REVEALED: Judges’ Anger at “Whitewash” Hiring Review
By BARNIE CHOUDHURYApr 12, 2022
An experienced south Asian Crown court judge has called on the body which appoints and promotes justices to investigate the culture of bullying and racism which exist in the profession.
Judge Kaly Kaul QC’s comments coincide with a so called “independent review” of the recruitment process by the Judicial Appointments Commission (JAC).
Eastern Eye can reveal that JAC consultants interviewed just 0.24 per cent of judges in England and Wales.
Kaul is taking her employers to court over allegations of bullying, and she corresponded with Eastern Eye in her capacity as the founder of the Judicial Support Network (JSN).
“We invite the JAC to challenge the judiciary, it is supposed to be independent after all,” she said.
“Ask about bullying, discrimination, unfair allocation of tickets, authorisations, opportunities for advancement, favouritism by leadership judges, presiders and others.
Judge Kaly Kaul (Credit: Edward Lloyd/Alpha Press)
“Ask them why judges appointed via the JAC with known disabilities do not receive the reasonable adjustments to which they are entitled after appointment.
“Ask why judges describe us as a JAC ‘tick in the box’, ‘not up to the job’, just as some of us were described in silk, as ‘well we have to appoint some of them, so s/he is pleasant enough.’
“I am nearly 40 years’ call. Will this ever end?
“We invite the JAC to stand up for the principles it is meant to uphold, work with us, work for a strong, truly independent, diverse and inclusive judiciary.
“Diversity of truth matters too. All we want to be is the best judges we can be and treated with dignity and respect.”
“Whitewash”
Several judges and lawyers have described the “independent review” as “a whitewash and wasted opportunity”, Eastern Eye has found.
They have questioned the independence of the findings after the report made clear they interviewed just 18 people chosen by the JAC and Judicial Office (JO).
Only 12 of these were judges. In April 2020, government figures revealed there were 5,000 court and tribunal judges.
That means they spoke to just 0.24 per cent of available judges.
The remaining six people were made up of JAC staff and three from the Law Society, Bar Council and Chartered Institute of Legal Executives.
The review report admits that statutory consultations, or secret soundings, where senior judges can, in effect, blackball candidates they do not like, “leads to a perception of lack of transparency”.
“It is clearly not independent as the numbers were limited and the people handpicked by the JAC,” said one south Asian judge on the condition of anonymity.
“They are well aware of judges who have complained to the JAC saying that they believe their ‘statutory consultation’ had undermined the results of the selection procedure and led to refusal for promotion.
“Furthermore, they have refused to show those judges their statutory consultation as the rules allow.
“Wouldn’t it have made more sense for these judges to have been given to the consultants?
“Then they could have seen first-hand if those who fear the worst speak the truth?”
On its website, the JAC said, “Statutory consultation – which was put in place by parliament – is one aspect of the selection process for judicial appointment which is carefully used alongside a wealth of other evidence to make sure we select only on merit, those of good character.
“Among our many equality measures, JAC panels receive tailored training to assess evidence from non-traditional routes, all shortlisting is name blind and where two or more candidates in a selection exercise are judged as being of equal merit, we can give priority to one or more candidates from underrepresented groups through our equal merit approach.”
The JAC have been urged to stand up for the principles it is meant to uphold
But the consultants, Work Psychology Group (WPG), make clear that some judges are unhappy with the way decisions are made in secret.
“There is an absence of statutory consultation comments for some candidates and this impacts on the consistency, reliability, and the perceived fairness of the process,” the consultants conclude.
“Our desk review of evidence packs revealed that not all candidates receive statutory consultation comments when sought, with several reasons being given for this, for example some candidates are unknown to the named statutory consultee.
“Therefore, statutory consultation comments are used to support the selection decisions of some candidates but not others which could differentially impact on candidates.”
WPG’s report confirms what judges have told this newspaper time and again – candidates cannot challenge what is said about them in secret.
“Statutory consultation comments received before a [s]election [d]ay can support the selection panel with making recommendations about candidates, but candidates are not given the opportunity to directly refute comments,” the report points out.
“Statutory consultation comments are not shared directly with the candidate and as such that there is no opportunity to directly respond to and/or refute negative comments.
“This could potentially impact on the fairness of the process for a candidate.”
“Incredulous” report
Judges who have read the review report and the JAC’s interpretation of it told Eastern Eye that they were “incredulous”, “dismayed”, “disheartened” and “disappointed”.
