Ratan Tata on investing in Britain, the Nano car project and his love of flying
Ratan Tata at
the launch of the Nano car in 2008
By AMIT ROYOct 18, 2024
ALTHOUGH Ratan Tata was chairman of the Tata group of companies, he came across as a modest man determined to live below his means when I met him.
“I couldn’t say I’m wealthy, but I am certainly well off enough and I have no desire to show off,” he admitted. “I enjoy anonymity. (When) you’re in London, no one bothers you.”
Tata, who died last week aged 86, told me he didn’t have a formal philosophy of life, but “I’ve always had a view that 90 per cent of the people really respect the position you hold, and that can be intoxicating. The best way is to continue to be as ordinary a person as you can, wait in lines, drive your own car.”
It was November 2006 and I had interviewed Ratan Naval Tata for the first time. Six previous interview requests had been turned down by his PR people. I doubt whether he was even aware of most of the interview requests.
What was different this time was Kamal Nath, India’s commerce and industry minister at the time, had picked up the phone at his office in Delhi and pressed my case. I was doing one of my annual economic surveys of India for the Daily Telegraph. This time Tata said yes.
He was 68 at the time and had an office in “Bombay House”, the headquarters of the Tata group of companies in Bombay (now Mumbai), India’s commercial capital. It was a short taxi ride from the Taj Mahal Hotel, which (like the St James’ Court Hotel in London) is owned by the Taj group.
Dressed in an immaculately tailored grey suit with a dark blue tie, Tata resembled an English gent of the old school, unflashy and shy about giving interviews.
He confided the one luxury he had fallen for was his Falcon jet: “My greatest indulgence outside work is flying. I love flying and I continue to be a certified pilot. I fly every chance I get. I am just about to fly to Dubai. I also love to drive (sports cars).”
Tata, educated at Cornell and Harvard, was a Parsi, whose members brought their Zoroastrian faith to India as refugees from Persia and then integrated so successfully they became, as they had promised an initially hesitant Mughal emperor, “sugar in milk”. Though their numbers in India had dwindled to 100,000, Bombay wouldn’t have been the old cosmopolitan Bombay were it not for the educational and scientific institutions, theatres and art galleries built on Parsi philanthropy, and notably, that of the unique Tata family.
I had friends who lived in the same block of flats where he did and all of them remarked that his lifestyle was understated. Not for him a mansion by Juhu beach.
Tata revealed he loved one corner of England which was forever Parsi. “It’s really an eye opener to go to Brookwood cemetery (in Surrey) which is full of wealthy Parsis who are buried there, people you read about in books.”
He spoke proudly of the group’s founder, Jamsetji Nusserwanji Tata, who began his company in 1868, and his immediate predecessor, his legendary uncle Jehangir Ratanji Dadabhoy [JRD] Tata, whom he succeeded in 1991. Sixty five per cent of the group’s profits went into health care, education, rural development, treatment of water in villages and other charities.
He agreed that the example of a tiny community doing good out of proportion to its numbers would be an appropriate role model for Indians in Britain to adopt.
“It was just the largesse they decided to give. Perhaps if we go back in time, it was their way of expressing their prosperity, given the fact that they had come from Persia, initially, almost like refugees, and been allowed to become prosperous in India. It was their way of giving it back to the country, otherwise I don’t see how they could have continued to hold their wealth and pass it on to their next generations.”
I had been warned Tata was not a professional Parsi, but he agreed his family did have a history of service to the nation.
“Yes, I think it is a very proud inheritance, a very nice legacy to inherit. The values and the ethics of the Tata group have been based on the proceeds of the profits, the dividends of the company, going back to charitable causes. While most people believe the Tata group is owned by the Tata family, it today owns about two per cent of the group and about 65 per cent is owned by a few charitable trusts. So, there’s very little personal agenda in what the Tata group does. Strangely enough, this has held it together because we’ve not had generations of Tatas carving out their family portion of the group.”
He said he had been “trying to reduce the business areas and re-focus the company. In days gone by, we used to pride ourselves on the fact that you woke up in the morning to Tata tea, your alarm clock was Tata, you had a bath with a Tata soap. It’s not such a great thing if you look at in a business sense, so we’ve been trying to re-structure ourselves.”
Speaking at the memorial service for Lord Kumar Bhattacharyya
At the time, the group included Tata Iron & Steel, Tata Motors, Tata Chemicals, Tata Consultancy Services [TCS], Indian Hotels, Tata Tea (it bought Britain’s Tetley Tea for £271 million), Tata Technologies, Tata Metaliks, Tata Interactive Systems and many other companies.
