The Indian Film Festival of Melbourne (IFFM) on Monday announced that veteran actor Shabana Azmi will be hoisting the Indian national flag as part of the movie gala's Independence Day celebrations.
The festival is set to take place in Melbourne, Australia, from August 11 to 20.
The multiple National Award winner said she feels honoured to get the opportunity to hoist the national flag at IFFM.
"I am happy to be a part of the Indian Film Festival of Melbourne and deeply honoured to have been chosen to hoist the Indian national flag on this momentous occasion. IFFM has consistently showcased the incredible diversity and creativity of Indian cinema, and it is heartwarming to be part of such a prestigious event that brings our cinema to global audiences," Azmi said in a statement.
The actor, known for critically-acclaimed performances in films such as Sparsh, Arth, Masoom, City of Joy, and Midnight's Children, said she is excited about the upcoming edition of the film gala as it will host the world premiere of her upcoming film Ghoomer.
Directed by R Balki, the film also features Abhishek Bachchan and Saiyami Kher. "This platform is even more special given our film R Balki’s Ghoomer is making its world premiere at the festival. To be given an opportunity to hoist our national tricolour in the presence of the amazing Indian community who live in Australia, is truly an experience I am excited to be part of."
Director of the festival, Mitu Bhowmick Lange, said they are thrilled to have Azmi "join us in this celebration of cultural unity and artistic brilliance".
“We are thrilled to have the privilege of welcoming the legendary actor Shabana Azmi to hoist the Indian national flag at our Independence Day Celebrations. Shabana Azmi's remarkable contributions to Indian cinema and her unwavering commitment to storytelling have left an indelible mark on the film fraternity. Her presence at IFFM 2023 embodies the essence of our festival, which aims to showcase the rich tapestry of Indian cinema to global audiences," she said.
Forum brings UK and Chinese film professionals together to explore collaborations.
Emerging British-Asian talent gain mentorship and international exposure.
Small-scale dramas, kids’ shows, and adapting popular formats were the projects everyone was talking about.
Telling stories that feel real to their culture, yet can connect with anyone, is what makes them work worldwide.
Meeting three times a year keeps the UK and China talking, creating opportunities that last beyond one event.
The theatre was packed for the Third Shanghai–London Screen Industry Forum. Between panels and workshops, filmmakers, producers and executives discussed ideas and business cards and it felt more than just a summit. British-Asian filmmakers were meeting and greeting the Chinese industry in an attempt to explore genuine possibilities of working in China’s film market.
UK China film collaborations take off as Third Shanghai London Forum connects British Asian filmmakers with Chinese studios Instagram/ukchinafilm
What makes the forum important for British-Asian filmmakers?
For filmmakers whose films explore identity and belonging, this is a chance to show their work on an international stage, meet Chinese directors, talk co-productions and break cultural walls that normally feel unscalable. “It’s invaluable,” Abid Khan said after a panel, “because you can’t create globally if you don’t talk globally.”
And it’s not just established names. Young filmmakers were all around, pitching ideas and learning on the go. The forum gave them a chance to get noticed with mentoring, workshops, and live pitch sessions.
Which projects are catching international attention?
Micro-dramas are trending. Roy Lu of Linmon International says vertical content for apps is “where it’s at.” They’ve done US, Canada, Australia and next stop, Europe. YouTube is back in focus too, thanks to Rosemary Reed of POW TV Studios. Short attention spans and three-minute hits, she’s ready.
Children’s and sports shows are another hotspot. Jiella Esmat of 8Lions is developing Touch Grass, a football-themed children’s show. The logic is simple: sports and kids content unite families, like global glue.
Then there’s format adaptation. Lu also talked about Nothing But 30, a Chinese series with 7 billion streams. The plan is for an english version in London. Not a straight translation, but a cultural transformation. “‘30’ in London isn’t just words,” Lu says. “It’s a new story.”
Jason Zhang of Stellar Pictures says international audiences respond when culture isn’t just a background prop. Lanterns, flowers, rituals, they’re part of the plot. Cedric Behrel from Trinity CineAsia adds: you need context. Western audiences don’t know Journey to the West, so co-production helps them understand without diluting the story.
Economic sense matters too. Roy Lu stresses: pick your market, make it financially viable. Esmat likens ideal co-productions to a marriage: “Multicultural teams naturally think about what works globally and what doesn’t.”
The UK-China Film Collab’s Future Talent Programme is taking on eight students or recent grads this year. They’re getting the backstage access to international filmmaking that few ever see, including mentorship, festival organising and hands-on experience. Alumni are landing real jobs: accredited festival journalists, Beijing producers, curators at The National Gallery.
Adrian Wootton OBE reminded everyone: “We exist through partnerships, networks, and collaboration.” Yin Xin from Shanghai Media Group noted that tri-annual gathering: London, Shanghai, Hong Kong create an “intensive concentration” of ideas.
Actor-director Zhang Luyi said it best: cultural exchange isn’t telling your story to someone, it’s creating stories together.
The Shanghai-London Screen Industry Forum is no longer just a talking shop. It’s a launchpad, a bridge. And for British-Asian filmmakers and emerging talent, it’s a chance to turn ideas into reality.
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