From 90s fashion flashbacks to revived cartoon icons, 2025 is proving that everything old is new again or at least in celebrity-fronted brand campaigns. This decade, nostalgia isn’t just a vibe, but a full-blown economy. Across fashion, gaming, beauty, and music, brands are digging into pop culture’s archives to strike an emotional chord with consumers. Whether it’s John Cena teaming up with SpongeBob SquarePants for a gaming crossover, or Beyoncé revisiting a classic Levi’s ad from 1991, the throughline is clear: audiences crave the familiar but with a fresh twist.
But why does it work? Because in a world of algorithm-chasing trends and digital fatigue, nothing hits harder than the warm, fuzzy punch of ‘remember when’. And the biggest names in entertainment, fashion, and music are cashing in big time. Here are 10 brilliant nostalgia plays of 2025, ranked by how hard they made us yell, "Take my money!"
John Cena x Brawl Stars x SpongeBob SquarePants
WWE legend and actor John Cena teamed up with Supercell’s Brawl Stars to celebrate the 25th anniversary of SpongeBob SquarePants. The ad hilariously shows Cena’s phone sinking into the ocean, merging the worlds of Brawl Stars and Bikini Bottom. This crossover not only brought together gaming and animation fans but also played on Cena’s iconic wrestling persona, generating significant buzz online.
French DJ David Guetta collaborated with Hypaton and Europe to release ‘The Final Countdown 2025’, reimagining the classic 1986 rock anthem with an electronic twist. The track blends Guetta’s EDM style with the song’s epic essence, hitting both new listeners and long-time fans. This modern revival became an instant hit on streaming platforms, proving that the iconic track’s spirit is still alive.
Tom Cruise’s Mission: Impossible – The Final Reckoning Farewell
At the 2025 Cannes Film Festival, Tom Cruise made a surprise appearance to promote Mission: Impossible – The Final Reckoning, the eighth and final instalment of the franchise. Cruise’s global promotional tour, complete with daring stunts and a rare TikTok appearance, stirred nostalgia while celebrating the 25-year legacy of the iconic spy series.
Fronting Louis Vuitton’s Resort 2025 campaign, Zendaya brought back the brand’s iconic Takashi Murakami cherry print. With over 70 pieces bringing together early 2000s aesthetics and contemporary fashion, the campaign was a nod to a nostalgic fashion era, and Zendaya’s star power made it a viral hit.
Hailey Bieber led Rhode Beauty’s ‘Peptide Lip Shape’ campaign, embracing ’90s nostalgia with pastel visuals reminiscent of films like Clueless. Accompanied by singer-dancer Tate McRae, the campaign’s vibrant aesthetic and Bieber’s influence made it a top trend on beauty blogs and social media.
As the face of Tommy Hilfiger’s Tommy Girl capsule collection, Wonyoung from IVE channelled the brand’s 1990s fragrance and preppy fashion. The collection marked Tommy Girl’s 40th anniversary, and Wonyoung’s global fanbase ensured the campaign’s success, bringing together retro and modern streetwear.
Beyoncé starred in Levi’s RE:IMAGINE ‘Pool Hall’ campaign, paying homage to the brand’s iconic early-1990s ads. Set in a vintage pool hall, the spot featured classic 501 jeans and retro styling. Beyoncé’s stardom revived Levi’s heritage, and her social media teasers racked up over 12 million views, boosting denim sales significantly.
Salt-N-Pepa & Grandma’s Cookies ‘Sweet Beat’ Campaign
Hip-hop icons Salt-N-Pepa teamed up with Grandma’s Cookies to launch the ‘Sweet Beat’ campaign, remixing the childhood rhyme ‘Who Stole the Cookie from the Cookie Jar?’ into a catchy rap. The ad’s playful throwback vibes and Salt-N-Pepa’s performance made it a hit among both millennials and Gen Z, while social media challenges fuelled its viral status.
Hellmann’s recreated the iconic diner scene from When Harry Met Sally with Meg Ryan, Billy Crystal, and Sydney Sweeney. The commercial cleverly mixes the classic rom-com’s charm with contemporary humour, resonating with audiences who fondly remember the original 1989 film. The ad’s light-hearted nostalgia made it a memorable Super Bowl moment.
Comedian Chloe Fineman starred in Maybelline’s ‘Ugly Cry, Perfect Liner’ campaign, channelling the dramatic emotions of 1990s music videos. The ad humorously presents Maybelline’s Tattoo Studio Ink Pen Eyeliner, playing off the durability of makeup during emotional moments. Fineman’s quirky take on ’90s pop culture became a social media favourite.
