ALTHOUGH he is an accomplished composer, British pianist Rekesh Chauhan BEM is at his very best in front of a live audience.
The multi-award-winning music maestro joins top tabla player Kousic Sen for a concert at this year’s Liverpool International Jazz Festival, taking place at The Capstone Theatre in Liverpool on February 22. The versatile duo will explore the dynamic intersection of Indian classical music and jazz in the culturally rich Beyond Roots show.
Eastern Eye caught up with the master pianist to discuss his love for live performance and forthcoming show.
How much does live performance mean to you personally?
The spontaneity and energy of being in the moment make each concert unique. I find immense joy in connecting with the audience, and it’s incredibly rewarding when people share how the music has had a positive impact on them. Knowing that a performance can touch someone’s life makes every moment on stage even more meaningful.
What has been your most memorable concert?
There have been quite a few – from performing with Shankar Mahadevan to playing at the Royal Albert Hall and even recording a live concert at Symphony Hall. All of these moments have been incredibly special.
Tell us about your Liverpool International Jazz Festival show in February.
This concert will mark the beginning of performances celebrating the 10-year anniversary of my debut album Beyond Roots – an album of classical ragas performed on the piano, produced by the brilliant arts organisation Milap. The album was recorded in Liverpool, so it is fitting that the celebrations begin there. I will be joined by tabla maestro Kousic Sen ji, who also performed on the album. Over the years, I have collaborated with larger ensembles to create a bigger sound for audiences, so I’m delighted to return to the pure form of classical ragas on the piano for this festival.
How do you feel being on stage in front of a live audience?
Most often, I am introducing a style of music to an audience that may be hearing it for the first time. So, I feel a responsibility to strike the right balance – staying true to tradition while also introducing my vision for the future of the music. My TEDx talk, The Future of Music (available on YouTube), explores this idea – music is constantly evolving, and it’s always exciting to discover new ways to communicate ideas.
How highly do you rate your fellow musician, Kousic Sen, for this show?
Kousic Sen ji is one of the most brilliant tabla players out there. He comes from a rich musical heritage and is a true virtuoso of his art form. We have been performing together for many years, and I’m fortunate to have him as a mentor.
Do you ever get nervous before an important live performance?
Absolutely. There have certainly been some nerve-racking moments – performing alongside legends like Javed Akhtar or knowing that Pandit Hariprasad Chaurasia is in the audience!
What are your plans for 2025?
It’s been a packed few years, and I’m glad to be back in the studio working on new music. The productions I scored during the pandemic explored the connection between mental health and music, and they really resonated with audiences. Music can have a profound positive impact, so I am determined to continue my work in this space. Keep an eye on my Instagram (@rekeshchauhan) for updates.
What inspires you as a live performer?
I am inspired by the audience – an artist draws energy from the audience, which in turn inspires the music. That exchange is what creates the magic.
You are a versatile artist, but which genre do you prefer?
I have enjoyed performing across different genres, but my heart belongs to classical music.
If you could master something new in music, what would it be?
I would love to compose for film, creating emotive scores that bring stories to life. Having worked on music for theatre productions, writing for film feels like a natural progression – blending my passion for storytelling with the power of orchestral music.
Why should we all come to your upcoming concert in February?
I will be offering a taste of India through the lens of Britain, taking the audience on a journey through folk, pop, and ragas – with a touch of nostalgia along the way. This will be a special moment to experience the music of ancient India in a city that gave the world The Beatles – a full-circle moment!
Milap and LIJF 2025 presents Beyond Roots, The Capstone Theatre, Liverpool Hope University, Creative Campus, 17 Shaw Street, Liverpool L6 1HP on February 22, 1pm. capstone.hope.ac.uk
BBC Asian Network is starting a new show called Asian Network Trending.
The show runs for two hours every week and is made for young British Asians.
It covers the topics that matter most to them like what’s trending online, questions of identity, mental health etc.
