Gayathri Kallukaran is a Junior Journalist with Eastern Eye. She has a Master’s degree in Journalism and Mass Communication from St. Paul’s College, Bengaluru, and brings over five years of experience in content creation, including two years in digital journalism. She covers stories across culture, lifestyle, travel, health, and technology, with a creative yet fact-driven approach to reporting. Known for her sensitivity towards human interest narratives, Gayathri’s storytelling often aims to inform, inspire, and empower. Her journey began as a layout designer and reporter for her college’s daily newsletter, where she also contributed short films and editorial features. Since then, she has worked with platforms like FWD Media, Pepper Content, and Petrons.com, where several of her interviews and features have gained spotlight recognition. Fluent in English, Malayalam, Tamil, and Hindi, she writes in English and Malayalam, continuing to explore inclusive, people-focused storytelling in the digital space.
Wayward follows a couple moving to a seemingly perfect small town in Vermont
The show examines the “troubled teen” industry through a sinister therapeutic school
Comedian Mae Martin delivers a strong dramatic performance as police officer Alex Dempsey
A small town with dark secrets
Netflix’s Wayward centres on Laura (Sarah Gadon) and Alex (Mae Martin) as they move to Tall Pines, a small Vermont community where residents appear blissfully happy. Beneath the town’s calm surface lies a network of secrets and sinister practices, particularly at a local therapeutic school for troubled adolescents.
The therapeutic school
The school, run by Evelyn Wade (Toni Collette), imposes strict rules and harsh treatment on teenagers while charging high fees. The show draws inspiration from real-life controversies surrounding the “troubled teen industry” in the US, highlighting the often dehumanising methods used in such facilities. The series also follows two young residents, Abbie (Sydney Topliffe) and Leila (Alyvia Alyn Lind), who attempt to escape the school.
Horror influences and familiar tropes
Wayward leans on well-known horror motifs, echoing films such as The Stepford Wives, The Wicker Man and Rosemary’s Baby. While some plot elements, such as Evelyn’s motivations and recurring motifs, are underexplored, the series maintains tension with hidden secrets, eerie settings, and the gradual uncovering of the town’s dark underbelly.
- YouTube
Mae Martin shines in dramatic role
Best known as a comedian, Mae Martin takes on a serious role as Alex Dempsey, a local police officer investigating the school. Martin’s portrayal of an earnest and empathetic character anchors the series, providing a relatable perspective amid the unsettling events.
Social commentary through drama
Beyond horror, Wayward offers a critique of institutions for troubled teenagers, highlighting systemic abuse and the imbalance of power between staff and residents. The series combines thriller elements with a reflection on contemporary social issues, aiming to engage a younger audience while maintaining suspense across its eight episodes.
Behind-the-scenes video reveals the first look at Prithviraj Sukumaran as a police officer interrogating Kareena Kapoor Khan.
Director Meghna Gulzar commences what she calls a "journey of blurred and crossed lines."
The project marks Kareena Kapoor Khan’s 68th film and her first-time collaboration with the Malayalam star.
Lyricist Gulzar made a special appearance on set, adding a touch of legacy to the first day.
The cameras are finally rolling on Meghna Gulzar’s much-anticipated crime thriller, Daayra. A behind-the-scenes clip straight from the Mumbai set offers a compelling first glimpse into the film’s world, showing Prithviraj Sukumaran in a police uniform deep in an interrogation with Kareena Kapoor Khan. This fresh collaboration, announced earlier this year, has sparked considerable interest, positioning the film Daayra as a serious exploration of societal crime and justice. The video also confirms the project’s scale, with production house Junglee Pictures backing this gritty drama.
Prithviraj Sukumaran questions Kareena Kapoor Khan in first look of Daayra Instagram/kareenakapoorkhan
What does the Daayra behind-the-scenes video show?
