Some die and some feast, that’s the picture of prison, says Bangladesh hangman
Bangladesh ranks third in the world for death sentences passed according to rights group Amnesty International, and assigns convicts to carry out the hangings
By Eastern EyeNov 10, 2023
WHEN he first went to prison, Shahjahan Bhuiyan was accused of killing only one man. By the time he was released decades later, he had put dozens more to death as Bangladesh’s most prolific hangman ever.
Each execution was rewarded with a special meal including beef, chicken and scented pilau rice, and a reduction of several months in his 42-year sentence for murder until he was finally released this year.
“Some die and some feast,” Bhuiyan, a strong-looking 70-year-old sporting a thick moustache, told AFP. “That’s the picture of prison.”
Bangladesh ranks third in the world for death sentences passed according to rights group Amnesty International, and assigns convicts to carry out the hangings.
A well-read Marxist revolutionary, in the 1970s Bhuiyan joined the outlawed Sarbahar rebels trying to topple a government they saw as puppets of neighbouring India.
He was convicted for the 1979 death of a truck driver in crossfire with police.
In custody during his trial – a glacial 12-year process – he noticed the “first class” treatment afforded to executioners, watching one being massaged by four other inmates. “A hangman has so much power,” he said to himself, and volunteered his services.
His first hanging, in the late 1980s as an executioner’s assistant, is seared into his memory, when the condemned prisoner calmly recited the Islamic declaration of faith, the Kalima.
“He only uttered the Kalima,” he said. “He wasn’t crying.”
Once a prisoner’s final appeal for clemency to Bangladesh’s president has been denied, they can be hanged at any time. The executioner is informed several days beforehand, at which point Bhuiyan would begin preparing his rope and testing the trapdoor with sandbags.
The prisoner’s family is summoned for a farewell meeting, before the inmate is given hot water scented with herbs to wash, clean white clothes to wear and a last meal of their choice.
A Muslim cleric helps them pray and atone for their sins.
A minute after midnight, Bhuiyan said, “We’d handcuff the prisoner from behind, and blindfold him with a black mask. Then we take him to the gallows, tie his neck with the noose, and tell him to recite the Kalima.
“When the prison warden lowered the handkerchief, I pulled the lever.”
He rarely spoke to the condemned. “When someone is in front of death, how would he feel?” he said. “He knows he is leaving the world.”
Prison authorities put Bhuiyan’s total at 26 executions, but he says he participated in 60.
Those to die at his hands included military officers found guilty of plotting a 1975 coup and killing the country’s founding leader, the father of current Prime Minister Sheikh Hasina.
In 2007, he hanged Siddique Islam, alias Bangla Bhai, an Islamist leader of the outlawed Jamayetul Mujahideen Bangladesh, which had mounted a nationwide bombing campaign.
Bhuiyan also executed six opposition leaders, five of them from the country’s largest Islamist party, convicted of war crimes during the 1971 war for Bangladesh’s independence.
Activists say that Bangladesh’s criminal justice system is deeply flawed, but Bhuiyan shrugs off their criticisms, even though he believes at least three of those he executed were innocent.
In one case, the two perpetrators of a rape and murder acknowledged that they framed the man who was put to death.
Before his hanging the condemned man told fellow inmates his only request was for his mother to be told he knew nothing of the crime, said Bhuiyan, who showed no signs of remorse or guilt for his actions.
“Even if you feel bad for him, can you keep him alive, or can you save him?” he said. “If I didn’t hang them, someone else would have done the job.”
Since his release and retirement from the gallows, Bhuiyan has rented a humble one-room home in a lower-middle-class part of Keraniganj, a Dhaka suburb.
He proudly shows visitors a small piece of the rope – one cord can last up to a decade – on which many inmates died.
“People believe it has extraordinary power,” he said, adding some used fibre from it as talismanic charms in amulets or tied around their wrists.
But there are some things he cannot get used to.
In prison, he shared his cell with at least 20 other people and the lights were always on. If he woke in the night, there would be people beside him, some talking or playing cards.
“We used to chat with each other, I was never alone,” he said.
Now “I keep a dim light on, because I can’t sleep in darkness”.
After abandoning Marxism for religion in jail, he is now a devout Muslim, and dreams of making a pilgrimage to Islam’s holy city of Mecca in Saudi Arabia.