“The JAC has marked its own homework,” said one judge. “It picked the consultants and then those consultants only spoke to very limited people.
“The JAC is meant, constitutionally, to be independent of the judiciary.
“Well reach your own conclusions.”
The JAC review promised an “independent review” during a justice select committee hearing last June.
MPs questioned its chair, Lord Kakkar, and other senior members because of a series of exclusive revelations by Eastern Eye about the culture of racism, bullying and fear in the judiciary and so-called “secret soundings” when appointing judges.
In 2019, Judge Claire Gilham won a landmark case against the Ministry of Justice after blowing the whistle on bullying and racism in the judiciary.
Speaking on behalf of the Judicial Support Network (JSN), she was withering in her analysis of the JAC and its latest report.
“When I took the grievance for whistle-blowing detriment that led to my win in the Supreme Court it concluded that I was significantly overqualified for my district judge role,” she told this newspaper.
“Yet at no time in my 24 years’ service has any leadership judge discussed career progression with me.
“That was as I expected as it had been explained to me before I applied. I couldn’t join a union, could never speak out.
“The leadership judge explained that he would like to be able to appoint me to a more senior role, but it was impossible with my background.
“I’m sorry to see that it is only pressure that leads to change and it’s the kind of forced change that is made without admission so facilitates lip service and bad practice going underground.
“My young peers now can expect to go up one rung but never further.
“Those positions are still reserved almost exclusively from those of the right sort who come in after a lucrative career in practice as barristers.
“A very narrow range of experience and values come into power.”
Along with Judge Kaly Kaul, Gilham founded the JSN.
“This report skims the surface, and we hope will trigger a much ‘deeper dive’ by a more independent organisation,” Kaul told Eastern Eye in her JSN capacity.
“It does not deal at all with the non-statutory consultation and the rumours and discrimination that block able candidates, often obliquely disguised and impossible to challenge.
“This report won’t change very much, indeed the JAC says as much in its response. It is a wasted opportunity.
“We would call for an academic led, independent investigation.”
Law Society response
The Law Society, which took part in the review did not pull its punches.
“There is virtually no chance of achieving a diverse judiciary that mirrors diverse Britain because the very recruitment process that claims to deliver that goal has failed,” it warned in a press release.
Its president, Stephanie Boyce, the first black woman to lead the organisation, which represents 140,000 solicitors in England and Wales, was scathing about the JAC.
“The Judicial Appointments Commission spends a good deal of its time promoting the case for minimal change, but the need for reform is clear and so too is the need for them to engage with key stakeholders. Just one per cent of England and Wales’s judiciary is Black – and that hasn’t changed since 2014,” Boyce warned.
“Part of the problem is the JAC is misinterpreting the statutory consultation rules, a practice some commentators refer to as ‘secret soundings’ over suitable candidates, rather than as a process of identifying what experience and abilities go to make up a good judge.
“Rather than trying to justify a failed process the JAC should engage with what it actually delivers.
“There is no doubt that applicants from under-represented backgrounds are much less likely to be successful in making it through judicial selection.”
Writing in last week’s Eastern Eye, the founding member of the Society of Asian Lawyers and a founding member of the Bar Human Rights Committee, the barrister, Sailesh Mehta, said he wanted real change in the JAC.
“A new chair and new members not chosen from the usual “good and great” stable would be a start,” he opined.
“The JAC needs fresh ideas and fresh blood. It needs to acknowledge its failings.
“The system of ‘secret soundings’ has been discredited and must be abolished from every appointment process.
“The mounting cases of complaints of unequal treatment by BAME judges needs to be dealt with quickly and sympathetically before the discontent mushrooms and infects the whole system.”
JAC changes
While the JAC said it would make some changes, it will continue to use secret soundings in most appointment applications.
It appears to suggest that any adverse comments will now be put to candidates at interview.
But those we have spoken to said this will not work out in practice because candidates effectively blackballed will never make the short list for interview.
“What this exercise shows,” said one white judge, “is that it confirms what we have been saying – ‘sub consultations’ take place which is outside the legal scope of statutory consultation.
“The consultants also call for a review of the legal risks of the processes, something we’ve been advocating for some time.”
Judge Claire Gilham concluded that the JAC “had produced an opaque report with only the name of independence from a commissioned agency talking only to those on the inside, with its outcomes coded.”