Well, it’s not your typical, polished promo. It feels like someone just grabbed a camera and walked around the set. You see Kareena, completely focused, hunched over a script. Then the tone shifts: there’s Prithviraj, and he’s already in character. He’s leaning in, asking questions, the camera angle making the whole exchange feel claustrophobic. It’s a proper, intense police interrogation setup. And then, almost casually, the legendary Gulzar is there. He’s just chatting with the team. That bit feels unplanned, a quiet moment that adds a whole other layer of weight to the production.
Look at the pieces involved. Meghna Gulzar doesn’t make simple films. From Talvar to Raazi, she picks apart complex subjects with a surgeon’s precision. So, when she announces a film that digs into "societal norms" and the "world of crime and punishment," you pay attention. Then you have Kareena, an absolute force, teaming up with Prithviraj, whose career in Southern cinema is built on formidable, intense performances. It’s a casting coup. The buzz is about the promise of substance, of a story that might actually leave you thinking after you walk out of the cinema. People are tired of the fluff, and Daayra looks like the opposite of fluff.
What can we expect from this fresh on-screen pairing?
Honestly, it’s a fascinating mix. Kareena brings that innate, sharp elegance, a star power that can instantly command a scene. Prithviraj’s strength is his quiet, simmering intensity. You put that together in a narrative built around conflict and interrogation? The potential for fireworks is huge. That brief clip says it all. You can already feel the dynamic. He’s the authority figure, but she’s not looking away. This isn’t going to be a one-sided power play. Their first collaboration is the film’s biggest draw, and Gulzar seems to be crafting something specifically for their strengths. It’s that unknown chemistry that’s really exciting. How will they push each other? The film Daayra rests on that.
The team has kept a fairly tight lid on specific dates, which is pretty standard for a project that’s just started filming. Official statements have pointed towards a release in the first half of next year. That gives them a solid chunk of time for production and post-production, which a dense thriller like this will certainly need. For now, all eyes are on the shoot. With day one wrapped, the journey of Daayra is properly underway.
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Sonu Nigam on the surprising return of Bijuria in Sunny Sanskari Ki Tulsi Kumari
Bijuria returns in Sunny Sanskari Ki Tulsi Kumari after 26 years.
Sonu Nigam’s original 1999 vocals were kept intact.
The singer says “every song has its own destiny.”
Varun Dhawan grew up dancing to the track in school.
The revival came together naturally, almost like fate, says Sonu Nigam.
You don’t “remake” a song like Bijuria. You dig it up, dust it off, and, if you’re lucky, let it walk back into the world like nothing ever happened. Talking to Sonu Nigam about Bijuria finding its way into Sunny Sanskari Ki Tulsi Kumari felt less like discussing a studio decision and more like hearing about a strange, happy twist of fate. One minute the melody’s a memory; the next it’s on a film soundtrack.
Sonu Nigam on the surprising return of Bijuria in Sunny Sanskari Ki Tulsi Kumari Instagram/sonunigamofficial
The pristine time capsule
Here’s the interesting part. When the team looked for a fresh vocal take, they discovered the original master, the actual 1999 recording, intact. This wasn’t the plan, though. When the filmmakers approached him, Nigam was ready to step back into the booth. Then they made a discovery. The original audio engineer, a man named Eric, still had the master files. “You won’t believe it,” Sonu says. “But the files we’ve got are pristine. You don’t need to… they’re flawless.” So, they listened and the decision was unanimous: don’t touch a thing.
Reflecting on the process, Nigam gets philosophical. “I would have sung it differently today… I was not the same as I was back then. That Sonu died a long time back.” He’s not being dramatic for effect. He is simply acknowledging the fact that the young man who sang it is gone, but the song he left behind is, in its own way, perfect.
For Nigam, the whole journey of Bijuria feels like proof of some cosmic plan. He tells the story of how, while he and his manager were emotionally discussing the idea of reviving the track, Varun Dhawan was, completely independently, thinking the same thing for his film. Dhawan, who was just 13 when the song first hit, remembered dancing to it in school.
“Everything happens organically. You can never be too clever,” Nigam says. “Every song has its own destiny.” He believes an artist’s job is simple: pour honest emotion into the composition, then let it go. “Surrender, do your work and forget it.”