“I have only one small wish: to perform umrah before my death,” he said. “The rest is whatever Allah gives.” (AFP)
Do not expect any parties in Downing Street to celebrate the government’s first birthday on Friday (4). After a rocky year, prime minister Sir Keir Starmer had more than a few regrets when giving interviews about his first year in office.
He explained that he chose the wrong chief of staff. That his opening economic narrative was too gloomy. That choosing the winter fuel allowance as a symbol of fiscal responsibility backfired. Starmer ‘deeply regretted’ the speech he gave to launch his immigration white paper, from which only the phrase ‘island of strangers’ cut through. Can any previous political leader have been quite so self-critical of their own record in real time?
This unconventional approach could be a reminder of Starmer’s best quality: that he is the antithesis of US president Donald Trump. Trump has a narcissistic need to be the main character, a hyperactive addiction to conflict, the attention span of a toddler and no interest in policy substance beyond the television and social media optics. So Trump is the disruptor in chief of global trade, security and the US constitutional order. Given a binary choice, it is infinitely better to have the serious sobriety of Starmer, trying to cooperate with allies to limit Trump’s chaotic contributions to increased insecurity.
Yet, it is a contrast that could be taken too far. Trump realises that politics is about what you say as well as what you do. What Starmer is palpably still missing is a clear public story of what his government is for. This was partly a matter of choice. A gritty public mood has little appetite for new visions, unless shown tangible progress first. It reflects the taciturn character of the leader too. Yet the issue is not simply one of communication. The challenge of finding a narrative reflects uncertainty about the strategic direction of the government.
Judged by its actions, this is a centre-left government. It has made many decisions that the previous Conservative government would not have taken. It changed the fiscal rules, borrowing much more for investment. Despite the constraints of its manifesto pledges on most taxes, it did raise taxes so as to have more to spend on the NHS, and on housebuilding. The government is committed to higher defence spending, and also to net zero, to closer UK-EU relations, within the ‘red lines’ which Labour set out, as it takes care to check if it can take the public with it. It will work with multilateral institutions, rather than quitting treaties and conventions. If this is a centre-left government in its deeds, it may prefer to self-identify as something else, without quite managing to articulate what that is.
So this has been a very tactical government, which has changed its mind about most of its tactical choices. The Comprehensive Spending Review was intended as a reset moment, in giving the government clearer priorities, though it has been challenging to make the numbers add up. But the parliamentary rebellion over its welfare bill could prove a more significant turning point. A government which won a landslide had lost its majority once 125 of its MPs - a majority of the backbench - declared they were unable to pass a government bill without a significant change. This was about the substantive impact of heavy income losses for disabled people - and the lack of a rationale beyond saving money. This rebellion is also about the political strategy of the government. Much of the parliamentary group seem diminishing returns in actively picking fights with progressives who Labour will need to keep the populism of Reform leader Nigel Farage out.
Can Starmer fix his government? The prime minister is 62 years old. He cannot change his personality or working style, not metamorphosis into a visionary speech-maker. There is little point in advisers inventing hypothetical strategies - such as choosing to present Starmer as a radical insurgent, rather than the sober incumbent, which cannot fit with the prime minister they have got, and his gradualist agenda for long-term change. Yet Starmer could use his evident capacity for self-reflection to identify feasible changes. He needs to repair how his Downing Street operation makes decisions - and now knows that backbench support is not unconditional.
Facing a fragmented opposition, Labour’s chances of re-election in four years time may be underestimated. Yet most of Labour’s tactical mistakes have come from trying to run a permanent election campaign in government, four years early. The government needs to govern to generate the substantive record and future agenda it would defend from the populist right in 2029. Australia's Anthony Albanese, who faced many similar criticisms to Starmer, bounced back to get re-elected, though the Canadian Liberals changed leaders to defeat the right. How many years Starmer has left in Downing Street is anybody’s guess. This time next year, he would need a stronger story to tell.
Sunder Katwala is the director of thinktank British Future and the author of the book How to Be a Patriot: The must-read book on British national identity and immigration.
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Jonas Brothers are among the first to use TikTok’s new bulletin board tool
TikTok is testing a new one-way messaging feature called bulletin boards.
Jonas Brothers, People magazine, and Paris Saint-Germain among early testers.
The feature mimics Instagram’s broadcast channels but may expand further.
Only creators can post; followers can react with emojis but not comment.
TikTok is trialling a new feature called bulletin boards, allowing select creators and brands to send direct broadcast-style messages to their followers, similar to Instagram’s broadcast channels. The Jonas Brothers, football club Paris Saint-Germain, and People magazine are among the first to test the tool, which shows TikTok’s growing focus on creator-fan intimacy beyond its traditional feed.
