Indraxi Kanjilal made a magnificent transition from modelling to acting by landing a lead role in the hit TV drama Pushpa Impossible. The rising talent from Kolkata has been part of the Sony SAB show, fast approaching 900 episodes, since its launch in June 2022, earning recognition for her compelling performance.
The young actress has become one to watch and laid the foundation for a promising career. Eastern Eye caught up with the terrific TV star to discuss her interesting journey, Pushpa Impossible, hopes, inspirations, and the one challenging skill she hopes to master.
What first connected you to acting? Watching daily soaps with my mother and grandmother. I was around four or five when I started mimicking scenes at home. Priyanka Chopra and Katrina Kaif were big inspirations. I did not know acting could be a career back then, but I always dreamed of becoming independent by the age of 18.
How do you reflect on your acting journey so far? When I was younger, I did a lot of advertisement shoots and waited for the right opportunity. During my 12th board exams, I got the chance to work on Pushpa Impossible. I knew it was a great opportunity, so I held on to it. I used to fly to Mumbai for shoots and return the same night to Kolkata for my exams. Since TV shows pay after a few months and I was not earning yet, my dad supported me financially.
What has the experience of working on Pushpa Impossible been like? It is rare for an actor to land a role from their very first audition without going through struggles. This was my first ever audition, which I gave from Kolkata, and I was selected. I came to Mumbai, and when I first arrived, I was very raw – I did not even know what a two-shot or a single shot was. Over time, I learnt all the technical aspects. Earlier, I would get very nervous when the camera rolled, but now I feel confident. I want to keep learning and growing.
Indraxi Kanjilal shines as Pushpa Impossible breakout star—from Kolkata dreams to Sony SAB fame
What has been your most memorable moment on the show? The days when I have big emotional scenes are memorable. But the most unforgettable day was my very first one on set. I had lived in Kolkata for 18 years and was new to Mumbai, and was surrounded by experienced actors. I was nervous, but everyone was so warm and welcoming.
Why do you think this drama is popular? I believe it is the realism of the show that resonates with people. Even our directors encourage us to believe in the scenes rather than simply ‘act’ them. They always say, ‘Do not treat this like a shoot – believe that it is really happening’. I think the audience can feel that honesty.
How do you stay motivated as an actor when working on a long-running show? I always try to stay motivated and positive. As actors, we meet so many people and portray a wide range of emotions, and I actually enjoy having a busy schedule. In our field, being busy is a blessing – it means you are in demand. That busyness keeps me going, and honestly, I want to stay busy for the rest of my life.
Do you have a dream role? Yes, I would love to play a strong, intense character with dark feminine energy – something powerful and bold.
If you could master something impossible, what would it be? If I had to choose something ‘impossible’, it would be the art of staying happy all the time. Although, honestly, I think always being happy might become boring. Life needs both light and dark moments. But if I want something, I will do everything I can to make it happen.
What do you enjoy watching the most? 2000s rom-coms. I love Mark Ruffalo’s films. I also enjoy movies like Legally Blonde and Mean Girls.
What inspires you as an actress? The desire to keep improving and the hope that one day I will achieve something truly great that makes my family proud.
Forget subtle. Charli XCX didn’t just wear Valentino’s Puffer Gloss. She almost weaponised it. During her chaotic Brat era, she turned a lip product into a cultural badge. This isn’t about a perfect pout. It’s about a tiny tube that became the emblem of her Brat era, bringing together instant plump, mirror shine and some real-life grit. Here’s how a lip gloss went from backstage essential to cultural phenomenon.
A formula built for extremes
This wasn't some dainty dab-on-and-forget-it situation. The Puffer Gloss was built for warfare, specifically, the warfare of a desert festival and a non-stop pop star.
Peppermint and peptides gave a noticeable tingle (a "moderate sting") for instant plump.
Hyaluronic acid and ceramides kept lips hydrated under desert sun or stage lights.
Non-gritty holographic glitter caught light without feeling cheap.
It worked. On stage, in heat, for hours. No melting, no disappearing act.
