KARAN DEOL ON STEPPING INTO FILMS AND WORKING WITH HIS DIRECTOR DAD
by MOHNISH SINGH
Newcomer Karan Deol being surrounded by acting greats from his birth led him towards the same cinematic path.
After studying filmmaking abroad and assisting on his home production Yamla Pagla Deewana, the 28-year-old grandson of legendary actor Dharmendra and son of action star Sunny Deol makes his debut with this week’s big Bollywood release Pal Pal Dil Ke Paas.
The film, directed by his father, sees him star opposite debutante Sahher Bambba in the romantic drama about two unconnected individuals, who unexpectedly fall in love.
Eastern Eye caught up with Karan to speak about his debut film, famous family and co-star Sahher Bambba.
What is more challenging, shooting for a film or giving interviews?
(Laughs) Interviews. In a film, you know the character, have dialogues and go according to the script, and the director. In interviews, you are on the spot. But I speak with honesty. And we all are kind of the same in our family. We speak our hearts, which is sometimes good and sometimes bad too.
When did you know that you wanted to be an actor?
Well, when you are four or five years old, you don’t know what you want to do. But when I was five years old, I saw the film Star Wars and after watching it, I was in love with filmmaking. Then there was this DVD collection of my father’s films, and every evening, I would watch one film because I was so captivated by the world of movies by then. Also, that captivation was a form of relaxation for me. Watching films takes me to a whole other zone. The perfect afternoon is when I am watching a film with good food.
How did your parents react when you told them that you want to pursue acting?
At the age of 18, I went to my mother and told her that I wanted to be an actor. I had not told my father anything yet. My mother explained to me that the profession of acting has two sides. One is where you just do a film and move on, the other one is the emotional turmoil you go through when your films don’t do well or you receive criticism. She said, if I was ready for that then they will support me. My father also said that I have to be emotionally and mentally ready for the evil side of the industry. After that, my training started and now, I am here in front of you.
Tell us, why was it that you told your mother first?
I used to be scared of my father. That is why I couldn’t tell him anything. When I need to tell him something, I first go to my mother and then she tells him. My mother has been my go-to person as my father would mostly work and was very busy.
How did your father, Sunny Deol decide to direct the film?
During the early making of the film, we talked to various directors, but none of them were clicking with the script. It is important, even with big banners, to not sign-up with someone until you are sure of the content. Big banners can suffer flops too because there is no guaranteed formula for success. It is all up to the audience. So, we were having a hard time finding a director for the film, so my father took over that responsibility.
Tell us about your film Pal Pal Dil Ke Paas?
While we were in the scripting phase, we never thought the movie centred on the life of a particular hero. We were making a film about the story of two characters; one is from Delhi and the other is from Himachal Pradesh. My character runs an adventure camp homestay, and he loves living his life on the edge. He is an adrenaline junkie and has made that into his job. He takes different groups for adventure expeditions, up various mountain peaks. On the other side of the story, there is a girl from Delhi who is a vlogger for a travel show. She comes to my character for a review and that is how they meet. After that, I cannot say much, you have to go and see for yourself.
Is Sunny Deol a tougher father or director?
(Smiles) He is a tougher director.
How close are you with your grandfather, Dharmendra?
I had a very loving experience with him while growing up. He told me so many stories about his struggle. He told me about his journey from Punjab to his film career. If he had never got a break in the film industry, none of us would have been here, so, my whole life is because of him.
Did you get any tips from your grandfather?
My grandfather taught me that acting is all about reacting. You listen and then you give your reaction. Like right now, we are talking and accordingly I am reacting to it, so acting is that simple. Also, that growth as an actor never stops. If you ever think that you have grown enough as an actor, that is when you stop being an actor because even at the age my grandfather is, he is still learning a lot of things.
What else did you learn from your family?
