Ollie Pope and Chris Woakes both scored valuable fifties on their return to Test cricket as England recovered from a top-order collapse to build a lead over India at the Oval on Friday.
Pope made 81 on his Surrey home ground and all-rounder Woakes exactly 50 before England were dismissed for 290 in reply to India's first-innings 191 on the second day of the fourth Test.
India were 43-0 in their second innings at stumps, a deficit of 56 runs.
Rohit Sharma was 20 not out and KL Rahul 22 not out, with this intriguing five-match series level at 1-1.
England were struggling at 62-5 early on Friday after paceman Umesh Yadav, playing his first Test in nearly a year, removed Craig Overton and Dawid Malan in a return of 3-76 in 19 overs.
Yadav had also bowled England captain Joe Root for just 21 on Thursday after the world's top-ranked Test batsman had made three hundreds this series.
But Pope, only recalled because Jos Buttler missed the match on paternity leave, revived the innings during partnerships of 89 and 71 with Jonny Bairstow (37) and Moeen Ali (35) respectively.
This was Pope's first half-century in 16 Test innings since a 62 against Pakistan in Manchester last year and also extended the 23-year-old excellent record at the Oval where, prior to Friday, he had scored 1,410 runs at an average of 100.71 in 18 first-class innings.
Warwickshire paceman Woakes, who'd already marked his first Test in over a year by leading England's attack with 4-55 on Thursday, then blazed his way to a fifty in just 58 balls in front of a sun-drenched crowd.
- Yadav's early double strike -
England resumed Friday on 53-3 after fit-again India all-rounder Shardul Thakur had struck a 31-ball fifty -- the fastest in terms of balls faced in a Test in England.
Yadav, recalled with Thakur after India dropped fellow pacemen Ishant Sharma and Mohammed Shami, removed nightwatchman Overton for his overnight score of one, with a flashing square cut caught by India captain Virat Kohli at first slip.
Malan, fresh from his 70 on England recall in an innings win at Headingley last week, had added just five runs when, squared up by Yadav, he was well caught by a diving Rohit at second slip.
Pope, after a skittish start, hit three fours in four balls off Thakur -- an on-drive, a clip through mid-on and a resounding pull off a short-pitched delivery.
Kohli, in the ongoing absence of star off-spinner Ravichandran Ashwin, yet to be selected this series, brought on slow left-armer Ravindra Jadeja in a bid to break the partnership.
It was Mohammed Siraj, however, who reduced England to 151-6 when Bairstow was lbw playing down the wrong line to a ball that nipped back off the pitch.
But Pope leg-glanced the paceman for four to complete a 92-ball fifty.
He was in sight of what would have been just his second hundred in 20 Tests, and first in England, when he played on to Thakur with an angled bat after more than four hours at the crease.
Woakes, however, kept the runs coming, with the best of his 11 fours a superb backfoot cover-drive 'on the up' off Jasprit Bumrah.
But trying to keep the strike, Woakes was run out to leave last man James Anderson unbeaten on one -- the England great's 100th not out in Tests.
Earlier, for the third match in a row, YouTube prankster Daniel Jarvis evaded stewards to get on the outfield.
This time, he hurled a ball down the pitch before colliding with Bairstow at the non-striker's end.
Spectators booed Jarvis, who was eventually escorted off the field by security staff.
A London' Metropolitan Police statement said: "A man has been arrested on suspicion of assault at the Oval cricket ground on Friday, 3 September.
"He remains in custody at a south London police station."
Forum brings UK and Chinese film professionals together to explore collaborations.
Emerging British-Asian talent gain mentorship and international exposure.
Small-scale dramas, kids’ shows, and adapting popular formats were the projects everyone was talking about.
Telling stories that feel real to their culture, yet can connect with anyone, is what makes them work worldwide.
Meeting three times a year keeps the UK and China talking, creating opportunities that last beyond one event.
The theatre was packed for the Third Shanghai–London Screen Industry Forum. Between panels and workshops, filmmakers, producers and executives discussed ideas and business cards and it felt more than just a summit. British-Asian filmmakers were meeting and greeting the Chinese industry in an attempt to explore genuine possibilities of working in China’s film market.
UK China film collaborations take off as Third Shanghai London Forum connects British Asian filmmakers with Chinese studios Instagram/ukchinafilm
What makes the forum important for British-Asian filmmakers?
For filmmakers whose films explore identity and belonging, this is a chance to show their work on an international stage, meet Chinese directors, talk co-productions and break cultural walls that normally feel unscalable. “It’s invaluable,” Abid Khan said after a panel, “because you can’t create globally if you don’t talk globally.”
And it’s not just established names. Young filmmakers were all around, pitching ideas and learning on the go. The forum gave them a chance to get noticed with mentoring, workshops, and live pitch sessions.
Which projects are catching international attention?
Micro-dramas are trending. Roy Lu of Linmon International says vertical content for apps is “where it’s at.” They’ve done US, Canada, Australia and next stop, Europe. YouTube is back in focus too, thanks to Rosemary Reed of POW TV Studios. Short attention spans and three-minute hits, she’s ready.
Children’s and sports shows are another hotspot. Jiella Esmat of 8Lions is developing Touch Grass, a football-themed children’s show. The logic is simple: sports and kids content unite families, like global glue.
Then there’s format adaptation. Lu also talked about Nothing But 30, a Chinese series with 7 billion streams. The plan is for an english version in London. Not a straight translation, but a cultural transformation. “‘30’ in London isn’t just words,” Lu says. “It’s a new story.”
Jason Zhang of Stellar Pictures says international audiences respond when culture isn’t just a background prop. Lanterns, flowers, rituals, they’re part of the plot. Cedric Behrel from Trinity CineAsia adds: you need context. Western audiences don’t know Journey to the West, so co-production helps them understand without diluting the story.
Economic sense matters too. Roy Lu stresses: pick your market, make it financially viable. Esmat likens ideal co-productions to a marriage: “Multicultural teams naturally think about what works globally and what doesn’t.”
The UK-China Film Collab’s Future Talent Programme is taking on eight students or recent grads this year. They’re getting the backstage access to international filmmaking that few ever see, including mentorship, festival organising and hands-on experience. Alumni are landing real jobs: accredited festival journalists, Beijing producers, curators at The National Gallery.
Adrian Wootton OBE reminded everyone: “We exist through partnerships, networks, and collaboration.” Yin Xin from Shanghai Media Group noted that tri-annual gathering: London, Shanghai, Hong Kong create an “intensive concentration” of ideas.
Actor-director Zhang Luyi said it best: cultural exchange isn’t telling your story to someone, it’s creating stories together.
The Shanghai-London Screen Industry Forum is no longer just a talking shop. It’s a launchpad, a bridge. And for British-Asian filmmakers and emerging talent, it’s a chance to turn ideas into reality.
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