He explained he has been trying to consolidate the companies into the seven core areas in which the group operated. He believed that “protection has been India’s worst enemy”, but, thanks to globalisation, “25-30 per cent of our revenues come from overseas businesses”.
“If you look at what Jamsetji Tata did 150 years ago, he wasn’t driven by the normal drivers of making money,” said Tata. “He was driven more by the development of India, so he saw textiles as a business, because cotton was going out of the country and coming back as cloth. He saw steel being produced in India, so (it was) self-sufficiency, a great sense of nationalism. The group in its early days was built on giving India self-reliance in basic industries and that carried on after his sons implemented what he had conceived.
“Someone like me gets enormous pleasure in seeing an uplift of what otherwise one would consider an underprivileged or poor person.”
“I enjoy anonymity,” added Tata. “I detest the fact that I can’t go for a walk any more because somebody will come up and say, ‘I bought an Indica and my left wheel is making a noise. Can you tell the dealer to fix it?’ Or, ‘My daughter’s just graduated in computer science and could she get a job in TCS?’ I find it’s a very distasteful kind of thing that I can’t go to a movie any longer. I can’t go for a walk with my dog because your privacy is constantly being invaded. So I enjoy being out of the country. (When) you’re in London, you have anonymity, no one bothers you and you have your own space.”
We talked about business, of course. At the time the exciting news was about Tata’s plans to build a small “people’s car”. The speculation was that he was considering setting up the factory to manufacture this car in West Bengal, a state which industrialists often avoided because of its Marxist governments.
He provided an insight into why he really wanted to build his people’s car – it was after seeing a family on a scooter on a dark night. “That’s what really drove me to think about this. It wasn’t just developing another car. You so often see guys sitting on a scooter, little kid standing in front of him, his wife behind holding a child. Then you add to that a wet road, you add night time, then you feel you [have] got a family in potential danger. I would hope I could make a contribution to making life safer for them.”
He went on: “Someone like me gets enormous pleasure in seeing an uplift of what otherwise one would consider an underprivileged or poor person. For example, some people get irritated, but I feel very elated, but you can walk on the street and see somebody who pushes a rickshaw and is talking on a cell phone. In rural India, too, the quality of life has, without any doubt, improved.
“We still have great disparities, it would be fallacious to say ‘everything’s fine’, but it would be also wrong to say India hasn’t moved. It’s moved tremendously.”
The tragedy was Tata had not reckoned with the destructive politics of West Bengal. The company had arrived at an agreement with Buddhadeb Bhattacharya, the then chief minister of the state who belonged to the Communist Party of India (CPM). But he was ousted from power in local assembly elections by the new kid on the block, Mamata Banerjee, the firebrand leader of the Trinamul Congress.
She opposed the purchase of farmland for the factory in a place called Singur in the Hooghly district of the state. The factory was not built and to this day, the land lies fallow. In desperation, the project to build the “Nano”, as the new car was to be called, was moved to Gujarat, where it was given an enthusiastic welcome by the state’s then chief minister, Narendra Modi.
When I met Tata, he was well intentioned about setting up in West Bengal. Although Bhattacharya led a CPM government, Tata told me: “I have known him since he became chief minister, but he literally seems to be a genuine person. The state seems to be free of corruption, it’s easy to deal with, with the ministers and bureaucracy within the state, and, of course, today they want investment, so the receptivity to the new investment is very high.
“The other thing is they move quite fast – for example, when we went into the car project. They issued a policy that ‘it’s open to all’, and we’ve just been the first people to avail of that policy. They have a new industrial policy, which has the same incentives for everyone. And they did that very, very fast. In other states, you get locked up into a sort of loop of things going on and on never being decided.”
The car project, he declared, “is very much on track”. He assured me: “From our side, it’s absolutely on. The land has been identified. We’re very excited about the possibility of being in West Bengal because I think the eastern part of the country is being ignored industrially.
“I really believed in the leadership of the state. Someone has to make a move, if you believe this is a place where the industrial climate is good, but nobody is testing the waters because they want to see who moves first. So we felt, let us make that first move. There is so much being made about the Leftists being the blocker of reforms, yet the state of West Bengal is as friendly to industry as anything else. I thought this was just the sort of thing the Tatas should do, rather than being in Maharashtra or Chennai or anywhere else.”