From my father, I want to learn to have his intensity. From my grandfather, Dharmendra, I appreciate his wittiness, comic timing and improvisational skills. My uncle, Bobby Deol, is the best dancer in our family, so I would like to be good at dance like him. I would like to take risks like my uncle Abhay Deol. The off-beat scripts he chose and followed through so bravely, made his own identity in the industry, and those are very impressive.
Being a star-kid, do you carry any kind of baggage with you?
Honestly, I don’t carry much baggage, but fans have this presumption that since he is the son of Sunny Deol, he must pursue acting, and I cannot run from this because they think so out of love. I believe that as soon as you think there is baggage, you won’t be able to work. You should focus on your work and let it speak for itself because as soon as you start tackling other things, your work is affected. Also, criticism is good. Take it with a pinch of salt and move on because there will be negativity, and not everyone will love you.
In action scenes, was there any train-ing given by your father Sunny Deol?
Not directly. He just said to me, “whatever you do, do it with complete belief, then the intensity will show itself. When a person has intensity, there is no stopping him. The intensity of an honest person is such that the other person will back off because the honesty is seen through the eyes and you wouldn’t have to use your hands.”
In one scene, people are holding me back while I fight back. It was quite painful. I was hurt and had blue-black marks on me. My father wanted the scene to look as real as possible and made the real rawness come out.
Tell us your favourite film of your grandfather and father?
My favourite film of my grandfather would be Chupke Chupke (1975),
and my father’s would be Arjun (1985). I feel that the story of Arjun is very relevant today. Maybe the look has changed, but the problems are the same.
Have you ever thought of helping your father on the production front?
I think the farther away from the production of the film you are, the better it is for your health or you will age fast. Production is a huge responsibility; I am happy being an actor and have no interest in production. I saw it with my family that when production goes bad, it can go really bad.
Several other movies are releasing alongside yours, do you feel any pressure?
All the films coming out alongside mine have different genres. At the end of the day, your work speaks for itself. I don’t have expectations; I just hope people love it. I just hope to be appreciated for my work.
There is always a pressure regarding box-office numbers, does that pressure get you?
If you think about that, you won’t ever be able to sleep. That is a whole other ball game concerning distributors. I can only focus on the content. So, I don’t think too much about it.
How did it feel about your father winning the Lok Sabha election?
I was happy because after a long time there was a piece of good news in the family. It was a happy moment for us.
Everybody in your family is very emotional, what about you?
I am very emotional too. But I am from a different generation, so there is that practicality too. I feel that emotions in this generation have kind of disappeared and we forgot what our roots are. In this world, there is only a drive for money or fame. But that does not keep you happy. When you die, neither the money that you earned goes with you nor the fame that you achieved. You should live your life to its fullest and enjoy it at your heart’s content.
Are there any actors or directors who you would like to work with?
My favourite actor is Vicky Kaushal. I saw him in Love Per Square Foot, Sanju, and he gave such a great performance in Uri: The Surgical Strike. He is such a versatile actor. He is making his niche and trying different things. He is not stuck in a particular format. For directors, I follow Neeraj Pandey, Zoya Akhtar, Rajkumar Hirani, Imtiaz Ali and some more. It would be a blessing to be working with any of these talented directors.
Are you fond of any particular genre?
The actor has to be versatile. My happiness is in acting. I won’t be happy doing just one kind of films, like action. An actor has to show all kinds of emotions. Anyone who appreciates me and is pleased with my role, I am happy with it, because honestly, I am in love with filmmaking. As long as I am working, I am happy.
Helldivers 2 has experienced a dramatic surge in negative Steam reviews, with over 2,600 posted on 29 May alone, representing a 40-fold increase compared to just two days earlier. The sharp rise in complaints comes amid accusations from players, particularly in China, that the game developer Arrowhead Game Studios is manipulating the in-game Galactic War narrative and misleading players through mistranslation in the Chinese version of the game.
