Shafeeq Shajahan’s ‘The Bollywood Guide to Revenge’ brings drama and disco to Soho
Blending music, comedy, and personal storytelling, Shajahan’s latest show is a vibrant tribute to identity, transformation, and the power of reinvention.
GROWING up as an academically inclined south Asian student in Malaysia, Shafeeq Shajahan was determined not to be placed in a rigid box and found his refuge in creativity.
Drama and music classes became a gateway to discovering his inner storyteller. Raised on legends, fables, and myths by his mother, that connection only deepened, leading to an award-winning stage career.
The talented director, writer, composer, and performer founded the award-winning British-Malaysian theatre company Liver & Lung, which has produced works that dare to do things differently.
The company has continued to grow with The Bollywood Guide to Revenge, which will be staged at Soho Theatre in central London from April 1–5. This musical cabaret show, powered by old Bollywood glamour and disco beats, delivers a story filled with risqué reflections and redemption.
Eastern Eye caught up with the London-based talent to talk about his creative journey, new show, live performance, and inspirations.
What inspired the musical cabaret show, The Bollywood Guide to Revenge?
We wanted to create a cabaret that celebrated my queerness, Islamic faith, and Indian heritage, all in perfect, melodramatic unison. It’s a cathartic, camp and funny homage to old-school Bollywood glamour and the tenacity of Bollywood heroines from the 1970s and 80s – icons around whom I’ve lovingly built my personality. The show draws inspiration from these heroines and explores how the desire for revenge can be channelled into a beautiful, fabulous, powerful form of selfexpression. Hell hath no fury like a Bollywood diva scorned.
Tell us about the show.
The Bollywood Guide to Revenge is an extravagant and campy deconstruction of the 1978 Bollywood film SatyamShivam Sundaram. The film is about Rupa, played by the legendary Zeenat Aman, who is scarred and struggles to be seen for more than her deformities. Throughout the show, I weave in anecdotes from my mother’s early life as a dark-skinned young girl in Singapore and my life as a queer person of colour in London. Both our stories are about ‘scars’ that society inflicts upon us and the journeys we’ve had to take to turn those scars into sapphires.
Tell us a little more about the show.
I treat the audience to a mélange of classical Indian music, jazz standards, and a grand Bollywood-style disco finale that’ll have everyone dancing in their seats. It’s as wild as it sounds.
Can you talk about the show’s strong musical aspect?
The show is a beautiful harmony of Western musical theatre, jazz, and Indian classical music, all strung together with a sick disco beat. I perform with my creative partner Vasilis Konstantinides, who plays the keyboard, and Malaysian cellist Mariamlisa. Together, we’ve created a unique sound that blends modern queer musical references with the deep spiritual roots of my Indian heritage. (To prepare for the show, I’ve been vocally training in the Carnatic Indian classical style.)
Do you have a favourite moment in the show?
I find that I use music to harmonise what may initially seem discordant: there’s a particular jazz-inspired recitation of Surah Al-Duha (the 93rd chapter of the Qu’ran) that’s haunting, beautiful, and deeply spiritually resonant. Spoiler alert – the show ends in a huge Bollywoodstyle disco number to celebrate Rupa’s final ‘curse’ in the movie. You will love it.
Who are you hoping connects with your show?
Honestly, the show is a love letter to my mother. Throughout my life, people have told me that I would not be able to reconcile the seemingly irreconcilable parts of my personality. Yet, here I am, a living testament to the fabulous intersectionality within us all. My mum’s a huge reason for that. The cabaret celebrates the beautiful intersections that society often overlooks, and I hope it encourages people to appreciate all parts of their unique selves.
How did you come up with the interesting title?
Simply put, someone broke my heart last year, and I wanted to get back at them. How better than with a show at the Soho?
The title is a cheeky nod to a dramatic moment in Satyam Shivam Sundaram when Rupa curses Rajeev, setting off an epic sequence of thunder and lightning (nahin!). The cabaret is camp and flippant, but it also challenges the notion of revenge. Often, we don’t need revenge; we need transformation. That’s what Bollywood taught me, at least.
