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Not Taapsee but Kriti Sanon to star in The Invisible Guest remake!

We have recently reported about John Abraham producing the Hindi remake of the successful Spanish film The Invisible Guest (2016). Initially, it was being reported that Taapsee Pannu, who last appeared in the hit film Naam Shabana (2017), might star in the thriller, but if latest reports are to be believed, the plum project has now gone to Kriti Sanon.

However, no official confirmation has been made about the same, industry insiders are sure that Taapsee has been replaced by Kriti in the film which stars John Abraham as the male lead. On the other hand, a certain section of the media also says that since Taapsee had not signed the project on the dotted lines, reports of her being replaced by Kriti doesn't make any sense.


According to an industry insider, Taapsee was just in talks for the film; she was not finalized. But the makers recently saw Bareilly Ki Barfi which stars Kriti Sanon as the female lead. Everyone so impressed with her performance that they decided to rope in the actress for the role.

If all goes well, the yet-to-be-titled film, which will be directed by debutant Lakshya, will hit floors at the end of the year.

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Ramayana costume controversy explained as designers defend Sita and Kaikeyi looks

They have urged audiences to judge the costumes after watching the completed film

X/ WorldOfRamayana

Ramayana costume controversy explained as designers defend Sita and Kaikeyi looks

Highlights

  • Rimple and Harpreet Narula have responded to criticism over Sai Pallavi's Sita and Lara Dutta's Kaikeyi in Ramayana
  • The designers say the costumes are artistic interpretations rather than attempts at historical reconstruction
  • They have urged audiences to judge the costumes after watching the completed film

The costume debate surrounding Nitesh Tiwari's Ramayana has continued after the film's first trailer, with designers Rimple and Harpreet Narula responding to criticism over the looks of Sai Pallavi's Sita and Lara Dutta's Kaikeyi.

The duo said their work was never intended to be a historically exact recreation of the Treta Yuga, arguing that no surviving garments exist from the period. Instead, they based the costumes on artistic and cultural references that have shaped popular depictions of the epic over generations.

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