Prior to the review spike, Helldivers 2 had maintained relatively stable feedback, with just 62 negative reviews logged on 27 May. However, tensions escalated as players began to question the integrity of the ongoing in-game conflict, specifically the defence of a strategic city called Equality-On-Sea. This city has been dubbed "Super China" by the community due to its resemblance to Shanghai (which translates as "upon the sea").
The controversy centres on the city’s reported defence level of 99.9783%, a figure which has since become a rallying cry among frustrated players. Despite near-total success in defending the location, the game did not register it as fully liberated, leading many to accuse Arrowhead of scripting the outcomes to push the Galactic War storyline in a pre-determined direction.
Further fuelling the discontent is a widely reported mistranslation in the Chinese version of the game. According to multiple sources, including a detailed post from a level 150 Chinese player known as Valkyri_Yukikaze, the Chinese localisation mistakenly suggested that the city could be completely reclaimed through player effort. In reality, game mechanics require the city to remain contested as part of the larger Illuminate invasion narrative. The confusion has led to feelings of betrayal among some Chinese players who believed they had been misled.
Arrowhead has introduced a dynamic war system in Helldivers 2, with player actions supposedly shaping the direction of the game’s storyline. However, some community members are now questioning whether outcomes are genuinely influenced by collective performance, or if major narrative beats are being enforced regardless of player actions. One theory posits that the game was always designed to culminate in a climactic battle for Prosperity City, regardless of earlier mission outcomes.
The controversy also sheds light on the broader challenge of managing a global gaming audienceArrowhead Game Studios
This theory is supported by patterns observed in the game’s progression, where despite significant player contributions, key objectives appear to remain just out of reach. While many players understand that a game master (GM) figure may guide the story to maintain pacing and drama, the suggestion that developer interference is overriding actual player results has caused backlash, particularly when it appears to conflict with transparent game design.
The 99.9783% figure has become symbolic of this debate. Although the number initially represented the defence progress of Equality-On-Sea, it has since been used in numerous reviews and forum discussions as evidence that the game is not accurately reflecting player effort. In Chinese gaming forums and across Reddit, players have accused Arrowhead of "cooking the numbers" to fabricate tension.
Some commentators, however, have pushed back against the criticism, suggesting that the misunderstandings stem from a lack of familiarity with how war mechanics function within the game. They argue that Helldivers 2, like many live-service titles, incorporates elements of persistent conflict, where cities can remain under threat despite overwhelming success, in order to preserve gameplay longevity and narrative tension.
As of now, Arrowhead Game Studios has not issued a formal response to the review spike or the allegations of misleading translations. The lack of communication has left portions of the player base feeling ignored, while others await clarification. Meanwhile, the Steam reviews continue to pour in, many of them referencing the contested nature of Equality-On-Sea and the perceived manipulation of the war effort.
Despite the controversy, Helldivers 2 continues to maintain a substantial player base, and many users remain engaged with the game’s cooperative missions and evolving warfront. Still, the incident highlights the fragility of player trust in live-service games, particularly when localisation errors and perceived narrative interference converge.
The controversy also sheds light on the broader challenge of managing a global gaming audience. Miscommunications arising from localisation mistakes can escalate quickly in tightly-knit gaming communities, especially when combined with high emotional investment and competitive in-game stakes.
The developer's next steps could prove crucial. Whether through improved communication, transparency about narrative direction, or localisation updates, Arrowhead’s response will likely shape the future relationship with its player base. Until then, the 99.9783% saga continues to be a point of contention, emblematic of broader concerns about authenticity and fairness in player-driven storytelling.
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The 238-run margin was England's second-largest win, in terms of runs, in all ODI cricket. (Photo: Getty Images)
ENGLAND defeated the West Indies by 238 runs in the first one-day international at Edgbaston on Thursday.
This victory, achieved under Harry Brook’s first match as permanent white-ball captain, saw England post a total of 400-8 before bowling out the West Indies for 162. It ended a seven-match losing streak in ODI cricket and put England 1-0 ahead in the three-match series.
The 238-run margin was England's second-largest win, in terms of runs, in all ODI cricket.