Besides, exes often already know what they’re missing.
How do you feel being in front of a live audience?
Performing is always exhilarating, and I’m happy to have finally found an art form (cabaret) that really plays to my unique strengths as a singer, comedian, and writer. As I grow older and get more comfortable in the limelight, I perhaps feel a growing sense of responsibility to communicate a powerful message that is increasingly responsible, meaningful and resonant. It really is an honour and privilege to be able to bring classical Indian queer music to the Soho Theatre in London.
What inspires you as an artist?
Oh, my mother inspires me to no end. She’s my guiding light, teaching me how to be a better person and, through that, a more fabulous artist. Her wisdom, strength, and unwavering support have shaped my artistic journey, and she will forever be my muse and inspiration. She’s currently in Malaysia but is looking to fly up to see me on stage. If she’s able to see me, that would make me so, so happy.
Why should we all come watch The Bollywood Guide to Revenge?
I’m a proud south Asian artist. I’m proud of my heritage and the music, stories, and films that piece together our incredible culture. I am also so proud of the personal work I’ve done to thrust these stories into the spotlight with a fresh, queer twist. The Bollywood Guide to Revenge promises to be a fun, joyous ride that celebrates the truth, divinity, and beauty in us all. In an increasingly dangerous world, it’s important we remind ourselves that some things, like our stories, are absolutely worth fighting for. Join me for a night of unforgettable entertainment, where an age-old tale meets a dazzling disco beat. I can’t promise you vengeance, but I can offer a seductive night of powerful transformation.
The Bollywood Guide To Revenge at Soho Theatre in London from April 1–5. www.sohotheatre.com
The Peter Rabbit™ Adventure runs at Hampton Court Palace from 25 July to 7 September 2025
Trail includes interactive games, riddles and character encounters across the gardens
Children can meet a larger-than-life Peter Rabbit in the Kitchen Garden
Special themed menu items available at the Tiltyard Café
£1 tickets available for families receiving Universal Credit and other benefits
Peter Rabbit comes to life at Hampton Court
This summer, families visiting Hampton Court Palace can step into the world of Beatrix Potter as The Peter Rabbit™ Adventure takes over the palace gardens from 25 July to 7 September 2025.
Explore the Kitchen Garden, Tiltyard and WildernessHRP
The family trail, officially licensed by Penguin Ventures on behalf of Frederick Warne & Co., combines the palace’s historic gardens with the much-loved tales of Beatrix Potter. Visitors will encounter interactive activities, puzzles and games while exploring the Kitchen Garden, Tiltyard and Wilderness.
Interactive activities and wildlife learning
Along the trail, children can try Mrs Tiggy-winkle’s washing equipment to make music, search for Peter Rabbit under wheelbarrows, or test their hopping skills alongside Beatrix Potter’s characters.
The experience also highlights Potter’s role as a committed environmentalist. Young visitors are encouraged to look for real wildlife such as hedgehogs, squirrels and toads while learning about habitats and conservation in the palace grounds.
Children can meet a larger-than-life Peter Rabbit HRP
Meet Peter Rabbit and enjoy themed treats
Peter Rabbit himself will make appearances in the Kitchen Garden at set times each day, where families can take photos among the seasonal produce. Fresh fruit and vegetables grown in the gardens will feature in special Peter Rabbit™ menu items at the Tiltyard Café.
After completing the trail, children can also explore the Magic Garden playground or visit Henry VIII’s Kitchens inside the palace, where live cookery demonstrations take place each weekend.
Tickets and access
The Peter Rabbit™ Adventure is included in general admission:
Off-peak (weekdays and bank holidays): Adults £27.20, Children (5–15) £13.60, Concessions £21.80
Peak (weekends and events): Adults £30.00, Children £15.00, Concessions £24.00
HRP Members go free
Families in receipt of Universal Credit and other means-tested benefits can access £1 tickets throughout the summer (advance booking required).
Membership offers unlimited visits to Hampton Court Palace and other Historic Royal Palaces sites, including seasonal events such as the Hampton Court Palace Food Festival and Henry VIII’s Joust.