When Charli hit the main stage, her makeup artist layered Puffer Gloss in “In My Glowing Era” over a sheer matte base. As she sang, she reapplied live, smudged edges and all, turning touch-ups into ritual. The crowd went wild, and within hours the shade sold out at Sephora. Suddenly, everyone wanted a ticket to the “brat summer” beauty party.
What makes Charli’s Puffer Gloss story so compelling is that she refused to hide. Her whole vibe – "chaotic chic" – was its DNA. Eye bags? “Chic.” Smudged liner? “Party-ready.” Her lips weren’t photoshopped pouts. In fact, they were real, raw and ridiculously glossy. She didn't just wear Moonlight Crush (her favourite deep grape shimmer); she compared its sparkle to the feeling of her song "party 4 u”: transformative, emotional, a little bit feral.
Fast forward to the Met Gala, and Charli’s gloss took on a new mood. This time she chose “Warm It Up,” a rosy-brown shade that played against her gothic-tailored suit. Charli carried the damn gloss in her tiny purse. Paparazzi caught her with it. This wasn't just stage gear anymore; this was red-carpet essential, luxury with Brat attitude. It whispered, "Yeah, I need this everywhere."
The aftermath: From sold-out tube to generational totem
The "Charli effect" wasn't hype; it was carnage. Sephora? Ravaged. Nordstrom? Scrambling. But it went deeper than sales. Beauty editors, once side-eyeing plumpers, raved about its "balance of torture and triumph." It became shorthand for the entire Brat aesthetic: maximalist, nostalgic, unapologetically you. TikTok edits mashed gloss close-ups with "360" beats. Memes parodying "Puffer Gloss face" exploded. That slight tingle? Reframed as "pain for beauty" rebellion against boring wellness. It stopped being makeup. It became a generation's sticky, shiny, slightly-stinging flag.
Charli didn’t reinvent lip gloss, but she reminded everyone what it can do when it’s part of something bigger. This gloss screamed because Charli made it human. She took it from the lab to the mosh pit to the Met steps, smudging it, reapplying it, living in it. It survived desert heat, complemented gothic tailoring, and still looked like a damn party in your bathroom mirror at 3 a.m. With Puffer Gloss, she didn’t sell a product. She sold a feeling: loud, messy, confident.
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Shubhanshu Shukla pictured during the Axiom-4 launch from NASA Kennedy Space Center
Group Captain Shubhanshu Shukla becomes the second Indian in space and the first on a commercial mission.
Chose Yun Hi Chala Chal Rahi from Swades for his launch playlist.
Lift-off occurred from NASA’s Kennedy Space Center aboard SpaceX Falcon 9.
Shukla shared a heartfelt message in Hindi after entering orbit.
India’s newest astronaut, Group Captain Shubhanshu Shukla, gave his historic spaceflight a desi soundtrack. The fighter pilot, who launched into orbit as part of Axiom Space’s Ax-4 mission, chose Yun Hi Chala Chal Rahi from the Shah Rukh Khan film Swades for his official launch day playlist, a personal pick that struck an emotional chord with many.
Shukla became the second Indian to fly to space after Rakesh Sharma and the first to do so via a private mission, lifting off aboard the SpaceX Falcon 9 from NASA’s Kennedy Space Center in Florida.
— (@)
SRK's Swades track adds emotional punch to space journey
The track, composed by AR Rahman with lyrics by Javed Akhtar, is known for its uplifting message about perseverance and self-discovery. In Swades, Shah Rukh Khan plays a NASA scientist who returns to rural India, a journey mirrored symbolically in Shukla’s own.
SpaceX shared the launch day playlists of all four astronauts on X. Shukla’s Indian pick stood out among other selections like Imagine Dragons’ Thunder by Commander Peggy Whitson, Poland’s Slawosz Uznański’s Supermoce, and Hungary’s Tibor Kapu’s Búvóhely.
Crew members of Axiom Mission 4 preparing for lift-off aboard the SpaceX Falcon 9Getty Images
After the successful launch, Shukla addressed the nation in Hindi, calling it a “kamaal ki ride,” and spoke of the pride he felt wearing the Tricolour. “This journey is not just mine,” he said. “It’s the beginning of India’s human spaceflight programme.”