Jacob Bethell, playing on his Warwickshire home ground and recently back from the Indian Premier League, was England’s top scorer with 82. Ben Duckett (60), Brook (58), and Joe Root (57) also made fifties in a strong batting performance.
The West Indies bowlers had a tough outing, with paceman Jayden Seales taking four wickets but conceding 84 runs in nine overs.
Chasing 401, the West Indies innings ended with more than 23 overs left. Seales' unbeaten 29 was the top score, one of just three contributions over 20 in the innings.
Jamie Overton (3-22) and Saqib Mahmood (3-32) led the England bowling attack, taking six wickets between them.
The series continues in Cardiff on Sunday and concludes at the Oval on Tuesday.
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The JLR sales network is currently spread across 21 cities in India, through 25 authorised outlets
JAGUAR LAND ROVER aims to double its business in India over the next three or four years amid plans to bolster its product portfolio and sales network, atop company executive said.
With the Indian luxury car market expected to grow at a steady pace over the next few years, Jaguar Land Rover (JLR) India is bullish on growth prospects in that market.
JLR India managing director Rajan Amba said demand and appreciation for bespoke or differentiated car models remain high in India.
“Clearly, there’s a vacuum or a demand that we are kind of meeting and fulfilling and we have not even hit our peak running speed,” Amba said in Gaydon, Warwickshire.
The automaker, owned by India’s Tata Motors, has a natural demand potential for excess of 8,000 units per year having already crossed the 6,000 annual sales mark in FY25, he said.
“And therefore, we expect that in the next 3-4 years, we should be able to double our business in the country both in terms of volumes and revenue,” Amba added.
Jaguar Land Rover India reported its best-ever performance in a fiscal with retail sales of 6,183 units in FY25, a growth of 40 per cent over FY24. Similarly, dispatches to dealers rose 39 per cent year-on-year to 6,266 units last fiscal.
Amba said the company would expand its product range as well as sales network to grow its business in the country.
“We plan to double our sales network to around 50 outlets by 2030,” he said. New dealerships are planned for Rajkot, Goa and Nagpur in western India.
The JLR sales network is currently spread across 21 cities in India, through 25 authorised outlets. JLR India currently sells Range Rover, Range Rover Sport, Range Rover Velar, Range Rover Evoque, Defender, Discovery and Discovery Sport in the country.
Earlier this year, Range Rover announced manufacture in India of the Range Rover and Range Rover Sport models.
JLR’s FY25 revenue remained flat at £29 billion. Its fourthquarter revenue stood at £7.7bn, a dip of 1.7 per cent year on year.
The company said in April 2025, it implemented a series of short-term actions to address the immediate impact of trade tariffs introduced by the US administration on the global automotive sector. JLR has lined up an investment spend of £18bn over a five-year period and the automaker aims to develop growth strategies for its four brands: Jaguar, Range Rover, Discovery, and Defender.
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A billboard featuring General Syed Asim Munir , Naval Chief Admiral Naveed Ashraf , and Air Chief Marshal Zaheer Ahmed Babar Sidhu, along a road in Peshawar
POPULAR support has surged for Pakistan’s army chief General Asim Munir, the most powerful man in the country, after the worst conflict in decades with India, shattering criticism of interference in politics and harshly cracking down on opponents.
A grateful government gave him a rare promotion last week to field marshal “in recognition of the strategic brilliance and courageous leadership that ensured national security and decisively defeated the enemy”.
The military has ruled Pakistan for at least three decades since independence in 1947 and wielded extraordinary influence even with a civilian government in office. But it, and its hardline chief, have rarely received the widespread outpouring of affection seen this month that analysts say has reinforced the military’s dominance in the country.
“Long live General Asim Munir!” read placards held aloft in rallies in recent days in towns across Pakistan. His picture was put up on lamp posts and bridges, with some banners saying: “You are our saviour!”
