Pramod Thomas is a senior correspondent with Asian Media Group since 2020, bringing 19 years of journalism experience across business, politics, sports, communities, and international relations. His career spans both traditional and digital media platforms, with eight years specifically focused on digital journalism. This blend of experience positions him well to navigate the evolving media landscape and deliver content across various formats. He has worked with national and international media organisations, giving him a broad perspective on global news trends and reporting standards.
TWO Pakistan parties have reached a power-sharing agreement that will return Shehbaz Sharif to the premiership, leaving out politicians loyal to jailed former leader Imran Khan despite winning the most seats in this month's vote.
The army-backed Pakistan Muslim League-Nawaz (PML-N) and The Pakistan Peoples Party (PPP) said they had settled days of negotiations on securing a majority to form a coalition government that will also include several smaller parties.
Candidates loyal to Khan's Pakistan Tehreek-e-Insaf (PTI) party won the most seats but were forced to stand as independents following a sweeping crackdown on the party.
There were widespread allegations of vote-rigging and result manipulation in the February 8 election after authorities switched off the nation's mobile phone network on election day, ostensibly on security grounds, and the count took more than 24 hours.
After weeks of negotiations, Khan's adversaries announced at a late-night press conference in the capital Islamabad that a power-sharing agreement had been reached.
Under the deal, the PML-N and PPP will put forward former leader Sharif as prime minister and Asif Ali Zardari, the husband of assassinated former prime minister Benazir Bhutto, as president.
"The Pakistan Peoples Party and Pakistan Muslim League Nawaz have attained the numbers and we will form a government," said PPP chairman Bilawal Bhutto Zardari, the son of Zardari and Bhutto.
"We are hopeful that Shehbaz Sharif will soon become the prime minister of the country and the whole of Pakistan should pray that the government should be successful."
Sharif, seated next to Bhutto, added: "After 76 years, we find ourselves dependent on loans, and overcoming this situation is easier said than done. There are significant challenges that we are facing ... We have to take Pakistan out of these challenges."
Bhutto Zardari said that ministerial portfolios had been agreed upon and would be announced in the coming days.
The National Assembly must convene by February 29, when the coalition can be formally approved.
The PTI lashed out against the agreement, reiterating its accusations of foul play.
"The PML-N and the Peoples Party deserve some praise for their epic 30-year journey, from stealing taxpayers' money together to stealing an election together," the party said on social media platform X.
It also referred to Sharif and Bhutto's parties as "mandate thieves".
The PML-N and the PPP combined in 2022 to oust former leader Khan in a no-confidence vote before sharing power in a shaky coalition that also saw Sharif at the helm, until the National Assembly was dissolved in August ahead of elections.
Sharif's brother, three-time premier Nawaz Sharif, returned to Pakistan from self-imposed exile to lead the election campaign but failed to secure the expected majority despite analysts saying they had the backing of the military, the country's kingmakers.
Former cricketing legend Khan has been languishing in jail since August, slapped with lengthy sentences for corruption, treason and an illegal marriage -- charges he says are politically motivated and designed to keep him from power.
Khan was brought to power in 2018 by a young electorate weary of the dynastic politics of PML-N and PPP, but also reportedly with the blessing of the generals.
He was booted from power after analysts say he fell out with the military and went on to wage a risky campaign of defiance against the establishment.
UK music industry continue to face systemic barriers that hinder progress, visibility, and career growth – despite decades of contribution and cultural influence, a new report has revealed.
The study, South Asian Soundcheck, published last Tuesday (7), surveyed 349 artists and professionals and found that while many are skilled and ambitious, structural obstacles are still holding them back.
Prepared by Lila, a charity focused on empowering south Asian artists and music professionals, the survey showed that nearly three-quarters of respondents earn some income from music, but only 28 per cent rely on it full time.
More than half struggle to access opportunities or funding, and many said they lack industry networks or knowledge about contracts and rights.
Beyond structural issues, almost half said they face stereotypes about the kind of music they should make; two in five encounter family doubts about music as a career, and one in three has experienced racial discrimination.
Although 69 per cent said there was progress in visibility, but 68 per cent still feel invisible within the industry.
Respondents sought urgent action, including mentorship and networking opportunities, stronger south Asian representation in key industry roles and fairer access to funding.
Veteran musician and composer Viram Jasani, who chaired the Asian Music Circuit and led a national enquiry into south Asian music in 1985, told Eastern Eye the findings were “disheartening”.
“I read the report and my heart sank – it feels as though nothing has changed,” he said.
“Back in 1985, we had already identified the same problems and made clear recommendations for better representation, employment and long-term support. Four decades later, we are still talking about the same issues.”
Jasani, a sitar, tabla and tambura expert, said the report focused mainly on modern genres and overlooked traditional south Asian music, which he believes is central to cultural identity.
“Since colonial times, British attitudes have not changed much,” he said. “If they can erase Indian traditional culture and create a community that lives entirely within an English cultural bubble, then they will have succeeded.”
He added that young south Asian artists were often drawn to Western contemporary music, while neglecting their own heritage.
“We are brilliant in Western genres, but that should come after we are grounded in our traditional shashtriya sangeet (classical music),” he said. “Without that foundation, we lose our sense of identity.”
Jasani also warned a lack of unity within the south Asian community continues to weaken its cultural progress.
He said, “People compete with each other while the world watches. For too long, massaging egos has taken priority over producing the best of our culture.”
According to the survey, one in three has experienced direct racial discrimination. One respondent said, “There are virtually no visible and successful south Asian artists in the mainstream – people simply do not know where to place us.”
Another added: “I want south Asian artists to be part of the collective mainstream industry, not just put on south Asian-specific stages or events.”
While the visibility of south Asian artists has improved, with more names appearing on festival line-ups and in the media, the study revealed this progress remains “surface level”.
Lila’s founder, Vikram Gudi, said the findings show progress has not yet been translated into structural inclusion.
“The data exposes what we call the progress paradox. Seventy-three per cent of the people we surveyed earn some money from music, but only 27 per cent earn enough to rely on it as a sustainable career,” he said.
“The Soundcheck gives us the evidence to enact real change and identifies three essential needs – mentorship, representation, and investment.”
Three-quarters of participants said mentorship from experienced professionals would make the biggest difference to their careers. Many stressed the importance of being guided by people who “understand how the industry works and can connect them to decision-makers”.
Nearly the same proportion called for greater south Asian representation across the music industry – not just on stage, but within executive, programming and production roles at festivals, venues, record labels and streaming services.
Dedicated funding also emerged as a priority, with many describing the current grant systems as inaccessible or ill-suited to the diverse and cross-genre work that defines south Asian creativity today.
Two in five respondents reported that family or community resistance remains a challenge, often due to the perceived instability of a music career. The report argued this scepticism is “economically logical”, when there are so few visible south Asian success stories in the mainstream.
Responding to the report, Indy Vidyalankara, member of the UK Music Diversity Taskforce and BPI Equity & Justice Advisory Group, said: “South Asian music is rich, vibrant, and hugely influential. We need south Asian representation at every level of the ecosystem, plus support and investment to match that influence.”
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