“The most objectionable guidance that actively sought gossip it would ‘read between the lines’ about candidates has been quietly dropped,” she said.
“But will those who abused the old system not continue to misuse their power unless and until these hints and prejudices are explicitly condemned?
“I have no confidence in it. I still cannot see how it can be right to order and prefer candidates on subjective secret assessments of their character they never know about.
“Friends are boosted and the diverse damned.”
Gilham said the unfairness of the current system meant that it hides “the fact that it was a secret report that had really led to their failure.”
“We need a thorough reform,” she said.
“This lack of judicial diversity and the containing of the diverse has implications that are of public interest.
“Justice is still punching down from the bench.
“That has implications not just for the individual facing us but for our priorities in the judicial system and how we feedback how the law works and who for.
“The echelons above the voices and experiences of prejudiced groups and poverty that are overwhelmingly kept in the lower courts get turned back at the glass ceiling and are not heard.”
Sir Bob Neil (pic credit: parliament)
We approached the justice select committee, a group of MPs, our elected public servant supposed to scrutinise the judiciary, to see whether it thought this was an “independent” and “viable” survey.
The committee’s white chair, Sir Bob Neill is a former barrister.
When we first broke the story of a culture of racism and fear in the judiciary in July 2020, and we gave it our evidence, the committee refused to act.
It only held its hearing with the JAC in June 2021 when judges read our stories decided that enough was enough.
In true form, Sir Bob and the new clerk to the committee decided that it was not worth their time to acknowledge or respond to a matter of clear public interest.
Lauren Sánchez didn’t need a red carpet to mark her pre-wedding celebration, just a close circle of friends and the charm of Paris. Days before tying the knot with Jeff Bezos, the former TV anchor turned aviation entrepreneur spent a laid-back but lavish weekend in the French capital with a dozen women she calls her pillars of strength.
The guest list was anything but ordinary. Kim Kardashian, Kris Jenner, Katy Perry, Eva Longoria, and a few other familiar faces from business, entertainment, and media joined Sánchez for what looked like a celebration of sisterhood rather than a spectacle. Over the course of two days, the group dined at chic spots like Lafayette’s and cruised through the city on a private boat, all while keeping things relatively low-key by celebrity standards.
From clinking espresso martinis to dancing to Earth, Wind & Fire, the vibe was expensive, chill, and relaxed. The celebration wrapped with a surprise vanilla meringue cake and laughter under the Paris sky.
Sánchez shared heartfelt moments on Instagram, calling her friends “the women who’ve lifted me up and shaped my heart.” The photos, mostly in black and white, showed candid rooftop laughs and cosy robe moments, far from the polished party shots one might expect.
Inside Lauren Sánchez’s Paris bachelorette Instagram/laurenwsanchez
Her outfit choices, too, while expensive, leaned into romantic minimalism. A short white Oscar de la Renta dress with 3D florals and a vintage pink Chanel bag added soft glamour to the weekend.
Heartfelt moments and low-key glam defined Sánchez’s pre-wedding celebration in Paris Instagram/laurenwsanchez
Sánchez and Bezos, who went public in 2019, got engaged in 2023 on board his yacht Koru, where he proposed with a rare 20-carat pink diamond worth approximately £15 million (₹160 crore). Their wedding is expected in June on the coast of Venice, Italy, although they’ve been tight-lipped about the specifics. Italian officials have already reassured locals that the ceremony will not disrupt the city.
A candid moment with Sánchez and her closest friendsInstagram/laurenwsanchez
Beyond the headlines and designer outfits, Sánchez’s celebration in Paris was about a woman pausing to honour the relationships that helped her grow, before stepping into a new chapter as Mrs. Bezos.
Ever walked into a cinema, popcorn in hand, all hyped for a big new Hindi release – only to realise, halfway through, that you have seen the exact same story before, just in another language? That weird sense of déjà vu has become all too familiar for Bollywood audiences in recent years, with one remake after another. Many are based on South Indian hits.
From Vikram Vedha to Shehzada, Bholaa to Selfiee, Bollywood seems to be treating South Indian blockbusters like a catalogue to borrow from. But here is the problem – most of them did not work. Not just with critics, but at the box office too. Which raises the obvious question: if the originals were such big hits, why can’t the Hindi versions strike gold?
The numbers do not lie Let us look at the figures.
