Nazneen Ahmed Pathak: Telling ‘stories of a history we need to know and talk about’
The writer to discuss her debut novel City of Stolen Magic, which beautifully blends history, magic, and culture
By Asjad NazirJun 23, 2023
A LOVE for reading and seeing books as a dream-like escape inspired Nazneen Ahmed Pathak to write, but that stopped in her twenties because there wasn’t a story she wanted to tell.
Things changed after her son Roshan was born in 2013. She was reading a children’s book to him and realised there weren’t any stories about his heritage as a British-Indian-Bangladeshi child. Her young son reconnected Pathak to that writing passion and inspired her dynamic debut novel City of Stolen Magic.
The beautifully written book mixing up magic with history, and a 19th century multicultural Victorian London, revolves around a young Indian girl with mystical powers on a rescue mission in new surroundings. One of the most unique books of the year introduces a new type of literary hero and great British writing talent, who has offered up something unique.
Eastern Eye caught up with the writer to discuss her book, which beautifully blends history, magic, and culture.
Tell us about City of Stolen Magic?
The story follows Chompa, the fierce, impulsive, ever-curious heroine, and her mother, Ammi, who are both witches. Chompa’s not allowed to do her magic because Ammi says she’s not old enough to control it. Instead, Ammi’s tries teaching her writing magic, which is intricate, precise and takes time. Chompa finds it boring and decides to take matters into her own hands, which ends in disaster when Ammi’s abducted by a sinister group called the Company, who Chompa later finds out are selling magical people for profit. To get Ammi back, Chompa travels to London on a ship, powered by a djinn, making friends and enemies along the way.
What made you want to combine history and magic in the story?
I see my writing as the ‘embroidering of untold stories’, so wanted to bring to life untold histories and lesser-known forms of magic in this story. Until I worked on a research project on the history of East London, I didn’t know that the reason Brick Lane is now ‘Banglatown’ stems from the lodging houses run in the area by South Asian sailors, known then as ‘lascars,’ in the Victorian period. So, until I was well into my thirties, I had no idea how colonialism had been responsible for establishing the migrant community I am part of. When I learnt that, it made something in me click.
Tell us more about that?
It made my identity and sense of belonging as a British Bangladeshi person make sense. I wished I had known it when I had been a child, whenever anyone used to ask me where I was ‘really’ from. So, I really wanted to weave a story around it, and make it come to life for children like Roshan and Khushi, my daughter.
What about the fantasy element of your book?
I’ve always loved fantasy stories about magic, witches, and wizards, but grew up with a very different idea of magic than the pointy-hat and magic-wand variety we see in most children’s books. I wanted to weave in the stories I grew up with when I visited Bangladesh as a child - stories of bhoot, djinn and amulets. At the same time, I have always been fascinated by the taviz, Islamic amulets members of my family used to wear; capsules containing slivers of paper featuring Quranic verses, because they really show the protective power of the written word.
Did it help or make it more challenging that you are venturing into new territory with this book?
I think the fact that the story is new and different is definitely a strength, but it’s also a risk, and that’s a little daunting, I suppose. But no one wants to read the same story over and over again, and it’s a great time right now for readers of children’s books – there’s something out there for everyone.
Who are you hoping connects with City of Stolen Magic?
Everyone, really. The history and legacy of colonialism is important for us all to know and understand. But I really hope it connects with children who have South Asian heritage, because I wove so much of my love of India and Bangladesh into this story, from languages to food to dress, that I hope it really finds a home with them.
Do you have a favourite part or chapter in the book?
I love the scene where Chompa and Leeza take a cycle rickshaw to explore the chowk market in Dacca and discover the printing press. My grandfather had a printing press and bookshop and the whole scene really comes from my own love of Old Dhaka, which is a unique and historic place. I feel really homesick whenever I read it.
Did you learn anything new while writing this book?
I had no idea how to write a book when I began, so, absolutely I did. I learned so much about how to tell a story that’s exciting and will connect with young readers from my Puffin editors Natalie Doherty and India Chambers, and my agent, Louise Lamont, but I also learned from reading amazing authors such as Catherine Johnson, Philip Pullman, Nizrana Farook, Jonathan Stroud and Patrice Lawrence.
How do you feel ahead of the book’s publication?
I feel very excited – it’s been a 10-year journey to this point. It feels like I am in one of my vivid daydreams. I am so thrilled that Puffin have taken me and the story under their wing, and done us such justice. I just can’t wait for the book to get into the hands of young readers and their parents and teachers. I just hope they like it.
How much has all the praise meant to you for this book?
It’s been extraordinary – the praise from authors I love has been so humbling. And those children, who have read it so far, loving it has meant the absolute world to me. I am quite the crier and have cried every time someone has written to me and told me they liked the story. It never gets old.
What kind of books do you enjoy reading the most?