Axiom-4 launch triggers national celebration and school pride
Back in Lucknow, Shukla’s alma mater, City Montessori School, hosted a live watch party called ‘Vyomotsav’, attended by his family and hundreds of students. The school recreated a mini space centre experience complete with space exhibits and a simulated mission control.
Shubhanshu Shukla greeted Indians from space calling it a kamaal ki rideGetty Images
The Ax-4 crew is set to spend around two weeks aboard the International Space Station conducting research, outreach, and commercial activities. This is Axiom’s fourth private astronaut mission and includes astronauts from India, Poland, and Hungary, all flying to the ISS for the first time.
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PinkPantheress drops out of Glastonbury’s Thursday lineup as Roza Terenzi steps in for late night set
PinkPantheress cancels her Thursday night slot at Glastonbury’s Levels stage.
Electronic act Roza Terenzi will now perform from 10:30 pm to midnight.
Organisers confirmed cancellation was not due to crowd concerns.
PinkPantheress still scheduled for Friday’s Woodsies stage set at 7:30 pm.
PinkPantheress has withdrawn from her Thursday night appearance at Glastonbury Festival just days before the event kicks off. The British pop star was set to perform a 30-minute set on the Silver Hayes Levels stage, but organisers have now confirmed a schedule reshuffle with Roza Terenzi taking over the late-night slot.
Glastonbury schedule shuffled as PinkPantheress exits early slot
Festival organisers announced that PinkPantheress, whose real name is Victoria Beverley Walker, will no longer perform her planned 11 pm set on the Levels stage this Thursday. Roza Terenzi has been confirmed as her replacement, performing a longer set from 10:30 pm to midnight, between DJ slots from Confidence Man and Marie Davidson.
Despite fan speculation that overcrowding concerns prompted the change, Glastonbury clarified that the decision had nothing to do with capacity or safety. “The artist was simply no longer able to make this performance,” a spokesperson stated, assuring attendees that PinkPantheress will still take the Woodsies stage on Friday evening at 7:30 pm.
An escape artist performs during the first day of the Glastonbury festival at Worthy Farm Getty Images
Online, fans responded with a mix of disappointment and relief. “Was going to be dangerously rammed,” one user posted on Reddit, pointing to the risk of packing a major act into a smaller venue.
Rising star still set for Friday show after sudden switch
PinkPantheress shot to fame via TikTok and has since built a strong following with her nostalgic yet fresh sound, putting together 2000s R&B samples with bedroom pop aesthetics. She’s earned three Brit Award nominations and landed in the UK top 10 charts for both singles and albums.
While this isn’t the first time the 24-year-old artist has pulled out of performances: she cancelled her 2024 tour dates citing health reasons, her Friday Glastonbury show remains unchanged.
With Glastonbury set to kick off on 26 June, the final schedule is still being pieced together, and festival-goers are now keeping an eye out for more surprise changes and hidden acts.
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Keerthy Suresh expands to Bollywood with Baby John, eyes pan-India presence
Keerthy Suresh debuted in Bollywood with Baby John alongside Varun Dhawan
Won the National Award for her portrayal of Savitri in Mahanati
Working with major stars like Rajinikanth, Vijay, and Dhanush
Fronting bold female-centric films like Revolver Rita
Making her Hindi OTT debut with YRF’s Akka
Fresh off her Hindi film debut in Baby John opposite Varun Dhawan, Keerthy Suresh is making her presence felt beyond the southern film industries. The National Award-winning actor, who has long been a familiar face in Tamil, Telugu, and Malayalam cinema, is now entering Bollywood and OTT spaces with calculated moves.
1. National recognition at just 26
Keerthy Suresh’s breakthrough came with Mahanati (2018), where she portrayed Telugu cinema legend Savitri. Her performance earned her the National Film Award for Best Actress, making her one of the youngest winners in recent times. The role, praised for its depth and restraint, established her as a serious performer with pan-Indian appeal.