The Tamil film Vikram Vedha (2017) was made on a budget of £103,695 (₹11 million) and earned £5.66 million (₹600 million). It had strong writing, originality, and standout performances. The 2022 Hindi remake starring Hrithik Roshan and Saif Ali Khan, despite slick production, was a costly misfire.
Bholaa, a remake of Kaithi, leaned too heavily on visual effects and forgot the raw, gritty storytelling that made the original shine. Made for £8.8 million (₹1 billion), it only grossed £9.7 million (₹1.1 billion) worldwide. Compare that with Kaithi, made for £2.2 million (₹250 million), which earned over £9.3 million (₹1.05 billion) – without big stars or CGI. This pattern keeps repeating itself.
Selfiee, based on Malayalam hit Driving Licence, flopped. Shehzada tried to replicate the success of Ala Vaikunthapurramuloo and failed miserably. Sarfira, based on Soorarai Pottru, came and went without impact. Even Baby John (a version of Theri) and Deva (inspired by Mumbai Police) could not turn strong originals into Hindi box office hits.
Ajay Devgn in Bholaa
Star power is not enough These numbers paint a clear picture: the remakes are not connecting. But what about star power? Salman Khan, Akshay Kumar, Shahid Kapoor, Hrithik Roshan, Kartik Aaryan – surely such big names should guarantee success? Unfortunately, it is not that simple anymore.
Audiences are smarter now. Thanks to streaming platforms, dubbed versions and social media buzz, many have already seen the originals – or at least know the storyline. So when the Hindi version arrives, it often feels stale.
Hrithik Roshan in Vikram Vedha
What is missing from the remakes? Successful films rely on many elements – chemistry between the leads, emotional tone, pacing – things you cannot script or transplant.
Take Vinnaithaandi Varuvaayaa. The chemistry between Silambarasan TR and Trisha felt electric, rooted in the film’s deeply emotional story of unrequited love. The Hindi remake Ekk Deewana Tha, with Prateik Babbar and Amy Jackson, lacked that connection.
Okkadu had raw energy, with Mahesh Babu anchoring the emotional weight. Ghilli, its Tamil counterpart, had similar intensity with Vijay’s charismatic presence and high-octane action. But the Hindi version Tevar lacked the same punch and raw emotion.
Similarly, Theri worked because of Vijay’s stardom, Atlee’s direction, and its emotionally driven story. Baby John has not captured that same feeling.
Mahesh Babu in Okkadu
Audiences want originality Here is the real kicker – audiences are not rejecting South Indian cinema. In fact, they are embracing it. Baahubali 2, the Pushpa and KGF franchises, RRR, Kantara – all became massive pan-India hits. The appetite for regional content is real.
What people are rejecting is lazy filmmaking – the idea that simply changing the language, inflating the budget, and casting a big Bollywood name is enough.
What works today is originality. Films like 12th Fail and Article 15 resonated because they told new stories. Even blockbusters like Pathaan and Jawan succeeded by playing to their own strengths – not copying someone else’s.
RRR
A call for change So what should Bollywood do? The answer is simple: focus on originality.
Stop leaning on South Indian remakes. Start backing fresh, innovative stories that speak to today’s diverse audience. The success of South Indian films lies in their ability to connect emotionally, to create real characters and tell untold stories. Bollywood needs to find that magic again.
In the end, remakes may seem like a safe bet – but they are not always the solution. Why settle for déjà vu when you can create something unforgettable?
The audience has evolved. Maybe now, it is time the industry asked itself: has it?X: @GeorgeViews
On Sunday, 25 May, music lovers in Middlesex and beyond will have the rare opportunity to experience an unforgettable evening with the legendary Anup Jalota at the Beck Theatre, Hayes. Known as the “Bhajan Samrat” (Emperor of Bhajans), Anup Jalota is a celebrated Indian singer and musician famed for his soul-stirring bhajans and ghazals that have touched millions worldwide. This culturally rich concert promises to bring the spiritual and poetic essence of Indian devotional music to life, right in the heart of Middlesex.
Whether you are deeply connected to Indian classical and devotional music or simply curious to explore a new musical tradition, this concert offers a perfect blend of spirituality, art, and heartfelt emotion. Held at the well-regarded Beck Theatre on Grange Road, this event is expected to draw a diverse audience eager to witness Anup Jalota’s mesmerizing performance.