Let’s be real: nostalgia isn’t just marketing. It’s emotional time travel. These stars know exactly which buttons to push: the cartoons we watched, the songs we screamed into hairbrushes, the jeans we begged our parents to buy. And in 2025? They’re not just selling products. They’re selling a feeling; one that says, ‘Remember this? Yeah, you loved it. Here it is again.’
Megan Thee Stallion has unveiled her own swimwear brand, named Hot Girl Summer, marking her first foray into fashion retail with a collection that will be available both online and in stores across the United States.
The 30-year-old Grammy Award-winning rapper, born Megan Jovon Ruth Pete, announced the launch of Hot Girl Summer earlier this week. The name of the brand draws from the popular phrase she first coined and later trademarked in January 2022. The phrase became widely known in 2019, prompting widespread use by fans and major companies.
The swimwear line is set to go on sale from 19 May, available at nearly 500 Walmart locations across the US and on Walmart’s website. The pieces will also be offered on Megan’s official website, MeganTheeStallion.com.
“Everyone knows I love being near a pool or a beach, so I finally decided to turn my passion into a business and create my own swimwear brand,” said Megan in an official statement. “It was only right that we kick off Hot Girl Summer with this launch and provide Hotties of all body types with the official Hot Girl uniform. I used to shop at Walmart growing up, so it's a full circle to have my own line available at Walmart and I'm so grateful for their support.”
The rapper personally modelled pieces from the debut collection in promotional images shared online. In the campaign, Megan posed in a purple bikini with matching models beside an ice cream truck. The photo series also featured swimsuits with the Hot Girl Summer branding and showcased a variety of styles and cuts.
The initial collection includes 18 pieces in total and is described as size-inclusive. It features bikinis, one-piece swimsuits, monokinis, and cover-ups available in various colours. The designs reflect Megan’s signature style and were crafted under her creative direction, according to her team.
“With the introduction of Hot Girl Summer, Megan officially becomes the first hip-hop artist to launch her own swimwear brand,” read a press release issued on 14 May.
The launch follows a successful campaign by Megan to secure ownership of the phrase Hot Girl Summer, which she began using on social media in 2019. The term quickly gained traction, becoming a cultural phenomenon. Speaking to Allure magazine, Megan explained why she pursued the trademark after companies such as Wendy’s and Forever 21 began using the phrase in marketing campaigns.
The music star has expanded her career into multiple business areasInstagram/ theestallion
“I really didn't even know that it was gonna catch on how it did,” she said. “It was just me talking and telling everybody I was gonna be me for the summer, and they should be them too — like as free as they can be. When I saw Wendy’s and Forever 21 saying, ‘Hey, are you having a Hot Girl Summer?’ I was like, ‘Hell no, Forever 21, you're going to have to pay me.’”
Megan added: “I just wanted to get it trademarked because it’s me. It’s my thing.”
The new collection arrives just ahead of the summer season and appears to be strategically timed to coincide with warmer weather and holiday plans. It also builds on Megan’s established image and messaging around confidence, body positivity and empowerment, themes she frequently promotes in her music and public appearances.
The Houston-born rapper has previously collaborated with fashion and beauty brands, including Revlon, Fashion Nova and Nike, but this marks her first independent fashion venture under her own brand.
In recent years, the music star has expanded her career into multiple business areas. In addition to her music and now fashion endeavours, she has also taken roles in film and television, including a guest appearance on the Disney+ series She-Hulk: Attorney at Law and other entertainment projects.
With Hot Girl Summer, Megan Thee Stallion is further establishing her presence in the world of business and fashion. Her entry into the swimwear market joins a growing trend of celebrities launching their own fashion lines with an emphasis on body diversity and inclusivity.
The collection is expected to appeal to a wide audience, especially her fanbase – known as the Hotties – and shoppers seeking bold, expressive summer styles backed by a major celebrity figure.
Nancy Tyagi is back at Cannes. But this time, the 24 year old influencer and designer from Uttar Pradesh is not just a surprise guest, she is a name many were waiting to see again.
Last year, she made her debut at the prestigious festival in a self stitched 44 lb (20 kg) ruffled pink gown, crafted from scratch in her Delhi home. It was not just the weight of the dress that turned heads but the story behind it. A year later, Nancy returned with another outfit of her own making.
This time, she wore a silver aqua gown with a plunging neckline, a shimmering corset, and layers of tulle. It had roses stitched into the skirt and headpiece, and bold shoulders that looked like unfolding petals. Her makeup was clean and glam with silver smoky eyes, a neatly tied bun, and just the right sparkle.
What is special is not just the gown, but the fabric. She sourced it from Seelampur, a market in northeast Delhi better known for its chaos than couture. But that is what makes Nancy different. She turns everyday materials into red carpet magic. She does not come from fashion schools or big labels. She learnt it all by herself.
