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Shahid Kapoor in talks for digital debut?

In a matter of years, streaming media platforms have revolutionised the way millions of people consume content and entertain themselves. While the ongoing Coronavirus pandemic has brought Bollywood to a complete halt, OTT players like Netflix and Amazon Prime Video are enjoying record success, witnessing an unprecedented growth in their viewership and subscription base.

Over a period of two years, we have seen several Bollywood bigwigs descending on some or the other digital platform, using them as a new vehicle of their creative expression. As the boundaries blur, a lot of actors are expected to join the bandwagon sooner or later. The latest we hear that Shahid Kapoor is also in talks for his digital debut.


Reportedly, Raj Nidimoru and Krishna DK, who tasted huge success with The Family Man on Amazon Prime Video, had offered Shahid Kapoor a high-profile digital project before the lockdown. The actor was quite keen on signing it on the dotted line and plunge into the digital world but it seems the lockdown got in the way. The conversation is expected to re-commence once the industry gains normalcy.

Last seen in Kabir Singh (2019), which went on to emerge as one of the highest-grossing films of all-times, Shahid Kapoor next stars in a sports drama, titled Jersey. The movie is an official remake of the superhit Telugu film of the same name, starring Nani in the lead role. Gowtam Tinnanuri, who helmed the original, is calling the shots for the remake as well. Kapoor pairs opposite Mrinal Thakur in the film.

Jersey is expected to hit the marquee next year in 2021.

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The Mummy

Relies on body horror, sound design and shock value over spectacle

X/ DiscussingFilm

How Lee Cronin’s 'The Mummy' turns a classic adventure into a domestic horror

Highlights

  • Moves away from the adventure tone of The Mummy (1999) into possession-led horror
  • Shifts the setting from desert tombs to a family home in Albuquerque
  • Focuses on parental fear and a “returned” child rather than treasure hunting
  • Relies on body horror, sound design and shock value over spectacle
  • Critics call it bold and unsettling, but uneven in storytelling

From desert spectacle to domestic dread

For decades, The Mummy has been tied to adventure, romance and spectacle, most famously in The Mummy (1999). That version thrived on sweeping desert landscapes, archaeological intrigue and a sense of escapism.

Lee Cronin takes a sharply different route. His reworking strips away the sense of adventure and relocates the horror into the home. The story still begins in Egypt, anchored by an ancient sarcophagus, but quickly shifts to the United States, where the real tension unfolds inside a family house.

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