A survey conducted after the conflict by Gallup Pakistan, a local pollster, found that 93 per cent of respondents felt their opinion of the military had improved. Munir’s most bitter domestic foe, jailed former prime minister Imran Khan, also congratulated the military after this month’s clashes with India, claimed by both nations as a victory.
“It’s my country, it’s my army,” Khan said in a post on X last week. “I pay tribute to the Pakistan Air Force and all our military personnel for their professionalism and outstanding performance.”
Yousuf Nazar, a political commentator, said of Munir: “He has emerged as Pakistan’s strongman with his military’s reputation restored as a formidable force.”
Six months after he took charge in November 2022, Munir was faced with the most serious challenge to the military’s hegemony when Khan’s supporters ransacked military installations.
Munir later faced sharp domestic criticism for the jailing of Khan and cracking down on supporters of his Pakistan Tehreek-e-Insaf party, as well as what critics alleged was rigging the general election last year to favour a rival party.
But the conflict with India has turned that around, said Ayesha Siddiqa, author of Military Inc, a book on the Pakistan military.
“It has made the general stronger than any other previous generals. He is a hero now,” she said, adding that the contest between the neighbours will be headed by India’s prime minister Narendra Modi and Pakistan’s Munir, a devout Muslim.
The military did not respond to questions sent by Reuters.
Munir, who has memorised the Qu’ran, has underlined what he has said are fundamental differences between Islamic Pakistan and predominantly Hindu India.
“Our religion is different. Our customs are different. Our traditions are different,” he said in a speech in Islamabad a week before the attack in Indian Kashmir.
The Indian army “with all their wherewithal” cannot “intimidate” Pakistan, he said, peppering his
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AbRam Khan Celebrates 12th Birthday with Gauri and Suhana at NMACC
AbRam Khan turned 12 on 27 May, and the occasion was celebrated in a quiet, close-knit gathering at Mumbai’s NMACC Arts Café. Hosted by his mother Gauri Khan and sister Suhana, the celebration was simple, personal, and full of warmth. Though the Khan family is often seen together during major public moments, this time, Shah Rukh Khan and eldest son Aryan were noticeably absent, a detail that didn’t go unnoticed by fans online.
The celebration video, shared by the NMACC’s official Instagram account, opened with AbRam walking in alongside Suhana, both looking casual and cheerful. Suhana chose a breezy printed dress, while AbRam wore a relaxed blue tee. Gauri, who designed the café, appeared in a chic white blazer and trousers.
Inside, the café buzzed with a low-key birthday mood: pizzas, sweet bites, and a rich chocolate cake took centre stage. Also spotted were family friends like Pooja Dadlani and Kajal Anand, along with Gauri’s mother and other close relatives.
The caption from NMACC read, “Such a joy to welcome back Mrs Gauri Khan – designer of the NMACC Arts Café – along with Suhana Khan and family for AbRam’s birthday celebrations. Another evening full of sweet moments and big smiles.”
Social media reactions quickly picked up on the absence of Shah Rukh and Aryan. “Where’s King Khan?” asked one user. Another chimed in, “Why is the elder brother and dad missing?”
Fans wonder about Shah Rukh Khan and Aryan’s absence from the birthday celebrationGetty Images
While the reasons for their absence remain unclear, the bond between AbRam, Gauri, and Suhana stood out in the video full of smiles, quiet hugs, and a genuine sense of comfort. Born via surrogacy in 2013, AbRam is the youngest of the Khan siblings and has been a familiar face next to SRK during Eid and birthday waves to fans from Mannat.
Interestingly, the 12-year-old has already dipped his toes into voice acting. He recently dubbed for young Mufasa in the Hindi version of Mufasa: The Lion King, while Aryan voiced Simba. The film, a prequel to the beloved The Lion King, is directed by Barry Jenkins.
AbRam spotted with Shahrukh Khan Getty Images
Despite SRK and Aryan being missing in action, the gathering was a regular modern family celebration, laid-back, loving, and shared with those who matter most.
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