The self-taught designer walks the red carpet in a look stitched from Seelampur fabricInstagram/nancytyagi
Nancy said she felt emotional returning to Cannes, where everything changed for her. “Last year, I was overwhelmed. This year, I feel proud,” she said. “This is my outfit. I made it. It is all mine.”
Her Instagram post summed it up in Hindi: “Phir se Cannes… phir se red carpet. Kabhi socha nahi tha yeh safar itna khoobsurat hoga” (Back to Cannes, back to the red carpet. I never imagined this journey would be so beautiful).
Nancy Tyagi brings local craftsmanship to the global stage in her second Cannes appearanceInstagram/nancytyagi
And the internet agreed. From fashion fans to fellow creators, the applause was loud. Comments flooded in praising her evolution, confidence, and creativity. One user wrote, “You have inspired millions. This is real talent: self made, rooted, and unstoppable.”
Nancy’s journey from a small town girl stitching clothes in her room to walking the world’s most watched red carpet continues to be proof that success does not need privilege. Just skill, grit, and imagination.
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Luxury in 2025: Iconic brands raise prices, making designer pieces harder to afford
Imagine your dream designer bag now costs more than a month’s rent. Welcome to 2025, now luxury isn’t just a splurge but a high-stakes financial tango, right? Inflation, tariffs, and a dash of geopolitical drama have collided, sending price tags into orbit. This time, brands aren’t just nudging numbers, but they’re launching full-blown price tsunamis. Can you still play the luxury game without drowning in debt? Let’s break down who’s hiking, why, and whether that iconic piece is worth the squeeze.
Chanel
In 2025, Chanel has been on a price-raising spree, almost as relentless as their signature tweed. The iconic Classic Flap Bag Large, for instance, now retails at 9,400 GBP (9,52,000 INR), a steep jump from 7,870 GBP (7,97,000 INR) back in January. That’s not just a rise; it’s a whole statement. With demand booming and the brand’s push for exclusivity, Chanel clearly shows no signs of slowing down.
Louis Vuitton’s strategy? Keep things steady but consistently pricier. In 2025, the Alma PM handbag crept up to 1,590 GBP (1,61,000 INR), marking a 6.4% increase. Meanwhile, the Clooney BB inched to 1,925 GBP (1,95,000 INR), a 4.9% hike, while the Capucines MM surged by 7.2%, now priced at 6,310 GBP (6,39,000 INR). Inflation’s impact? Definitely. The only thing rising faster than these prices? Their legendary prestige.
The iconic Hermès is giving luxury lovers something to chew on, especially if their taste leans toward legendary bags like the Birkin or Kelly. In the U.S., prices for the Birkin 25 in Togo leather rose from 8,400 GBP (8,52,000 INR) to 8,900 GBP (9,03,000 INR): a 6.1% increase. The Kelly 25 in Togo Retourne jumped from 8,350 GBP (8,47,000 INR) to 8,900 GBP (9,03,000 INR), marking a 6.2% hike. Some exotic models, like the Kelly 25 in Matte Alligator, saw a staggering 23.8% increase, now priced at 38,800 GBP (39,37,000 INR). Because nothing says 'forever status' like a price tag that stings.
Rolex has increased prices on its gold models by up to 14%, reflecting a 27% rise in the cost of gold itself. For instance, the white gold Daytona with the OysterFlex bracelet now retails at 24,300 GBP (24,70,000 INR), up from 22,350 GBP (22,70,000 INR) last year. Stainless steel models have seen more modest increases of about 1-3%. Gold just got a little more golden right?
Known for its cashmere and quiet luxury, Loro Piana isn’t shying away from price hikes either. Some items, like the Loom handbag, rose by 8%, while select pieces saw a staggering 23% increase. Soft just got pricier.
Tag Heuer quietly nudged up the price of select U.S. models by around 10% this summer, a direct response to looming U.S. tariffs on Swiss imports. It’s a cautious buffer rather than a drastic shock, as the brand hedges against potential margin hits. Rather than surprising buyers later, Tag Heuer is choosing to gently pad prices now, just in case.
Even beauty brands aren’t safe from the pricing squeeze. Sisley bumped up the price of its Korean products by 5%, while L’Oréal increased prices of Yves Saint Laurent and Lancôme items at duty-free outlets by about 10%. It’s partly due to higher ingredient costs and partly because “flex splurging” in Korea shows buyers aren’t put off by a little extra cost.
In a more gradual move, Coach has been incrementally hiking prices over 19 of the last 20 quarters, while Ralph Lauren pushed its average retail price up by about 12%. Instead of shocking customers, they’re taking a slow and steady approach, which has surprisingly fuelled demand rather than dampened it.