Keerthy Suresh made her Hindi film debut in Baby John opposite Varun DhawanInstagram/keerthysureshofficial
2. She’s held her own alongside the biggest names
In an industry still dominated by male-led blockbusters, Keerthy has managed to carve her space. She’s worked with top stars like Rajinikanth (Annaatthe), Vijay (Sarkar, Bairavaa), Dhanush (Vaathi/Sir), and Mohanlal (Geethaanjali). Her ability to stand out even in mass entertainers shows both her star power and screen presence.
The Mahanati star is now stepping into pan-India roles across film and OTTInstagram/keerthysureshofficial
3. Bollywood debut with Atlee’s Baby John
Following in the footsteps of Nayanthara, who starred opposite Shah Rukh Khan in Jawan, Keerthy made her Hindi film debut in Baby John, produced by Atlee. Paired with Varun Dhawan in this high-budget action film, she made her official entry into Bollywood with a project that ensures visibility beyond the southern audience.
From Tamil and Telugu hits to Hindi cinema — Keerthy Suresh’s range continues to growInstagram/keerthysureshofficial
4. She’s fronting genre-bending female-led films
In Revolver Rita, Keerthy plays the lead in a quirky action-comedy that’s already drawing attention for its unconventional tone. As more female stars demand roles beyond the love interest or sidekick, Keerthy is taking the lead—quite literally—in shaping what female-driven commercial cinema can look like.
National Award winner Keerthy Suresh is among the few South stars making a crossover on her own termsInstagram/keerthysureshofficial
5. Expanding reach with OTT and Hindi projects
Keerthy is set to headline Akka, an upcoming Hindi-language web series produced by YRF Entertainment. It marks her OTT debut and a strategic step toward a pan-India presence. There’s also talk of her being cast opposite Rajkummar Rao in a new Hindi film (budgeted at £5 million [₹50 crore]), which, if confirmed, will further cement her transition into the national spotlight.
Keerthy Suresh’s slow and steady rise to pan-India fameInstagram/keerthysureshofficial
With her pan-India projects across theatrical and streaming platforms, Keerthy Suresh is emerging as the next big name to watch—one that doesn’t rely on hype but builds steadily through range and conviction.
Saaniya Abbas is going to hell – and she is taking us with her.
Well, not literally. But in Hellarious, her blisteringly bold stand-up debut at this year’s Edinburgh Festival Fringe, the Dubai-based comedian dives headfirst into the kind of topics that might make more cautious comics sweat. These include divorce, cultural taboos, internet fame, and the eternal question of whether your mother was right about that fiery afterlife.
In a groundbreaking moment for the UAE comedy scene, Saaniya becomes the first local stand-up to present a full solo hour at the Fringe – bringing her signature mix of sharp storytelling, cheeky irreverence, and personal confession to the world’s biggest stage. From a convent school in New Delhi to going viral post-divorce, her life has been filled with contradictions – and punchlines.
Eastern Eye caught up with Saaniya ahead of her history-making run to talk comedy, chaos, her new show, being fearless on stage, and crafting jokes in a colonoscopy waiting room.
Saaniya Abbasgetty images
What first connected you to comedy?
After a painful post-pandemic divorce, I randomly signed up for a comedy workshop (mostly to break up the daily routine of staring at my wall). I started writing jokes about everything I was going through. Watching that pain turn into laughter was easily the best high I have ever had. After that, I was hooked. Now, the worse life gets, the better the material.
Did you ever imagine becoming so popular?
I was a Harry Potter-obsessed nerd in school with thick glasses that covered most of my face. I was bullied relentlessly. It has always been hard for me to make friends, as I am socially awkward. So no, I never imagined being associated with the word ‘popular’.
How do you reflect on your action-packed comedy journey?
From the outside, it probably looks more glamorous than it really is. In truth, it has been a constant juggle – balancing a full-time job, stand-up, and content creation. It feels like I am working three jobs at once. On top of that, I am managing relationships and a dog who needs to poop at the worst possible times. It is a lot! A lot of hard work, late nights, and sacrifices. The grind is the hard part. But the moment I step on stage, everything else melts away. That is when it all makes sense.