He forecast the new car market in India would grow from one million in 2006 to 1.7 million in 2008. In the end, the Nano was not a commercial success, but Tata helped open up the car market in India. Today, it is about four million, with a wide range of manufacturers.
In my interview, I completely missed the fact that Tata was thinking of expanding abroad, which he did with the acquisition of Corus Steel (which later reverted to British Steel) against stiff competition from the Brazilians in 2007, and Jaguar and Land Rover from Ford of America in 2008. I met Tata when he came to London for the takeover talks.
He was given an honorary degree by Cambridge University in 2010, and an honorary knighthood in 2014. I saw Tata in 2019 when he attended the memorial service in Coventry Cathedral for his close friend, Lord Kumar Bhattacharyya, founder of the Warwick Manufacturing Group. Bhattacharyya had told me it was he who had persuaded Tata to buy Jaguar and Land Rover.
Looking back on it now, it was Tata’s decision to buy British that encouraged other Indian firms to follow in his footsteps. Today, thanks mainly to him, India is the second-biggest investor in the UK.
Death Stranding 2: On the Beach releases on 26 June 2025 for PlayStation 5
Critics highlight its stylised storytelling, visual design, and A-list cast
Gameplay centres on post-apocalyptic cargo delivery and exploration
Reviews call it hypnotic, emotional, and sometimes frustratingly slow
Players are divided over its pacing, symbolism, and niche appeal
A cinematic sequel that’s both familiar and strange
Hideo Kojima’s Death Stranding 2: On the Beach launches worldwide on 26 June, and early impressions suggest it’s just as unconventional as the original. Described by critics as a “hypnotising, slow-paced art-house game,” the sequel continues the unique blend of traversal gameplay, cinematic storytelling and surreal world-building introduced in Death Stranding (2019).
Set in an alternate future where the boundary between life and death has collapsed, the sequel follows protagonist Sam Porter Bridges (Norman Reedus) as he leaves his quiet life in Mexico to reconnect isolated communities across Mexico and Australia. The goal: restore access to a high-tech communication system called the chiral network in the wake of a fragmented, post-disaster world.
Critics praise storytelling, tone, and ambition
Several early Death Stranding 2 reviews emphasise the game’s meditative pace and symbolic narrative. The story is said to be layered with allegory and poetic metaphors, often requiring players to interpret its dreamlike events and characters.
Kojima’s vision is clearly rooted in cinematic inspiration. The opening includes a six-minute cutscene, and reviewers note that long, quiet stretches of walking allow players to reflect on the game’s meaning. One reviewer described it as “a game that invites scrutiny and rewards patience,” while another called it “equal parts game and existential art project.”
The cast features major talent including Léa Seydoux, Elle Fanning, George Miller, Guillermo del Toro, and Shioli Kutsuna, many of whom reprise roles or take on new surreal identities. Their characters serve as metaphors as much as people: one rains wherever she goes, another pilots a ship with a tar-infused hand. The emotional performances are surprisingly affecting, particularly in quieter scenes.
Gameplay: Delivery missions, upgraded combat
At its core, Death Stranding 2 remains a delivery game. Players guide Sam through rugged terrain, balancing cargo, managing supplies, and planning safe routes between settlements. While this sounds mundane, reviews say the game’s detailed systems — including tools, gear, and environmental challenges — add real depth.
- YouTubeYouTube/ KOJIMA PRODUCTIONS
Combat has been expanded. Players can now face off more often with Beached Things (BTs) and hostile humans, using grenades, firearms, or stealth tactics. The mechanics have been refined since the first game, with some calling the combat “slick” and “surprisingly satisfying.”
One review notes, “The pleasure is as much in the preparation as it is in the action,” referring to the logistical decisions players make before embarking on missions. New traversal tools and improved mission variety also help keep things engaging.
Post-pandemic influence and online connection
Kojima reportedly rewrote the sequel’s story during the COVID-19 pandemic, and the parallels are evident. Themes of isolation, fear of contact, and re-establishing human connection run throughout the game.
Like its predecessor, Death Stranding 2 includes asynchronous multiplayer features. Players can build structures and leave equipment or messages for others in their own single-player worlds. This feature has been interpreted by reviewers as a satirical nod to social media, with “like” icons and digital clutter slowly overtaking the environment, a subtle critique of online attention culture.
