and kids content unite families, like global glue.
Then there’s format adaptation. Lu also talked about Nothing But 30, a Chinese series with 7 billion streams. The plan is for an english version in London. Not a straight translation, but a cultural transformation. “‘30’ in London isn’t just words,” Lu says. “It’s a new story.”
Jason Zhang of Stellar Pictures says international audiences respond when culture isn’t just a background prop. Lanterns, flowers, rituals, they’re part of the plot. Cedric Behrel from Trinity CineAsia adds: you need context. Western audiences don’t know Journey to the West, so co-production helps them understand without diluting the story.
Economic sense matters too. Roy Lu stresses: pick your market, make it financially viable. Esmat likens ideal co-productions to a marriage: “Multicultural teams naturally think about what works globally and what doesn’t.”
The UK-China Film Collab’s Future Talent Programme is taking on eight students or recent grads this year. They’re getting the backstage access to international filmmaking that few ever see, including mentorship, festival organising and hands-on experience. Alumni are landing real jobs: accredited festival journalists, Beijing producers, curators at The National Gallery.
Adrian Wootton OBE reminded everyone: “We exist through partnerships, networks, and collaboration.” Yin Xin from Shanghai Media Group noted that tri-annual gathering: London, Shanghai, Hong Kong create an “intensive concentration” of ideas.
Actor-director Zhang Luyi said it best: cultural exchange isn’t telling your story to someone, it’s creating stories together.
The Shanghai-London Screen Industry Forum is no longer just a talking shop. It’s a launchpad, a bridge. And for British-Asian filmmakers and emerging talent, it’s a chance to turn ideas into reality.
By clicking the 'Subscribe’, you agree to receive our newsletter, marketing communications and industry
partners/sponsors sharing promotional product information via email and print communication from Garavi Gujarat
Publications Ltd and subsidiaries. You have the right to withdraw your consent at any time by clicking the
unsubscribe link in our emails. We will use your email address to personalize our communications and send you
relevant offers. Your data will be stored up to 30 days after unsubscribing.
Contact us at data@amg.biz to see how we manage and store your data.