Somerset House to unveil major outdoor installation by Indian artist Jitish Kallat
The creation comprises two intersecting spirals that echo the signage of UK roads and connect the neoclassical courtyard of Somerset House to locations across the planet and distant universe.
Noted Indian contemporary artist Jitish Kallat will present in February Whorled (Here After Here After Here), a new courtyard commission by Somerset House and his first major public commission in the UK.
The striking outdoor installation, over 30 metres in diameter, comprises two intersecting spirals that echo the signage of UK roads and connect the famed neoclassical courtyard of Somerset House to locations across the planet and distant universe.
Whorled (Here After Here After Here), which is conceived as a seismic ripple or a galactic whorl, is aligned to the Earth’s cardinal north-south directions and spiralling outwards from the centre of the Somerset House courtyard.
The work draws upon sacred geometry and alchemical diagrams.
Like much of 49-year-old Kallat’s work, it interlaces the immediate and the cosmic, the past and present. Two vast scrolls, each 168 metres in length, form interlocking spirals and a continuum of text and symbols follows the visual language of UK motorway signage.
As visitors walk through the scrolls, these signs indicate the distance from Somerset House to over 300 locations across the planet and beyond, pointing to celestial bodies, such as the moon, Mars, and distant stars in the Milky Way.
As Kallat’s work playfully reorients the courtyard in relation to a myriad of destinations, both terrestrial and celestial, visitors are invited to take pathways through the interlaced spirals.
Routes through the work map circular movements through space and time. Visitors encounter a continuous shifting of focus as proximate planetary locations border distant and departed supernovae.
Several of the places featured in the work have fallen victim to rising sea levels, while others are known to be under environmental threat of submersion within the next thirty years.
These place names, accompanied by warning and hazard symbols, resonate with Somerset House’s own proximity to the River Thames and London’s vulnerability to flooding.
With exhibition dates that encompass Earth Day 2023, the cyclical movements through space and non-linear time prompt a reconsideration of our relationship with the planet, its past and imminent future, and the wider cosmos.
Whorled (Here After Here After Here) continues Kallat’s long-standing critical engagement with ideas of cosmology, transience and the ecological, having drawn on imaginary maps connecting the everyday and the cosmic for over two decades.
This year’s return of Morgan Stanley Lates, a series of evening performances, music, talks and poetry in the courtyard, will see a live activation of Whorled (Here After Here After Here) in April 2023.
Whorled (Here After Here After Here) is curated by Dr Cliff Lauson, Director of Exhibitions, Somerset House. The installation will be on display at The Edmond J. Safra Fountain Court, Somerset House, from February 16 to April 23.
Whorled (Here After Here After Here) is presented in partnership with the Kiran Nadar Museum of Art, with additional support from Malik & Azmina Karim, SANTI and those that wish to remain anonymous.
AN ASIAN writer has explained how his new book makes Britain’s imperial past “accessible, engaging and thought-provoking” for a younger audience.
Award-winning author and journalist Sathnam Sanghera’s new book, Journeys of Empire, explores empire through 10 journeys he described as being “extraordinary”. Sanghera said his book, published last month by Puffin UK, is “a way of helping children understand how Britain’s biggest story still shapes the world today.”
“We’re not taught this history very well,” he told Eastern Eye.
“The empire is morally complex – sometimes we were good, sometimes bad – so, how do you even begin talking about it? It’s also contentious. There are millions of us whose families were colonised, and millions whose families were the colonisers.”
Teachers cannot teach what they themselves were never taught, Sanghera pointed out.
“There are multiple layers to why British people are so bad at talking about this history. It touches on race, misogyny and geopolitics. It’s easier just not to talk about it.”
And , the cover of his book
Following the success of his bestselling children’s title Stolen History, Sanghera’s this latest work continues Sanghera’s mission to write for readers aged nine and above. With a focus on human experiences, Sanghera said he wanted show that history is not just a list of dates or conquests – it’s a tapestry of stories that connect people.
Born in Wolverhampton to Punjabi immigrant parents, he began school unable to speak English. Later he graduated with first-class honours in English language and literature from Christ’s College, Cambridge.
He has since built a career as a writer and journalist.
His memoir, The Boy with the Topknot, and his novel, Marriage Material, were both shortlisted for the Costa Book Awards. Empireland, Sanghera’s exploration of Britain’s colonial legacy, was longlisted for the Baillie Gifford Prize for Non- Fiction, named a Book of the Year at the 2022 National Book Awards, and inspired the Channel 4 documentary series Empire State of Mind.
His first children’s book, Stolen History, introduced young readers to the complex and often overlooked realities of empire. With Journeys of Empire, Sanghera aims to go further. “When I finally learned about the British empire, it changed how I saw myself, how I saw Britain, and how I saw India,” he said.
“It seemed obvious that you’d want to give this gift to young people – because your 40s is a bit late to be learning all this.”
Sanghera said the 10 journeys in the book take readers across continents and centuries, revealing both the ambition and the brutality of empire.
“The British empire covered a quarter of the world’s surface and a large portion of its population. It was seven times the size of the Roman empire,” he said.
Aiming to ensure diversity in both perspective and geography, Sanghera said he chose stories from various countries and different phases of the 400-year history.
Alongside India and Mahatma Gandhi, readers will learn about Guyana’s indentured labour system, Gertrude Bell’s adventures in Iraq, and the British invasion of Tibet led by Francis Younghusband.
“I wanted to highlight areas often left out of mainstream narratives,” the writer said. The stories are written with an accessible and honest tone, and with humour.
“Violence is a tricky area,” Sanghera said. “You can’t go into graphic detail, but you also shouldn’t whitewash it. The violence and racism of colonialism were intrinsic. “I tried to strike a balance - acknowledging the brutality without overwhelming young readers.”
Writing for children isn’t much different from writing for adults, Sanghera said.
“You still need engaging stories and to hold attention. The main thing is to avoid big words that might put them off.”
He pointed out how storytelling can counter the allure of digital screens.
“Kids are addicted to screens, and reading rates are falling globally. That’s disastrous for mental health, intellectual development, and politics,” he said.
“When you get news from screens, you’re in an echo chamber – you’re not being challenged or taught to think in a nuanced way.”
Sanghera’s hope is that stories of Journeys of Empire – from pirates to princes and explorers to rebels – will draw in young readers to a world of curiosity and reflection. He said, “The British empire is a complex story. Even the ‘good guys’ had flaws. That’s what makes it worth understanding.”
At the heart of his book is a message about complexity and contradiction. “The empire involved slavery and the abolition of slavery. It caused environmental destruction and inspired environmentalism. We live in a world that struggles with nuance, but that’s what makes us human,” Sanghera said.
“My hope is that readers – kids and adults – learn that opposite things can be true at the same time.”
After six years of writing about empire, Sanghera said he’s ready for a change. His next book will focus on the late pop star George Michael, due out in June next year.
“I thought George Michael would be a nice break from empire. But then I learned that his father came from Cyprus - which was under British rule. The reason he left Cyprus was because of the British. So, even George Michael’s story connects back to empire. You can’t escape it, wherever you go.”
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