Not for everyone, but rewarding for some
While the game has received strong praise from critics for its ambition and style, it has also been described as a “niche experience.” Some players find the pacing too slow and the gameplay too repetitive. Others argue that the symbolism can become overbearing or confusing.
Still, for fans of Kojima’s previous work or anyone seeking something outside mainstream action game formulas, Death Stranding 2 offers a compelling and unusual journey.
“Everything that was good and frustrating about the first game is back,” one critic summarised. “But this time it’s more polished, more confident, and more meaningful.”
Final verdict from the review community
Most Death Stranding 2 reviews agree on a few core points:
It’s visually stunning, with atmospheric design and excellent voice acting
The delivery gameplay is detailed and deliberate, appealing to those who enjoy planning and slow exploration
The narrative is symbolic and open to interpretation, rewarding thoughtful players
It’s not action-packed, and won’t suit everyone, but it stands out in today’s gaming landscape
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Black women nearly three times more likely to die during childbirth compared to white women, while Asian mothers face double the risk. (Photo for representation: iStock)
HEALTH SECRETARY Wes Streeting has ordered an immediate nationwide probe into England's maternity services following a string of NHS scandals that have cost the lives of hundreds of mothers and babies.
The fast-track investigation will focus on the country's poorest-performing maternity and baby care units, with findings expected by December 2025, the BBC reported.
Streeting on Monday (23) issued an apology to families who have suffered preventable harm and said urgent action was needed.
"We must act - and we must act now," he declared, after meeting parents who lost children in various NHS maternity disasters.
The health secretary promised the inquiry would "make sure these families get the truth and the accountability they deserve" and ensure "no parent or baby is ever let down again".
The investigation comes amid alarming statistics showing maternal death rates have worsened dramatically. Government data revealed that between 2009 and 2022, maternal mortality increased by 27 per cent, and even after accounting for Covid deaths, there was still a 10 per cent rise.
Official figures exposed stark racial inequalities, with black women nearly three times more likely to die during childbirth compared to white women, while Asian mothers face double the risk. Despite a 2017 government pledge to cut maternal deaths by half between 2010 and 2025, the opposite has happened.
The probe will be split into two sections. The first will examine up to 10 of the most troubling maternity and newborn units to provide answers to affected families as quickly as possible.
University Hospitals Sussex and Leeds Teaching Hospitals have already been confirmed for investigation, though it remains unclear whether these will be part of the 10 units or separate cases.
The second phase will take a broader view of the entire maternity system, combining lessons from previous investigations to create national improvements across all NHS maternity services.
At Morecambe Bay between 2004 and 2013, mothers and babies died unnecessarily due to what investigators called a "dysfunctional culture" with poor clinical skills and failure to learn from mistakes. The Shrewsbury and Telford scandal saw more than 200 mothers and babies who could have survived with better care, according to a 2022 investigation.
In another case, at least 45 babies might have lived if given proper treatment at East Kent, a review found in October 2022.
Meanwhile, an ongoing review at Nottingham examining around 2,500 cases is set to be the largest maternity scandal investigation yet.
Adding to concerns, inspectors found that not a single one of 131 maternity units checked in 2024 received the highest safety rating.
Dr Clea Harmer from baby loss charity Sands called the national investigation "much-needed and long-overdue", stressing the need for "lasting systemic change".
Rhiannon Davies, who lost her daughter Kate at Shrewsbury and Telford NHS Trust in 2009, welcomed the inquiry but argued it should cover the entire UK, not just England.
Anne Kavanagh from Irwin Mitchell solicitors, representing many affected families, said the scandals "all pointed to deep-rooted problems nationally" and stressed the need for decisive action.
She warned that "sadly many recommendations from previous reports and investigations had not been fully implemented, missing crucial opportunities to improve patient safety and learn from mistakes".
The government has also announced plans for an anti-discrimination programme aimed at addressing the unequal treatment of black, Asian and other underserved communities in maternity care.
Streeting acknowledged that while most births are safe and the majority of NHS staff want the best outcomes, "it's clear something is going wrong".
"What they have experienced is devastating – deeply painful stories of trauma, loss, and a lack of basic compassion – caused by failures in NHS maternity care that should never have happened," he said of the bereaved families.
The investigation will begin this summer, with affected families given a voice in how the inquiry is conducted.