I love reading children’s stories – I think they’re the best writing, full stop. You can’t have a character staring out of a window for two pages in a children’s story. There’s no indulgence – just story, character and setting in their leanest and best form. I love mysteries such as Sharna Jackson’s Hi-Rise Mystery, historical adventures such as JT Williams’ Lizzie and Belle series, and I recently adored The Swifts by Beth Lincoln.
What can we expect next from you?
Chompa, Tipu, Leeza and Laurie are going to have further adventures so I am currently working on the second book, which will feature rebel queens, bandits and an important quest to find a mysterious magical object.
Why do you love writing?
I love being immersed in imaginary worlds where anything and everything can happen and all the characters you end up meeting along the way. To me, it’s like being on a rollercoaster, only fun (I am a scaredy-cat).
Why should we pick up the book?
Because Chompa is the most dynamic and loveable heroine you could meet, because the adventure is thrilling and spans continents. Because the magic is unique and empowering, and it tells stories of a history we all need to know and talk more about.
City Of Stolen Magic will be published byPuffin next Thursday (29)
Fragments of Belonging is Nitin Ganatra’s first solo exhibition
Opens Saturday, September 27, at London Art Exchange in Soho Square
Show explores themes of memory, displacement, identity, and reinvention
Runs from 3:30 PM to 9:00 PM, doors open at 3:15 PM
From screen to canvas
Actor Nitin Ganatra, known for his roles in EastEnders, Bride & Prejudice, and Charlie and the Chocolate Factory, is embarking on a new artistic chapter with his debut solo exhibition.
Titled Fragments of Belonging, the show marks his transition from performance to painting, presenting a deeply personal series of works at the London Art Exchange in Soho Square on September 27.
Exploring memory and identity
Through abstract forms, bold colour, and layered compositions, Ganatra’s paintings reflect themes of memory, displacement, and cultural inheritance. The exhibition has been described as a “visual diary,” with each piece representing fragments of lived experience shaped by migration and reinvention.
What visitors can expect
The exhibition will showcase original paintings alongside Ganatra’s personal reflections on identity and belonging. The London Art Exchange promises an intimate setting in the heart of Soho, where visitors can engage with the artist’s work and connect with fellow creatives, collectors, and fans.
The event runs from 3:30 PM to 9:00 PM on September 27, and is open to all ages.
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£1 tickets available for families receiving Universal Credit
The Peter Rabbit™ Adventure runs at Hampton Court Palace from 25 July to 7 September 2025
Trail includes interactive games, riddles and character encounters across the gardens
Children can meet a larger-than-life Peter Rabbit in the Kitchen Garden
Special themed menu items available at the Tiltyard Café
£1 tickets available for families receiving Universal Credit and other benefits
Peter Rabbit comes to life at Hampton Court
This summer, families visiting Hampton Court Palace can step into the world of Beatrix Potter as The Peter Rabbit™ Adventure takes over the palace gardens from 25 July to 7 September 2025.
Explore the Kitchen Garden, Tiltyard and WildernessHRP
The family trail, officially licensed by Penguin Ventures on behalf of Frederick Warne & Co., combines the palace’s historic gardens with the much-loved tales of Beatrix Potter. Visitors will encounter interactive activities, puzzles and games while exploring the Kitchen Garden, Tiltyard and Wilderness.
Interactive activities and wildlife learning
Along the trail, children can try Mrs Tiggy-winkle’s washing equipment to make music, search for Peter Rabbit under wheelbarrows, or test their hopping skills alongside Beatrix Potter’s characters.
The experience also highlights Potter’s role as a committed environmentalist. Young visitors are encouraged to look for real wildlife such as hedgehogs, squirrels and toads while learning about habitats and conservation in the palace grounds.
Children can meet a larger-than-life Peter Rabbit HRP
Meet Peter Rabbit and enjoy themed treats
Peter Rabbit himself will make appearances in the Kitchen Garden at set times each day, where families can take photos among the seasonal produce. Fresh fruit and vegetables grown in the gardens will feature in special Peter Rabbit™ menu items at the Tiltyard Café.
After completing the trail, children can also explore the Magic Garden playground or visit Henry VIII’s Kitchens inside the palace, where live cookery demonstrations take place each weekend.
Tickets and access
The Peter Rabbit™ Adventure is included in general admission:
Off-peak (weekdays and bank holidays): Adults £27.20, Children (5–15) £13.60, Concessions £21.80
Peak (weekends and events): Adults £30.00, Children £15.00, Concessions £24.00
HRP Members go free
Families in receipt of Universal Credit and other means-tested benefits can access £1 tickets throughout the summer (advance booking required).
Membership offers unlimited visits to Hampton Court Palace and other Historic Royal Palaces sites, including seasonal events such as the Hampton Court Palace Food Festival and Henry VIII’s Joust.