Shifting gears from fate to craft, Nigam explains the real secret of his work. Playback singing, he says, is an act of translation; it’s not just about a great voice but about tailoring that voice to the actor on screen.
“When I sang for Govinda,” he explains, “I knew how he would sing the song. So, if I give him the opportunity in my voice, I’m assisting the actor by imagining what he could do.”
Sonu says he tailors his voice to suit the actor, whether it’s Shah Rukh Khan’s intensity or Govinda’s comic timing, and learned this collaborative method from Rafi saab, Kishore and Mukesh. That, he adds, is what turns a playback voice into a true performance partner.
There is also a stubborn streak of perfectionism. Sonu remembers being typecast early in his career and later insisting on having a say in arrangements: guitars, tabla, flute, saxophone. He wanted the album to feel like a real project, not a factory job, which is maybe why the original recording still holds up.
Sonu Nigam on the 1999 magic of Bijuria surviving the yearsGetty Images
Reinvention? It’s about humility.
Reinvention, for him, isn’t gimmicks and flash. It’s humility. “Anybody who has the humility to look at your peers with respect and your juniors with even more respect, learn from them… that’s when you reinvent yourself,” he says. The key, he believes, is to genuinely enjoy the success of others without feeling threatened. That open-mindedness is the only real way to stay alive in the game.
And advice? He half-refuses to give any. “I don’t give advice,” he says. Then he gives it anyway: give time. Put the hours in. That’s how art becomes yours.
Sonu Nigam on letting the past speak for itself in musicGetty Images
The perfection of the past
So, what’s the takeaway here? Not that old is always better, or that nostalgia is pure. It’s simpler: sometimes the smartest move is to recognise when something was already right. Sonu Nigam didn’t resurrect Bijuria so much as let its ghost step back into daylight, exactly as it was, and exactly as it ought to be. That, he suggests, is how you respect a song’s legacy.
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The actor lived with the condition for over seven years before undergoing surgery in 2011
Salman Khan recalls years of excruciating facial pain before undergoing surgery in 2011
Condition, often called the “suicide disease,” can be triggered by simple activities like eating or brushing teeth
Neurologist explains causes, symptoms and available treatments
Salman Khan’s struggle with facial nerve pain
Bollywood actor Salman Khan has once again spoken about his battle with trigeminal neuralgia, a neurological condition that causes sudden, stabbing facial pain. Appearing on a talk show with former co-stars Kajol and Twinkle Khanna, Khan described how the condition first surfaced in 2007 while filming Partner.
Khan said even light touches, such as co-actor Lara Dutta brushing a strand of hair from his face, could set off waves of pain. “It used to happen every four or five minutes. It would take me more than an hour to eat a meal. I couldn’t chew properly, I had to force myself through the pain just to finish,” he recalled.
The actor lived with the condition for over seven years before undergoing surgery in 2011 to relieve pressure on the affected nerve.
What is trigeminal neuralgia?
Trigeminal neuralgia occurs when the trigeminal nerve — responsible for carrying sensations from the face to the brain — malfunctions or is compressed. The nerve has three branches covering the forehead, upper jaw and lower jaw.
When the nerve is triggered, patients experience sharp, electric shock-like pain that may last seconds but recur repeatedly. Everyday actions such as speaking, eating or even washing the face can trigger an episode.
Because the pain often resembles toothache, many patients first visit dentists before receiving a neurological diagnosis. The condition is more common in women and those over the age of 50.
Causes of the disorder
According to Dr Praveen Gupta, Chairman of the Marengo Asia International Institute of Neuro & Spine, common causes include:
A blood vessel pressing against the trigeminal nerve
Cysts or tumours affecting the nerve pathway
Multiple sclerosis, which damages the protective myelin sheath around nerves
Facial trauma, stroke or complications following dental procedures
Treatment and management options
Treatment begins with medication, particularly sodium channel blockers, which reduce nerve activity and limit pain signals sent to the brain.