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India's Hardeep Singh Puri, who is leading a 7-member delegation, meets Irish prime minister Micheal Martin. The delegation paid tribute to the victims of the Air India Kanishka bombing at the Ahakista Memorial, on the 40th anniversary of the incident, in County Cork, Ireland. (Photo: PTI Photo)
INDIAN minister Hardeep Singh Puri on Monday (23) called for ending funding channels to terrorists and separatists and urged collective action to counter global terrorism, as he paid tribute to the victims of the Air India Flight 182 Kanishka bombing on its 40th anniversary.
The Montreal–London–New Delhi Air India ‘Kanishka’ Flight 182 exploded mid-air on June 23, 1985, killing all 329 people on board. The flight was 45 minutes away from landing at London’s Heathrow Airport. Most of those killed were Canadians of Indian origin.
Commemoration held at Ahakista Memorial
Puri, who is the Union Minister of Petroleum and Natural Gas, attended the memorial event at the Ahakista Memorial in County Cork, Ireland. He was joined by Irish prime minister Micheál Martin and Canada’s Minister of Public Safety Gary Anandasangaree. County Cork is about 260 kilometres from Dublin.
“On behalf of the people and Government of India, a 7-member delegation led by Minister of Petroleum and Natural Gas @HardeepSPuri paid tributes to the victims at the Ahakista Memorial in County Cork, Ireland,” said Ministry of External Affairs spokesperson Randhir Jaiswal in a post on X.
‘Need to be united against terrorism’
In his speech, Puri thanked the “wonderful community of Ahakista and the people of Ireland,” saying they had responded with compassion when the tragedy occurred 40 years ago.
“This memorial stands testimony to the tragedy of that crash on the shores of the Atlantic Ocean not far from here,” Puri said.
He added, “Irrespective of the differences in ideologies and political differences, we need to be vigilant about terrorism and united in combating the menace.”
Calling for an end to terrorism financing, Puri said in another post on X, “We need to double our efforts to ensure that what happened on June 23, 1985 is not repeated anywhere in the world in future.”
329 lives lost in mid-air explosion
Irish prime minister Micheál Martin wrote on X, “It was a privilege to attend the commemoration to mark 40 years since the Air India disaster in West Cork. 329 innocent people lost their lives over the skies of Ireland that morning, and the passing of time does not dim the scale of loss and of this atrocity.”
According to The Air India Flight 182 Archive, maintained by McMaster University, the Ahakista Memorial was unveiled on June 23, 1986, during the first anniversary of the bombing. The site includes a garden, a sundial, and a curved stone wall bearing the names of all those who died.
Relatives of victims attend memorial
Every year, families of the passengers and crew gather at various memorials dedicated to the victims.
According to Irish public broadcaster RTÉ, about 60 relatives of the victims attended the annual ceremony in Ahakista, which is the closest point on land to the crash site.
“The ceremony at the memorial monument began with a minute’s silence at 8.13 am, the exact time the explosion occurred on Air India Flight 182. It was followed by tributes from the families and Hindu and Christian readings,” RTÉ reported.
(With inputs from PTI)
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Mohini Dey has played with legends across continents and\u00a0now she\u2019s stepping into the spotlight with her own voice
Mohini Dey laughs down the line, a deep, unfiltered chuckle that cuts through the noise. “Ronnie Scott’s? With my band, playing my music? That’s crazy,” she says, still letting it sink in. Speaking exclusively to Eastern Eye from Los Angeles, where she recently wrapped a show at the Hollywood Bowl with Willow Smith, the 28-year-old bassist is now preparing for her first headline performance in the UK this July.
For Dey, who grew up riding Mumbai’s local trains with a Walkman and no room for childhood distractions, this moment feels both improbable and hard-earned. It’s the kind of full-circle milestone that doesn’t come from luck, but from surviving, insisting, and showing up anyway.
A childhood full of sounds and music
Mohini was never a regular child. Born into a musically disciplined home in Mumbai, her father a bassist, her mother a singer, Mohini’s life was all structure and sound. But not the kind most children grow up with. “I didn’t have friends my age,” she says plainly. “My dad was strict. He believed childhood was for building something, not wasting time.”
While most kids her age were at birthday parties, Mohini was at Nirvana Studio, jamming with jazz legends like Ranjit Barot and Louis Banks. “It was like going to two schools: one for academics, one for music history and reality checks,” she recalls. “I was surrounded by giants, and I learned early that to make it, I had to be exceptional.”
Mohini Dey will make her UK headline debut at London’s iconic Ronnie Scott’s Jazz Club this July Instagram/dey_bass
That early push turned her into a master of her craft but also left scars. “I was depressed as hell,” she admits. “I was constantly being moulded into someone else’s dream.”