TikTok’s new tool mimics Instagram’s broadcast channels
Unlike regular TikTok posts that rely on algorithms or viral reach, bulletin boards aim to offer a more direct communication path. Only the creator can post updates, which may include text, videos, or images, while followers can respond with emoji reactions but cannot comment. The format is clearly inspired by Instagram’s broadcast channels, launched in 2023, where artists and influencers routinely share behind-the-scenes content and personal messages.
The new bulletin system was first spotted by marketing strategist Christina Garnett, who shared screenshots via Threads, showing how fans are invited to follow these boards. Once subscribed, users receive notifications whenever a creator sends out a new update.
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Big-name creators signal broader rollout plans
Early involvement from mainstream acts like the Jonas Brothers indicates TikTok is positioning bulletin boards as a premium tool for high-engagement fanbases. With creators constantly seeking ways to reach audiences without relying on the platform’s unpredictable feed algorithm, the feature could become a valuable line of direct communication.
It is also a clear move in the current trend of social platforms “borrowing” each other’s best features: Instagram mimicked TikTok’s short-form videos with Reels, while TikTok introduced Stories in 2022. Now, it is returning the favour with this broadcast-style tool.
People's Bulletin boardICYMI
The key question remains whether TikTok will differentiate its version with interactive additions like polls, which Instagram already offers. But for now, bulletin boards could offer artists and brands a streamlined way to share announcements, tour updates, and exclusive previews straight to their superfans’ inboxes.
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Ryland Headley, a 92-year-old man convicted of a 1967 murder following a cold case breakthrough
Ryland Headley, 92, was convicted in 2023 for the 1967 rape and murder of Louisa Dunne.
Modern DNA testing on preserved evidence led to the breakthrough.
Headley previously admitted to raping two elderly women and committing multiple burglaries.
Police are now working with the NCA and other forces to investigate further possible crimes.
Officers describe him as a “dangerous serial offender” whose full history may still be unknown.
Ryland Headley, a 92-year-old man convicted of a 1967 murder following a cold case breakthrough, is now the subject of wider police investigations. Detectives believe he may be responsible for further unsolved crimes, with similarities in method and victim profile suggesting a disturbing pattern. Headley was convicted of raping and murdering 75-year-old Louisa Dunne in Bristol after DNA evidence linked him to the scene more than five decades later. Avon and Somerset Police are now working with the National Crime Agency and other forces to pursue additional leads.
Cold case solved with modern forensics
The murder of Louisa Dunne in June 1967 shocked the Easton community in Bristol. Despite an extensive investigation, no suspect was identified at the time. It wasn’t until a cold case review in 2023 that investigators made a breakthrough.
Forensic teams re-examined the skirt Mrs Dunne had been wearing, discovering that semen remained on the fabric. When tested with modern DNA profiling, it returned a match to Ryland Headley. His DNA had only been entered into the national database in 2012 following an unrelated arrest.
Police believe this could be the oldest cold case murder ever solved in the UK.
History of offences raises new questions
Ryland Headley was no stranger to law enforcement. In the late 1970s, he admitted to raping two elderly women in Ipswich, aged 84 and 79, and asked for 10 burglaries to be considered during sentencing. In each case, his victims were elderly or middle-aged women living alone.
Although these crimes were not initially linked to Mrs Dunne’s death, police now say the pattern was “eerily similar”.
Detective Inspector Dave Marchant, from the major crime review team, said: “It was eerily similar – the method of entry, the offences that these women were subjected to and the demographic. I would describe him as a serial offender and a dangerous serial offender at that.”
Further offences under review
With Headley now convicted, police have widened their investigation. Avon and Somerset Police are collaborating with the National Crime Agency and other UK forces to identify whether other cold cases could be connected to him.
“We are working with colleagues across the country to try to uncover any other offences we can potentially bring him to justice for,” DI Marchant said.
Heidi Miller, regional forensic coordinator, questioned whether Mrs Dunne’s murder was Headley’s first serious offence. “Such a brutal crime is not usually a first offence,” she said. “I wonder, what else has he been involved in through the years?”
Outward appearance masked true nature
Despite his past, Headley was considered by neighbours to be a gentle and friendly figure in later life. Known for chatting about gardening and his pet cat, few suspected the crimes he had committed decades earlier.
