Of late, there have been speculations that Sanjay Leela Bhansali is reteaming with superstar Shah Rukh Khan for a film called Izhaar, which he will commence right after completing his ongoing project Gangubai Kathiawadi with Alia Bhatt. There have also been reports that the filmmaker was planning to revive his shelved project Inshallah with Hrithik Roshan.
However, a source in the know divulges that SLB is committed to taking the musical epic Baiju Bawra on floors first before picking up any other project. “The filmmaker had officially announced Baiju Bawra in 2019 and he is sticking to his plans of making this epic next after the release of Gangubai (Kathiawadi). In fact, in the lockdown over the last one year, he even took some time off to work on the script, screenplay and music of Baiju Bawra. It is his dream project and he is looking forward to commencing this journey once Gangubai (Kathiawadi) and Heera Mandi is out of his system,” a source close to the development informs a publication.
The source goes on to add, “While the story stems from the 1952 classic Baiju Bawra, Bhansali is planning to bring in his own spin to this epic tale. The grandeur, music and storytelling aside, the star-cast is said to be the main highlight of the film. If everything goes as planned, with actors giving a combination shooting dates, this one will hit the floors by mid-2022.”
The source, however, adds that the final call will be taken after the coronavirus pandemic starts showing some signs of abatement. “Baiju Bawra is a prep heavy film, which is to be mounted on a certain scale. Hence, SLB will take it on floors only when it is safe to shoot without any restriction. Everyone in his production unit is optimistic that things will just improve from hereon, reaching normalcy by mid-2022. However, only if things do not come under control, he might do something else on a smaller scale before Baiju Bawra. But at the moment, Baiju is his next,” the source signs off.
Mukerji parts ways with YRF’s Dhoom 4 after reported creative disagreements.
Decision said to be amicable, with Aditya Chopra and Ranbir Kapoor supportive.
Director shifts focus to Brahmastra: Part Two – Dev, expected to begin filming in 2026.
Filmmaker steps away from YRF’s action franchise
Filmmaker Ayan Mukerji has stepped away from Yash Raj Films’ (YRF) highly anticipated action project Dhoom 4, reportedly due to creative differences. According to Bollywood Hungama, Mukerji’s vision for the film did not align with the studio’s direction, prompting him to withdraw from the project.
Mukerji, who was in discussions to direct the next instalment of the hit franchise—expected to star Ranbir Kapoor—was said to have limited control over the script, which was reportedly written by Shridhar Raghavan. The director, best known for Yeh Jawaani Hai Deewani and Brahmastra, was keen on shaping the film creatively rather than simply executing an existing plan.
A source quoted in the report said, “Ayan didn’t have much say in the screenplay and didn’t want to embark on another journey of just execution.”
Amicable parting after discussions with Aditya Chopra
Before stepping away, Mukerji is believed to have held several discussions with YRF head Aditya Chopra and actor Ranbir Kapoor. Both reportedly supported his decision, with insiders describing the split as “completely amicable.”
The director’s departure does not mark the end of Dhoom 4, as YRF plans to continue with the project under a new director. The studio may also reconsider casting options, despite earlier reports that Ranbir Kapoor had set aside dates for the film.
Focus returns to the Brahmastra universe
Following his exit from Dhoom 4, Mukerji has shifted attention back to his passion project—the Brahmastra series. The filmmaker is currently developing Brahmastra: Part Two – Dev, the sequel to the 2022 fantasy epic.
The film, initially expected to begin production earlier, is now likely to go on floors in 2026. Sources suggest Mukerji intends to expand the Astraverse with more depth in storytelling, combining elements of mythology, drama, and spectacle.
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