At 17, she left it all and became the family’s breadwinner
At 17, she snapped. In a moment of quiet rebellion, she left home. Cut ties. Lived alone. And decided to prove, especially to her father, that she could make it on her own. “He told me I wouldn’t be successful without him,” she remembers. “I needed to show him he was wrong.”
Those three years were lonely, but transformative. Mohini toured, hustled, and became her family’s main earner. “I learned to navigate everything. The business side, the gigs and all of it,” she says.
Bassist Mohini Dey is redefining what it means to be an Indian woman on the global music stageInstagram/dey_bass/bassplayunited
When music became medicine
The silence with her father finally broke when he called her after three years. “He said he was proud. That was enough. He didn’t apologise, but he didn’t need to.” She began taking him to her shows. In the last two years before he passed away, Mohini made sure he saw what she’d become.
“I took him to my shows. Introduced him to the life I’d built. It was healing,” she says, voice softening. “His death hit hard... but also made me push even more,” she says. “The last two years before he passed… they were good. Really wholesome. I’m glad we had that.”
Her father’s death could have derailed her. Instead, she kept playing. “I got back on stage within days. Because music took care of me when I couldn’t take care of myself.”
Mohini Dey opens up about burnout, ambition, and finding balance in a demanding industryInstagram/dey_bass
Not just the bass girl
Mohini is now one of India’s most sought-after musicians, having worked with legends like A.R. Rahman, Clinton Cerejo, Zakir Hussain, Salim–Sulaiman, and even Willow Smith, with whom she just played the Hollywood Bowl.
She’s crossed genres with ease, from Carnatic to rock, from fusion to pop. Her only rule? Never stay comfortable. “I’ll do a metal tour one week, a classical show the next,” she grins. “If it feels too easy, I’m bored.”
But don’t mistake that hustle for perfectionism. “I’m burnt out,” she says without flinching. “I’ve been working nonstop, albums, tours, even managing a side business. Sometimes I just want to disappear into a cave with my bass.”
Still, when she plays, the burnout fades. “There are these rare moments when I’m on stage, not overthinking, just being. That’s what I chase.”
Mohini Dey’s journey from a musically strict childhood in Mumbai to international acclaim is a story of rebellion, resilience, and rhythmInstagram/dey_bass
“I’m not a diversity hire. I’m just good”
Despite being a young Indian woman in an industry that rarely makes space for either, Mohini refuses to paint herself as a victim. “If anything, I used it to my advantage,” she says with a shrug. “I’m talented, I’m beautiful, I’m Indian. It made people take notice. But then I had to prove I deserved it.”
That confidence comes from lived experience. “I’ve never been treated like a diversity hire. I get called because I deliver. And because I’m versatile.” Her mentor, drummer Ranjit Barot, taught her early on: “You’re a musician first. The rest is noise.” That philosophy stuck.
From Mumbai to the world stage, Mohini plays life her own wayInstagram/dey_bass
Redefining success on her own terms
Despite the accolades, Forbes 30 Under 30, global acclaim, and sold-out venues, Mohini says awards never meant much to her. “In India, there are no awards for instrumentalists. Everything is for playback singers.”
So how does she define success? “I don’t know what it means yet,” she admits. “But contentment? That’s what I chase. Those rare moments when I play and I’m not overthinking, just flowing. That’s a win.”
Mohini Dey says music saved her when nothing else couldInstagram/dey_bass
What’s next: less travel, more life
As she readies her set for Ronnie Scott’s, including unreleased tracks and new sounds, Mohini is also thinking about slowing down. “I hate travelling,” she laughs. “By the time I’m 38, I want to be working from home, running a studio, picking only what excites me.”
She’s already laying the foundation with a social media company, side hustles and plans to support young musicians. “Music can’t feel like a grind,” she says. “It has to stay personal.”
Mohini Dey has become one of India’s most in-demand musicians across genresInstagram/dey_bass/bahrainjazzfest
Advice to dreamers: trust your gut
Asked what she’d tell her 14-year-old self, Mohini smiles. “Nothing. That kid was solid. She did what her dad told her to do. Then she did what she wanted to do. I’m proud of her.”
Her advice to young artists is blunt but inspiring: “People will try to drag you down. You’ve got to stay consistent, stay grounded, and own your story. Don’t wait for validation. Let your work speak. And if it doesn’t? Keep going until it does.”