If drugs prove ineffective, doctors may recommend procedures such as:
Radiofrequency ablation: using heat to damage part of the nerve and block pain signals
Balloon compression: applying pressure to the nerve to reduce pain
Glycerol injections: causing minor nerve damage to stop pain impulses
Microvascular decompression: a surgical method of moving blood vessels away from the nerve to relieve pressure
While the condition is severe and often described as one of the most painful disorders known, doctors emphasise that with proper treatment, patients can find long-term relief.
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Sameer Wankhede files lawsuit against Shah Rukh Khan and Netflix over Aryan Khan series
Former NCB officer Sameer Wankhede takes legal action against Shah Rukh Khan's production company and Netflix.
The suit alleges a character in Aryan Khan's series is a defamatory portrayal that mocks him.
Wankhede seeks damages of £16,800 (₹2 crore), which he has proposed to donate to a cancer hospital.
The legal filing claims the show presents anti-drug agencies in a negative light.
The case references the 2021 cruise ship raid where Aryan Khan was arrested.
The simmering tension from a high-profile 2021 drug case has exploded into a full-blown legal battle. Former Narcotics Control Bureau (NCB) zonal director Sameer Wankhede has filed a defamation suit in an Indian court targeting Shah Rukh Khan, his production company Red Chillies Entertainment, and the streaming giant Netflix. The legal move is a direct response to Aryan Khan's directorial debut, The Ba***ds of Bollywood, which Wankhede claims contains a "false, malicious, and defamatory" portrayal of him. The suit has ignited a new chapter in a story that once dominated headlines.
Sameer Wankhede files lawsuit against Shah Rukh Khan and Netflix over Aryan Khan series Instagram/swankhede.irs/ Getty Images
What is the defamation suit about?
This isn't about the entire show. Wankhede’s grievance hinges on one specific character introduced early in the series. The character, a narcotics officer, storms a Bollywood party in a scene that social media users immediately linked to Wankhede. The legal plea argues this portrayal was “deliberately conceptualised and executed with the intent to malign” his reputation.
The suit seeks a permanent injunction to stop the show's broadcast and demands damages of £16,800 (₹2 crore), which Wankhede has stated should be donated to the Tata Memorial Cancer Hospital. The filing also points to a scene where the character makes an obscene gesture after reciting "Satyamev Jayate," calling it a violation of the Prevention of Insults to National Honour Act.
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How does The Ba***ds of Bollywood portray the officer?
The first episode of the show features a loud, stern officer dressed in a white shirt and dark trousers who steps out of a police vehicle. He launches into a rant about a war on drugs, directly pointing a finger at the film industry. The physical resemblance; a lean build and short hair is uncanny, but the context is what matters most.
The character is part of an agency called 'NCG', a barely disguised nod to the NCB. Wankhede’s suit claims this depiction disseminates a “misleading and negative portrayal of anti-drug enforcement agencies, thereby eroding public confidence in law enforcement institutions.” It’s a strong accusation, suggesting the show’s creators weren’t just making a passing reference but crafting a pointed critique.
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What is the background between Sameer Wankhede and Aryan Khan?
To understand why this lawsuit isn't just random legal noise, you have to rewind to October 2021. Sameer Wankhede wasn't just any officer back then; he was the top narcotics guy in Mumbai, the zonal director for the NCB. He was the one leading the raid on that cruise ship, the Cordelia Empress, which was supposed to be headed to Goa for a party.
The raid turned into a massive media circus, and right at the centre of it was Aryan Khan, Shah Rukh Khan's son. He was arrested, and the image of him being taken in was everywhere. He ended up in jail for over three weeks before he finally got bail. The case eventually fell apart, and Aryan was cleared, but those weeks and the scandal itself left a mark.
Now, with Aryan Khan directing a show that features a character many see as Wankhede, the past isn't just being remembered but dramatised. The suit itself notes that the original drugs case is still sub-judice, making this fictionalised take feel like salt on a wound.
