Pooja Pillai is an entertainment journalist with Asian Media Group, where she covers cinema, pop culture, internet trends, and the politics of representation. Her work spans interviews, cultural features, and social commentary across digital platforms.
She began her reporting career as a news anchor, scripting and presenting stories for a regional newsroom. With a background in journalism and media studies, she has since built a body of work exploring how entertainment intersects with social and cultural shifts, particularly through a South Indian lens.
She brings both newsroom rigour and narrative curiosity to her work, and believes the best stories don’t just inform — they reveal what we didn’t know we needed to hear.
Saif Ali Khan's hospital trip was a mess, from a sleepy attendant to insisting on a stretcher.
He just ignored everyone telling him to use a wheelchair when it was time to leave.
His own mother, Sharmila Tagore, is still annoyed he did not listen to her.
A chilling detail: his son Jeh was nicked by the knife too during the chaos.
Right, so Saif Ali Khan is talking about the knife attack now. He is actually talking about it. He is filling in the blanks from that night at his Bandra home, the one that ended with him in surgery. And he is explaining that moment he left the hospital, no wheelchair, no ambulance, just walking. It was a conscious choice after the knife attack, his way of saying he was still on his feet.
Saif Ali Khan says he wanted to walk out of hospital to show fans he was fine Instagram/saifalikhanpataudiworld
What exactly went down that night?
He saw the man standing over Jeh’s bed, armed. During the struggle, the assailant’s knife even nicked his young son Jeh. The attacker managed to stab Saif six times before fleeing.
Saif Ali Khan opens up about the night he was stabbed and his shocking hospital decisionInstagram/saifalikhanpataudiworld
Why did Saif Ali Khan deny a wheelchair after the attack?
The hospital scene was weirdly placid and almost sleepy especially the emergency area. He knew the second he walked in, he would require a stretcher. But the attendant on duty just offered a wheelchair. He had to argue, “No, I think I need a stretcher.” The guy was not really getting it. In the end, Saif said he had to snap the guy to attention by stating his name and calling it a medical emergency. That is when everything kicked off.
That initial refusal of aid, bizarrely, set the tone. Later, after a week in hospital and surgery, he was again faced with the wheelchair question for his discharge. “It just did not seem to be necessary.” He could move, though in pain. So why would he pretend otherwise?
Here is the thing: everyone had an opinion. Someone said to take an ambulance, and another insisted on the wheelchair. The media was camped outside, curious and waiting. His own instinct cut through the noise. He figured, why feed the panic? Why have his family, his fans, seeing him wheeled out or driven away in an ambulance?
He decided the right message was the simplest one: just walk out. Show them you are upright and okay. It was a picture message, literally.
Of course, the plan backfired a bit online, with some calling the whole thing fake. His mother, Sharmila Tagore, certainly thought he had made a mistake, telling Twinkle Khanna that if he had just listened to her and used the wheelchair, “there would have been no controversy.” But for Saif, the intention was only to reassure.
Romesh admits he’s aware of possible overexposure but says he chooses work based on gut feeling and quality.
He makes his West End debut opposite Sheridan Smith in Alan Ayckbourn’s Woman in Mind.
The play runs at the Duke of York’s Theatre from 9 December to 28 February, then in Sunderland and Glasgow in March.
Romesh will play Bill, the doctor who links Susan’s real and imagined worlds.
He balances television, radio, and stage work by turning down offers he doesn’t think he can do well.
Romesh Ranganathan says he knows the word “overexposure” follows him around and he’s decided it’s a risk worth taking. The comedian, who is making his West End debut, told the BBC he deliberately turns down roles at times but will say yes when a job feels right, putting “overexposure” and the play’s pull, plus the chance to work with Sheridan Smith, at the centre of his decision. This new stage turn comes as Romesh juggles television presenting, radio, and touring stand-up, and it is also his first proper stage role since primary school.
Romesh Ranganathan makes his first West End appearance in Woman in Mind alongside Sheridan Smith Getty Images
What does Romesh mean by overexposure?
He’s not talking theory. He’s talking experience. Romesh openly acknowledges people tell him “you’re on everything,” a phrase he quotes, not hides from. His defence, though, is practical. He asks whether the project is something he’d watch, whether he can do it justice, and yes, whether there’s a fee. That’s his filter. Plain as that.
Romesh portrays Bill the doctor linking Susan’s real and imagined worlds on stage Getty Images
Why take the West End risk with Sheridan Smith?
Because the role felt right. Romesh will play Bill, the doctor connecting Susan’s two worlds, in Alan Ayckbourn’s Woman in Mind. Sheridan Smith leads as Susan, and Romesh says working opposite her is “exciting and intimidating.” He’s honest about nerves; that’s part of the point. He wants the challenge, even if it raises his profile further.
The production runs at the Duke of York’s Theatre in London from 9 December until 28 February, followed by dates at Sunderland Empire and a run at Theatre Royal, Glasgow, in March 2026 (Glasgow 10–14 March; Sunderland 4–7 March). The revival is directed by Michael Longhurst and keeps close to Ayckbourn’s original while offering a fresh staging.
How Romesh is balancing television, radio, and theatre
Romesh fronts shows including Parents Evening and hosts a BBC Radio 2 slot, plus podcasts and tours. He’s selective, he says. He’ll keep doing varied work, including television, radio, and stage, but only when he feels it’s the right fit. If the public tires of him? He joked he might go and work in a café. For now, he’s stepping on stage.
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