Anup Jalota has been a towering figure in Indian music for over four decades. His unique ability to fuse the spiritual with the musical has earned him immense respect and a devoted fanbase not just in India, but internationally. Known for his deep, soothing voice and flawless diction, Jalota’s bhajans invoke a sense of peace and devotion, making them timeless classics.
In addition to bhajans, Anup Jalota is renowned for his ghazal renditions – poetic songs that express love, longing, and life's philosophical musings. His mastery in delivering both these forms of music with emotion and authenticity is unmatched. Audiences attending the Beck Theatre concert can expect to be transported through a variety of moods, from serene devotion to contemplative reflection.
The concert promises to be a carefully curated showcase of some of Anup Jalota’s most beloved bhajans and ghazals, as well as a few surprises for fans. The Beck Theatre, with its excellent acoustics and intimate setting, will provide the perfect atmosphere for a close connection between the artist and his audience.
Attendees can look forward to an evening filled with spiritual melodies and poetic beauty that celebrate Indian heritage and music traditions. It’s an ideal occasion for families, music enthusiasts, and anyone interested in experiencing a slice of India’s rich cultural tapestry.
The Beck Theatre is located at Grange Road, Hayes, Middlesex UB3 2UE. It is easily accessible by public transport and offers ample parking facilities nearby.
Tickets for this much-awaited concert are available on the Beck Theatre’s official website at www.becktheatre.org.uk. Given the popularity of Anup Jalota’s performances, early booking is strongly recommended to avoid disappointment.
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Ananya Panday gets candid about body shaming on Lilly Singh’s podcast
Ananya Panday is no stranger to the spotlight, but she’s also tired of being stuck under a microscope. In a recent chat with Lilly Singh on her podcast Shame Less, the actor spoke honestly about the constant criticism of her body and the double standards women face in the film industry.
Ananya recalled the early days of her career when, at 18, she was mocked for being too thin. Terms like “chicken legs” and “matchstick” were thrown at her regularly. “They said I had no boobs, no butt, like a flat-screen,” she shared. Fast forward a few years, and as her body naturally changed, new rumours popped up, but this time accusing her of undergoing cosmetic surgery. “Now they say I’ve had my butt done. You can never win,” she said.
What hits harder for Ananya is that this scrutiny often comes from other women. “The harshest comments I get are from women. I rarely see this happening to male actors,” she said, pointing out the gender gap in how public figures are judged.
But Ananya doesn’t shy away from taking responsibility either. She admitted that Bollywood films, including some of her own, have pushed unrealistic beauty ideals. “We’ve shown women waking up with perfect hair and makeup. That’s not real life. I’ve been part of that narrative, and I’m trying to be more aware of it now,” she said. Off camera, she tries to keep things real, reminding her followers that what they see on screen isn’t always the truth.
This honesty is, in fact, a shift in Ananya’s journey, from someone who once felt pressured to fit in, to an actor willing to question the norms she’s grown up with. Her recent work also reflects that change. From light-hearted romances to more grounded roles like her turn as a lawyer in Kesari: Chapter 2, Ananya is clearly making deliberate choices.
Women in the public eye are constantly judged, but it’s time to break that cycle. “If I talk about it, maybe one other girl will feel less alone,” she said. That, perhaps, is the quiet power behind her loudest statement yet.
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Remaining matches will be held at six venues, with Chennai, Hyderabad, Kolkata, and Dharamsala removed from the schedule.
The Indian Premier League resumes on Saturday, eight days after it was suspended due to escalating tensions along the India-Pakistan border.
Most foreign players who left the country after the suspension have now returned. The tournament was halted on May 8 during a match between Punjab Kings and Delhi Capitals in Dharamsala, which was stopped after 10.1 overs when rockets landed 80km away. That game will now be played on 24 May in Jaipur.
Remaining matches will be held at six venues, with Chennai, Hyderabad, Kolkata, and Dharamsala removed from the schedule.
The Pakistan Super League also restarts on Saturday. It had considered relocating to the UAE before suspension. Its final is now on 25 May, with matches limited to Rawalpindi and Lahore. Only Multan has lost hosting rights.
Royal Challengers Bengaluru will face Kolkata Knight Riders in the first of 13 remaining IPL league games, followed by playoffs from 29 May and the final on 3 June.
The revised IPL schedule overlaps with England’s ODI series against West Indies starting 29 May. Cricket West Indies released Sherfane Rutherford and Romario Shepherd to remain in India. Some players, including Mitchell Starc and Sam Curran, have opted not to return. Temporary replacements are allowed.