Cartier’s parent company, Richemont, is taking a softer approach, avoiding major price hikes despite the pressure of U.S. tariffs. Instead of gambling on big increases, Richemont is holding prices steady, particularly for its luxury jewellery, which continues to perform well without any drastic changes.
With higher-end items becoming even more unreachable, brands are shifting focus to “affordable luxury.” Think sub-400 GBP (40,000 INR) accessories like designer scarves and wallets, small indulgences that keep aspirational customers engaged. It’s a strategic play to maintain interest without alienating the middle-class luxury lover.
Luxury prices in 2025 are skyrocketing as iconic brands make big movesiStock
The luxury gamble?
The overall picture is clear. Some players have quietly bet on patient, incremental hikes and are already reaping rewards, while others have pushed hard and risk alienating shoppers. Observers note that Coach and Ralph Lauren’s measured markups drove a surprising sales boom (+42% Coach growth in Europe in Q4), whereas ultra-luxe giants saw only minimal gains. In short, moving slowly seems to have paid off, at least so far while exorbitant jumps have mostly just made headlines.
The gamble now is on for every brand. Every new price tag is a wager: will wealthy buyers shrug and splurge, or push back and hunt for deals?
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Bella Hadid stuns at the Cannes Film Festival 2025 in a daring Saint Laurent black gown
Bella Hadid’s return to the Cannes Film Festival was anything but quiet. This year, the model showed up ready to challenge the red carpet rules without actually breaking them.
With new restrictions in place like no sheer fabrics, no visible nudity, no dramatic trains or bulky silhouettes, fashion-watchers wondered if Bella, known for her daring Cannes looks in the past, would tone it down. Instead, she found a clever way around the rules.
Her choice for the opening ceremony? A sleek black Saint Laurent dress with a high slit that climbed nearly to her hip. It was revealing but not banned. The asymmetrical cowl neckline and bare back added to the drama without crossing any lines. Paired with barely-there strappy heels, emerald statement earrings, and a ring, the outfit managed to be both understated and provocative.
Earlier in the day, she’d already turned heads arriving at Hotel Martinez in a white corset top and matching bootcut trousers, another Saint Laurent nod. Her honey-blonde updo, oversized sunglasses, and vintage accessories made it clear that Bella wasn’t here to just blend in.
And while the Met Gala missed her this year, Cannes got the full Hadid effect.
The model’s new hair colour, a shift from brunette to a summery honey blonde, felt like a fresh chapter. Soft waves framed her face, complementing the dark, moody tones of her red carpet outfit. Makeup stayed simple with smokey eyes, matte skin, and nude lips. No theatrics, pure elegance and confidence.
The most impressive part of it all? She managed to follow every rule while still standing out. While some stars played it safe under the stricter dress code, Bella turned the limits into a challenge. No sheer panels? Try bold cut-outs. No dramatic trains? Go for shape-hugging minimalism with impact.
Fashion at Cannes has always been about pushing boundaries. This time, Bella Hadid did it with precision, walking the tightrope between compliance and creativity.
A nationwide recall of five eye care products has been issued in the United States after concerns were raised about their sterility and manufacturing standards. BRS Analytical Services, LLC, the manufacturer of the affected products, has urged consumers to stop using them immediately due to potential safety risks.
The recall, shared in a press release by healthcare distributor AvKARE, affects more than 1.8 million cartons of eye drops. The US Food and Drug Administration (FDA) identified multiple violations during a recent audit, including failures to meet Current Good Manufacturing Practice (CGMP) standards.
CGMP regulations set the minimum requirements for the manufacturing, processing, and packaging of drug products to ensure their safety, quality, and efficacy. The FDA stated there is a “lack of assurance of sterility” in the recalled items, which could pose serious health risks to users.
The following products have been included in the recall:
Artificial Tears Ophthalmic Solution
Carboxymethylcellulose Sodium Ophthalmic Gel 1%
Carboxymethylcellulose Sodium Ophthalmic Solution
Lubricant Eye Drops Solution
Polyvinyl Alcohol Ophthalmic Solution
Although the company has not specified the exact health risks, it warned that the products are of “unacceptable quality” and that “it’s not possible to rule out patient risks resulting from use of these products.”
The recalled products were distributed from 26 May 2023 to 21 April 2025. Consumers in possession of any of the affected items are advised to discontinue use immediately and either return them to the place of purchase for a full refund or dispose of them safely.
Customers are also encouraged to complete and submit the recall notice form, including the “Quantity to Return” section and their contact details. These can be sent via fax or email to AvKARE, even if the products are no longer in their possession.
The FDA has categorised the recall as a Class II, meaning there is a reasonable probability that use of the products could result in temporary or medically reversible adverse health effects, or that serious harm is unlikely but possible.