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The mural has been covered and is being guarded by security
A new mural by street artist Banksy has appeared on the Royal Courts of Justice building in central London.
The artwork depicts a judge hitting a protester, with blood splattering their placard.
It comes days after nearly 900 arrests at a London protest against the ban on Palestine Action.
The mural has been covered and is being guarded by security; Banksy confirmed authenticity via Instagram.
Banksy’s latest work at the Royal Courts of Justice
A new mural by the elusive Bristol-based street artist Banksy has appeared on the side of the Royal Courts of Justice building in central London.
The artwork shows a judge in traditional wig and black robe striking a protester lying on the ground, with blood depicted on the protester’s placard. While the mural does not explicitly reference a specific cause or incident, its appearance comes just two days after almost 900 people were arrested during a protest in London against the ban on Palestine Action.
Security and public access
Social media images show that the mural has already been covered with large plastic sheets and two metal barriers. Security officials are guarding the site, which sits beneath a CCTV camera.
Banksy shared a photo of the artwork on Instagram, captioning it: “Royal Courts Of Justice. London.” This is consistent with the artist’s usual method of confirming authenticity.
Location and context
The mural is located on an external wall of the Queen’s Building, part of the Royal Courts of Justice complex. Banksy’s stencilled graffiti often comments on government policy, war, and capitalism.
Previous works in London
Last summer, Banksy launched an animal-themed campaign in London featuring nine works. The series concluded with a gorilla appearing to lift a shutter at the London Zoo. Other notable pieces included piranhas on a police sentry box in the City of London and a howling wolf on a satellite dish in Peckham, which was removed less than an hour after unveiling.
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Works are painted on bark cloth from Lake Victoria
Artist Shafina Jaffer presents a new chapter of her Global Conference of the Birds series.
The exhibition runs from 7–12 October 2025 at Mall Galleries, London.
Works are painted on bark cloth from Lake Victoria, combining spiritual themes with ecological concerns.
Exhibition details
Artist Shafina Jaffer will open her latest exhibition, Whispers Under Wings (Global Conference of the Birds), at the Mall Galleries in London on 7 October 2025. The show will run until 12 October 2025.
This practice-led series reinterprets Farid ud-Din Attar’s 12th-century Sufi allegory, Conference of the Birds, reflecting on themes of unity, self-realisation and the idea that the Divine resides within.
Material and meaning
Each work is painted on sustainably sourced bark cloth from the Lake Victoria region, using natural pigments, minerals and dyes. Large panels are formed from the bark of single trees, aligning material ecology with the spiritual narrative.
The series weaves together sacred geometry, Qur’anic verses and depictions of endangered bird species, underscoring the connection between ecological fragility and spiritual awakening.
Previous recognition
Whispers Under Wings follows earlier presentations in London and Dubai, extending the project’s message of peace, unity and environmental care.
A central work from the series — the Simurgh, conceived as a symbol of light (Noor) — was recently acquired by Prince Amyn Aga Khan for the new Ismaili Centre in Houston. A feature on the exhibition also appears in the September edition of Twiga, Air Tanzania’s inflight magazine.
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Each character in the set has been carefully designed to reflect cultural narratives
British-Bangladeshi prop maker Anika Chowdhury has designed a handcrafted glow-in-the-dark chess set celebrating heritage and identity.
The limited-edition set, called Glowborne, launches on Kickstarter in October.
Each piece draws from South Asian, Middle Eastern, and African cultural references, re-rooting chess in its origins.
The project blends art, storytelling, and representation, aiming to spark conversations about identity in play.
Reimagining chess through heritage
When Anika Chowdhury sat down to sculpt her first chess piece, she had a bigger vision than simply redesigning a classic game. A British-Bangladeshi prop maker working in the film industry, she grew up loving fantasy and games but rarely saw faces like hers in Western storytelling.
“Chess originated in India, travelled through Arabia and North Africa, and was later Westernised,” she explains. “I wanted to bring those forgotten origins back to the board.”