For more details and booking, visit
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The former Match of the Day presenter was voted best TV presenter by viewers at the ceremony on Wednesday
Gary Lineker named best TV presenter, breaking Ant and Dec’s 23-year run
Former Match of the Day host left BBC after social media controversies
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Gavin & Stacey takes home the comedy award
I’m a Celebrity wins in the reality competition category
Lineker takes presenter prize after BBC departure
Gary Lineker has ended Ant and Dec’s record 23-year winning streak at the National Television Awards (NTAs). The former Match of the Day presenter was voted best TV presenter by viewers at the ceremony on Wednesday.
Lineker stepped down from Match of the Day in May after 26 years, following controversy around his social media posts. Accepting the award, he thanked colleagues and said the prize showed “it is OK to use your platform to speak up on behalf of those who have no voice.” He added: “It’s not lost on me why I might have won this award.”
Asked if he might work with the BBC again, Lineker said he was uncertain but was “really looking forward to working with ITV.”
The last winner before Ant and Dec’s run was Michael Barrymore in 2000.
Netflix drama Adolescence scores double win
Netflix’s hit drama Adolescence won best new drama and best drama performance for 15-year-old Owen Cooper. The show, which follows the story of a teenage boy accused of murder, became a national talking point earlier this year.
Cooper beat fellow nominee Stephen Graham, who plays his on-screen father, though neither attended the event.
Gavin & Stacey named best comedy
Gavin & Stacey’s Christmas finale, watched by more than 20 million viewers, was named best comedy. Ruth Jones, who plays Nessa, accepted the award and joked: “Alright, calm down. I’m going to the bar now for a pint of wine.”
Backstage, Jones paid tribute to co-writer and co-star James Corden, who could not attend, and addressed reports of a new Apple TV+ project, saying nothing had yet been confirmed.
I’m a Celebrity beats The Traitors
In the reality competition category, I’m a Celebrity… Get Me Out of Here! triumphed over The Traitors, Love Island, and Race Across the World. Presenters including Coleen Rooney and Oti Mabuse collected the award.
Other winners of the night
Michael McIntyre’s Big Show won the Bruce Forsyth Entertainment Award
Molly-Mae Hague’s Behind It All won best authored documentary
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UN human rights office urges India to drop cases against Arundhati Roy
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Mary Roy, who insisted her children call her “Mrs Roy” in school, belonged to the Syrian Christian community. She does not seem a very nice person.
The Financial Times, which interviewed Arundhati at her home in Delhi, reveals: “In an episode to which the writer makes oblique reference early in the book but withholds until later — because of the pain it caused — she returned from boarding school for the holidays, aged 13, to find that Mrs Roy had had her beloved pet dog, Dido, shot and buried as ‘a kind of honour killing’ after Dido mated with an unknown street dog.”
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As I was writing my story at the Daily Telegraph, the night editor, Andrew Hutchinson, leant over and quipped: “Writing about your sister again?” As we know, Arundhati Roy did win the Booker in 1997. I had actually met Arundhati two years previously when she had stuck up for Phoolan Devi, the subject of Shekhar Kapur’s movie, Bandit Queen, based on Mala Sen’s biography.
Phoolan had been repeatedly raped by upper class Thakurs (the men were later lined up in the village of Behmai and executed by Phoolan’s gang in 1981). The film was exploitative, claimed Arundhati, because for Phoolan, it was like being raped again. She wrote a piece in Sunday in Calcutta (now Kolkata), headlined, “The Indian rape trick”.
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The mural has been covered and is being guarded by security
A new mural by street artist Banksy has appeared on the Royal Courts of Justice building in central London.
The artwork depicts a judge hitting a protester, with blood splattering their placard.
It comes days after nearly 900 arrests at a London protest against the ban on Palestine Action.
The mural has been covered and is being guarded by security; Banksy confirmed authenticity via Instagram.
Banksy’s latest work at the Royal Courts of Justice
A new mural by the elusive Bristol-based street artist Banksy has appeared on the side of the Royal Courts of Justice building in central London.
The artwork shows a judge in traditional wig and black robe striking a protester lying on the ground, with blood depicted on the protester’s placard. While the mural does not explicitly reference a specific cause or incident, its appearance comes just two days after almost 900 people were arrested during a protest in London against the ban on Palestine Action.
Security and public access
Social media images show that the mural has already been covered with large plastic sheets and two metal barriers. Security officials are guarding the site, which sits beneath a CCTV camera.
Banksy shared a photo of the artwork on Instagram, captioning it: “Royal Courts Of Justice. London.” This is consistent with the artist’s usual method of confirming authenticity.
Location and context
The mural is located on an external wall of the Queen’s Building, part of the Royal Courts of Justice complex. Banksy’s stencilled graffiti often comments on government policy, war, and capitalism.
Previous works in London
Last summer, Banksy launched an animal-themed campaign in London featuring nine works. The series concluded with a gorilla appearing to lift a shutter at the London Zoo. Other notable pieces included piranhas on a police sentry box in the City of London and a howling wolf on a satellite dish in Peckham, which was removed less than an hour after unveiling.