Aryan Khan escorted to court by Narcotics Control Bureau officials for a bail plea hearing on October 8, 2021Getty Images
What happens next?
The ball is now in the court of the Delhi High Court. This isn't some online argument that will fade away by tomorrow. This is a real legal case, and Red Chillies and Netflix have to craft a legal response.
For Netflix, it's just another headache in India. It seems like every other month there's some new challenge to a show. But for the Khans, this is different. This is deeply personal. It’s dragging them right back to one of the worst periods of their lives, forcing a confrontation with the very person who was at the centre of that storm.
Aryan Khan’s directorial debut The Ba***ds of Bollywood faces legal challenge over controversial portrayalGetty Images
So what’s it all going to come down to? The court has to decide where the line is. When does a snarky caricature stop being satire and become a targeted attack? Is it just a bit of creative fun, or is it genuinely damaging? Nobody has the answer yet. But one thing is obvious: the old fight between Bollywood and the powers-that-be has found a new arena, and this time it's inside a courtroom.
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Emma Watson reflects on her fallout with JK Rowling
The actress describes the situation as deeply upsetting but remains open to dialogue.
Watson clarifies her stance on separating personal affection from public disagreement.
She reveals she does not miss the promotional side of acting during her ongoing hiatus.
The star affirms she will always cherish her positive memories of working with Rowling.
Emma Watson has spoken directly about her strained relationship with Harry Potter author JK Rowling, pinpointing the core of the issue. In a conversation on the On Purpose with Jay Shetty podcast, the actress shared her perspective on the fallout stemming from their differing views. Watson expressed a specific regret about how the situation unfolded, focusing on the personal dimension of the public disagreement. She also touched upon her life away from the film industry in a separate interview.
Emma Watson reflects on her fallout with JK Rowling Getty Images
What did Emma Watson say about JK Rowling?
The heart of Watson’s comments revolved around a sense of missed opportunity. When questioned about Rowling’s past statements, including the author's feeling of being unable to forgive the actors, Watson mentioned the lack of a private conversation as the most difficult part. "I think the thing I’m most upset about is that a conversation was never made possible," she stated. This was not about winning a debate, but about the breakdown of a personal connection. She stressed the fact that her stance was never about erasing the past, but about holding complex feelings simultaneously.
Emma Watson reflects on her fallout with JK Rowling Getty Images
Can you disagree with someone and still care for them?
Watson presented a nuanced position, arguing that disagreement does not have to mean total rejection. She made a clear distinction between her gratitude for the person she knew and worked with for over a decade, and her obligation to publicly support her own beliefs.
"I really don’t believe that by having had that experience and holding the love and support and views that I have, mean that I can’t and don’t treasure Jo and the person that I had personal experiences with," she explained.
Her hope, she said, is to maintain the ability to love people even when opinions sharply diverge, a principle she applies to this situation.
Emma Watson cherishes her memories from the Harry Potter filmsGetty Images
Why has Emma Watson taken a break from acting?
In a related discussion about her career, Watson spoke about her extended absence from the big screen. She confessed to finding the relentless marketing cycle that follows filmmaking to be "quite soul-destroying." While she deeply misses the craft of acting itself, the commercial machinery surrounding it left her feeling unbalanced. "I do not miss selling things," she said bluntly. This hiatus has, however, contributed to her current state of mind, which she describes as potentially the happiest and healthiest she has ever been, allowing her to step away from the intense pressure of Hollywood.
Emma Watson highlights the importance of dialogue in strained relationshipsGetty Images
Is a reconciliation between Watson and Rowling possible?
When directly asked if the door remains open for a future conversation with Rowling, Watson’s response was immediate and unequivocal. "Yeah, and I always will. I believe in that. I believe in that completely," she told Shetty. This simply proves her central point about the value of dialogue.
While the public rift is well-documented, Watson’s comments suggest a personal willingness to reconnect, grounded in a philosophy of understanding rather than condemnation. The ball, it seems, remains in Rowling's court.