Amber Haque and the other hosts will share the show in turns, each talking about the issues they know and care about.
The network is moving to Birmingham as part of bigger changes behind the scenes.
Speaking up isn’t always easy. This show gives young people a space where their voices can be heard. That has been the quiet reality for a lot of British South Asians. Music on the radio, sure. Bhangra, Bollywood hits, endless remixes. But real conversations about identity, family pressure, mental health? Rarely. Until now.
From 27 October, Asian Network Trending goes live every Wednesday night—two hours of speech instead of beats. The first hour dives into trending news; the second hour goes deeper into family expectations, workplace racism, LGBTQ+ issues, and mental health stigma. And it’s not just one voice. Amber Haque and other rotating presenters keep it fresh.
Young British Asians finally hearing voices that reflect their experiences and challenges Gemini AI
What exactly is Asian Network Trending?
Two shows in one, really.
First hour: the hot takes. Social media buzzing? Celebrity drama? Immigration news? Covered while it’s relevant.
Second hour: the deep dive. One topic per week, unpacked with guests and people who know what they are talking about. Mental health, dating outside culture, career pressures, unspoken hierarchies, all of it finally getting the airtime it deserves.
Head of Asian Network Ahmed Hussain said the new show was designed to give space for thoughtful and relevant conversation. “It’s a bold new space for speech, discussion and current affairs that reflects the voices, concerns and passions of British Asians today,” he said.
Why go for a rotating hosts format?
You can’t sum up the “British Asian experience” with just one voice. A kid in Leicester whose family speaks Gujarati has a very different life from a Punjabi speaker in Southall. And a Muslim teen’s day-to-day reality isn’t the same as a Hindu’s or Sikh’s. Then there’s money, family pressures, school, work, and everyone is navigating their own path.
Why now? Why speech radio?
British Asians are visible, sure. Big festivals, business power, cultural moments. Yet mainstream media often treats the community like a footnote.
Music connects to heritage, yes. But it can’t talk about why your mum nags about you becoming a doctor when you want to study film. Radio forces engagement, intimacy, and honesty.
Surveys back it up. 57% of British South Asians feel they constantly have to prove they are English. 96% say accent and name affect perception. This show is a platform for those contradictions to exist out loud.
Who’s on air and why does it matter?
Amber Haque is first up, but the rotating system means different voices each week. BBC Three and Channel 4 experience under her belt helps navigate sensitive topics without preaching.
Representation isn’t just faces. It’s who decides what stories get told, who gets to question, who sets the tone. Asian Network Trending is designed to widen that lens, not narrow it.
What topics will the show cover?
Identity and belonging: balancing Britishness and South Asian heritage.
Mental health: breaking taboos in families.
Careers: that awkward "but why?" when you mention graphic design. The side hustle your parents call a hobby.
Relationships: the 'who's their family?' interrogation. The quiet terror before saying you're gay.
Community: the aunty and her "fairness cream" comments. The gap between your life and your grandparents' world.
Challenges and stakes
British South Asians aren’t all the same. Differences in religion, language, region, and class make their experiences varied and complex. Cover one slice and you alienate the rest. Go too safe and the younger audience won’t listen. Go too risky and conservative backlash is real.
Resources are tight. Speech radio costs money: producers, researchers, fact checks. Can it sustain deep conversations without cutting corners? That is the test.
What could success look like?
Not just ratings. Real impact: young people hear themselves articulated, families spark conversations, new voices get a platform, policymakers listen. Even a single clip prompting debate online counts. The proof is in engagement, in messy human response, not charts.
A mic, not a manifesto
This launch isn’t a cure-all. It’s a step, a loud, messy one. It hands the mic to people who mostly spoke filtered, cautious words. Let it stumble, argue, and surprise. Let it be uncomfortable. If it does that even sometimes, it has already done its job. Because for the first time, British Asian youth get to hear themselves, not through music, not as a statistic, but as real, living voices.
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