DI Marchant cautioned against being deceived by appearances: “Some people are capable of the most disgusting, abhorrent things and can still present an outward appearance of normality – and that’s the case with Mr Ryland Headley.”
Headley is due to be sentenced at Bristol Crown Court for the rape and murder of Louisa Dunne.
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Joseph has chaired several BRIT Awards shows and was an executive producer of the Oscar and BAFTA-winning 2015 documentary Amy.
THE ROYAL SOCIETY OF ARTS (RSA) has announced the appointment of David Joseph CBE as its next chief executive officer. He will take over the role in September, succeeding Andy Haldane.
Joseph previously served as chairman and CEO of Universal Music UK for 17 years. During his time at the company, he oversaw its transformation into a global exporter of British music and worked with several major international artists.
He began his career in advertising before moving into music, where he held roles in artist development and label management. He became chairman and CEO of Universal Music UK in 2008.
Alongside his commercial career, Joseph has been involved in a number of social and cultural initiatives. In 2019, he launched Universal Music’s Creative Differences initiative, which produced the first industry handbook for supporting neurodiversity in the workplace. The handbook has been adopted by more than 200 organisations globally.
He is a founding board member of Julie’s Bicycle, a group focused on climate issues in the cultural sector, and served on the National Council of Arts Council England for eight years. In 2013, he collaborated with Baroness Doreen Lawrence to mark the 20th anniversary of Stephen Lawrence’s murder through the Unity project. He also serves as Chair of the Grenfell Foundation.
Joseph has chaired several BRIT Awards shows and was an executive producer of the Oscar and BAFTA-winning 2015 documentary Amy.
RSA Chair Sir Loyd Grossman said: “David’s commitment to effecting social change, his compassion and his commitment to nurturing people is exemplary.
“We are thrilled that David will join us in the autumn, knowing that he will foster a collaborative and caring culture that speaks to our fellows, partners, staff teams and the wider world. These qualities make David superbly placed to lead the RSA into its next vital phase, and we are thrilled to have him on board.”
Commenting on his appointment, Joseph said: “The RSA has a remarkable heritage and untapped potential. At a time when fresh thinking and collective action are urgently needed across the globe, the RSA is uniquely positioned to drive meaningful change - uniting its rich tradition of arts, creativity and policy influence with the energy of its global Fellowship to spark ideas that shape society. I’m excited to join such a talented organisation where we will build a bold new chapter together.”
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Scarlett Johansson wins praise in Jurassic World Rebirth as reviews split over story and mutant dinosaurs
Jurassic World Rebirth, starring Scarlett Johansson and Jonathan Bailey, releases on 4 July.
Twitter reactions praise the cast and visuals but criticise the film’s story and lack of emotional depth.
Rotten Tomatoes score stands at 54% from 95 reviews; Metacritic rates it 53.
Some fans applaud the Spielberg-style thrills, others feel it strays too far with mutant dinosaurs.
Jurassic World Rebirth, the latest addition to the iconic dinosaur saga, has sparked intense debate online ahead of its 4 July release. With Scarlett Johansson and Jonathan Bailey leading the cast, early Twitter reviews show a split audience, some impressed by the action and spectacle, others disappointed by the story’s direction and use of genetically altered dinosaurs.
Mixed response to mutant dinos and CGI-heavy action
Many fans on X agree that Johansson delivers a commanding performance. “She’s shot like a star, presented like a star,” one viewer wrote, praising her as the film’s standout. Jonathan Bailey also earns praise for a subtle emotional moment that resonated with viewers.
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However, critics aren't holding back. Film critics called the film “the dullest entry yet,” while others labelled it “flat and emotionless.” Some appreciated the “mutated dinos and thrilling set pieces” but slammed the pacing and dialogue.
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One viewer described the movie as “a monster-sized adrenaline ride” and praised its nostalgic tension, likening it to Jaws. Another drew comparisons to Alien: Romulus, applauding the darker horror elements, while some fans felt the movie “just ends with no momentum.”
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Rotten Tomatoes score reflects fan divide
With a current Rotten Tomatoes rating of 54% and a Metacritic score of 53, Jurassic World Rebirth becomes the third consecutive film in the franchise to be rated ‘rotten’. Still, it fares better than Fallen Kingdom (47%) and Dominion (29%).
Despite the criticism, major UK outlets gave it four and five stars, with one calling it “easily the best Jurassic in a decade.” Whether the mixed reviews will impact box office numbers remains to be seen, past entries have shown strong ticket sales despite critical setbacks.