The result is Glowborne — a limited-edition, glow-in-the-dark fantasy chess set that blends craft, identity and cultural pride.
Anika Chowdhury says she has many ideas to further fuse craft and culture in future projects Glowborne
Crafting Glowborne
Each character in the set has been carefully designed to reflect cultural narratives: Bengali kings and pawns, Indian bishops with bindis, Arab knights, and African queens. Chowdhury sculpted each piece by hand, drawing on her prop-making training at the National Film and Television School.
Once sculpted, the pieces were cast in resin, painted, and finished with South Asian-inspired motifs filled with glow-in-the-dark pigment. “The characters glow both literally and metaphorically,” she says, “as a chance for them to take the stage.”
Cultural pride and visibility
For Chowdhury, the project is about more than gameplay. “Fantasy doesn’t need to fit into the Western mould to tell a great story,” she says. “South Asian, Middle Eastern and African stories are just as powerful, and they can transform something as traditional as chess by reconnecting it with its roots.”
She hopes Glowborne will resonate with South Asian and Eastern African communities as a celebration of identity and belonging. At the same time, she sees it as a bridge for wider audiences — chess enthusiasts, collectors, and design lovers who appreciate craftsmanship and storytelling.
A personal journey
Chowdhury’s career in film and prop-making has influenced her creative process, but Glowborne marks her first independent project. She created it outside her film work, after hours and on weekends.
“At 28, I finally feel like I’ve found my voice,” she reflects. “For a long time I felt pressure to hide my identity, but now I see my culture as a superpower. This project is about using art to express that.”
Looking ahead
Launching this October on Kickstarter as a collector’s edition, Glowborne is only the beginning. Chowdhury says she has many ideas to further fuse craft and culture in future projects. “This is the proof of concept,” she says. “I can’t wait to create more stories that blend heritage, art and play.”
Banksy’s ‘Piranhas’ artwork, painted on a police sentry box, is being stored ahead of display at London Museum.
The piece was originally one of nine works that appeared across London in August 2024.
It will form part of the museum’s new Smithfield site, opening in 2026.
The City of London Corporation donated the artwork as part of its £222m museum relocation project.
Banksy’s police box artwork in storage
A Banksy artwork known as Piranhas has been placed in storage ahead of its future display at the London Museum’s new Smithfield site, scheduled to open in 2026. The piece features spray-painted piranha fish covering the windows of a police sentry box, giving the illusion of an aquarium.
From Ludgate Hill to Guildhall Yard
The police box, which had stood at Ludgate Hill since the 1990s, was swiftly removed by the City of London Corporation after Banksy confirmed authorship. It was initially displayed at Guildhall Yard, where visitors could view it from behind safety barriers. The Corporation has since voted to donate the piece to the London Museum.
Museum’s first contemporary street art
London Museum’s Head of Curatorial, Glyn Davies, said:
“With the arrival of Banksy’s Piranhas, our collection now spans from Roman graffiti to our first piece of contemporary street art. This work by one of the world’s most iconic artists now belongs to Londoners, and will keep making waves when it goes on show next year in the Museum’s new Smithfield home.”
Formerly known as the Museum of London, the institution closed its London Wall site in December 2022 as part of its relocation. It rebranded as the London Museum in July 2024, with £222m allocated by the City of London Corporation to support the move. The project is expected to attract two million visitors annually and create more than 1,500 jobs.
Part of Banksy’s animal-themed series
Piranhas was one of nine animal-themed works Banksy created across London in August 2024. The series also featured a rhino on a car, two elephants with interlocked trunks, monkeys swinging from a bridge, a howling wolf on a satellite dish, and a goat painted on a wall. Some of the artworks were later vandalised, removed, or covered up.
Preserving street art for the public
Chris Hayward, policy chairman of the City of London Corporation, said:
“Banksy stopped Londoners in their tracks when this piece appeared in the Square Mile – and now, we’re making it available to millions. By securing it for London Museum, we’re not only protecting a unique slice of the City’s story, but also adding an artwork that will become one of the museum’s star attractions.”