South London heart attack survivor to take on famous bike ride in memory of dad who died from the same disease
In London, around 1,30,000 people are currently living with heart and circulatory diseases.
By Eastern EyeMay 27, 2022
A London resident is saddling up for British Heart Foundation’s London to Brighton Bike Ride to help raise money for people with heart and circulatory diseases, just like him.
Deepak Kapoor, 42, from Coulsdon, will be taking on the iconic 54-mile ride from Clapham Common to Brighton seafront on Sunday 19th June.
In 2012, Deepak suffered a heart attack. Aged just 32 years old Deepak was on his way home from work when he began to experience a tightening sensation in his chest. As he has a history of heart disease in the family Deepak wasted no time and went straight to hospital where he underwent an emergency stent procedure.
Over the past ten years Deepak has overcome many challenges on his road to recovery, both physically and mentally. He took up cycling in a bid to help him get fit and increase his own cardiovascular endurance.
Deepak Kapoor
Deepak now wants to put his pedal power to the test by taking on the famous London to Brighton Bike Ride and support the BHF’s ambition of raising more than £2.8 million at the event for research into heart and circulatory diseases.
He said: “Taking part in a cycling event was a fitness goal I wanted to work towards. Since signing up for the London to Brighton Bike Ride last year I’ve been working hard to increase my cardiovascular endurance on a bike.
“I’ve really been enjoying getting into cycling but know the 54-mile ride will be a challenge, and certainly put me out of my comfort zone. I know that I’m resilient and, with all the training I’ve been doing, I’ll be able to tackle anything. I’m looking forward to being able to say I’ve conquered the Ditchling Beacon.”
Chander Kapoor
Deepak’s own heart condition is not the only reason why he is taking on the London to Brighton Bike Ride. When he was just four years old his dad, Chander Kapoor, died just two days before his 36th birthday in 1984, after suffering a major heart attacked caused by a blocked aorta and significant damage to his heart muscle. Deepak will be riding the event on Father’s Day in memory of his dad, as well as other family members, including his grandfather, who have died from heart related conditions.
Sadly, he isn’t alone. In London, around 130,000 people are currently living with heart and circulatory diseases, which kill more than 1 in 4 in the Capital alone.
Deepak is now passionate about supporting others by raising money for life-saving research funded by the British Heart Foundation.
Deepak said: “The support I receive from my family and friends is overwhelming. I cannot thank them enough for all the love they’ve given to me over the last ten years through my own battle with heart disease.
“Losing a parent is always tough but losing one at such a young age is truly heart-breaking. My father was a great man, who always tried to stay healthy and active.
“Heart disease has impacted my family for generations, like so many others. I want to help make a difference to save lives and support the incredible work that goes into making research breakthroughs at the British Heart Foundation.”
The London to Brighton Bike Ride is returning on Sunday 19 June after a two-year break due to the Covid-19 pandemic. Deepak will join around 14,000 other cyclists of all abilities on the 54-mile ride from city to coast.
Lee Sumner, London to Brighton Event Manager, said: “Deepak has been affected by the consequences of heart and circulatory diseases his whole life but it’s so inspiring to hear how passionate he is about making a difference by taking on the London to Brighton Bike Ride.
“I wish Deepak the very best of luck on event day, along with the other 14,000 riders taking part in the London to Brighton Bike Ride. It’s thanks to people like him that the British Heart Foundation can continue to fund science projects that will help to save and improve lives of people with heart and circulatory conditions.”
UK music industry continue to face systemic barriers that hinder progress, visibility, and career growth – despite decades of contribution and cultural influence, a new report has revealed.
The study, South Asian Soundcheck, published last Tuesday (7), surveyed 349 artists and professionals and found that while many are skilled and ambitious, structural obstacles are still holding them back.
Prepared by Lila, a charity focused on empowering south Asian artists and music professionals, the survey showed that nearly three-quarters of respondents earn some income from music, but only 28 per cent rely on it full time.
More than half struggle to access opportunities or funding, and many said they lack industry networks or knowledge about contracts and rights.
Beyond structural issues, almost half said they face stereotypes about the kind of music they should make; two in five encounter family doubts about music as a career, and one in three has experienced racial discrimination.
Although 69 per cent said there was progress in visibility, but 68 per cent still feel invisible within the industry.
Respondents sought urgent action, including mentorship and networking opportunities, stronger south Asian representation in key industry roles and fairer access to funding.
Veteran musician and composer Viram Jasani, who chaired the Asian Music Circuit and led a national enquiry into south Asian music in 1985, told Eastern Eye the findings were “disheartening”.
“I read the report and my heart sank – it feels as though nothing has changed,” he said.
“Back in 1985, we had already identified the same problems and made clear recommendations for better representation, employment and long-term support. Four decades later, we are still talking about the same issues.”
Jasani, a sitar, tabla and tambura expert, said the report focused mainly on modern genres and overlooked traditional south Asian music, which he believes is central to cultural identity.
“Since colonial times, British attitudes have not changed much,” he said. “If they can erase Indian traditional culture and create a community that lives entirely within an English cultural bubble, then they will have succeeded.”
He added that young south Asian artists were often drawn to Western contemporary music, while neglecting their own heritage.
“We are brilliant in Western genres, but that should come after we are grounded in our traditional shashtriya sangeet (classical music),” he said. “Without that foundation, we lose our sense of identity.”
Jasani also warned a lack of unity within the south Asian community continues to weaken its cultural progress.
He said, “People compete with each other while the world watches. For too long, massaging egos has taken priority over producing the best of our culture.”
According to the survey, one in three has experienced direct racial discrimination. One respondent said, “There are virtually no visible and successful south Asian artists in the mainstream – people simply do not know where to place us.”
Another added: “I want south Asian artists to be part of the collective mainstream industry, not just put on south Asian-specific stages or events.”
While the visibility of south Asian artists has improved, with more names appearing on festival line-ups and in the media, the study revealed this progress remains “surface level”.
Lila’s founder, Vikram Gudi, said the findings show progress has not yet been translated into structural inclusion.
“The data exposes what we call the progress paradox. Seventy-three per cent of the people we surveyed earn some money from music, but only 27 per cent earn enough to rely on it as a sustainable career,” he said.
“The Soundcheck gives us the evidence to enact real change and identifies three essential needs – mentorship, representation, and investment.”
Three-quarters of participants said mentorship from experienced professionals would make the biggest difference to their careers. Many stressed the importance of being guided by people who “understand how the industry works and can connect them to decision-makers”.
Nearly the same proportion called for greater south Asian representation across the music industry – not just on stage, but within executive, programming and production roles at festivals, venues, record labels and streaming services.
Dedicated funding also emerged as a priority, with many describing the current grant systems as inaccessible or ill-suited to the diverse and cross-genre work that defines south Asian creativity today.
Two in five respondents reported that family or community resistance remains a challenge, often due to the perceived instability of a music career. The report argued this scepticism is “economically logical”, when there are so few visible south Asian success stories in the mainstream.
Responding to the report, Indy Vidyalankara, member of the UK Music Diversity Taskforce and BPI Equity & Justice Advisory Group, said: “South Asian music is rich, vibrant, and hugely influential. We need south Asian representation at every level of the ecosystem, plus support and investment to match that influence.”
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