Saaniya Abbasgetty images
How much are you looking forward to the Edinburgh Fringe?
I spent four days at the Fringe last year just to get a feel for it. It was the wildest, most overwhelming four days of my life – in the best way possible! I left knowing I had to be part of it. I have been manifesting this moment ever since.
Tell us about your show.
Hellarious is the culmination of the past four years of my life. It began as a tight 10 minutes of divorce jokes, and then I built the story around it – backwards and forwards. Who was I before it all? Why does that make what happened even funnier? What came after? It explores how the identity I was born into shaped my story, and how that story is now shaping the identity I want to create. It is a cathartic confession filled with tongue-in-cheek observations, cultural chaos, and some good old-fashioned oversharing.
Does being at such a huge festival with countless shows put pressure on you?
It is the no-breaks part that is intimidating. I have toured all over the UK before, but I always had some lovely rest days in between to catch my breath. The Fringe is a whole different beast: daily shows for a month, no days off. What if I get sick? I am basically overdosing on vitamins at this point, trying to build an immune system that can survive both the Scottish weather and my own anxiety.
How would you describe your brand of comedy?
My comedy is deeply personal. It is my story. Most of my jokes are so specific to my experience that nobody else can tell them. It is narrative-driven, with cheeky observations, and if you listen carefully, there is a quiet point simmering underneath it all. I want people to laugh, yes, but I also want them to see me. To realise they are part of my story too.
Is it fair to say that you are a fearless comedian?
The word ‘fearless’ is subjective. I am scared of unpredictable things – like tripping over a mic cord or confronting a heckler only to realise it is my ex-boyfriend’s mum from Year 7. Anything can happen. But when it comes to saying what I want on stage, I am not afraid. I trust my voice, and I trust my jokes. That said, I live in the Middle East, so there are things I cannot say. I may be brave, but I am not an idiot. I do not want to go to jail or get deported. But at the Fringe? Oh, those jokes are absolutely coming out.
But do you ever get nervous before going on stage?
No, I feel excited.
Do you know if a joke will work beforehand or only after you have performed it live?
A joke can feel hilarious in my head, kill in conversation, and then absolutely flop on stage. On the flip side, I have pitched jokes to friends who gave me the blankest expressions imaginable. But something in my gut says, ‘No, this will land.’ And more often than not, I am right. It is an instinct you develop – like a muscle, one awkward silence at a time.
Saaniya Abbasgetty images
Have you ever felt like you are revealing too much about yourself on stage?
Such a great question! When you do personal, narrative-style comedy, everything in your life starts to feel like fair game, especially when you are pulling from pain. But then one day, you try a new joke on stage and something just feels off. Maybe it is too soon. Maybe it is never going to be funny. You only find out by doing it. It is all trial and error. Everything in my show is something I have sat with, processed, and chosen to share. I will not say it if I am not ready to own it.
Has being funny ever got you out of trouble?
Not yet. Believe me, I have tried. Sadly, the cops at Dubai airport did not share my sense of humour. But hey, that story made a great bit. So, silver lining!
Who is your own comedy hero?
I adore Ricky Gervais. I think he is just so funny and real. He does not give a sh*t. I hope I am like him when I am old.
Where is the strangest place you have come up with a joke?
In the waiting room, right before my first colonoscopy.
What do you not find funny as a comedian?
I think some people are quite mean on stage. There is a big difference between being cheeky and just being cruel. I do not like that energy. It feels bitter and lazy, and it is not for me.
What inspires you creatively?
I am an art director by profession, so I have always lived in the world of art, design, books, music, and poetry. I grew up immersed in all of it, and those influences still fuel me. When it comes to comedy, I do not just see it as joke-telling. I see it as a performance. There is rhythm, wordplay, aesthetic, and even a bit of quiet poetry woven through the chaos.
Why should we all come to your Edinburgh Fringe show?
Because if all goes to plan, I will make you laugh. Or at the very least, smile. Maybe even cry a little. You will definitely leave feeling less alone. Also, I spent an absurd amount of money on these posters, so honestly, I really need you to come.