From lonely train rides in Mumbai to sold-out shows at Ronnie Scott’s, from rejection and burnout to quiet moments of clarity on stage, Mohini Dey’s journey isn’t just about music, it’s about survival, rebellion, and learning to finally breathe in a life she built for herself.
And through it all, one truth remains: the bass didn’t just give her rhythm. It gave her voice.
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International Day of Yoga stood as a powerful reminder of yoga’s enduring role in personal and collective transformation
The 11th International Day of Yoga was celebrated at Parmarth Niketan, Rishikesh
Ambassadors, high commissioners, and guests from over 25 countries participated
The event followed the global theme: “Yoga for One Earth, One Health”
The Common Yoga Protocol was conducted by trained instructors with government audio
Swami Chidanand Saraswati Ji and Sadhvi Bhagawati Saraswati Ji led the spiritual programme
Celebrations concluded with a World Peace Yajna and the national anthem
A global gathering on the banks of the Ganga
Rishikesh, 21 June – The 11th International Day of Yoga was marked by a large-scale, spiritually uplifting gathering at Parmarth Niketan Ashram on the banks of the River Ganga. Diplomats, dignitaries, and yoga enthusiasts from over 25 countries participated in the celebration, which followed the global theme of “Yoga for One Earth, One Health”.
The event began with the lighting of the ceremonial lamp and the recitation of Patanjali’s Yoga Sutras. The session featured the Common Yoga Protocol conducted by trained instructors to the government-issued audio guide.
Parmarth Niketan’s President, Pujya Swami Chidanand Saraswati Ji, and Sadhvi Bhagawati Saraswati Ji presided over the gathering and delivered spiritual discourses on the deeper significance of yoga.
The message of harmony and global health
This year’s theme highlights the link between individual well-being and planetary health. Addressing the participants, Swami Chidanand Saraswati Ji remarked, “When we take care of ourselves, we begin to care for the Earth. This is the divine message of Indian culture — Vasudhaiva Kutumbakam, the whole world is one family.”
Many of the guests shared their appreciation for India’s leadership in promoting wellness through yoga Parmarth Niketan
He described yoga as a gift from India to the world, bringing together the body, mind and consciousness through ancient physical, mental and spiritual disciplines.
Sadhvi Bhagawati Saraswati Ji added, “Yoga is not just a physical practice to increase flexibility, but a complete lifestyle. It allows us to remain balanced in the face of challenges, and helps us live with more focus, patience, and peace.”
A tradition recognised by the United Nations
International Yoga Day was first adopted by the United Nations General Assembly on 11 December 2014, following a proposal from India that was co-sponsored by 177 countries. At the time, Prime Minister Narendra Modi called yoga “an invaluable gift of our ancient tradition,” highlighting its holistic approach to well-being.
The Rishikesh event featured a special video message from Prime Minister Modi, along with a musical performance on the flute, guided yoga demonstrations, and reflections from various spiritual and yogic leaders.
A diplomatic and cultural moment
Dignitaries in attendance included representatives from Mexico, Peru, Japan, Colombia, Zimbabwe, Seychelles, Nepal, Botswana, Uzbekistan, Namibia, Ecuador, Kazakhstan, Belarus, Ethiopia, and several other nations. Their participation underlined yoga’s growing international appeal and its role in diplomacy and cultural exchange.
Many of the guests shared their appreciation for India’s leadership in promoting wellness through yoga and called the celebration a symbol of shared human values and interconnectedness.
Participation from schools and yoga institutions
The event also saw active participation from students, teachers, and instructors from educational institutions, yoga schools, and local associations across Uttarakhand. Parmarth’s own Yogacharya Ganga Nandini led the Common Yoga Protocol, which was performed with devotion by hundreds on the ghats.
The session featured the Common Yoga Protocol conducted by trained instructors Parmarth Niketan
Groups such as the Ministry of Youth and Sports, Komaleshwar Yoga School, and the Yoga Association of Uttarakhand also contributed to the successful conduct of the session.
Concluding with a prayer for peace
The celebration concluded with a World Peace Yajna, bringing together participants in a traditional fire ritual aimed at spreading harmony and spiritual upliftment. The national anthem was sung collectively to close the event on a patriotic and unifying note.
As the sun rose over the River Ganga, the 11th International Day of Yoga stood as a powerful reminder of yoga’s enduring role in personal and collective transformation.